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    All content on Kinky Clips is Role Playing Fantasy only.
    All content is consensual and is acted out by models of legal age.
    Random Clips more
     AMAZONS 3
    10 minutes
      AMAZONS 3 - AMAZONES III
Custom 
Cast: Judi, Marina, Tim
Fetish Elements:
Amazons, Shooting, Stabbing, BodyPile

Plot
Another two modern amazons were caught in their lair by Amazon Hunter….
If you like this video please check out:
AMAZONS
AMAZON LAIR  Insidious Girlfriend
    6 minutes
      Insidious Girlfriend - INSIDIOUS GIRLFRIEND
CUSTOM MOVIE
What to do when your girlfriend becomes a contract killer and wants to kill you?
RIGHT! TO KILL HER FIRST!

Fetish elements:
Ultra Classic Dress
DeadSkirt Style
Pantyhose
Shooting
Death Stare 
Cinematic Clip 

	When a killer Kit sees how his girl who has just nicely talked with him is going to shoot him to death, he quickly takes a gun. She shoots first but she looses. He strikes her to her breast. And one more time. After her surprise about her lost she falls dead. He takes off he shirt and call to his boss to tell about this accident. She as a killer!

	It’s great HD thriller with great slow-mo shooting scene and long body views. 
If you like this clip don’t miss
RUNSAWAY
     UNDER COVER POLICE WOMAN
    13 minutes
      UNDER COVER POLICE WOMAN - UNDER COVER POLICE WOMAN

Actress: I want the actress to be Judi and any male actor.

Dress/ make up: for Judi, I want her in a tight bodycon dress (lighter color), with red lips and high heel. 

Element: Shot in Face and Multiple Chest shots with realistic bullet makeup/ long death struggle/ blood cough(emphasize on the blood coughing process)/ death stare/ stripping after death/ realistic death makeup (pale face and lips)

Script:
Background: Judi is sexy undercover police woman. After dinner with the suspect, she starts seducing the suspect with flirty language and body touching.

Scene 1: The suspect starts having intimate acts with Judi with touching and kissing( if possible). Then Judi starts asking questions related to a case (did you stole the money from Max?) and the suspect answers the question ( of course I did) without realizing.

Scene 2: Once Judi got the answer, she stops the intimate acts and backs off and tells him, “you are under arrest and I have your confession recorded.” The suspect is shocked and stands up and ask, “ so you never loved me and everything is just a trap?” Judi answers, “ of course, how could I love a criminal” the suspect is heart broken and retrieves his gun. Judi is surprised that he has a gun and tells him do not do stupid things, and opens her phone to call for backup.

Scene 3: The suspect shoots her three times on her chest (realistic bullet hole) and she is shocked and looks at her wounds and drops her phone. She tries to calm him down but could not speak and starts blood coughing. She then struggles to stand up and collapses on the ground. She struggles to breath and convulses on the ground with more blood cough. After more struggling, she stops moving and passes out.

Scene 4: The suspect approaches Judi and looks at her. Thinking she is dead, he puts his gun on the floor next to her body, and turns his back to make phone calls.

Scene 5: Judi suddenly wakes up with a gasp and retrieve the gun and struggles to stand up. She aims the gun at him and fires but misses him. The suspect has another gun on him and fires back at Judi. Judi is hit two more times on the chest( realistic bullet hole) and she stops firing and coughs more blood. The suspect takes his aim and fires one more shot hitting Judi in her Left Cheek (realistic makeup of bullet hole on face) The shot makes a splash of brain matter on the wall and floor. Judi falls to the ground and her body starts to have a lot of convulsions before she is finally dead with eyes open. The suspect flees the scene.

Scene 6: A few days later, the suspect returns to the scene to retrieve the gun. He saw the corpse with realistic corpse makeup, he undresses her and touches her breast full of bullet holes, and says “I really liked you but you made the wrong choice” before leaving.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
WITNESS PROTECTION
WITNESS PROTECTION 2
Or got to 
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INSIDE THE MIND  ARCHER 15
    32 minutes
      ARCHER 15 - ARCHER 15
Cast: Mira Green, Li, Polina Wood, Max 
CUSTOM 


«Crime does not pay.  Li and Mira make the additional mistake of asking the Archer to join them in their plot.   Julia decides to renegotiate her deal with him.  Can you guess the outcome that awaits our three women.
 
Exceptionally well done work!  I truly enjoy the performances of Li, Mira and Julia who think they can outfox our friend and his obsession.    Unbelievably passionate performances as our heroines meet their end at his hands.  
 
The amount of effort you put in bringing to life these ideas on my behalf is the reason I come back with more stories for you.  The only way to make my projects any better is for me to write you better scripts.  Thank you Darkrooms!!!
 
