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     ANOTHER PEGANT MASSACRE FULL FILM
    21 minutes
      ANOTHER PEGANT MASSACRE FULL FILM - Another Beauty Peagent Massacre
FULL MOVIE FOR THE BEST PRICE! 
CUSTOM
Starring: 
Afrodita, Zlata, Unholly Polly, Bella Lenina, Li, Demonica and Billy Brag

 7 Slasher Murders: Decapitations, Stabbings, Cutting, Choking, Strangling!

“Bravo!!! This was a masterpiece! I think this will be the first of many customs!!! Loved it. Thanks so much for all the attention to detail”

Feedback from customer

7 contestants are walking the walkway in the Peagent. Wearing bra, panties, pantyhose extra sheer, and high heel pumps. After they finish they go back to the waiting room. They’re talking to each other, the ones standing dip their feet in and out of shoes to relieve their pain. 

One goes first to the bathroom where the Sandman is waiting for her hiding as she goes to the bathroom as she enters the stall the Sandman appears atop the division of the stall and loops a wire noose around her neck. He pulls hard hanging her by her neck and ties wire to a hook on wall. She is hanging and strangling. Her shoes are a bit loose so they struggle to stay on her nylon clad feet. As she starts to lose the fight her eyes roll back, her tongue sticks out and her arms flop to the side shaking. Her shoes hang for dear life from her toes. To finish her, Mr. Sandman pulls down on her body, stretching her neck and breaking it. Her feet give a final shake as she dies dropping her shoes revealing her nylon soles. He leaves her hanging and closes the stall door. 

Another contestant goes to the bathroom too. She opens stall and sees contestant hanging. Mr. Sandman appears behind her and grabs her by neck and lifts her in the air. He squeezes her neck hard. Her eyes fluttering and tongue out, her shoes slip off from her feet. He squeezes harder and a loud crack is heard as her throat breaks. Her toes spread and then relax. He slowly lets her down and sits her corpse on the floor with her back resting against the wall. He twists her head breaking her vertebrae and her toes twitch and relax again. 

Another contestant goes to a room they have for contestants to relax. There is a bed. She enters crawiling and lets shoes fall off. She sits on the bed with her back resting on the head rest.  Her feet stretch out in front of her, she wiggles her toes in relief. The Sandman is hiding behind the head rest. He thrusts a long knife behind the headrest, it goes through the head rest and enters the back of her neck, goes through the neck with the tip exiting out of throat. She starts to choke. Her soles flexing, toes spreading, her eyes roll back. Some gurgles later she expires, her feet relaxing. He pulls knife out of neck. He starts to slice the throat slowly. She’s dead but faint gags and gurgles come out of her half way open mouth. Her dead toes twitch a little as he cuts deeper into her throat. The knife cuts through all the throat cartilage reaching the neck bone. He grabs her head and twists it hard. The head goes around 180 degrees. Her toes spread in reaction. Sound of torn flesh fills the room. He twists the head around again. Pulls her head upwards and removes her head. Her toes from the headless corpse twitch a bit more, and then relax. He puts her head right next to her headless corpse. 

Two contestants go together to the room and as they enter the room they go into shock when they see the decapitated contestant sitting on the bed. As they turn around to go warn the others, they’re confronted with Mr. Sandman who grabs them both by their throats and squeezes hard. He lifts them up a bit first so they’re standing on their tip toes. The heel of their feet slips out the back of their shoes showing half of their soles. He walks forward. They’re forced to walk backward on their tip toes toward a wall that has hooks to hang coats. He lifts them up more, slowly, as they go up the pressure on their throats increases, their eyes open wide, and faces turn red, the tongue extends out. Their feet now on the air. He twists his hand on one of the contestants breaking her neck. Her feet shake quick and relax. Her shoes fall off from her feet. The other one is almost dead from choking. Her arms flop to the side. She is gagging and gurgling. She is so weak her toes cannot hold on to the shoes anymore. Gravity takes its toll and the shoes simply drop. He thrusts both of his arms forward and impales the back of their heads against the hook. The one that was still alive dies with her eyes rolling back. The other was already dead. He leaves them hanging there. 

Another contestant goes to the resting room to check on them since it’s been a while. She enters the room and sees the three contestants dead. Before she can scream a swoosh sound is heard, accompanied by a gushing sound. Mr. Sandman who appeared behind her, had swong a machete right across her neck. A faint gag is heard from her and a shocked look on her face. Faint gags come out of her. Her stare goes blank. A red line appears around her neck. She falls kneeling position first. The back of her feet pop out of the back her shoes. As she stays kneeled her head slowly falls off and hits the floor. Her headless corpse stays kneeled for just a few more seconds and falls forward. Her shoes half way off. We can see half of her soles. As her foot twitch a bit the shoes come off completely. A few more twitches as the last vestiges of life leave her body, then relax.

The last contestant is still in the waiting room. Legs crossed and the shoe dangling from her big toe. She is waiting and wondering where is everyone. Mr. Sandman appears from behind, puts his hand on her forehead to force it back and with a long knife starts to cut her throat. She starts to gag and gurgle. Her feet move dropping her shoes. The knife goes deeper. Her movements slow to a shiver now, her toes wiggling. Again, as the knife reaches bone and meets resistance, Mr. Sandman grabs her head by the temples and twists the head around 180 degrees. A faint gag and gurgle is heard, along with the sound of gushing as he pulls the head off. Her feet twitch. Her headless body stays sitted in the sofa. 

