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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 1009 Clips / 17700 minutes of video!
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![WHAT CAN YOU TELL TO MY GUN2 - WHAT CAN YOU TELL TO MY GUN? 2
Custom
Cast: Xena, Max, Ksusha Zaichik, Billy Brag
This is a sequel to the previous movie \"What can you tell to my gun?\"
Xena is the fellow agent of Luiza who died infiltrating Max’s organisation.
Xena sits naked in her apartment and unwrapping a box, inside is a pair of blood stained sandals, those worn by Luiza when she died. She checked the shoes, this time please show the shoe size mark clearly, (I think Anna bought size 41). As she stared at the shoes pensively, there is brief back-and-white flash back of Luzie wearing these shoes and got shot dead.
Xena wiped the shoes clean, and put her beautiful bare feet into them, her toes nails were also painted in the red wine Color. A lot of details of her feet in the sandals, showing how fit they were for her. She then put on her clothes (which I will specify with the prop manager later, most likely dress or shirt+skirt). No stockings, no underpants, no bras. She slid a hand gun into her purse, took a last look at herself in the mirror with a grim look and left the room. (Camera can follow her feet a little longer).
Scenes cut to another bed room - this time at Max’s place. There is a few fast cut/ flashing of scenes Xena and Max hugging and making love (just indicatively, to the extent you can) with loud and satisfying moaning from both of them and some sultry background music.
As the music fades, it shows Xena is re-dressing herself, camera can show her wearing her sandals. Max just zipped up his pants, he kneeled down to kiss Xena’s feet praising her feet so big and beautiful. He murmured that her shoes looked a bit familiar then he suddenly looked suspicious when he saw the shoe size mark. He found an excuse walked into another room and made a call, asking his security team to come.
He came back, asking Xena to get a drink as she walks towards the cabinet, he opened her purse and saw the gun. Just as Xena turned to face him asking what he wants to brink, he fired Xena’s pistol at her repeatedly and emptied the entire clip (10-17 rounds, I will work with your prop manager to see what pistol model your are using). Xena jerked and bucked with each bullet hit as she was pushed by the impact step by step and smashed onto the back wall, but managed to stand. [The entry wound are small neat holes with little blood at the beginning but each exit wound is bigger, blood splashing on the wall.
Max clicked the empty and smirked :”wow powerful toy! A whole xx rounds (actual number TBD)”, but he was stunned to see Xena was not dead yet, she snarled at him and pushed herself up against the wall. She dashed to him and tackled him, both falling down with Xena on the top. She pushed Max a few times on the face and then tried to strangle him with her bare hand. As she pushed down her hands, she also started to vomit blood from her mouth, some dripping onto Max’ face. [Xena is now straddling on Max, it is a good chance to see all the exit wounds on her back, also some close up on her feet, it is a good chance to show the bottom of her sandals and the clear shoe size mark].
Max was over powered by Xena not able to move too much. He managed to free his right arm and fumbled around to get a knife. He plunged and slashed the knife on Xena the lower back (the left side) repeatedly, Xena’s guts started to pour out of the open wound. But Xena ignored it and just kept strangling him. Finally, Max grew too weak, his arm dropped and the knife was stuck on Xena’s back. Xena found the chance, she reached back and pulled the knife out.
Now, she raised the knife with both hand high above her head, she straddled on Max and back straight, ready to plunge the knife down. But at the exact moment, the door burst open, two of Max’s men rushed in and opened hire (riffle or pistol, no shot gun this time), it was a short burst only a few seconds, but many bullets hit Xena’s back drilling small red holes, but busting out of her chest in bigger holes, splashing blood and tissues all over Max. Xena held her postion, her arms raised high, body arching back, jerking twisting violently in the rain of bulleted.
When the gun shot stoped, Xena was “frozen” in her strike position for a short while, with wide opened eyes and stunned impression, after a second, she groaned only one world “fuck” (or the Russian equivalent), then she fell forward, not able to control her body anymore, the knife plunged deep into Max’s shoulder, and she dropped prone on top of Max, like in sex, but just not moving anymore, her back full of bullet holes and a loop of intestines hanging out.