Customer’s Review»

FETISH ELEMENTS

	Actor #1 enters the scene with his hands up in the air.  Actress #3 has a gun out and is pointing it at Actor #1’s back
 	Actress #3 sees the large duffle bag full of money.  She walks over and looks at the bag.  She picks it up and puts it down.
 	Actress #1 is nude and wearing boots and her hands are tied above her head.   Their hands are with ropes and the ropes are attached to a chain and hook.  (Same as what was done in Syndicate 7)
 	She is tied up by the wall.  Actress #2 is nude and her hands are tied above her head.  Actress #3 is finishing tying up Actress #2.
 	Actor #1 now picks up an arrow walks over to where he plans to shoot Actress #2 (she is in center) and loads the arrow.  Actress #2 continues to struggle franticly against her ropes energetically pulling away from the post and falling back to post her hands are pulling from back to front on those ropes in an attempt to free herself .  The Actor aims his bow at Actress #2’s belly button.  (Please take a camera view as suggested with picture #1 just an arrow and a view of the camera and victim and Actress #2 struggling against the ropes in same view.)  Return to normal camera view of Actress #2 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shoot the arrow (We see a POV arrow approach Actress #2) and the sound of the arrow hitting Actress #2 in her belly button.  Actress #2 lets out a loud moan when hit.  Actress #2 moves her head to look down at the end of the shaft.  Actress #2 moves her head slowly down and looks down her body further to look at her belly button.  Actress #2 moves her head back up and looks at the archer.  Actress #2 arches her back and leans back against the wall.  Show a number of camera views of Actress #2 after being shot.   Slowly zoom in on the arrow and pan down to her feet.  There is now a blood trail running down her belly there is blood on their inner thighs and a puddle on the ground. 
Show a camera view from above actress #2 looking down at the arrow (Just like the view in Archer 9)
Actress #2 is twisting to her left, then back to center and then to the right.  Pan up and down on her body.  
Actress #1 & 3 turn and look at Actress #2.  Actress #3 moves her head and looks down at her belly button.  Actress #1 looks back at Actress #2.  Actress #2 is now shown leaning against post.  Her hands above her head are slowly (about 1/3 of the energy before she was shot) and without much energy pulling on the ropes above her head back and forward trying desperately to free herself.  Actress #2 keeps twisting her body from side to side.  She has less energy because she has been shot with an arrow.
Actress #1 continues to struggle against the ropes pulling away from post and falling back to post.  Actor #1 aims his bow at Actress #1’s belly button.  (Please take a camera view from behind the archer capturing him aiming his bow at Actress #1’s belly button and Actress #1 struggling in the same view.)  Return to normal camera view of Actress #1 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shooting the arrow (A POV arrow heads towards Actress #1) and the sound of the arrow hitting its target.  Then show the arrow sticking out of Actress #1’s belly button.  Actress #1 lets out a loud moan when hit.  Actress#1 slowly moves her head to look down at the end of the arrow shaft.  Actress #1 moves her head down some more and looks down her body to look at her belly button. 
Show a camera view from above Actress #1 looking down at the arrow.
Actress #1 moves her head back up and looks at the Archer.  Actress #1 arches her back and leans back against the wall.  Camera pans back and shows Actress #2 again.
Actresses 1 & 2 each have an arrow in their belly button.   Camera zooms in on Actress #1’s arrow, there is now a blood trail running down her belly and on her inner thighs camera pans down to the puddle on the ground between her legs.  
Have Actress 1 & 2 are now both twisting their bodies either to the left then center than to the right.  They also slowly reach for their head with their hands in addition to still try to pull free from the ropes.
Actor #1 now picks up a third arrow walks over to where he plans to shoot Actress #3 and loads the arrow.  Actress #3 continues to struggle franticly against her ropes energetically pulling away from the post and falling back to post her hands are pulling from back to front on those ropes in an attempt to free herself .  Actor #1  aims his bow at Actress #3’s belly button.  (Please take a camera view behind the archer capturing his aiming his bow at Actress #3’s belly button and Actress #3 struggling against the ropes in same view.)  Return to normal camera view of Actress #3 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shoot the arrow (A POV arrow heads toward Actress #3) and the sound of the arrow hitting Actress #3 in her belly button.  Actress #3 lets out a loud moan when hit.  Actress #3 moves her head to look down at the end of the shaft.  Actress #3 moves her head slowly down and looks down her body further to look at her belly button.  Actress #3 moves her head back up and looks at the archer.  Actress #3 looks towards the other two women.  Actress #3 arches her back and leans back.  Camera zooms in on arrow.  Camera slowly pans to the ground where there is a puddle of blood on the floor between her legs.
Show a camera view from above actress #3 looking down at the arrow.
Show a number of camera views of Actress #3 after being shot.  Pan up and down on her body.   Actress #3 is now twisting her body form left to right.
Go back with camera and show Female Actress #1 & 2 again.  Pan and show all three actresses.
Show Actress #3 slowly stops struggling.
Actor #1  than walks over to Actress #3, he reaches for the rope and unties her hands.  When her hands become free, He places her on the ground in the body pile he is making.
Actor #1  unties Actress #1 and Actress #2 and places them on the ground in the body pile he is making.
Camera slowly shows Actress #1, Actress #2 and Actress #3.
Actress #3 opens her eyes.  She let’s out a moan.   She arches her back (Same as Sally in Archer 11 she was awesome”.
She reaches for the arrow in her belly with her left hand.  She bends forward and looks down her body at the arrow in her belly. 
There is a gun on the floor. 
Actress #3 slowly crawls away from the body pile.  She is crawling towards the gun on the floor.  She reaches the gun picks it up.  She aims it at Actor #1. 
Actress #3 drops the gun.  She rolls on to her back.  She moans again and reacts.  She slowly closes her eyes.  
Camera pans all of the 3 women’s who are now lying on the ground in a body pile slowly.  Please take a few shots of all 3 women one by one as a close ups. 
All three Actress’s have been shot by arrows and are on the floor in a body pile.   Actress #1 arms are at her side and her legs and feet are straight and she has an arrow in her belly button.  Actress #2 arms are at her side and her legs and feet are straight and she has an arrow in her belly button.  Actress #3 arms are at her side and her legs and feet are straight and she has an arrow in her belly button there is a cell phone near her hand.
Camera pans all of the 3 women’s who are now lying on the ground in a body pile slowly.  Please take a few shots of all 3 women one by one as a close ups.  
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
THE ARCHER – ARCHER 2-14
     SNIPER AND BELLA LENINA
    11 minutes
      SNIPER AND BELLA LENINA - SNIPER and BELLA LENINA
CAST: Bella Lenina and Max
CUSTOM
Thank you!! Please extend my gratitude to your team/colleagues for the awesome job. Also thank Bella for her wonderful performance. She captured the reaction that I wanted, and I really appreciate her willingness to cater to my fetish.
Customer’s Review 
Model: Bella Lenina
Outfit:
•	White cotton tank top, no bra (form fitting, thin enough to see nipples)
•	Black mini/micro skirt (mid thigh or shorter)
•	OTK black boots