Now Mr. Sandman recovers all the bodies. Sits them on the floor straight with their backs resting on the wall. Right next to each other. The ones that are decapitated, he puts the heads right next to them. We see the sitting corpses with legs straight so soles of their feet are looking forward to camera.  Shootout Cocktail
    20 minutes
      Shootout Cocktail - SHOOTOUT COCKTAUL
Fetish elements: gun shootings without ***** effects, shootouts, shooting to the head, back, stomach, chest, agony death stares, sexy poses, different clothes 
20 minutes! 
15 SCENES   
30 DEATHS
5 DRESSES: sexy lingerie, elegant short dresses, sexy jeans shorts and T-shirts, office style with black stockings, elegant dresses with black stockings
3 Types of guns: Russian gun Makarov, American Revolver, gun with silencer
     Unrequited Love
    9 minutes
      Unrequited Love - Unrequited love
Custom video
Starring: Nadya and Helga
Fetish Items:
Summer dress, chest shooting, Death Stares? Shock Reaction, Professional Falling


Beautiful and stylish work, inspired by the scriptwriter story of Ivan Bunin "Light Breath", filmed in the best traditions of the independent film company DarkRooms Production.
A high school student and her friend were shot by an officer who understood forever that love is not possible.  MENS CROSS
    23 minutes
      MENS CROSS - CUSTOM

Young man has a series of three dreams during which he is brutally killed by a masked killer (like a Jason in Friday the 13th or a Michael Myers in Halloween) and then wakes up in horror after each dream death.  Masked killer and young man are the main characters; there may be a few supporting characters as needed for each dream.  Here are the three dreams:

(1).  Man is cuffed spread eagled to bed frame at ankles and wrists.  He’s nude and thinks it’s for some fun with a girl he picked up at a bar earlier.    But the killer torments him (with a sharp hunting knife) and then kills him by repeatedly stabbing him with that knife.

(2).  Man is running in the woods wearing just shorts and running shoes.  He’s nice and sweaty since it has been a good work out.  He flexes his muscles and smiles cockily.  He takes a selfie of himself flexing. He continues his run, thinks he hears something  and thinks he sees something.  He backs up against a tree and the masked killer wraps a leather strap around the man’s eyes and slowly and cruelly crushes his head.

(3). Man is sunbathing nude in nature.  He looks at his phone, and it’s June 21 (the summer solstice).  Then he’s knocked out by the masked killer who nails him to the cross and watches him die.

After waking up after the third dream, the man garroted by the masked killer using a metal wire.

All these scenes should be much longer, more violent / intense and bloodier than what we would see in a commercial horror movie.  The young man should be screaming a lot in pain/ horror as he’s killed; his body should also be struggling a lot during the death scenes.  

Introduction:   Shot of the young man sleeping in his bed.  He tosses and turns some.  His window is open and the curtains move in the breeze.  

Cut to first dream.

Dream 1: (based on a scene in Basic Instinct):  Young man enters his apartment with young woman he has picked up at a bar.  They flirt, kiss and remove the clothes from each other.  Woman takes four handcuffs out of her purse and nods her head in the direction of the bedroom.  He agrees, thinking he will be the one handcuffing her.  But she reverses the roles and handcuffs him nude  by his wrists and ankles to the bed frame.  She blindfolds his face with an eye mask; promises that he’ll have the best night of his life and goes to use the bathroom, where she is killed offscreen by masked man.  

Masked man approaches blindfolded young man who thinks it is the woman approaching.  He flirts thinking it’s her.  Masked man takes hunting knife and rubs the smooth cool blade against the young man’s limbs and torso; young man thinks it’s foreplay.  

Then the masked man takes the tip of the knife and nicks the cheek of the young man, who yells in protest.  Masked man removes the eye mask from the young man who realizes now that something has gone seriously wrong with his date.  His eyes are open in anger; he struggles against his bonds  and he yells at the masked man to let him go.  

The masked man slowly makes long shallow cuts along the pecs, abs, arms and legs of the young man.  He screams in horror, and he struggles in vain to get loose with his muscles flexing as he struggles.  He looks in horror at the masked man and down to his own desecrated body.

The masked man then takes the hunting knife and plunges it repeatedly in the pecs, abs, and muscles of the young man.  His body bucks back and forth in pain.  Blood flows from the wounds, spurts from his mouth and drips from his nostrils.  Young man is screaming in horror.  Should be some different angles, close ups.

Masked man looks down at victim who is growing weaker and and dying and asking why he did this.  Masked man is silent. Victim’s body and limbs tremble and twitch.  He dies with a horrified death stare open eyed.  Camera pans along the length of his entire body.


Young man wakes up screaming from dream and checks his torso and limbs for wounds, but there are none.  A bit disturbed, he goes back to sleep unaware that masked man is in or outside the building.  We see the masked man from our POV watching the young man and holding a leather strap in his hands.


Dream 2: (inspired by a scene from Friday the 13th Part 5):  Man is running in the woods wearing just shorts and running shoes.  He’s really  sweaty since it has been a good work out.  He stops and flexes his muscles and smiles cockily.  He looks great and he knows it.  He takes a selfie of himself flexing and admires his own photo.  He doesn’t notice the masked man with a leather strap watching him from behind a tree.

