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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 1009 Clips / 17700 minutes of video!
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![WHAT CAN YOU TELL TO MY GUN - WHAT CAN YOU TELL TO MY GUN?
Starring: Luiza, Max, Tatiana, Billy Brag.
CUSTOM
«Thank you very much. I enjoyed the movie».
From customer’s review
ONE OF THE MOST GORY SHOOTING MOVIE WE’VE EVER MADE!
Elements:
Shooting (many shots), blood, much wounds, guts, three headshots
Luiza - female character
John - male character
Gunman 1 & 2 - very brief appearance, can be any gender, or using the same actors/ actress but in different clothes/ with masks/ sun glasses to hide the identity
Location: the two story house with large staircase you used before
In a bed room upstairs.
Luiza and John are dressing up. Luiza is naked and piece by piece out on her shirt and skirt and high heel sandals (costume to be specified by me later), not wearing bras nor panty.
They joked about the great sex they just had, John was totally happy but Luiza appeared a bit perfunctory.
As Luiza pulls on her sandals, John said “you feet are really beautiful, so big, how big are they”
Luiza said “ I wear size 40, (or whatever her real size, we decide later), come, do you want one more kiss?” She teases and put one of her feet on a chair.
John kneel in front her and kissed her feet.
Luiza pull out a small syringe in her purse and plunged into John’s neck. John twitched and fell face down on the floor.
Luiza quickly moved to the desk in the room, she fumbled with the lock and opened the drawer. She took a mini SD card. She stood there and thought for.a brief moment. Then she sat down and used a sticky tape to tape chip on the insole of her sandal then put the shoe back on. (This is a chance to show the show size and a very good, closed look of her feet and toes polished in dark red).
Luiza rushed out of the room with a glee on her face. [camera showing her gait, and a lot view of feet step by step, even some slow mo]. She descended down the stairs.
We heard a gun shot.
Luiza [camer showing only her chest and above] froze in her steps, stunned expression on her face; She looked down, camera follows her gaze, down to her belly, there is a gaping exit wound on the right side of her abdomen, blood oozing out.
Camera pulls away, show Luiza full body standing on the stair, and John standing behind her on the top of the staircase, left hand pressing on his own neck, right hand holding a pistol.
He fired two more times.
Luiza jerked, and we saw two exit wound exploding out very Low on her belly, almost right above where her pubic hair would be.
She stifled a yelp and turned on her heel, seeing John with disbelief.
She looks determined to fight. She fished out a small pistol from her bag and shoot, only heard en empty click.
John smirked: “I know you might be the mole, honey, I switched out your position and also took all your bullets away”. With that, he took a small vial of liquid and several bullet from his pocket and dropped them on the floor.
Luiza: “Bastard, I am going to kill you”, she took a small switch knife out from her purse, raise it above her head and walked up the stairs with great efforts, glaring at her foe.
John fired and key firing, bullet after bullet hitting her. First on the left shoulder, she twisted and kept walking, then two on her right chest, she jerked; then one in her stomach, she bent forward then stood again, kept walking up step by step, knife raising.
John’s gun clicked empty too. There is a moment of panic in his eyes as he checked the chamber.
Luiza smirked with agony “that’s all you got? Just 7 bullets? Not even a full mag?” She gathered her last energy and landed on the top of the stair case, and raised the knife over her head.
Commotions. Foot steps from downstairs.
Two gun man enter the lobby, they are body guards ( could wear mask and sun glasses if you have too use the same actor or actress) , each holding machine guns or assault rifles. They opened fire on Luzia’s back.
Camera shows Luiza’s back and her front, Hollywood style, as she jerked in the rain of bullet, as holes open on her back and exit her front blood splatting. She tried to maintain her stand, but was pushed by the impact and staggered towards to wall.
The shooting is quite brief, a few second later the bullets stopped and Luzia was against the walk, still standing. She painfully pushed herself against the wall and turned around the face John and the gun men, leaning on the wall, full of holes, breathing with much difficulty with blood coming out of her mouth too, but she is stil standing [ some camera view of her leg and feet]
Her knife was already dropped, so was her purse.