Scene: Outdoors in front of “protected” house
•	Bella is a sentry on patrol with a rifle
•	An enemy sniper is watching her through his scoped rifle
•	Her body as perpendicular to the sniper
•	The sniper takes aim on the side of her breast
•	He fires, the large caliber bullet passing horizontally through both breasts in a bloody explosion
•	Bella cries in pain as she falls to the side onto the ground
•	She rolls over onto her back, looking down in shock at her bloody breasts
•	Bella looks back at the stairs and doorway to the house behind her, begins to crawl backwards towards it, dragging her rifle with her.
•	She makes it to the steps and resting her back against the first few steps, brings her rifle to bear on the direction of the sniper. Her legs are open wide to give her stability (knees bent tucked in). Her skirt rides up to reveal her panties.
•	The sniper takes aim again, and fires a bullet between her legs, into the center of her panties. Another bloody explosion.
•	Bella reacts in shock, her rifle falls to the side. She looks down at her now bloodied crotch. She manages to hold her body up on her elbows
•	The sniper approaches her casually
•	Bella looks up at him, still in shock from the pain.
•	The sniper brings up a silenced pistol, and aims at her chest.
•	He fires a bullet into her right nipple
•	He shifts aim to the left nipple and fires
•	Bella collapses flat onto the steps, still writhing in pain
•	As the sniper continues to get closer, Bella tries feebly to pick up her rifle again
•	The sniper watches in amusement, then while standing near her feet, fires his pistol steadily into her crotch, her hips bucking with each impact.
•	Bella reacts to each shot as the sniper empties the remaining rounds into her crotch until her body finally gives in and she dies, eyes open.
•	The sniper gets down and pulls her tank top over her breasts to leave them exposed
•	He then ensures her legs are still splayed apart (w/ knees bent) and pulls her skirt up to expose the bullet wounds to her crotch
•	He is intentionally leaving her in a humiliating position
•	He picks up his weapon and moves up the stairs towards the entrance.
•	(camera panning of her body with some closeups of the bullet wounds)

Key elements:
•	no crying, squealing, begging
•	no gurgling
•	visible bullet wounds, bullet holes cut into clothing
•	medium to low blood, focused on the breasts and crotch, nothing running down legs, belly etc. or pooling around body  LAST MISSION FOR THE COP
    14 minutes
      LAST MISSION FOR THE COP - Custom

CAST: Emma, Max

Background: Emma is a policewoman and is tasked to interrogate important criminals.  

   

Scene 1: At home in her underwear, Emma received a phone call to get information from a target and was sent a picture on her computer. Her boss warned her that the target had many security and possible snipers. She reviews the picture and starts to dress in her professional outfit and gets her gun.  

  

Scene 2: Emma arrives at the criminal\\\\\\\\\\\\\\\'s apartment and opens the door with a universal key. She gets her gun out and enters the room, carefully moves to the bedroom, and sees the target is sleeping. She points the gun and yells at the criminal to wake up, and the criminal is surprised and scared. Emma told him to get up and tell her where is the safe and the passcode. The criminal does not want to tell her, but she threatens to keep him and use the gun to strike his head. The criminal is angry but scared and tells her where the safe is and the passcode.  