He continues his run, thinks he hears something.  He looks around, but the masked man is hidden behind a tree.  He runs a bit and thinks he sees something - maybe a glimpse of the silhouette of the masked man in the forest.   The cry of the hawk startles him and he backs up against a tree.  He smiles, realizing it was just a hawk.  That’s when the masked man flings a leather belt from behind the tree around the man’s head covering his eyes and slowly, cruelly crushes his head. 

Man is surprised and cries out holding the strap screaming.  

Several shots of the man struggling and screaming horribly as his skull is slowly crushed. 

We should have close ups of the head and shots of man above the waist, as well as shots showing his entire struggling body and struggling arms/legs.

Blood should flow from nostrils and maybe his mouth, as well as from where the strap is crushing his eyes.  As the crushing proceeds, the blood should drip down on his torso, legs and drip on the ground.

Towards end of death scene, young man’s body is trembling as he dies standing upright with his head crushed against the tree trunk.  Then his body goes limp.

Masked man uses the young man’s phone to take a picture of the victim.

Masked man posts two pictures on an anonymous Internet forum:  the young man’s posing selfie and the picture of him dead.


Young man wakes up screaming from the dream and touches his head and looks at his hands expecting to see blood.  But he is all in one piece and fine.  He is disturbed, but lies down and falls asleep.  We see masked man holding mallet and heavy spikes watching the young man, who is unaware of his presence.




Dream 3 (sacrificed on the summer solstice by being crucified):

Young man is sunbathing nude.  He looks at his phone and it’s June 21 (the summer solstice).  Masked man knocks young man out.

Young man awakes.  He is on a cross with his arms tied to it and his legs as well.

Masked man uses mallet to drive spikes through the young man’s wrists and the sides of his ankles.  (Ankles should be nailed to side of cross, not the it’s front.). Young man screams and his body arches in pain each time  as he’s nailed.  Blood flows from each wound.  Some shots of his screaming face as well.

Next shot is of upright cross with young man nailed to it.  His body is shiny with sweat and blood drips from wrist to ground and along his triceps.  Blood flows from ankles wounds down cross to ground.

Young man is having trouble breathing, so he pulls himself up by his arms to lift himself up to get some breaths.  He screams in pain as he does so, gulps some deep breaths and then collapses so his weight is held up only by the spikes.

Young man’s body hangs limply on cross.  Sweat drips off his nose, chin, bottom of his triceps and from his hair.  His entire body is shiny with sweat.  His eyes are open in pain and suffering.  His body trembles.

Then his eyes go blank in a death stare.  

Last shot is masked man looking at full body shot of the crucified victim.

Young man wakes up screaming and looks at his wrists, but he is unharmed.  He is disturbed by all this since the dreams have seemed so realistic.

Finale:  

Young man goes to his bathroom, washes his face in front of a mirror.  He stands up and sees masked man standing behind him in the mirror.  Masked man then wraps thin wire around young man’s throat and garrotes him as he watches himself in the mirror being killed.

Wire cuts into young man’s throat; he struggles vigorously trying release himself.  Blood flows from wound and mouth / nostrils.  

Young man’s body trembles as he dies; his body goes limp with eyes open in a stare.

Masked man lets the limp body of the young man drop to the floor.  Masked man walks out of the apartment.
     GHOST 4
    12 minutes
      GHOST 4 - GHOST 4

2 SEXY GIRLS WERE STRANGLED BY INVISIBLE GHOST IN HORROR HOUSE!

Great Gothic Erotic Horror Film in 1990-s horror-movies style!

Fetish Elements: 
Boots, Leather, Strangulation, Choking, Gasping, Agony, Postmortem Agony, Death Stares 
Plot
Two girls were invited to the party to the horror-house. They arrived first and had to spend all night together before their friends would come. Maya is afraid to stay on the house but her friend Yana thought it’s fun! But a ghost-strangled attacked them…

IF YOU LIKE THIS MOVIE PLEASE ALSO CHECK 
GHOST 1-3!  THE ELF AND BAD SANTA
    38 minutes
      THE ELF AND BAD SANTA - THE ELF AND BAD SANTA



CUSTOM

CAST: Tatiana, Max, Annabelle

The theme of this story is that Tatiana is called to the office to be punished for naughty things she has done against Christmas.  She is insolent and defiant, but wants to keep her job, so she admits to some sins, willing to take a little punishment, never thinking that Max the enforcer knows all the bad things she has done, or what her ultimate punishment is. 

The enforcer begins to list her sins, and with each sin, gives her a punishment. 

I will leave it to your creative genius to use as many offenses and punishments as you can, till we get closer to the climax. 

Some transgressions she has committed: Misaddressing Christmas cards, hiding presents, badly wrapping presents, putting the wrong presents in the wrong packages, keeping toys for herself, not singing Christmas carols, using the wrong words in carols, not being happy with children on Santa’s lap, showing her cleavage to little boys, denying reindeer can fly—whatever you and your crew can think of. 

Each offense is punished by progressive harder, sexier, more sadistic punishments, such as slapping her hand, spanking her bottom (hand and/or ruler), face slapping, stomach punch, breast slap, hair pull, whipping her bottom, face punch, choking (one or both hands).

