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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 1009 Clips / 17700 minutes of video!
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![BEAUTY TO SOIL 2 - They are talking about the plague
Edward: We must be fast! We have no time to get testing approval. I want to try this by myself.
Nadezhda: Are there any other ways?
Edward: no, if I survive, we will succeed. If I die, we are close to it.
[Edward is going to drink the untested medicine, but Nadezhda take the medicine before him]
[Edward is shocked]
Nadezhda [smile]: I trust your knowledge.
Nadezhda: If I die, don’t call an ambulance. You know how fast it is. Just record the death process.
Nadezhda starts feeling bad. She knows she is going to die. She took off her uniform and showed her beautiful clothes behind it.
Nadezhda [talk to Edward]: Am I beautiful?
Edward: Yes… Are you ok?
Nadezhda: You failed…
[Nadezhda start feel pain in her stomach]
Nadezhda [smile]: I know you like me, you just don\'t dare to say.
Nadezhda [shy]: After I die, my corpse is just dead meat. I will feel nothing. I won’t be angry if you do anything to me…
Edward [sad]: No… no…
Nadezhda starts to struggle on the ground. Edward tries to hug her.
The face and other skin of Nadezhda is fully sweated.
Nadezhda’s eyes are looking straight forward.
Blood starts coming out from Nadezhda’s mouth and nose.
The struggle becomes very strong. Including “opisthotonos”
Nadezhda’s struggle becomes weaker and weaker…
She has a very rapid and small extent struggle with a long interval.
At last, Nadezhda becomes very weak and only head can move. Her pussy and ass were soaking wet and her hair was soaked with sweat
Nadezhda[weak]: please clean my body…
Nadezhda is dead.
Her eyes are half open.
Her mouth is also half open.
For the eyes, don’t let the eyes become fully white.
When she turns her head, her eyes should follow it. The pupil should always be in the center (living people tend to turn their eyes before they turn their head. However, we need to avoid this here).
Edward uses a towel to clean Nadezhda’s face.
Then, he took off Nadezhda’s clothes. Nadezhda’s body is also fully sweated. So he used a towel to clean it.
Nadezhda’s body is still very soft since she was just dead for minutes.
Edward uses a white cloth to cover Nadezhda’s body and starts crying on her body.
He is so sad and tired. He fell asleep on her body…
After a night, Edward weakup.
He noticed that Nadezhda had been dead for 12 hours.
[note that Nadezhda’s eyes are still half open]
Edward tried to put Nadezhda’s clothes back on her body, but he found her body was so stiff that cannot move at all.
To show this, Edward first tried to move her arm, and Nadezhda’s arm just moved a little bit.
Then, Edward tries to turn Nadezhda’s body, and her body is turning as a solid body (compared to soft people, their legs, arms will move during the process). See reference.
On her back, the area that is not touching ground (back neck, waist) showing dark red color (post-mortem lividity), see reference.
Edward gave up and waited for her body to become soft…
After two days, Nadezhda’s body starts to rot and become soft.
Due to the rot reactions, her body became sweaty again.
But Edward cannot clean such a body. Luckly, Nadezhda’s body is very soft now. He can put clothes back on her body now.](studio/images/_1057_1085_1080_1084_1086_1082_1087_1083_1077_1077_1088_1072_16-d73.png "BEAUTY TO SOIL 2 - They are talking about the plague
Edward: We must be fast! We have no time to get testing approval. I want to try this by myself.
Nadezhda: Are there any other ways?
Edward: no, if I survive, we will succeed. If I die, we are close to it.
[Edward is going to drink the untested medicine, but Nadezhda take the medicine before him]
[Edward is shocked]
Nadezhda [smile]: I trust your knowledge.
Nadezhda: If I die, don’t call an ambulance. You know how fast it is. Just record the death process.
Nadezhda starts feeling bad. She knows she is going to die. She took off her uniform and showed her beautiful clothes behind it.
Nadezhda [talk to Edward]: Am I beautiful?
Edward: Yes… Are you ok?
Nadezhda: You failed…
[Nadezhda start feel pain in her stomach]
Nadezhda [smile]: I know you like me, you just don\'t dare to say.
Nadezhda [shy]: After I die, my corpse is just dead meat. I will feel nothing. I won’t be angry if you do anything to me…
Edward [sad]: No… no…
Nadezhda starts to struggle on the ground. Edward tries to hug her.
The face and other skin of Nadezhda is fully sweated.
Nadezhda’s eyes are looking straight forward.
Blood starts coming out from Nadezhda’s mouth and nose.
The struggle becomes very strong. Including “opisthotonos”
Nadezhda’s struggle becomes weaker and weaker…
She has a very rapid and small extent struggle with a long interval.