 

Scene 3: Emma holds the criminal at gunpoint, exits the bedroom, and moves toward the safe. The criminal suddenly decides to attack Judi, knocks her gun off, pushes Emma to the ground. Emma is angry and strikes him back in the head, and the man becomes weak. Judi then gets on top and starts strangling the man, and the man begs for life, but Emma says,\\\\\\\\\\\\\\\" you will be dead for violating m.\\\\\\\\\\\\\\\". A sniper scope view appears, and Emma\\\\\\\\\\\\\\\'s back is in the crosshair. Then a gunshot goes off twice, and Emma is shot in the back. Two Realistic Bullet holes appear on her back and front, and blood is sprayed on the criminal. Emma is shocked, looks at her wounds, and lets go of the man. While still on top of the man, she starts to vomit blood, and her blood also gets on the criminal. Her body also twitches and writhes in pain. He then pushes Emma off to the ground and stands up. Emma continues to puke out blood. She also agonizes and convulses in pain and arches her back.  

 

Scene 4: Emma is struggling to breathe on the ground and is in a lot of pain. The man goes back to the room, calls his security, and thanks to them for saving him. During this time, Emma struggles to stand up, retrieve her gun, and move toward the bedroom in pain. Just as Emma was about to fire, the security on the phone told the man to be careful, and he turned around and dodged the bullets. Without aiming, he gets his gun in the drawer and fires in Emma\\\\\\\\\\\\\\\'s direction. Only the last shot hit Emma in the neck, and a Realistic Bullet hole appeared on her neck, and a lot of blood came out of it. Emma drops the gun, holds her neck in disbelief, and continuously pukes more blood. The criminal says, \\\\\\\\\\\\\\\"Damn, I am lucky today,\\\\\\\\\\\\\\\" and gets another clip from his drawer and reload the gun. He then aims it at Emma and says,\\\\\\\\\\\\\\\" For a dangerous woman like you, you are better dead.\\\\\\\\\\\\\\\" He then shoots her three times in her chest and belly, and a Realistic Bullet hole appears. Emma falls to the ground, and her hands No longer hold her neck as she is too weak. She struggles on the ground and gasps for air while puking blood. She also arches her back in pain.  

 

Scene 5: The criminal walks up to Judi and sees her in such pain, and says, \\\\\\\\\\\\\\\"I\\\\\\\\\\\\\\\'ll end the struggle for you\\\\\\\\\\\\\\\" and fires two shots at her head, and one Realistic Bullet holes appear on her forehead and left cheek. Brain matter sprayed on the ground. Judi\\\\\\\\\\\\\\\'s body twitched a few times and stopped. Her eyes are wide open with a death stare. He then humiliates her, saying,\\\\\\\\\\\\\\\" Oh, so pretty blonde girl does have a brain.\\\\\\\\\\\\\\\" 

 
     SPY IN THE SECRET MISSION
    9 minutes
      SPY IN THE SECRET MISSION - SPY IN THE SECRET MISSION

CUSTOM

 "I’m very amazed on how every turned out. The camera work and girls were great, and the script simple"

Customer's Review 

FETISH ELEMENTS:

Stalking, Spy Theme, Lather Pants, Leather Style, Sudden Attack, Female kills Female, Girl Kills Girl, Garrote Strangulation, Fighting to the life, Death Stare, Stripping to full nude to steal the uniform, Putting Uniform of dead enemy, Nude Body Views

 PLOT

 

A spy enters a the enemy territory and searches for the objects. She sees lonely guard patruling the object. Good chance to kill her and take her uniform to be hidden! She attacks her suddenly from behind, strangles her with garrote and after her helpless target is dead she strips her for full nude and takes her clothes

 