The guards fliped Xena off their boss. Max got up with help. He was badly hurt but will live. He looked at Xena, now lying face-up on the ground face up, eyes wide open, mouth half open. Her front was full of holes too, some small (entry), but mostly quite big (exit), thru the blood soaked clothes, we can still see each jagged bullet holes. Intestines on her side. Max cursed and kicked her body, out of rage, he grab a pistol from his guard and shot Xena on her face: 3 on the forehead, one on the cheek and one on her chin, similar to Luzia previously [ you can make the wounds slightly smaller than last time, but keep the quality!] Chunks of Xena;s brain is now splashed all around her head.
Max was escorted out by the guards. Xena left alone on the floor, camera should give a very very long and slow view of their body, feet, face, all the wounds [make sure her body position can reveal most of the wounds! For example, her head need to tilt to the side that allows and face shot to be seen]
Scene darks, then lighten up up, caption showing “8 hours later, The Next Morning”
Max came back, his should now patched up. He mocked at now matter how strong Xena was, she is now al dead with no guts no brains left. He admired her body again, especially her big feet. He played with the feet, but didnt’t remove her shoes [we can see the show size again]. He said to himself Xena’s size 41 feet is so beautiful but the sandal reminded of him Luiza that is how he found out. He mocked at Xena being so tough but missed a small point. He then counted the bullets holes one-by-one, and found out she took xx bullets in total [ this time let’s slow down, take the time and let the audience enjoy Xena and all the wound effect meticulously made by your crew].
Finally he left Xena lying there and walked away.](studio/images/what_can_you_tell_to_my_gun_2_screens-c01.jpg "WHAT CAN YOU TELL TO MY GUN2 - WHAT CAN YOU TELL TO MY GUN? 2
Custom
Cast: Xena, Max, Ksusha Zaichik, Billy Brag
This is a sequel to the previous movie \\"What can you tell to my gun?\\"
Xena is the fellow agent of Luiza who died infiltrating Max’s organisation.
Xena sits naked in her apartment and unwrapping a box, inside is a pair of blood stained sandals, those worn by Luiza when she died. She checked the shoes, this time please show the shoe size mark clearly, (I think Anna bought size 41). As she stared at the shoes pensively, there is brief back-and-white flash back of Luzie wearing these shoes and got shot dead.
Xena wiped the shoes clean, and put her beautiful bare feet into them, her toes nails were also painted in the red wine Color. A lot of details of her feet in the sandals, showing how fit they were for her. She then put on her clothes (which I will specify with the prop manager later, most likely dress or shirt+skirt). No stockings, no underpants, no bras. She slid a hand gun into her purse, took a last look at herself in the mirror with a grim look and left the room. (Camera can follow her feet a little longer).
Scenes cut to another bed room - this time at Max’s place. There is a few fast cut/ flashing of scenes Xena and Max hugging and making love (just indicatively, to the extent you can) with loud and satisfying moaning from both of them and some sultry background music.
As the music fades, it shows Xena is re-dressing herself, camera can show her wearing her sandals. Max just zipped up his pants, he kneeled down to kiss Xena’s feet praising her feet so big and beautiful. He murmured that her shoes looked a bit familiar then he suddenly looked suspicious when he saw the shoe size mark. He found an excuse walked into another room and made a call, asking his security team to come.
He came back, asking Xena to get a drink as she walks towards the cabinet, he opened her purse and saw the gun. Just as Xena turned to face him asking what he wants to brink, he fired Xena’s pistol at her repeatedly and emptied the entire clip (10-17 rounds, I will work with your prop manager to see what pistol model your are using). Xena jerked and bucked with each bullet hit as she was pushed by the impact step by step and smashed onto the back wall, but managed to stand. [The entry wound are small neat holes with little blood at the beginning but each exit wound is bigger, blood splashing on the wall.