John walked up: “Bitch, yeah, now is it enough bullet for you?”
Luzia is barely alive, and vomiting blood, but she managed a wan scoff on her beautiful face, without any weapon, she raised her right hand, with her thumb up and index finger miming a gun pointing at John, a faint final word was squeezed out of her bloody lip “bang”.
John stepped aside, motioned to his gun man (off camera), and we hear massive gun shots again and this time Luzia’s body was pushed against the wall and twitching and jerking as bullet holes were peppered all over her torso, even arms and a few on her legs, then suddenly, several rounds hit her on her forehead and even face, brains exploded from back of her head, then everything is quite and still for a moment:
Luzia was still standing, more holes on her body [but still manageable blood, not causing completed soaking, still able to see each of the bullet holes], there are 3 bullet holes on her forehead, one on her face on the cheek bone, and one on her chin [ i will confirm the location of those bullet with picture later].
After a few seconds, her body started to slide down, leaving a huge paint rush of blood and gore on the wall behind her, especially a little above where he head used to be, you can clearly see blobs of brain matters sticking on the wall.
She finally fell onto a sitting position and died, leg spreading, in an twisted, humiliating pose , but a very heroic death. Here eyes wide open; her lips half open.
John walked up, kicking her body. He squatted down next to her, holding her chin and twisted her face towards him, looking at her dead face, he spoke many humiliating words.
When he moved her body, we saw her back is totally different from her front. While the her front is still relatively “clean” where we can even count each Buttler hole, her back is totally soaked with blood and gore. The exit wounds have slit open her lower back, a large loop of intestines and organs looped on the floorm, between her back and the wall.
He finally counted total 38 bullets (including those in the head). He even reach his finger into the skull of Luzia and pulled our more pieces of brain, and played with her guts, and jeered that she is so “gutless and brainless” now. All the time Luzia’s eyes wide open and starting into emptiness with an expression of indifference.
FinallyJohn started to look for the mini SD card Luzia took. He searched her phrase but can;t find, eventually as he started to worship her feet again, he took her sandals off to kiss her feet, and found the chips. He proceeded to play with her feet, eventually put the sandals back on when he finished. [ he needs to wash hands clean before this scene, I don;t like blood on the feet]
Finally, looking at Luzia’s now messy dead body, John;s lips curled up in a sinister grin. He motioned to the gun man. They took Luzia’s arm pit and her feet, lifted her up and walked into the bedroom again.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
COVID MASSACRE
TORTURE KILLER](studio/images/what_can_you_tell_to_my_gun_screens1-63e.jpg "WHAT CAN YOU TELL TO MY GUN - WHAT CAN YOU TELL TO MY GUN?
Starring: Luiza, Max, Tatiana, Billy Brag.
CUSTOM
«Thank you very much. I enjoyed the movie».
From customer’s review
ONE OF THE MOST GORY SHOOTING MOVIE WE’VE EVER MADE!
Elements:
Shooting (many shots), blood, much wounds, guts, three headshots
Luiza - female character
John - male character
Gunman 1 & 2 - very brief appearance, can be any gender, or using the same actors/ actress but in different clothes/ with masks/ sun glasses to hide the identity
Location: the two story house with large staircase you used before
In a bed room upstairs.
Luiza and John are dressing up. Luiza is naked and piece by piece out on her shirt and skirt and high heel sandals (costume to be specified by me later), not wearing bras nor panty.
They joked about the great sex they just had, John was totally happy but Luiza appeared a bit perfunctory.
As Luiza pulls on her sandals, John said “you feet are really beautiful, so big, how big are they”
Luiza said “ I wear size 40, (or whatever her real size, we decide later), come, do you want one more kiss?” She teases and put one of her feet on a chair.
John kneel in front her and kissed her feet.
Luiza pull out a small syringe in her purse and plunged into John’s neck. John twitched and fell face down on the floor.
Luiza quickly moved to the desk in the room, she fumbled with the lock and opened the drawer. She took a mini SD card. She stood there and thought for.a brief moment. Then she sat down and used a sticky tape to tape chip on the insole of her sandal then put the shoe back on. (This is a chance to show the show size and a very good, closed look of her feet and toes polished in dark red).