OF YOU LIKE THIS FILM PLEASE CHECK OUT ANOTHER GREAT CLIP WITH SIMILAR PLOT

LIQUDATED GUARD  1057ASTING CALL Does She Has The Guts
    22 minutes
      1057ASTING CALL Does She Has The Guts - СASTING CALL: Does She Has The Guts?
CUSTOM
Cast: Bella Lenina, Max
Fetish Elements:
Chloroform, Kidnapping, Woman In Peril, Nude, Stabbing, Putting Off Guts, Very Gory 
Bella shows up at the killers apartment to answer an ad for an acting gig. She’s wearing yoga pants and a tight tank top. The man tells her that the role will require her to be nude. He tells her to undress. She goes into a bed room to undress. She takes off her yoga pants slowly. He watches her through the door that’s cracked open just a bit. She’s wearing a pair of black thong panties. She only gets her pants off when he busts in the room and sticks a syringe in her neck making her unconscious. She falls into the bed face up. She’s wearing the tank top and panties. Camera views of her body laying on the bed. The killer lifts up her tank top and rubs and examines her belly but doesn’t take her tank top off. He picks her up and leaves the room. The next scene, the killer has taken her to his torture chamber. He lays her body out on the a procedure table. He then ties her hands above her head and then ties her feet. When she’s laying on the table the tank top is short and lifts up just a little showings little of her belly. She’s still knocked out. He takes some scissors and cuts the tank top off first. Views of her belly as the shirt is cut away. He then cuts of her panties. She wakes up and starts to struggle some. She asks the killer what is going to happen to her. He tells her that he is in the black market organ trading business and he needs some organs to sale. He tells her that he’s going to gut her like a fish. He runs his finger down her belly as he tells her that he’s going to gut her.  She tries to get free but can’t. He then chloroform’s her with a rag. She struggles as he holds the rag over her mouth and goes unconscious again. He feels her belly and examines it. He plays with her belly button some. The killer puts on a surgical mask, gown and gloves. He gets his scalpel. He slides it up and down her belly. He circles her navel with the blade but doesn’t cut her just yet. He then starts his surgery on her. The cut starts at her sternum. He slowly slides the scalpel down the middle of her belly. He has to work the scalpel a little bit to cut through her belly button. Good shots of the belly as it’s cut open. Overhead views as well. He finishes he incision just a above her crotch. She’s still unconscious. He takes both his hands and opens up her belly. He sticks his hands in at her navel. He digs around in her gut and starts to pull out her intestines. She doesn’t wake up because she’s drugged. As he’s gutting her, she squirms a little bit doesn’t fully wake up. Blood starts to come out her mouth as she’s being gutted. Once all her guts are out he takes out her liver and kidneys. He puts all her organs including guts in a cooler to sale to his dealer. The killer is not done with Bella’s body yet. He closes her belly back up And cleans the blood off her belly. He has a dealer who wants the body. He calls and says that she’s ready. The movie ends with views of Bellas body laying on the table ready to be taken. Lots of views of her belly. Pan views from feet to head.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
DINNER DATE
CANNIBAL HUNTERS
     SYNDICATE 7
    22 minutes
      SYNDICATE 7 - SYNDICATE 7
CUSTOM
PLOT AND REVIEW
Three sexy spies once again try to outwit our ruthless killer.  Just when you think they have him the tables are turned.  This team brings this spy chapter to life like no one else.  Awesome job!!!  What a fine addition to this story line….
FETISH ELEMENTS
Stabbing, Hook, Stocking, Nude, Bloody

Review About Actors
Judy
Judy makes the mistake of finding the first trap as Tim smirks.   Great blood effects.  Nice job…  Quick death, this was what I was looking for.   Great posing of the body too!
 
Louise
Great job with this one.  Spear trapped worked to perfection.  Great effects.  Nice touch.  We remembered the spear in the mouth effect.  Hooray!.  Louise is great as this trap goes off and she is the victim.   Nice reaction.   I enjoyed Louise’s performance.    She has been stunning in this and Archer 11!!!!
 
 
Sally
Sally has been bringing her “A” Game to her acting roles as of late.  My compliments.  I enjoy seeing her on screen.  The more I see her performance in Archer 11, the more she has impresses me.  She has been terrific in all of the projects she has done for me….  Great death scene once again.
 
 
Tim is a master villain who plays jumps in and plays his role well.  He makes the Trapper series of videos.  I love him in these projects.

IF YOU LIKE THIS FILM PLASE CHECK OUT
SYNDICATE 1-6  SUPERGIRL
    6 minutes
      SUPERGIRL - CAST: Li, Yana, Annabelle

Superr-girl arrives to the enemy-base. First she must liquidate two guards near bath with toxic water. She kills them with a laser. After she goes up  to her main enemy and breaks the necks of clones-guards…

IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
DEATH OF BRAVE SOLDIERS
     TENDER MEAT 2
    36 minutes
      TENDER MEAT 2 - TENDER MEAT 2 
Custom Film

«Awesome job on Tendermeat 2!!!!!!»
Customer’s Feedback 
36 minutes film with three terrible deaths with  hanging by legs and arms, throat slitting, belly ripping, internal organ harvesting!

OUR BEST FIRLM WITH LONG SCENES OF GIRLS HANGING BY LEGS! COMPLICATED STUNT JOB BY MODELS!
29$ ONLY THIS WEEKEND! BASIC PRICE IS 35$!
Starring:
Judy as a brave honest detective
Yana as her partner
Li as a photo-model
Den as a corrupt cop
Tim as a photographer working for kidnapping mafia
Max as his assistant
Fetish Elements 
Police Theme, Detective Theme, Interesting Plot, Poisoned Injection to the neck, Knocked Out, Hanging by Arms, Throat Slitting, Cut Throat, Woman in Peril, Helpless, Full Nude, From Brave policewoman to helpless victim, Hanging By Legs, Guts, Gory