It is IMPERATIVE that T’s elf take these punishments with amusement, surprise, and pleasure (mixed with pain), willingly submitting even while showing some resentment at the abuse.  The harder they get, the more pleased surprise she shows—wide eyes, open mouth, with some pain but also delight.

As the list of sins goes on and on, however, and the punishments get harder, though, she beings to regret her willingness to accept them.

Two essential punishments for moderately severe offenses against Christmas: 

One:  T is forced to kneel on the ground and bend over at the waist, face shoved forward into the carpet, her bottom in the air.   Her feet are tied together and her hands are tied behind her back.  Her short dress is pulled up to expose her almost bare bottom, and she is paddled with something like a ping-pong paddle.  She gasps and cries with pain and struggles, and cries insults at the enforcer, but doesn’t really try get away or stop him.

Two:  T, still being insolent, runs and sits in the enforcer’s large, luxurious armchair, being impishly disobedient, having fun and mocking the enforcer’s seriousness, and what she regards as minor offenses.

T (sitting the chair like a queen):  This could be mine!  I could do your job!  You think you can keep me in line?  You hit like a girl!  Sissy!  Poor little boy, trying to be mean!  Come her—at my feet!

M (slowly approaches the chair, and pulls up the ottoman so he can sit close to T):  Little elf, I have not even begun to give you what you deserve.  (Suddenly, punches her breast (close up) hard enough to bounce her off the back of the chair.)

T (Gasps and shrieks a little, but lies back, wide eyed, looking at M with astonishment):  Wow!

M:  You were saying?  (Punches her other breast, just as hard (close up)).

T:  Owww! (Eyes even wider, mouth open with utter surprise, both at what M is doing and at her enjoyment of it.  She touches her breasts, then looks wantingly at M, and puts her hands back against the back of the chair, by her head, inviting more hits).

M (punches her breast even harder (close up).

T:  Uhhhhh!  (Head bouncing forward then back, then head leaning back, eyes almost closed, lips parted, in obvious pleasure.  She stays in her previous position, exposed.)

M (laughs a little, then punches her other breast, again bouncing her off the chair back).

T:  Oooph!   (slumps in the chair, overwhelmed with the pleasure of being hit so erotically)

M (stands, grabs the front of T’s dress and pulls her up, into the middle of the room.  She wobbles on her feet.  M grabs her breasts and pulls her toward him, her head and arms flying behind her.  He then spins in a tight circle, swing T by her breasts in front of him.  After two circles (her eyes wide, gasping and crying), he flings her by her breasts across the room.  She hits the floor and rolls under the Christmas tree.  As she lies there still, M goes to his desk to see what else T must be punished for.  She crawls timidly out from under the tree, unsure if she likes this game anymore.)

(T decides to try to seduce the enforcer, so she comes to him and tries to hug and caress him, rubbing her body against him, enticing him with her eyes, showing him her cleavage.  He lets her do what she wants for a while, then shoves her away.)

After being rejected and shoved the floor, she continues to try to seduce him, by preening, stretching, raising her stockinged legs, spreading her legs, rolling about, showing off her body in various inviting poses.  He ignores her at first, but finally exasperated, goes to the large armchair and sits.  He pats his lap and says, “Come sit on my lap.â€

Tatiana (thinking she was won the battle): “On your lap?  I’d love to.â€

Max:  Yes.  Come here.  I want to beat you.

Tatiana (surprised, but liking the idea):  You want to beat me?

Max:  Yes, I want to beat you.  You need to be beaten.

T (get up off the floor and sits on M’s lap, wraps her arm around him):  You can beat me, but wouldn’t you rather do something else?

M (laughs and begins nuzzling and caressing T all over, quickly getting an excited response from her.  He lets her hair down, and when she is breathing heavy, he stops caressing her.  “Ready?â€

T:  Yes!  Yes!  Ready for what?

M (takes her by the hair):  This!  (hit her hard twice in one breast with the side of his hand (the thumb side), like the edge of a knife or axe, knocking the wind out of T)  [we must see these hits close up to know what’s happening]

T (responds to hits with even more excitement)

M (caresses her some more, then moves her around and hits her other breast on the nipple four times with the side of his hand;  T jerks and gasps with each hit)

T (moaning with pleasure):  Oh, my God!

M (to himself):  Yes, you’ll meet him soon enough! (hits her breast twice more, as she gasps)  You’ve been so bad, trying to seduce Father Christmas’s enforcer!  How hard should I hit you for that?

T:  As hard as you want!

M (hits her four more times in the breast)

T (gasps and twists with each hit, but doesn’t try to stop M or protect herself)

M (after a pause, hits her breast twice more):  This is good.  How many times should I hit you for this new offense?

T (breathless, knowing she will be hit again):  As many times as I deserve!

M (shifts her around again and hits her other breast six times, fast and hard (close ups); T jerks and gasps with each hit).

T:  Oh! Oh! Oh! Oh! Oh! Oh!

M:  Naughty elf!  You don’t deserve your elf costume!  Take it off!

T (stand, strips off her dress, sits back on M’s lap):  Yes, I’ve been so naughty!

M (holding her by the hair, still using the edge of his hand, hit each of T’s breasts several times)

T:  Beat me!  Hurt me!

M:  You want to be hurt?  Take off your bra!