At last, Nadezhda becomes very weak and only head can move. Her pussy and ass were soaking wet and her hair was soaked with sweat
Nadezhda[weak]: please clean my body…
Nadezhda is dead.
Her eyes are half open.
Her mouth is also half open.
For the eyes, don’t let the eyes become fully white.
When she turns her head, her eyes should follow it. The pupil should always be in the center (living people tend to turn their eyes before they turn their head. However, we need to avoid this here).
Edward uses a towel to clean Nadezhda’s face.
Then, he took off Nadezhda’s clothes. Nadezhda’s body is also fully sweated. So he used a towel to clean it.
Nadezhda’s body is still very soft since she was just dead for minutes.
Edward uses a white cloth to cover Nadezhda’s body and starts crying on her body.
He is so sad and tired. He fell asleep on her body…
After a night, Edward weakup.
He noticed that Nadezhda had been dead for 12 hours.
[note that Nadezhda’s eyes are still half open]
Edward tried to put Nadezhda’s clothes back on her body, but he found her body was so stiff that cannot move at all.
To show this, Edward first tried to move her arm, and Nadezhda’s arm just moved a little bit.
Then, Edward tries to turn Nadezhda’s body, and her body is turning as a solid body (compared to soft people, their legs, arms will move during the process). See reference.
On her back, the area that is not touching ground (back neck, waist) showing dark red color (post-mortem lividity), see reference.
Edward gave up and waited for her body to become soft…
After two days, Nadezhda’s body starts to rot and become soft.
Due to the rot reactions, her body became sweaty again.
But Edward cannot clean such a body. Luckly, Nadezhda’s body is very soft now. He can put clothes back on her body now.")
![ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA](studio/images/modelexecutioncover-55d.jpg "ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA")
![APACHE DANCING - APACHE DANCING
Premium Custom Movie
Starring: Tatiana. Max. Billy Brag, Edward Petrov, MaryAnn, Annabelle, Alex, actors of mass scenes
«I have to say, first, that your production exceeded my expectations.
The set selection, decoration, and props, were all excellent, even the
posters on the walls.»
From Customer’s Review
ELEMENTS:
Dancing, Tango. Apach Dancing, Retro, Beating, Strangulation, Humilation. Body Carrying, BDSM
This movie is a tribute to the genre of Apache Dancing. Apache Dance (highly dramatic dance associated in popular culture with Parisian street culture at the beginning of the 20th century) is sometimes said to reenact a violent \"discussion\" between a pimp and a prostitute. It includes mock slaps and punches, the man picking up and throwing the woman to the ground, or lifting and carrying her while she struggles or feigns unconsciousness. Thus, the dance shares many features with the theatrical discipline of stage combat. In some examples, the woman may fight back.
In this music movie the hidden conception of Apache Dance is shown is grotesque sadomasochistic form when during the performance the man starts real violence of woman. It’s thr cruel story between a sailor and a prostitute who tries to steal money from him. In the process of dancing, the sailor switches to beating, the line between dance and reality is gradually erased, the surrounding public involuntarily becomes an accomplice in this offense and murder. The venerable public takes off their masks and tastes animal instincts. The film combines classics and avant-garde provocative modern style.
The actors took special dance master classes to participate in this complex project.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
DATING TO THE TRASH
FANTASY WITHIN FANTASY](studio/images/scene43201-80e.png "APACHE DANCING - APACHE DANCING
Premium Custom Movie
Starring: Tatiana. Max. Billy Brag, Edward Petrov, MaryAnn, Annabelle, Alex, actors of mass scenes
«I have to say, first, that your production exceeded my expectations.
The set selection, decoration, and props, were all excellent, even the
posters on the walls.»
From Customer’s Review
ELEMENTS:
Dancing, Tango. Apach Dancing, Retro, Beating, Strangulation, Humilation. Body Carrying, BDSM
This movie is a tribute to the genre of Apache Dancing. Apache Dance (highly dramatic dance associated in popular culture with Parisian street culture at the beginning of the 20th century) is sometimes said to reenact a violent \\"discussion\\" between a pimp and a prostitute. It includes mock slaps and punches, the man picking up and throwing the woman to the ground, or lifting and carrying her while she struggles or feigns unconsciousness. Thus, the dance shares many features with the theatrical discipline of stage combat. In some examples, the woman may fight back.
In this music movie the hidden conception of Apache Dance is shown is grotesque sadomasochistic form when during the performance the man starts real violence of woman. It’s thr cruel story between a sailor and a prostitute who tries to steal money from him. In the process of dancing, the sailor switches to beating, the line between dance and reality is gradually erased, the surrounding public involuntarily becomes an accomplice in this offense and murder. The venerable public takes off their masks and tastes animal instincts. The film combines classics and avant-garde provocative modern style.
The actors took special dance master classes to participate in this complex project.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
DATING TO THE TRASH
FANTASY WITHIN FANTASY")