Luiza rushed out of the room with a glee on her face. [camera showing her gait, and a lot view of feet step by step, even some slow mo]. She descended down the stairs.
We heard a gun shot.
Luiza [camer showing only her chest and above] froze in her steps, stunned expression on her face; She looked down, camera follows her gaze, down to her belly, there is a gaping exit wound on the right side of her abdomen, blood oozing out.
Camera pulls away, show Luiza full body standing on the stair, and John standing behind her on the top of the staircase, left hand pressing on his own neck, right hand holding a pistol.
He fired two more times.
Luiza jerked, and we saw two exit wound exploding out very Low on her belly, almost right above where her pubic hair would be.
She stifled a yelp and turned on her heel, seeing John with disbelief.
She looks determined to fight. She fished out a small pistol from her bag and shoot, only heard en empty click.
John smirked: “I know you might be the mole, honey, I switched out your position and also took all your bullets away”. With that, he took a small vial of liquid and several bullet from his pocket and dropped them on the floor.
Luiza: “Bastard, I am going to kill you”, she took a small switch knife out from her purse, raise it above her head and walked up the stairs with great efforts, glaring at her foe.
John fired and key firing, bullet after bullet hitting her. First on the left shoulder, she twisted and kept walking, then two on her right chest, she jerked; then one in her stomach, she bent forward then stood again, kept walking up step by step, knife raising.
John’s gun clicked empty too. There is a moment of panic in his eyes as he checked the chamber.
Luiza smirked with agony “that’s all you got? Just 7 bullets? Not even a full mag?” She gathered her last energy and landed on the top of the stair case, and raised the knife over her head.
Commotions. Foot steps from downstairs.
Two gun man enter the lobby, they are body guards ( could wear mask and sun glasses if you have too use the same actor or actress) , each holding machine guns or assault rifles. They opened fire on Luzia’s back.
Camera shows Luiza’s back and her front, Hollywood style, as she jerked in the rain of bullet, as holes open on her back and exit her front blood splatting. She tried to maintain her stand, but was pushed by the impact and staggered towards to wall.
The shooting is quite brief, a few second later the bullets stopped and Luzia was against the walk, still standing. She painfully pushed herself against the wall and turned around the face John and the gun men, leaning on the wall, full of holes, breathing with much difficulty with blood coming out of her mouth too, but she is stil standing [ some camera view of her leg and feet]
Her knife was already dropped, so was her purse.
John walked up: “Bitch, yeah, now is it enough bullet for you?”
Luzia is barely alive, and vomiting blood, but she managed a wan scoff on her beautiful face, without any weapon, she raised her right hand, with her thumb up and index finger miming a gun pointing at John, a faint final word was squeezed out of her bloody lip “bang”.
John stepped aside, motioned to his gun man (off camera), and we hear massive gun shots again and this time Luzia’s body was pushed against the wall and twitching and jerking as bullet holes were peppered all over her torso, even arms and a few on her legs, then suddenly, several rounds hit her on her forehead and even face, brains exploded from back of her head, then everything is quite and still for a moment:
Luzia was still standing, more holes on her body [but still manageable blood, not causing completed soaking, still able to see each of the bullet holes], there are 3 bullet holes on her forehead, one on her face on the cheek bone, and one on her chin [ i will confirm the location of those bullet with picture later].
After a few seconds, her body started to slide down, leaving a huge paint rush of blood and gore on the wall behind her, especially a little above where he head used to be, you can clearly see blobs of brain matters sticking on the wall.
She finally fell onto a sitting position and died, leg spreading, in an twisted, humiliating pose , but a very heroic death. Here eyes wide open; her lips half open.
John walked up, kicking her body. He squatted down next to her, holding her chin and twisted her face towards him, looking at her dead face, he spoke many humiliating words.
When he moved her body, we saw her back is totally different from her front. While the her front is still relatively “clean” where we can even count each Buttler hole, her back is totally soaked with blood and gore. The exit wounds have slit open her lower back, a large loop of intestines and organs looped on the floorm, between her back and the wall.