T (eagerly takes off bra and throws it away)

M (grabs one breast and holds it tightly (close up) while, using his palm now, slams his hand into each breast (close up) half a dozen times (fully shot to show holding her by the breast while hitting her, her arms spread wide, defenseless); T is becoming delirious with joyful/pain). 

M (shoves her off his lap and onto the floor):  On your knees!  Hands behind you!  Head back!  Lean back!

T (crawls to the middle of the rug on the floor and does as instructed)

M (kneels on the floor in front of T and punches her in each breast a number of times with his fist; T responds with little shrieks.  M hits her again, very hard, sprawling her on her floor, face down.  He slips his hand under her, grabs her breast and pulls her by her breast onto her back (close up of this action).   She lies, arms spread wide, breathing hard.  He straddles her, grabs her breasts, and pulls her up till she is bent at the waist.  She hangs by her breasts in his hands, arms limp, head hanging back.)

M:  You think you were going to get away with all your sins?  (Shakes T up and down)  Did you?  (shakes her up and down more, pushing and pulling her by her breasts; view sides and from above as he does)  Did you think you could seduce me and escape your punishment?  (shakes her) Did you?

T (finally trying to remove his hands, without success):  No, no!  I didn’t mean anything!  I know I deserve what’s happening!

M (shoves her to the floor and sits again at his desk, consulting his papers):  That beating was just for trying to avoid being disciplined for your worst sins against Christmas.  Do you understand that?

T (Still on the floor): Yes.  I’m sorry.  I won’t do that again!  I promise!  I’ll take what’s coming to me.

M:  You certainly will.  (Consults papers)  I’m coming to the end of the list, and I see here, you have two of the worst possible sins.  The second worst sin is, you have told children that Father Christmas doesn’t exist!

T:  But—but—I’ve never seen him!  I might be working all day for someone’s imagination!

M:  And you compound the sin to me!  Stand up!  By the fire, face me and take your punishment!

T (stands, feet together, in front of the fire)

M:  Deny Father Christmas, will you?  (slaps her face hard, a dozen times)

T (astonished, after the last slap):  Show him to me!

M:  You’re just making it worse for yourself!  (slaps her breasts a dozen times)

T (crying): I’ve done nothing wrong!  He’s not real!

M:  Hands behind your head!

T (clasps hands behind her head, staring at M, knowing she is going to be hit): Do it!

M (punches T hard in left breast four times (close up!)

T (at fourth hit, staggers backward)

M:  What are you doing?  I’m not done!

T (resumes her position, hands behind her head)

M (punches each breast several times on the nipple, and sideways (close ups), total six hits)

T (doubles over, hands over her chest)

M: Stand up!  You’re not finished!

T (resumes position, hands behind her head)

M:  Father Christmas does exist! (punches each breast three times, hard than ever, finishes with one more vicious breast punch that sends T to the floor; she lies on her side, arms stretched above her head)

M: Some elf you were! (Kicks her in the breasts, rolling her across the floor several times, then returns to desk)

T (slowly recovers, gathering her clothes (bra, dress, gloves, cap)as M returns to his desk; as he checks off items, she starts to stumble toward the door)

M:  Wait!  There’s just one more thing.

T (actually frightened now):  I haven’t done anything else!

M:  Yes, you have.  (Leaves desk and pulls T by her hair back into the room, to the large chair.  He pulls the ottoman into the middle of room while still holding T). 

M (holding T by the hair) You’ve told children THERE’S NO SUCH THING AS CHRISTMAS!!!  That is an offense worthy of death!

T: Nooooo!

M (sits on ottoman, pulling T down backward  so she is lying across his legs, on her back)

M:  There is no greater offense, and no greater punishment!  (Wraps a red stocking around T’s neck and tightens it.  As T struggles against the beginning of the strangulation):  Choose between being beaten to death (punches her breast on the nipple) or being strangled! (tightens stocking)

T (Speechless, terrified)

(For the next several minutes, T alternately tries to stop the strangulation and stop the beating.  When her hands try to pull the stocking away, M punches her breasts until T tries to protect her breasts with her hands.  When she tries to protect herself, he tightens the stocking a little more, edging her closer to asphyxiation.  This process repeats itself 3-4 times (distance shots and close ups).  Finally, T realizes she being strangled and death is near, so she stops trying to protect her breasts.  She claws at the stocking while M repeated punches each breast, harder and harder, trying to distract her; T lets him hit her, because she’s just trying to survive.  But it’s too late.  Slowly, even as M continues to hit her, her arms fall back behind her head.  M cinches the stocking down and punches her breasts until T shows no signs of life, and hangs limply across his lap.  He lifts her head by the stocking and shakes it, then pulls it back down and punches her breasts several more times (clearly seen).  Finally, he rolls her off his lap onto the floor, and kicks her onto her back.)

M (kneels and straddles her, grabs her breasts and pulls her up into a sitting position; she hangs by her breasts, dead, in his hands (mandatory: (1) side view, (2) close up, (3) camera moving from behind T, seeing her face, up and over her to look down on her breasts in M’s hands) and (4) view from high up above):  Naughty, naughty elf!  Father Christmas is the nicest old man in the world, and there’s no place for tarts like you, who question his existence and ruin children’s dreams!  (Drops her, stands and stomps on each breast several times hard enough to bounce her off the floor, saying “Bad elf!†with each stomp).