PLOT
Two detectives  - Judi and Yana find in the arcvive of not investigated yet cases strange case about model who missed – she went to photostudio and didn’t come home. They ask boss why this case is under the papers and nobody speak about it – boss answers it’s not a promising case and most likely the girl just fled abroad with a guy and did not tell her relatives about it. He forbids to investigate it and asks to solve more important cases. 
But Judi desides to take this case alone and asks Yana for help. They know that last place where missed girl was seen alive is photo studio and they go to its place. They see model Li who goes to photosession in this place. 
Li was poisoned by injection to her neck, stripped full nude and place her in the apparat for lifting people for butchering for meat. When Li wakes up she has few time only for surprising and fear and she gas her neck patiently throated. Blood is spreading  to her boobs! 
After this execution men start to cut her body and put off her guts. 
Detective Yana enters the studio and sees it but she is captured stripped full nude and she is the following victim. She is scared and helpless and hopes only for help but she realizes she has very little chance and she knows what a terrible end can wait her. 
When Judi comes to help Judi is in the trap too. Judy had time to call for call for reinforcements. Two women are nude. Yana is hanged by her legs and brutally killed by knife and Judi watched all the execution. Judy still hopes for reinforcements but Tim gives her a phone. Her boss tells her that he works with mafia and she will die. She is full of emotions, resentment, anger, hopelessness, aggression, awareness of the inevitable end but what can she du nanging by legs with her head down? Nothing. She is killed too!
After all women are dead their dumped bodies are placed to the bodypile. Mafia takes their organs and is ready to take new orders….

MUST HAVE MOVIE! ALSO PLEASE CHECK:
TENDER MEAT
CITY HUNTER
PICNIC HUNTERS  THE ELF AND BAD SANTA
    38 minutes
      THE ELF AND BAD SANTA - THE ELF AND BAD SANTA



CUSTOM

CAST: Tatiana, Max, Annabelle

The theme of this story is that Tatiana is called to the office to be punished for naughty things she has done against Christmas.  She is insolent and defiant, but wants to keep her job, so she admits to some sins, willing to take a little punishment, never thinking that Max the enforcer knows all the bad things she has done, or what her ultimate punishment is. 

The enforcer begins to list her sins, and with each sin, gives her a punishment. 

I will leave it to your creative genius to use as many offenses and punishments as you can, till we get closer to the climax. 

Some transgressions she has committed: Misaddressing Christmas cards, hiding presents, badly wrapping presents, putting the wrong presents in the wrong packages, keeping toys for herself, not singing Christmas carols, using the wrong words in carols, not being happy with children on Santa’s lap, showing her cleavage to little boys, denying reindeer can fly—whatever you and your crew can think of. 

Each offense is punished by progressive harder, sexier, more sadistic punishments, such as slapping her hand, spanking her bottom (hand and/or ruler), face slapping, stomach punch, breast slap, hair pull, whipping her bottom, face punch, choking (one or both hands).

It is IMPERATIVE that T’s elf take these punishments with amusement, surprise, and pleasure (mixed with pain), willingly submitting even while showing some resentment at the abuse.  The harder they get, the more pleased surprise she shows—wide eyes, open mouth, with some pain but also delight.

As the list of sins goes on and on, however, and the punishments get harder, though, she beings to regret her willingness to accept them.

Two essential punishments for moderately severe offenses against Christmas: 

One:  T is forced to kneel on the ground and bend over at the waist, face shoved forward into the carpet, her bottom in the air.   Her feet are tied together and her hands are tied behind her back.  Her short dress is pulled up to expose her almost bare bottom, and she is paddled with something like a ping-pong paddle.  She gasps and cries with pain and struggles, and cries insults at the enforcer, but doesn’t really try get away or stop him.

Two:  T, still being insolent, runs and sits in the enforcer’s large, luxurious armchair, being impishly disobedient, having fun and mocking the enforcer’s seriousness, and what she regards as minor offenses.

T (sitting the chair like a queen):  This could be mine!  I could do your job!  You think you can keep me in line?  You hit like a girl!  Sissy!  Poor little boy, trying to be mean!  Come her—at my feet!

M (slowly approaches the chair, and pulls up the ottoman so he can sit close to T):  Little elf, I have not even begun to give you what you deserve.  (Suddenly, punches her breast (close up) hard enough to bounce her off the back of the chair.)

T (Gasps and shrieks a little, but lies back, wide eyed, looking at M with astonishment):  Wow!

M:  You were saying?  (Punches her other breast, just as hard (close up)).

T:  Owww! (Eyes even wider, mouth open with utter surprise, both at what M is doing and at her enjoyment of it.  She touches her breasts, then looks wantingly at M, and puts her hands back against the back of the chair, by her head, inviting more hits).

M (punches her breast even harder (close up).

T:  Uhhhhh!  (Head bouncing forward then back, then head leaning back, eyes almost closed, lips parted, in obvious pleasure.  She stays in her previous position, exposed.)

M (laughs a little, then punches her other breast, again bouncing her off the chair back).

T:  Oooph!   (slumps in the chair, overwhelmed with the pleasure of being hit so erotically)

M (stands, grabs the front of T’s dress and pulls her up, into the middle of the room.  She wobbles on her feet.  M grabs her breasts and pulls her toward him, her head and arms flying behind her.  He then spins in a tight circle, swing T by her breasts in front of him.  After two circles (her eyes wide, gasping and crying), he flings her by her breasts across the room.  She hits the floor and rolls under the Christmas tree.  As she lies there still, M goes to his desk to see what else T must be punished for.  She crawls timidly out from under the tree, unsure if she likes this game anymore.)