Max clicked the empty and smirked :”wow powerful toy! A whole xx rounds (actual number TBD)”, but he was stunned to see Xena was not dead yet, she snarled at him and pushed herself up against the wall. She dashed to him and tackled him, both falling down with Xena on the top. She pushed Max a few times on the face and then tried to strangle him with her bare hand. As she pushed down her hands, she also started to vomit blood from her mouth, some dripping onto Max’ face. [Xena is now straddling on Max, it is a good chance to see all the exit wounds on her back, also some close up on her feet, it is a good chance to show the bottom of her sandals and the clear shoe size mark].
Max was over powered by Xena not able to move too much. He managed to free his right arm and fumbled around to get a knife. He plunged and slashed the knife on Xena the lower back (the left side) repeatedly, Xena’s guts started to pour out of the open wound. But Xena ignored it and just kept strangling him. Finally, Max grew too weak, his arm dropped and the knife was stuck on Xena’s back. Xena found the chance, she reached back and pulled the knife out.
Now, she raised the knife with both hand high above her head, she straddled on Max and back straight, ready to plunge the knife down. But at the exact moment, the door burst open, two of Max’s men rushed in and opened hire (riffle or pistol, no shot gun this time), it was a short burst only a few seconds, but many bullets hit Xena’s back drilling small red holes, but busting out of her chest in bigger holes, splashing blood and tissues all over Max. Xena held her postion, her arms raised high, body arching back, jerking twisting violently in the rain of bulleted.
When the gun shot stoped, Xena was “frozen” in her strike position for a short while, with wide opened eyes and stunned impression, after a second, she groaned only one world “fuck” (or the Russian equivalent), then she fell forward, not able to control her body anymore, the knife plunged deep into Max’s shoulder, and she dropped prone on top of Max, like in sex, but just not moving anymore, her back full of bullet holes and a loop of intestines hanging out.
The guards fliped Xena off their boss. Max got up with help. He was badly hurt but will live. He looked at Xena, now lying face-up on the ground face up, eyes wide open, mouth half open. Her front was full of holes too, some small (entry), but mostly quite big (exit), thru the blood soaked clothes, we can still see each jagged bullet holes. Intestines on her side. Max cursed and kicked her body, out of rage, he grab a pistol from his guard and shot Xena on her face: 3 on the forehead, one on the cheek and one on her chin, similar to Luzia previously [ you can make the wounds slightly smaller than last time, but keep the quality!] Chunks of Xena;s brain is now splashed all around her head.
Max was escorted out by the guards. Xena left alone on the floor, camera should give a very very long and slow view of their body, feet, face, all the wounds [make sure her body position can reveal most of the wounds! For example, her head need to tilt to the side that allows and face shot to be seen]
Scene darks, then lighten up up, caption showing “8 hours later, The Next Morning”
Max came back, his should now patched up. He mocked at now matter how strong Xena was, she is now al dead with no guts no brains left. He admired her body again, especially her big feet. He played with the feet, but didnt’t remove her shoes [we can see the show size again]. He said to himself Xena’s size 41 feet is so beautiful but the sandal reminded of him Luiza that is how he found out. He mocked at Xena being so tough but missed a small point. He then counted the bullets holes one-by-one, and found out she took xx bullets in total [ this time let’s slow down, take the time and let the audience enjoy Xena and all the wound effect meticulously made by your crew].
Finally he left Xena lying there and walked away.")
![JULIANAS AUDITION - JULIANA’S AUDITION
CUSTOM
Starring: Annabelle, Juliana
Juliana and Annabelle are friends. Juliana knows about Annabelle’s death fetish work and, in the middle of the pandemic, with work hard to find, she has asked Annabelle if she could make some extra money doing it. Annabelle is happy to put her forward and has explained Juliana will have to do an interview on CAM for her ‘Crime House/Dark Room’ sponsors, a Russian fetish film produce – including acting out a few murder scenes. This is the story of Juliana’s CHDR audition.