He finally counted total 38 bullets (including those in the head). He even reach his finger into the skull of Luzia and pulled our more pieces of brain, and played with her guts, and jeered that she is so “gutless and brainless” now. All the time Luzia’s eyes wide open and starting into emptiness with an expression of indifference.
FinallyJohn started to look for the mini SD card Luzia took. He searched her phrase but can;t find, eventually as he started to worship her feet again, he took her sandals off to kiss her feet, and found the chips. He proceeded to play with her feet, eventually put the sandals back on when he finished. [ he needs to wash hands clean before this scene, I don;t like blood on the feet]
Finally, looking at Luzia’s now messy dead body, John;s lips curled up in a sinister grin. He motioned to the gun man. They took Luzia’s arm pit and her feet, lifted her up and walked into the bedroom again.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
COVID MASSACRE
TORTURE KILLER")
![BEAUTY TO SOIL - BEAUTY TO SOIL
CUSTOM
«Thank you! The performance and makeup are fantastic! It is beyond my expectations! I'm very impressed of how your studio make progress in these years! And the makeup definitely followed my instructions, even the very detailed patterns! And Keila is definitely a great actress! Her performance is so attractive, nature and realistic!»
Starring: Keila and Billy Brag
Fetish Elements: Poison, Agony, Very naturalistic agony and death scene, sweat during agony, cadaveric termination, cadaveric decomposition, stages of cadaveric decomposition, undressing the body, transferring the body from place to place, dressing the body, playing with the body, necrophilia, necrofetishism, dead body in the forest
ATTENTION! VERY REALISTIC MAKEUP OF THE CORPSE!
Plot
CHAPTER 1: Alive
background: Max and Keila are best friends. Keila is dying due to some disease
1. Keila calls Max to see her. She told him she is dying
2. Keila induce Max to play her dead body
Talk: Keila and Max. [Keila lying on a chair and she is very weak]
Keila: Do I look ugly now?
Max: No, you are a beauty
Keila: But … I will become a dead body … this body … will be no different to a giant dead meat …
Keila: Will you feel sick of me? I will be cold, stiff, and smelly …
Max: no…
Keila [weak smile]: After I die, please help me to dress in these white clothes, and let me become soil in the forest…
3. Keila suddenly feels bad and fall down to the ground
CHAPTER 2: Death
1. Pain: Keila is pain
2. Last struggle
a. At first, she is struggling with large movement;
b. Then her movement becomes smaller and have high frequence, like tremble;
c. She was drenched with sweat. Her full body is sweat include part of her hair
d. Then, her mouth and nose have blood coming out.
3. Last words
a. Keila is in Max’s arms
b. Keila’s eyes are closing, and she tries her best to re-open her eyes. Her eyes can rolling back in this process;
Keila [very weak]: This corpse is yours…
Keila’s eyes slowly become half-open
4. Die (very important, see image below. This face expression is always the same for the entire film)
a. Keila’s eyes are half-open
b. Keila’s eyes are looking straight
c. Her mouth is half-open
CHAPTER 3: Clean
1. Max removes Keila’s clothes genteelly
a. Note: when removing clothes, there should be sweats on her abdomen and breasts
2. Max cleaning Keila’s sweats and blood
a. The blood should not be fully cleaned. There should be some trace of blood.
3. Changing clothes
a. Max carry Keila to bed
b. This process should show her body is soft
c. Keila has no underwear
CHAPTER 4: Change
1. Day 1: stiff
a. Max carry Keila to the forest
b. Keila’s body become stiff and hard to change pose
c. Max turns Keila and sees her back. There are some red pattern on her back, which is the “Livor mortis” (see image below)
d. Max put Keila to a sexy pose, but Keila’s body is still stiff
Livor mortis: on her back, there are red patterns. But the area that contact ground don’t have such patterns
2. Day 2: soft
a. Max come back to see Keila
b. Keila is soft again
c. Max opens her clothes and touches her breasts, moving her body, changing her pose, huge, etc.