M (returns to desk, consults papers):  So much to do, so much to do!  (He works for a while, until his eyes stray and he sees a boy’s toy still unwrapped—a toy pistol that shoots rubber suction cup darts [e.g. by the Dreidel Company Detective Set, less than USD $10 on Amazon].  He looks at T’s body, and has an idea.

He props T’s body up against a wall (using whatever means you like to keep her upright), then takes some women’s lipsticks and draws round targets on her breasts, with her nipples as the bullseyes, then amuses himself for a while shooting the suction cup darts against her breasts (2x the 10-11 darts).  She stands passively, restrained up against the wall, head to one side, eyes open, lips slightly parted, as the darts hit her breasts and nipples (close ups), though they simply indent her breasts but don’t stick.  He enjoys this at first, but quickly tires of it.  He looks at T, looks around the room, and decides it needs more decoration.  He ties her hands behind her back and her arms to each other (she is limp, so he has to continually manhandle her, pushing her up against a wall and holding her there alternately by her neck, her hair, and just one breast), and then ties her feet together and, ties her thighs together, then wraps her body in a string of lighted Christmas lights (including wrapping some tightly around her breasts), puts her red stocking cap on her head, and hangs her by the neck from the ceiling. )

M (pours himself a drink and works at his desk as T dangles in the background):  So much to do!  So much to do! 

(The clock ticks by the hours, till it is near midnight.  M finally lowers T and takes off all the lights and wrappings.  He then makes out a label:  “Return to workshop.  Defective elf merchandise.† He then pulls out a large cardboard box and stuffs T into it, then stuffs packing papers around her, seals it up, put on the label and has it carted off by more helpers.

M (back at his desk): So much to do, so much to do!

(There’s a knock at his door, and another beautiful, sexily clad elf comes in and says): “Is this where I come to be punished for my sins?â€

Max winks at the camera.
     PANTYHOSE WOMAN
    19 minutes
      PANTYHOSE WOMAN - PANTYHOSE WOMAN
CUSTOM
ATTENTION! VERY SCARY!
REVIEW: Wow... it was a very violent video, I'm shocked by what I saw. Ksyusha Zaichuk is the creepiest female killer I have ever seen. Amazing sound and lighting, the voice acting of the manikins also really liked, realistically voiced. Close-up angles, that's exactly what I wanted, the goal of seeing the face of the actress playing the killer at close range is achieved)
Starring: KSYSHA ZAICHIK, ALICE MIREN
Key Elements: 
Pantyhose, Masks, Female Killer, Killing Family, Strangulation, Bagging, Violence, Nightmares 

A bizarre, provocative, metaphorical video about a monstrous woman who murders entire families to order. Her goal is money, but she also takes a deep pleasure in killing innocent and helpless people. A real maniac! She never shows her face, and changes clothes several times, trying on different masks, wigs, and wrapping herself in pantyhose and stockings. Who is she, a terrible monster that takes helpless people to the valley of death?
Two actresses are involved in the film - Ksyusha and Alice, the rest of the roles are played by dolls. This adds to the quirkiness of the story.
The scene in the hospital, when a disabled person in a stupor is in the clutches of a maniac, is incredibly cynical.
The horror film is influenced by Japanese and Korean horror, European art house and giallo films.
IF YOU LOVE THIS FANTASTIC, BRIGHT HANDWRITING, SEE ALSO
POOR AND UNHAPPY
HELL ON THE EARTH  Firefight
    14 minutes
      Firefight - FIREFIGHT
GREAT FETISH STUFF FOR SHOOTING AND PANTYHOSE  LOVERS
ONE OF THE BEST OUR CLASSIC SHOOTERS EVER! We did this film in classic death fetish traditions, taking the most favorite fetish elements in one movie!
Fetish elements:
Type of killing: Much shooting with *****
Clothes: White shirts, black miniskirts, black stockings, high heels 
Death stares: Open eyes, closed eyes 
Postmortem –stripping, touching

Great erotic shooting spy thriller

First part. Shoot out. 
The movie starts when 3 sexy female agents are waiting for their enemy – agent 0016.
They are special female army, machines for killing. Well educated in prestige special high ******, very sexy and smart they seduce their victims, take all they need and then.. kill! But agent 0016 is very professional contract killer from Mi6. 
During shooting out and firefight he kills them all  - Juliana falls by shooting in her back, Luiza was wounded in her arm, then she gets bullet to the chest and then to the neck (bullet time slow motion effect). 
Hass takes the bullet in her bellybutton and then falls by headshot. 
Second part. Postmortem. Agent 0016 checks  dead bodies. He searches for secret flashcards, documents, so he needs to dresses them for nude staying their nude corpses inly in black stockings. He closes their eyes, puts bodies in different poses.
     MACHINE GUNNED 6 Fill Clip
    62 minutes
      MACHINE GUNNED 6 Fill Clip - 1 hour!
About 180 death scenes!
4 actresses!
Spies, Gangsters & Soldiers - 3 girls in a series of sketches where they portray spies, gangsters, and army chicks.


Spies:
Scene 1 – Mary sneaks in to steal some papers.  Guards Hass and Tora catch her and as she surrenders they have her face the wall and frisk her, then machine gun her.  She slides down the wall onto the floor and her dead body twitches for several seconds before Hass riddles her some more.  As Hass and Tora stand over the dead body, the cameraman mows both of them down and they fall into a body pile.