She is interviewed in Annabelle’s living room. Annabelle explains she has been on CHDR for nealry six months now, and it is a lot of fun and good money. She asks Juliana what she feels about acting out death scenes, and Juliana admits she hasn’t done this type of work before, but she’s willing to give it a try.
Annabelle is confident Juliana will be fine and explains that they will have to do three auditions, mainly in the bedroom – which is connected by hidden cameras to the CHDR sponsors. The sponsors decide on the scenarios and if Juliana is suitable to join the CHDR team. Annabelle explains that the clients like to see dramatic and sexy death scenes – with a decent fight to try and survive and a lot of pleading for mercy, fear and panic during the murder scene. Juliana is enthusiastic. She says she knows Annabelle well and it will be fun to get up close and personal with her friend. They hug, making it clear there is an attraction between them.
The next scene is in the bedroom. Juliana is sitting on the bed while Annabelle is looking at her phone. She tells Juliana that for the first audition, the client wants Juliana to play a bit of a slut. She has picked up Annabelle in a bar and brought her back to her apartment for some sexy fun. Unfortunately for Juliana, Annabelle is a serial killer who has been strangling tarty MILFs in Moscow. Once Annabelle springs her trap on a nude Juliana, Juliana will plead for mercy, but Annabelle will strangle her with her bare hands. Juliana should struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Juliana says that sounds easy enough. She smiles and gets up to hug and begin undressing Annabelle. Annabelle responds and undresses Juliana easing her back onto the bed. They kiss and cuddle for a while.
Annabelle asks Juliana “Aren’t you worried about the strangler who has been murdering girls in our city?”
Juliana laughs, “That’s why I picked you up – I’m not taking any risks with guys at the moment.”
Suddenly Annabelle pins Juliana’s hands down and says “You’re a fool. Why do you assume the strangler’s a man? I’m going to enjoy proving to you what a big mistake you made…”
Juliana thinks Annabelle’s joking and says, “Stop it darling, that’s not funny.” She tries to kiss Annabelle, but Annabelle pulls her hair back and pretends to slap her and twist her nipples. Juliana screams in pain and begs Annabelle to stop. She now realises Annabelle is the strangler and she begs her to let her go.
Annabelle stops torturing Juliana briefly and they hug each other affectionately. She says, “Maybe I will let you go.” For a moment Juliana looks hopeful…Annabelle kisses her tenderly…but then sits up on her belly and strokes Juliana’s hair, slowly moving her hands down towards her throat “I’m going to let you go….to hell.” She barks the last two works aggressively. And with that she begins to strangle Juliana.
Juliana’s eyes widen in shock and fear and she struggles desperately to break Annabelle’s grip and unbalance her. But Annabelle is too strong. Juliana fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Annabelle kisses Juliana on the forehead, says ‘cut’, and Juliana opens her eyes and they both laugh and hug each other affectionately.
Annabelle goes to her phone and tells Juliana the sponsors really liked her first scene. Juliana said she found it fun too – but hopes maybe in the next scene she can play the killer instead of the victim.
Juliana comes over and they look at the phone.
Annabelle smiles “Well you are going to get your wish...have a look at the script for the next scene…’virus madness’, it’s a really funny one. I did it once as the killer, but this time you get to murder me”.
Juliana reads the script from the phone and laughs. She hugs Annabelle again and gives her a little squeeze “Ooh – I’m going to enjoy my revenge.”
They go back on the bed, clearly as lovers. Juliana gets on top. She is pretending to be playful. “You know there is something you can do for me – but it will work much better if I restrain you a little.”
Annabelle is happy “You know I’d do anything, and I love a little bit of bondage play. Restrain me whatever way you want”. [Juliana positions Annabelle on her back and then ties one of her hands to the bedpost on the corner of the bed. Annabelle offers her other hand…]
J: Darling – both arms would be unfair. You deserve a chance – I owe you that.