3. Day 3: rot
a. Max remove Keila’s clothes in a brutal way
b. He found Keila’s body is rot (see reference image below)
c. Finally, show her body
IF YOU LIKE THIS FILM AND WANT TO SEE MORE REALISTIC DEATH SCENES AND CORPSES MADE BY DARKROOMS PRODUCTION PLEASE CHECK OUT
COUNTRY OF BEAUTY
MORGUE FOR ORPHAN
POSTMORTEM PHENOMENA
DEATH OF SCARLETT IN 2070](studio/images/beautytosoilscreenscover-a94.jpg "BEAUTY TO SOIL - BEAUTY TO SOIL
CUSTOM
«Thank you! The performance and makeup are fantastic! It is beyond my expectations! I'm very impressed of how your studio make progress in these years! And the makeup definitely followed my instructions, even the very detailed patterns! And Keila is definitely a great actress! Her performance is so attractive, nature and realistic!»
Starring: Keila and Billy Brag
Fetish Elements: Poison, Agony, Very naturalistic agony and death scene, sweat during agony, cadaveric termination, cadaveric decomposition, stages of cadaveric decomposition, undressing the body, transferring the body from place to place, dressing the body, playing with the body, necrophilia, necrofetishism, dead body in the forest
ATTENTION! VERY REALISTIC MAKEUP OF THE CORPSE!
Plot
CHAPTER 1: Alive
background: Max and Keila are best friends. Keila is dying due to some disease
1. Keila calls Max to see her. She told him she is dying
2. Keila induce Max to play her dead body
Talk: Keila and Max. [Keila lying on a chair and she is very weak]
Keila: Do I look ugly now?
Max: No, you are a beauty
Keila: But … I will become a dead body … this body … will be no different to a giant dead meat …
Keila: Will you feel sick of me? I will be cold, stiff, and smelly …
Max: no…
Keila [weak smile]: After I die, please help me to dress in these white clothes, and let me become soil in the forest…
3. Keila suddenly feels bad and fall down to the ground
CHAPTER 2: Death
1. Pain: Keila is pain
2. Last struggle
a. At first, she is struggling with large movement;
b. Then her movement becomes smaller and have high frequence, like tremble;
c. She was drenched with sweat. Her full body is sweat include part of her hair
d. Then, her mouth and nose have blood coming out.
3. Last words
a. Keila is in Max’s arms
b. Keila’s eyes are closing, and she tries her best to re-open her eyes. Her eyes can rolling back in this process;
Keila [very weak]: This corpse is yours…
Keila’s eyes slowly become half-open
4. Die (very important, see image below. This face expression is always the same for the entire film)
a. Keila’s eyes are half-open
b. Keila’s eyes are looking straight
c. Her mouth is half-open
CHAPTER 3: Clean
1. Max removes Keila’s clothes genteelly
a. Note: when removing clothes, there should be sweats on her abdomen and breasts
2. Max cleaning Keila’s sweats and blood
a. The blood should not be fully cleaned. There should be some trace of blood.
3. Changing clothes
a. Max carry Keila to bed
b. This process should show her body is soft
c. Keila has no underwear
CHAPTER 4: Change
1. Day 1: stiff
a. Max carry Keila to the forest
b. Keila’s body become stiff and hard to change pose
c. Max turns Keila and sees her back. There are some red pattern on her back, which is the “Livor mortis” (see image below)
d. Max put Keila to a sexy pose, but Keila’s body is still stiff
Livor mortis: on her back, there are red patterns. But the area that contact ground don’t have such patterns
2. Day 2: soft
a. Max come back to see Keila
b. Keila is soft again
c. Max opens her clothes and touches her breasts, moving her body, changing her pose, huge, etc.
3. Day 3: rot
a. Max remove Keila’s clothes in a brutal way
b. He found Keila’s body is rot (see reference image below)
c. Finally, show her body
IF YOU LIKE THIS FILM AND WANT TO SEE MORE REALISTIC DEATH SCENES AND CORPSES MADE BY DARKROOMS PRODUCTION PLEASE CHECK OUT
COUNTRY OF BEAUTY
MORGUE FOR ORPHAN
POSTMORTEM PHENOMENA
DEATH OF SCARLETT IN 2070")