Scene 2 – This time Mary makes a run for it and is machine gunned down by the guards.  Her body twitches so Tora stands over her and riddles her over and over again (overkill).  As she finishes, the cameraman mows her and Hass down who fall into a body pile on top of Mary.  This time Hass and Tora's bodies twitch and so the cameraman has to blast them (and hits Mary's body too) again.

Scene 3 – In this version, Mary fights back and shoots it out with Hass and Tora.  Mary hits Hass but is then mowed down by Tora.   Tora really blasts her so she goes down dead.  Hass's body twitches a bit so Tora finishes her off.  Tora drags Mary's body on top of Hass's, then riddles the bodies.  As she does so, the cameraman mows her down (in the back) and she falls onto the body pile as the cameraman continues to fire, which makes all of the bodies shake.

Scene 4 – Mary the spy is caught between the two guards, as they prepare to fire, she suddenly drops down and Hass and Tora accidentally machine gun each other.  Both bodies twitch so Mary riddles them some more, one at a time.  She blasts Hass so that her body rolls across the floor forming a pile with Tora.  The cameraman mows down Mary who falls into the pile.  Mary's body twitches a lot so the cameraman blasts her and the pile some more.

Scene 5 – Mary again surrenders, so Hass and Tora have her face the wall.  As Hass frisks Mary, Tora machine guns them both.  It's important that they bounce around touching against each other much of the time.  As they fall, Tora keeps shooting them.  She finally stops just as the cameraman mows her down.

Scene 6 – Mary is trapped by the guards and as they close in, she raises her gun and machine guns herself to death.  The guards are surprised and a bit disappointed since they wanted to shoot her.  Tora walks over and riddles Mary's body.  Hass mows down Tora, who falls on top of Mary then riddles her body, also hitting Mary's dead body.  The cameraman then mows down Hass who also falls on the body pile.  Hass twitches quite a bit so the cameraman riddles the body, also hitting Tora and Mary's dead bodies.

Scenes 7-12, same as above with girls switching parts, and Tora being the spy.

Scenes 13-18, same as above with Hass being the spy.

Scene 19 – All 3 girls are spies and get caught by the cameraman and shoot it out, all of them going down in a hail of bullets.  The bodies twitch so the cameraman riddles them.

Scene 20 – All 3 girls are spies and this time when caught, they surrender.  The cameraman has them face the wall and then machine guns them in the back.  They fall into a twitching heap, which the cameraman riddles some more.  Mary's body still twitches a little bit so she is blasted one more time, but some of the bullets also hit the other bodies.


Gangsters:
Scene 1 – Hass and Tora are sitting playing cards when Mary comes in.  They both stand and raise their hands but Mary mows them both down.  Hass twitches so Mary shoots her some more.  The cameraman then blasts Mary who falls across the bodies forming a pile.  Cameraman riddles body pile.

Scene 2 – Mary and Hass playing cards when Tora comes in.  She makes them stand facing the wall, then executes them by machine gunning them in the back.  They fall in a pile.  Cameraman then mows down Tora.  Mary's body twitches so the cameraman riddles the pile.

Scene 3 – Tora and Mary are playing cards when Hass comes in.  Without even standing, Mary goes for her gun and Hass mows her down.  Distracted by mowing down Mary, Hass is then mowed down by Tora, falling on top of Mary.  Tora is pretty happy at coming out alive, but then the cameraman mows her down and she falls on top of the pile.  She twitches so the cameraman riddles the pile.

Scene 4 – All girls a playing cards, when cameraman makes them face the wall and executes them, and the fall into a pile.  They all twitch so she shoots them some more.

Scene 5 – Mary machine guns Tora and is captured by Hass.  Mary is taken to wall and is machine gunned (executed.)  After the shooting stops she falls and her body twitches a bit so another burst is given.  After that the body is still.  Cameraman then machine guns Hass.

Scene 6 – Tora machine guns Hass and is captured by Mary.  Tora is taken to wall and is machine gunned (executed).  After the shooting stops she falls and her body twitches a bit so another burst is given.  After that the body is still.  Cameraman then machine guns Mary.

Scene 7 – Hass machine guns Mary and is captured by Tora.  Hass is taken to wall and is machine gunned (executed).  After the shooting stops she falls and her body twitches a bit so another burst is given.  After that the body is still.  Cameraman then machine guns Tora.

Scene 8 – All 3 girls are executed one after the other.  The bodies falling to a pile.  Mary gets it first,  then Hass, and finally Tora gets it.  The girls are brought in one at a time, mowed down, and the bodies left to pile together.

Scene 9 – As Hass is getting machine gunned by the cameraman, Mary pushes Tora onto the line of fire, causing her to be machine gunned also.  As she steps closer to get a better look at the shaking bodies, she gets too close and steps into the line of fire.  All 3 girls shake and shudder as the fall into a body pile.

Scene 10 – Mary is about to execute Tora when Hass bursts into the room and machine guns Mary.  Although mortally wounded, as Mary starts to go down she manages to machine gun.  Hass blasts Mary again and Mary dies falling into a heap on top of Hass.  Her dead body convulses in death.  Tora walks over and riddles the bodies, and is then machine gunned by the cameraman.