A: What have you got in mind? You know I love both pleasure and pain. [she is laughing]
J: [Juliana turns serious] Did you see the article in the paper about that new extreme cure they’re testing for the virus? It’s hard to believe, but the Chief Medical Officer thinks the act of murdering someone you love can give you complete resistance from the infection.
A: [Annabelle looks confused] That’s complete nonsense. How can anyone believe something like that? And even if it was true…what a shocking thought – to have to murder your lover!
J: You know they are offering €10,000 to people prepared to test this, and immunity from any prosecution too. I’m really sorry, darling, but I decided to sign up.
A: [Annabelle tries to sit up, but Juliana pushes her back down and pins her free hand on the bed]. This is crazy. What are you telling me – that you’re going to kill me? I don’t like this game – just let me go. [She struggles a bit more but Juliana holds her down].
[Annabelle begs and pleads for a bit longer. But eventually Juliana begins to strangle her with both hands around her throat. Annabelle fights strongly with her free hand and tries to use her body to throw Juliana off. She kicks out with legs and tries to pull her knees forward. But Juliana resists everything. As Annabelle weakens, she begs again for mercy. She tries to loosen the hands around her throat; then she tries to push Juliana off. But Juliana just pushes her back down on the bed and tightens her grip. Finally, Annabelle begins to spasm and then her struggles become gentler and she tenses then relaxes and slowly closes her eyes.]
Juliana is happy and kisses Annabelle who opens her eyes. Now they are both relaxing after expending a lot of energy in the two scenes.
Annabelle looks at her phone again and laughs. “This is a little bit different”, she says. “For your third audition, they want us back in the living room in a wrestling ‘fight to the death’. They say they don’t mind which of us wins, but we should pretend we are wrestling for a big cash prize. The winner is the one who chokes out the other, and we should make it as realistic as we can.”
Juliana is also excited by the task. “I sometimes wonder what it would be like to wrestle with you,” she jokes. “Maybe I’ll surprise you with my speed and strength”.
Annabelle hugs Juliana gently and then tightens into a pretend bear hug. “No chance, my darling – I’m pretty confident.”
They reassemble in the living room with a small open area acting like a ring. They circle each other warily for a moment.
Juliana is already anxious about their relative strengths and so she charges Annabelle attempting to catch her before she is fully ready. Unfortunately for her, though, Annabelle alertly side steps the charge and elbows Juliana on the side of her back as she misses her. Juliana groans, but quickly turns back to face Annabelle who is now on her feet and highly mobile clearly waiting for the opportunity to pounce.
They smack their bodies into each other – Annabelle grinding her thighs against Juliana’s pussy. Their tits pancake against each other and Annabelle bearhugs Juliana, trying to squeeze the breath out of her. Juliana strains to get one arm free of the hug and tugs vigorously on Annabelle’s hair from behind – for the first time causing her some pain. Annabelle breaks the hug and grabs Juliana’s tits – squeezing until she lets go of her hair to push her back.
They are now circling each other in real earnest recognition that this fight is for real – but at the same time, still hot from the sensuality between them and the sexual tension integral to the struggle.
They lock up, smacking together and grabbing each other’s hair – stumbling around the room pulling each other off balance and bending their heads back and forwards wildly. They clinch again, the sweat now coming out of each of their bodies mingling. They are each trying to wrap their legs round the other, seeking to unbalance them and get them on the floor. Soon, with a loud thud, they are both down – rolling, thrashing, punching and trying to kick out against each other.
Annabelle again gets Juliana in a bear hug with their legs entwined and they roll across the floor before Annabelle comes to rest on top of Juliana, squeezing her tits hard again.
Juliana is now tiring and in real difficulty. She is moaning but she also knows she is sexually aroused, and this is distracting her from her resistance.