(T decides to try to seduce the enforcer, so she comes to him and tries to hug and caress him, rubbing her body against him, enticing him with her eyes, showing him her cleavage.  He lets her do what she wants for a while, then shoves her away.)

After being rejected and shoved the floor, she continues to try to seduce him, by preening, stretching, raising her stockinged legs, spreading her legs, rolling about, showing off her body in various inviting poses.  He ignores her at first, but finally exasperated, goes to the large armchair and sits.  He pats his lap and says, “Come sit on my lap.”

Tatiana (thinking she was won the battle): “On your lap?  I’d love to.”

Max:  Yes.  Come here.  I want to beat you.

Tatiana (surprised, but liking the idea):  You want to beat me?

Max:  Yes, I want to beat you.  You need to be beaten.

T (get up off the floor and sits on M’s lap, wraps her arm around him):  You can beat me, but wouldn’t you rather do something else?

M (laughs and begins nuzzling and caressing T all over, quickly getting an excited response from her.  He lets her hair down, and when she is breathing heavy, he stops caressing her.  “Ready?”

T:  Yes!  Yes!  Ready for what?

M (takes her by the hair):  This!  (hit her hard twice in one breast with the side of his hand (the thumb side), like the edge of a knife or axe, knocking the wind out of T)  [we must see these hits close up to know what’s happening]

T (responds to hits with even more excitement)

M (caresses her some more, then moves her around and hits her other breast on the nipple four times with the side of his hand;  T jerks and gasps with each hit)

T (moaning with pleasure):  Oh, my God!

M (to himself):  Yes, you’ll meet him soon enough! (hits her breast twice more, as she gasps)  You’ve been so bad, trying to seduce Father Christmas’s enforcer!  How hard should I hit you for that?

T:  As hard as you want!

M (hits her four more times in the breast)

T (gasps and twists with each hit, but doesn’t try to stop M or protect herself)

M (after a pause, hits her breast twice more):  This is good.  How many times should I hit you for this new offense?

T (breathless, knowing she will be hit again):  As many times as I deserve!

M (shifts her around again and hits her other breast six times, fast and hard (close ups); T jerks and gasps with each hit).

T:  Oh! Oh! Oh! Oh! Oh! Oh!

M:  Naughty elf!  You don’t deserve your elf costume!  Take it off!

T (stand, strips off her dress, sits back on M’s lap):  Yes, I’ve been so naughty!

M (holding her by the hair, still using the edge of his hand, hit each of T’s breasts several times)

T:  Beat me!  Hurt me!

M:  You want to be hurt?  Take off your bra!

T (eagerly takes off bra and throws it away)

M (grabs one breast and holds it tightly (close up) while, using his palm now, slams his hand into each breast (close up) half a dozen times (fully shot to show holding her by the breast while hitting her, her arms spread wide, defenseless); T is becoming delirious with joyful/pain). 

M (shoves her off his lap and onto the floor):  On your knees!  Hands behind you!  Head back!  Lean back!

T (crawls to the middle of the rug on the floor and does as instructed)

M (kneels on the floor in front of T and punches her in each breast a number of times with his fist; T responds with little shrieks.  M hits her again, very hard, sprawling her on her floor, face down.  He slips his hand under her, grabs her breast and pulls her by her breast onto her back (close up of this action).   She lies, arms spread wide, breathing hard.  He straddles her, grabs her breasts, and pulls her up till she is bent at the waist.  She hangs by her breasts in his hands, arms limp, head hanging back.)

M:  You think you were going to get away with all your sins?  (Shakes T up and down)  Did you?  (shakes her up and down more, pushing and pulling her by her breasts; view sides and from above as he does)  Did you think you could seduce me and escape your punishment?  (shakes her) Did you?

T (finally trying to remove his hands, without success):  No, no!  I didn’t mean anything!  I know I deserve what’s happening!

M (shoves her to the floor and sits again at his desk, consulting his papers):  That beating was just for trying to avoid being disciplined for your worst sins against Christmas.  Do you understand that?

T (Still on the floor): Yes.  I’m sorry.  I won’t do that again!  I promise!  I’ll take what’s coming to me.

M:  You certainly will.  (Consults papers)  I’m coming to the end of the list, and I see here, you have two of the worst possible sins.  The second worst sin is, you have told children that Father Christmas doesn’t exist!

T:  But—but—I’ve never seen him!  I might be working all day for someone’s imagination!

M:  And you compound the sin to me!  Stand up!  By the fire, face me and take your punishment!

T (stands, feet together, in front of the fire)

M:  Deny Father Christmas, will you?  (slaps her face hard, a dozen times)

T (astonished, after the last slap):  Show him to me!

M:  You’re just making it worse for yourself!  (slaps her breasts a dozen times)

T (crying): I’ve done nothing wrong!  He’s not real!

