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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 1009 Clips / 17700 minutes of video!
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![BLOODY WEDDING DAY - BLOODY WEDDING DAY
CUSTOM
«That was AMAZING. Mira was a great choice, and her long drawn-out mortal agony was super sexy. And you were as good as your word. There was lots of blood»
Customer’s Review
CAST: Mira Green, Den
Fetish Elements
Wedding Dress, Stabbing, Much Blood, White Stockings, Stripping Body
The model in front of the mirror, just putting the final touches on her make-up. There is a knock at the door.
"Come in," she says.
The door opens and she sees the reflection of the male actor in the mirror. Her face registers shock - she knows this guy. She turns around.
"What are you doing here?" she asks.
The killer shows a knife.
"You know," he says.
She laughs. "Are you crazy or something?"
"You left me for David," he says [use whatever name you like]
"Yes I did. David is worth ten of you. And I am marrying him today."
"David is dead."
She laughs again. "You really are crazy."
"Ring him if you want."
Just at that moment her phone, which is on the table in front of the mirror, rings. She recognises the number and takes the call, looking worried.
"Yes?" she says. Then, as she listens her face registers extreme shock. She lets the phone fall.
"You killed him?" she says in a whisper.
"Yes, I killed him. And now I am going to kill you."
She struggles successfully to control her emotion, and then she faces him squarely. "All right then," she says, "go ahead and do it."
He lunges at her and stabs her in the belly. Her face registers pain and she cries out. He twists the knife and cuts upwards, while she grunts in pain. Then he takes out the knife. She looks down at your belly and clutches it, with blood oozing through her fingers and a stain spreading on the dress. [I'd like lots of blood, please!] She totters forward a few steps. Then she coughs blood and collapses to the floor.
As she lies on her back on the floor writhing in pain he stabs her in her right breast, then in her left breast. She coughs up more blood, then shudders and dies. [Lots of blood on the dress now please!] And a slow pan over your clothed "corpse".
"You're not marrying anyone," he says. He rolls her over onto your front and unzips the dress. Then, moving her around as necessary he takes off the dress and throws it to one side. Then he removes the lingerie, piece by piece, leaving only the stockings. And then another slow pan.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
UNDERCOVER POLICE WOMAN
BRIDGE](studio/images/bloodyweddingc-17f.jpg "BLOODY WEDDING DAY - BLOODY WEDDING DAY
CUSTOM
«That was AMAZING. Mira was a great choice, and her long drawn-out mortal agony was super sexy. And you were as good as your word. There was lots of blood»
Customer’s Review
CAST: Mira Green, Den
Fetish Elements
Wedding Dress, Stabbing, Much Blood, White Stockings, Stripping Body
The model in front of the mirror, just putting the final touches on her make-up. There is a knock at the door.
\"Come in,\" she says.
The door opens and she sees the reflection of the male actor in the mirror. Her face registers shock - she knows this guy. She turns around.
\"What are you doing here?\" she asks.
The killer shows a knife.
\"You know,\" he says.
She laughs. \"Are you crazy or something?\"
\"You left me for David,\" he says [use whatever name you like]
\"Yes I did. David is worth ten of you. And I am marrying him today.\"
\"David is dead.\"
She laughs again. \"You really are crazy.\"
\"Ring him if you want.\"
Just at that moment her phone, which is on the table in front of the mirror, rings. She recognises the number and takes the call, looking worried.
\"Yes?\" she says. Then, as she listens her face registers extreme shock. She lets the phone fall.
\"You killed him?\" she says in a whisper.
\"Yes, I killed him. And now I am going to kill you.\"
She struggles successfully to control her emotion, and then she faces him squarely. \"All right then,\" she says, \"go ahead and do it.\"
He lunges at her and stabs her in the belly. Her face registers pain and she cries out. He twists the knife and cuts upwards, while she grunts in pain. Then he takes out the knife. She looks down at your belly and clutches it, with blood oozing through her fingers and a stain spreading on the dress. [I'd like lots of blood, please!] She totters forward a few steps. Then she coughs blood and collapses to the floor.
As she lies on her back on the floor writhing in pain he stabs her in her right breast, then in her left breast. She coughs up more blood, then shudders and dies. [Lots of blood on the dress now please!] And a slow pan over your clothed \"corpse\".
\"You're not marrying anyone,\" he says. He rolls her over onto your front and unzips the dress. Then, moving her around as necessary he takes off the dress and throws it to one side. Then he removes the lingerie, piece by piece, leaving only the stockings. And then another slow pan.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
UNDERCOVER POLICE WOMAN
BRIDGE")
![NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY
CUSTOM MOVIE
Film Type: Action/Spy film that goes sideways
Actress: Emma
Villain Actors:
Crime
boss: male villain
Betraying
agent: male or female
Costume: Agent outfit, similar to what was used for Super
Agents vs Villains.
Length: 15-20 minutes
Synopsis:
Scene
1:
This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants
her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal.
Scene 2:
They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple
minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit
talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained
by the arms from behind by one enemy, punches by the other, villains take turns with the beating
Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine
coughing and stunned Throat lift - slammed against wall
Crawling away, kick to stomach Kicking when down
Pulled up from the ground by her hair
Bearhug
Anything else - be creative!
Scene 3:
She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness.
Scene 4:
She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \"You shouldn\'t have done that\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between
her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the
finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
Super Agents vs Villains](studio/images/notagooddayforspyscreens-81b.jpg "NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY
CUSTOM MOVIE
Film Type: Action/Spy film that goes sideways
Actress: Emma
Villain Actors:
Crime
boss: male villain
Betraying
agent: male or female
Costume: Agent outfit, similar to what was used for Super
Agents vs Villains.
Length: 15-20 minutes
Synopsis:
Scene
1:
This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants
her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal.
Scene 2:
They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple
minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit
talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained
by the arms from behind by one enemy, punches by the other, villains take turns with the beating
Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine
coughing and stunned Throat lift - slammed against wall
Crawling away, kick to stomach Kicking when down
Pulled up from the ground by her hair
Bearhug
Anything else - be creative!
Scene 3:
She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness.
Scene 4:
She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \\"You shouldn\'t have done that\\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between
her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the
finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
Super Agents vs Villains")