Forearms - I'd like each scene to be one continuous take with no stops or edits.

Scene 1 – Mary shows her arms and the camera lighting makes the hair glisten.   Suddenly the cameraman machine guns her and dies face down, arms extended.  She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs.

Scene 2 - Tora shows her arms and the camera lighting makes the hair glisten.   Suddenly the cameraman machine guns her and dies face down, arms extended.  She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs.

Scene 3 - Hass shows her arms and the camera lighting makes the hair glisten.   Suddenly the cameraman machine guns her and dies face down, arms extended.  She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs.

Scene 4 – Tora machine guns Mary.  She then takes off one glove and plays with Mary's arm hair.  She puts the glove back on and is then machine gunned by Hass.  Hass then takes off one glove and checks out Tora's arm hair.  She puts her glove back on and is machine gunned by the cameraman.  

Scene 5 – Tora and Mary machine gun Hass.  They then take off one glove and check out Hass's arm hair.  They then check out each other's arms as well as their own arms.  Next they put their gloves back on and promptly shoot each other to death.  The camera gets a nice view of all of their arms.  They twitch a little so the cameraman then riddles the bodies.

Army:
Scene 1 – All 3 girls attack the cameraman.  The scene is viewed strictly from the cameraman's point of view.  They hide, duck, crawl but eventually, one by one the girls are all mowed down.

Scene 2-3 – Same as Scene 1, but with some variation.

Scene 4 – Tora and Hass attack Mary.  Hass goes down and Tora uses her body to block the bullets.  As Mary shoots at Tora, the bullets hit Hass's body, which jerks to the impact.  Eventually, Tora makes a break for it and manages to mow down Mary.  The cameraman then mows down Tora.

Scene 5 – Same with Hass and Mary attacking Tora.

Scene 6 – Same with Mary and Tora attacking Hass.

Scene 7 – All three girls are huddled together setting an ambush for the cameraman.  But the cameraman is behind then and she sneaks up on them and machine guns them in the back.  They fall into a body pile and twitch, somewhat excessively, so the cameraman riddles the pile.

Scene 8 – Mary and Hass are walking towards the camera.  Tora is a few steps behind them.  Suddenly Tora opens fire mowing them both down.   They shake and bounce together and fall in a pile.  Tora stands over the pile and riddles it, but is then mowed down by the cameraman, falling into the pile herself.  She twitches so the cameraman riddles the pile.

Scene 9 – Same as above with Hass mowing down Tora and Mary.

Scene 10 – Same as above with Mary mowing down Hass and Tora.

Final Scene.
All girls walk toward the camera, smile and say something nice and are then promptly mowed down by the cameraman.  They twitch and are riddled some more.  First is Hass,  then Tora, and finally Mary.  At the end they are in a body pile.  Lots of lingering forearm close-ups before cameraman riddles the bodies.

Requirements:
•	Gloves in every death scene
•	Everyone dies in every scene
•	Plenty of forearm closeups of both living and dead
•	Lots of shaking, pained expressions, and (moans, groans, grunts, aarrrgghhhh type stuff)
•	Obvious, sometimes excessive dead body twitching
•	Mix of eyes open/eyes closed death stares
•	Lots of in the back shooting
•	Lots of face down final positions
•	Legs and Bellies and Arms
•	Body piles  2 GIRLS SHOT DEAD COCKTAIL
    17 minutes
      2 GIRLS SHOT DEAD COCKTAIL - One of the first POV style shot-dead cocktails shot by Crime House. Starring: Luiza and Angelina. Many shooting death scenes.
     CANNIBAL HUNTER 2
    15 minutes
      CANNIBAL HUNTER 2 - CANNIBAL HUNTER 2

CUSTOM

ANOTHER STORY ABOUT CANNIBAL HUNTER!!!

Starring: Sally, Vika, Yana,  Dan



Fetish Elements:

Stalking, Cannibalism, Stabbing, Cut Throat,  Gory, Feeding girls with their girlfriends' meat

PLOT

3 girls arrived to the house for some fun but cannibal hunter stalked them, killed very cruelly and ate.

IF YOU LIKE THIS MOVIE PLEASE ALSO CHECK

CANNIBAL HUNTER

CANNIBAL NOTIFICATION

DINNER PARTY  Clones 2
    15 minutes
      Clones 2 - CLONES 2 

THE CLONES STRIKE BACK

Epic action sci-fi  thriller

STARRING: OKSANA, POLA, MASHA, NATA

Shooting by gun
Shooting by machinegun
Mass killing
Japan sword deadly fighting
Neck snaps
Suicides
Plenty of dead poses
15 dead ***** in one scene
More than 100 killing
5 huge bodypiles! 
All clones dress in classic agent-office style  - white shirts, black short skirts, black stockings or pantyhose, shoes with high heels 

After mass clones killing in the first part, another clones were sent to kill anticlones agent to his own house.  Agent was warn that it could happen so he set traps in the garden. But he didn’t know that it would be SO MANY CLONES…

The first group of clones was killed by gun, another – by machinegun. But after the cruel fight began…

 It’s one of the best our action movies with plenty of killing, different ways to die and huge groups of deadly super sexy clones. Tarantino style!
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

    Featuring 1009 Clips / 17700 minutes of video!

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