Juliana tries to go for Annabelle’s hair again, but the orgasm is enveloping her, and Annabelle continues to pound her with punches and to rub her pussy harder against her. Now Annabelle is aroused herself and, both exhausted, slumps with all her body weight on top of Juliana – pinning first one arm and then the other on the floor beside her.
Through their moans, Annabelle gasps, “Time to finish this darling – I’m so sorry but you knew the deal”. And before Juliana can respond, her hands go around Juliana’s throat and Juliana instinctively knows that she is going to lose and this is going to be her final struggle.
Juliana pushes up with her body attempting to throw Annabelle off her. She grabs her wrists to try and break the stranglehold. She prises at her fingers and thumbs. She punches her shoulders even trying to grip her friend’s throat. She kicks out, seeking to bring her legs into a position to lever Annabelle off. But nothing is working.
Juliana now knows she has to act as if she is going to die. She pleads for mercy in a choking voice and throws her head from side to side trying to find a position where she can breathe. Her struggles are becoming weaker and more random. Her tongue is protruding, and she is beginning to drool. She is looking straight into Annabelle’s eyes, seeking any sign that she might relent and let her escape. But she sees no mercy. She knows for certain now she is not going to let her go.
‘Almost over, honey,’ Annabelle is triumphant. Juliana’s moans get louder and then softer. At the end, Annabelle returns to her friends lips for a last gentle farewell. Juliana’s attempts to escape Annabelle’s grip slowly subside, her body spasms, her eyes close, and then finally she relaxes and is still.
Annabelle finishes the kiss, and Juliana wakes up. They both laugh and cuddle lovingly.
Annabelle picks up the phone and shows Juliana. They are both smiling. Annabelle says to Juliana “The sponsors like you a lot – and of course so do I. Welcome to our team….”
IF YOU LIKE THIS FILM PLEASE CHECK OUT
ANNABELLE AUTIDION](studio/images/secondauditioncover-23d.jpg "JULIANAS AUDITION - JULIANA’S AUDITION
CUSTOM
Starring: Annabelle, Juliana
Juliana and Annabelle are friends. Juliana knows about Annabelle’s death fetish work and, in the middle of the pandemic, with work hard to find, she has asked Annabelle if she could make some extra money doing it. Annabelle is happy to put her forward and has explained Juliana will have to do an interview on CAM for her ‘Crime House/Dark Room’ sponsors, a Russian fetish film produce – including acting out a few murder scenes. This is the story of Juliana’s CHDR audition.
She is interviewed in Annabelle’s living room. Annabelle explains she has been on CHDR for nealry six months now, and it is a lot of fun and good money. She asks Juliana what she feels about acting out death scenes, and Juliana admits she hasn’t done this type of work before, but she’s willing to give it a try.
Annabelle is confident Juliana will be fine and explains that they will have to do three auditions, mainly in the bedroom – which is connected by hidden cameras to the CHDR sponsors. The sponsors decide on the scenarios and if Juliana is suitable to join the CHDR team. Annabelle explains that the clients like to see dramatic and sexy death scenes – with a decent fight to try and survive and a lot of pleading for mercy, fear and panic during the murder scene. Juliana is enthusiastic. She says she knows Annabelle well and it will be fun to get up close and personal with her friend. They hug, making it clear there is an attraction between them.
The next scene is in the bedroom. Juliana is sitting on the bed while Annabelle is looking at her phone. She tells Juliana that for the first audition, the client wants Juliana to play a bit of a slut. She has picked up Annabelle in a bar and brought her back to her apartment for some sexy fun. Unfortunately for Juliana, Annabelle is a serial killer who has been strangling tarty MILFs in Moscow. Once Annabelle springs her trap on a nude Juliana, Juliana will plead for mercy, but Annabelle will strangle her with her bare hands. Juliana should struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Juliana says that sounds easy enough. She smiles and gets up to hug and begin undressing Annabelle. Annabelle responds and undresses Juliana easing her back onto the bed. They kiss and cuddle for a while.
Annabelle asks Juliana “Aren’t you worried about the strangler who has been murdering girls in our city?”