M:  Hands behind your head!

T (clasps hands behind her head, staring at M, knowing she is going to be hit): Do it!

M (punches T hard in left breast four times (close up!)

T (at fourth hit, staggers backward)

M:  What are you doing?  I’m not done!

T (resumes her position, hands behind her head)

M (punches each breast several times on the nipple, and sideways (close ups), total six hits)

T (doubles over, hands over her chest)

M: Stand up!  You’re not finished!

T (resumes position, hands behind her head)

M:  Father Christmas does exist! (punches each breast three times, hard than ever, finishes with one more vicious breast punch that sends T to the floor; she lies on her side, arms stretched above her head)

M: Some elf you were! (Kicks her in the breasts, rolling her across the floor several times, then returns to desk)

T (slowly recovers, gathering her clothes (bra, dress, gloves, cap)as M returns to his desk; as he checks off items, she starts to stumble toward the door)

M:  Wait!  There’s just one more thing.

T (actually frightened now):  I haven’t done anything else!

M:  Yes, you have.  (Leaves desk and pulls T by her hair back into the room, to the large chair.  He pulls the ottoman into the middle of room while still holding T). 

M (holding T by the hair) You’ve told children THERE’S NO SUCH THING AS CHRISTMAS!!!  That is an offense worthy of death!

T: Nooooo!

M (sits on ottoman, pulling T down backward  so she is lying across his legs, on her back)

M:  There is no greater offense, and no greater punishment!  (Wraps a red stocking around T’s neck and tightens it.  As T struggles against the beginning of the strangulation):  Choose between being beaten to death (punches her breast on the nipple) or being strangled! (tightens stocking)

T (Speechless, terrified)

(For the next several minutes, T alternately tries to stop the strangulation and stop the beating.  When her hands try to pull the stocking away, M punches her breasts until T tries to protect her breasts with her hands.  When she tries to protect herself, he tightens the stocking a little more, edging her closer to asphyxiation.  This process repeats itself 3-4 times (distance shots and close ups).  Finally, T realizes she being strangled and death is near, so she stops trying to protect her breasts.  She claws at the stocking while M repeated punches each breast, harder and harder, trying to distract her; T lets him hit her, because she’s just trying to survive.  But it’s too late.  Slowly, even as M continues to hit her, her arms fall back behind her head.  M cinches the stocking down and punches her breasts until T shows no signs of life, and hangs limply across his lap.  He lifts her head by the stocking and shakes it, then pulls it back down and punches her breasts several more times (clearly seen).  Finally, he rolls her off his lap onto the floor, and kicks her onto her back.)

M (kneels and straddles her, grabs her breasts and pulls her up into a sitting position; she hangs by her breasts, dead, in his hands (mandatory: (1) side view, (2) close up, (3) camera moving from behind T, seeing her face, up and over her to look down on her breasts in M’s hands) and (4) view from high up above):  Naughty, naughty elf!  Father Christmas is the nicest old man in the world, and there’s no place for tarts like you, who question his existence and ruin children’s dreams!  (Drops her, stands and stomps on each breast several times hard enough to bounce her off the floor, saying “Bad elf!” with each stomp).

M (returns to desk, consults papers):  So much to do, so much to do!  (He works for a while, until his eyes stray and he sees a boy’s toy still unwrapped—a toy pistol that shoots rubber suction cup darts [e.g. by the Dreidel Company Detective Set, less than USD $10 on Amazon].  He looks at T’s body, and has an idea.

He props T’s body up against a wall (using whatever means you like to keep her upright), then takes some women’s lipsticks and draws round targets on her breasts, with her nipples as the bullseyes, then amuses himself for a while shooting the suction cup darts against her breasts (2x the 10-11 darts).  She stands passively, restrained up against the wall, head to one side, eyes open, lips slightly parted, as the darts hit her breasts and nipples (close ups), though they simply indent her breasts but don’t stick.  He enjoys this at first, but quickly tires of it.  He looks at T, looks around the room, and decides it needs more decoration.  He ties her hands behind her back and her arms to each other (she is limp, so he has to continually manhandle her, pushing her up against a wall and holding her there alternately by her neck, her hair, and just one breast), and then ties her feet together and, ties her thighs together, then wraps her body in a string of lighted Christmas lights (including wrapping some tightly around her breasts), puts her red stocking cap on her head, and hangs her by the neck from the ceiling. )

M (pours himself a drink and works at his desk as T dangles in the background):  So much to do!  So much to do! 

(The clock ticks by the hours, till it is near midnight.  M finally lowers T and takes off all the lights and wrappings.  He then makes out a label:  “Return to workshop.  Defective elf merchandise.”  He then pulls out a large cardboard box and stuffs T into it, then stuffs packing papers around her, seals it up, put on the label and has it carted off by more helpers.

M (back at his desk): So much to do, so much to do!

(There’s a knock at his door, and another beautiful, sexily clad elf comes in and says): “Is this where I come to be punished for my sins?”

Max winks at the camera.
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