Juliana laughs, “That’s why I picked you up – I’m not taking any risks with guys at the moment.”
Suddenly Annabelle pins Juliana’s hands down and says “You’re a fool. Why do you assume the strangler’s a man? I’m going to enjoy proving to you what a big mistake you made…”
Juliana thinks Annabelle’s joking and says, “Stop it darling, that’s not funny.” She tries to kiss Annabelle, but Annabelle pulls her hair back and pretends to slap her and twist her nipples. Juliana screams in pain and begs Annabelle to stop. She now realises Annabelle is the strangler and she begs her to let her go.
Annabelle stops torturing Juliana briefly and they hug each other affectionately. She says, “Maybe I will let you go.” For a moment Juliana looks hopeful…Annabelle kisses her tenderly…but then sits up on her belly and strokes Juliana’s hair, slowly moving her hands down towards her throat “I’m going to let you go….to hell.” She barks the last two works aggressively. And with that she begins to strangle Juliana.
Juliana’s eyes widen in shock and fear and she struggles desperately to break Annabelle’s grip and unbalance her. But Annabelle is too strong. Juliana fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Annabelle kisses Juliana on the forehead, says ‘cut’, and Juliana opens her eyes and they both laugh and hug each other affectionately.
Annabelle goes to her phone and tells Juliana the sponsors really liked her first scene. Juliana said she found it fun too – but hopes maybe in the next scene she can play the killer instead of the victim.
Juliana comes over and they look at the phone.
Annabelle smiles “Well you are going to get your wish...have a look at the script for the next scene…’virus madness’, it’s a really funny one. I did it once as the killer, but this time you get to murder me”.
Juliana reads the script from the phone and laughs. She hugs Annabelle again and gives her a little squeeze “Ooh – I’m going to enjoy my revenge.”
They go back on the bed, clearly as lovers. Juliana gets on top. She is pretending to be playful. “You know there is something you can do for me – but it will work much better if I restrain you a little.”
Annabelle is happy “You know I’d do anything, and I love a little bit of bondage play. Restrain me whatever way you want”. [Juliana positions Annabelle on her back and then ties one of her hands to the bedpost on the corner of the bed. Annabelle offers her other hand…]
J: Darling – both arms would be unfair. You deserve a chance – I owe you that.
A: What have you got in mind? You know I love both pleasure and pain. [she is laughing]
J: [Juliana turns serious] Did you see the article in the paper about that new extreme cure they’re testing for the virus? It’s hard to believe, but the Chief Medical Officer thinks the act of murdering someone you love can give you complete resistance from the infection.
A: [Annabelle looks confused] That’s complete nonsense. How can anyone believe something like that? And even if it was true…what a shocking thought – to have to murder your lover!
J: You know they are offering €10,000 to people prepared to test this, and immunity from any prosecution too. I’m really sorry, darling, but I decided to sign up.
A: [Annabelle tries to sit up, but Juliana pushes her back down and pins her free hand on the bed]. This is crazy. What are you telling me – that you’re going to kill me? I don’t like this game – just let me go. [She struggles a bit more but Juliana holds her down].
[Annabelle begs and pleads for a bit longer. But eventually Juliana begins to strangle her with both hands around her throat. Annabelle fights strongly with her free hand and tries to use her body to throw Juliana off. She kicks out with legs and tries to pull her knees forward. But Juliana resists everything. As Annabelle weakens, she begs again for mercy. She tries to loosen the hands around her throat; then she tries to push Juliana off. But Juliana just pushes her back down on the bed and tightens her grip. Finally, Annabelle begins to spasm and then her struggles become gentler and she tenses then relaxes and slowly closes her eyes.]
Juliana is happy and kisses Annabelle who opens her eyes. Now they are both relaxing after expending a lot of energy in the two scenes.
Annabelle looks at her phone again and laughs. “This is a little bit different”, she says. “For your third audition, they want us back in the living room in a wrestling ‘fight to the death’. They say they don’t mind which of us wins, but we should pretend we are wrestling for a big cash prize. The winner is the one who chokes out the other, and we should make it as realistic as we can.”
Juliana is also excited by the task. “I sometimes wonder what it would be like to wrestle with you,” she jokes. “Maybe I’ll surprise you with my speed and strength”.
Annabelle hugs Juliana gently and then tightens into a pretend bear hug. “No chance, my darling – I’m pretty confident.”
They reassemble in the living room with a small open area acting like a ring. They circle each other warily for a moment.
Juliana is already anxious about their relative strengths and so she charges Annabelle attempting to catch her before she is fully ready. Unfortunately for her, though, Annabelle alertly side steps the charge and elbows Juliana on the side of her back as she misses her. Juliana groans, but quickly turns back to face Annabelle who is now on her feet and highly mobile clearly waiting for the opportunity to pounce.
They smack their bodies into each other – Annabelle grinding her thighs against Juliana’s pussy. Their tits pancake against each other and Annabelle bearhugs Juliana, trying to squeeze the breath out of her. Juliana strains to get one arm free of the hug and tugs vigorously on Annabelle’s hair from behind – for the first time causing her some pain. Annabelle breaks the hug and grabs Juliana’s tits – squeezing until she lets go of her hair to push her back.
They are now circling each other in real earnest recognition that this fight is for real – but at the same time, still hot from the sensuality between them and the sexual tension integral to the struggle.
They lock up, smacking together and grabbing each other’s hair – stumbling around the room pulling each other off balance and bending their heads back and forwards wildly. They clinch again, the sweat now coming out of each of their bodies mingling. They are each trying to wrap their legs round the other, seeking to unbalance them and get them on the floor. Soon, with a loud thud, they are both down – rolling, thrashing, punching and trying to kick out against each other.
Annabelle again gets Juliana in a bear hug with their legs entwined and they roll across the floor before Annabelle comes to rest on top of Juliana, squeezing her tits hard again.
Juliana is now tiring and in real difficulty. She is moaning but she also knows she is sexually aroused, and this is distracting her from her resistance.
Juliana tries to go for Annabelle’s hair again, but the orgasm is enveloping her, and Annabelle continues to pound her with punches and to rub her pussy harder against her. Now Annabelle is aroused herself and, both exhausted, slumps with all her body weight on top of Juliana – pinning first one arm and then the other on the floor beside her.
Through their moans, Annabelle gasps, “Time to finish this darling – I’m so sorry but you knew the deal”. And before Juliana can respond, her hands go around Juliana’s throat and Juliana instinctively knows that she is going to lose and this is going to be her final struggle.
Juliana pushes up with her body attempting to throw Annabelle off her. She grabs her wrists to try and break the stranglehold. She prises at her fingers and thumbs. She punches her shoulders even trying to grip her friend’s throat. She kicks out, seeking to bring her legs into a position to lever Annabelle off. But nothing is working.
Juliana now knows she has to act as if she is going to die. She pleads for mercy in a choking voice and throws her head from side to side trying to find a position where she can breathe. Her struggles are becoming weaker and more random. Her tongue is protruding, and she is beginning to drool. She is looking straight into Annabelle’s eyes, seeking any sign that she might relent and let her escape. But she sees no mercy. She knows for certain now she is not going to let her go.
‘Almost over, honey,’ Annabelle is triumphant. Juliana’s moans get louder and then softer. At the end, Annabelle returns to her friends lips for a last gentle farewell. Juliana’s attempts to escape Annabelle’s grip slowly subside, her body spasms, her eyes close, and then finally she relaxes and is still.
Annabelle finishes the kiss, and Juliana wakes up. They both laugh and cuddle lovingly.
Annabelle picks up the phone and shows Juliana. They are both smiling. Annabelle says to Juliana “The sponsors like you a lot – and of course so do I. Welcome to our team….”
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ANNABELLE AUTIDION")
