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    All content on Kinky Clips is Role Playing Fantasy only.
    All content is consensual and is acted out by models of legal age.
    Random Clips more
     Clip 60
    18 minutes    		  Clip 60 - Liquidation Starring: Angelina, Juliana, Victoria A business woman hired two special female bodyguards after she got a notice that a contract killer was going to kill her. She was in the building and had a rest when a killer came… He ********* sexy bodyguards one by one and after he ********* business lady. Fetish elements: Office theme, white shirts, black mini skirts, pantyhose, stockings, high heels, ************* fetish elements  DEEP INSIDE 2
    14 minutes    		  DEEP INSIDE 2 - DEEP INSIDE 2 CUSTOM «Great job Darkrooms! Awesome acting and effects. » Cast: Nata She comes home to here apartment. Dress in a black skirt with white panties. The killer chloroform’s her he takes her unconscious body and lays it on a table. I like the table used in cannibal hunter 3. The one covered in plastic. Once she’s laying on the table he slowly undressed her completely. He then ties her hands and legs to the table. Her body is laid out in an X shape. He rubs her belly pokes his finger in her navel a while. Then he takes his scalpel blade. He runs it up and down the middle of her belly without cutting her yet. Finally he starts to cut her open. He begins at her sternum. Just like in Deep Inside. Close up views as the blade slowly slices down her belly. Close up views as it goes through her navel all the way down to her crotch. Once the incision has been made. He takes his hands and sticks them in the cut at the navel area. He digs in her guts a while finally pulling loops of her guts out. She convulses as he’s fitting her finally spitting up blood and dying. He takes her guts puts them in a cooler as a prize. Her body is shown laid out gutted on the table. IF YOU LIKE THIS CLIP PLEASE CHECK OUT DEEP INSIDE
     Mass Mueder In Sauna
    15 minutes    		  Mass Mueder In Sauna - New: mass murder in sauna starring: pola (new blonde model), juliana (new sexy model), angelina & luiza mass 4 ***** full nude erotic death show! 2 new models! very hot content! The most erotic crime house clip ever! 4 nude sexy ***** duy in extra erotic agony! 4 pretty young ***** during their rest in russia decided to visit legend russian bath, type of sauna. this spa is very good for their health. They gossiped laughed when air temperature became higher and higher. But ex-boyfriend of one of them ran to the sauna, opened a gas and locked the door. When it was too hot in the sauna ***** decided to come out… but the door was locked. First they didn’t understand all horror of their situation. Bit utter unlucky trying to open the door and when gas was already in the little sauna room and it was very hot they realized that it was the end, that it was the death. they were suffering in agony, kicking, trying to open the door, touching each other in erotic agony before death but slowly died together. 4 nude hot dead **** are lying in one bodypile. fetish elements: mass massacre, nude bodies, wet bodies, ********, 4 ***** in one bodypiles, kicking, slow death agony, touching each other while dying, death stress, exotic poses. if you like mass killings and sexy bodypiles please also check: "unhappy birthday" (4 ***** *********, some nude, topless and sexy stockings content - super clip, bestseller) "red party" (4 ***** shooting + bodypile, one **** was shot while making love with her boyfriend)  DEATH SCENES
    18 minutes    		  DEATH SCENES - DEATH SCENES Starring: Nata and Hass Custom Clip 17 minutes 10 scenes 20 deaths Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses Stabbings and shootings! Catfightings to the death! GREAT ACTING NEW LEVEL OF SHOT DEAD COCTAILES FULL HD, Great CameraWork, Best DarkRoom traditions 100% death fetish clip! Scenes detailed descriptions: Scene 1. Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose. Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass. Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart. Scene 2. Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart. Hass is aiming and also gets shot in her lower belly. Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time). While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing. After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. Scene 3. Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly. She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo): Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down. The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background. Nata walks in and gets on her knees beside Hass. Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open. These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass: Nata is then shot in her lower belly, making her react, then she falls over top of Hass Scene 4. Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives. Then the girls fall to their knees, similar to these photos: Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart. Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward). When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata. Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture. One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread. The second photo is the death pose after falling back. Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass. Nata gets on one knee in a victory pose over top of Hass (see sample photo). Nata does not know Hass is still alive and has a knife. Hass surprises Nata with a stab to her lower belly, making her gasp. After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass. See sample photos for victory pose as well as death pose (body pile where their ass is still showing): Several camera angles are shown, showing good ass views and between their legs. Scene 5. Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo). Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down): Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds). Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down). Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass. Nata is then shot by off-screen, unseen enemy and she falls. Scene 6. Hass and B are standing near a couch (or bed). Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures). Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles: Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else. Both Hass and Nata are close together, but not covering each other. See these sample pictures for Nata, either one will work. Both girls should have a nice death stare. Scene 7. Nata is holding a knife and Hass walks in holding a gun. Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp. Nata is still holding the knife. Hass does not know Nata is still alive. Hass walks over and sits on Nata, similar to these pictures: Nata is still holding her knife, she wakes up without Hass knowing. Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose: When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata. Hass\\\'s ass still propped up into the air. After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos: To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some. Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose: Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures: Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread. After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). Scene 8. Both girls are on their knees holding knives. They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined. These photos show the action: Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart. Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart. Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed: When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp. Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs. Hass does not know that Nata is still alive. Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward. Hass does not know Nata is still holding a knife. Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass. Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed). Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs. After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata. Hass\\\'s ass in the air. Sample photos show facial reactions for Hass and her death pose on top of Nata. Scene 9. Hass is standing guard, her legs spread apart. Nata is holding a knife and sneaks up from behind. Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding. Other good camera angles are from the front, and also a profile view with the knife in her belly. Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan. Hass then slowly slides down to her knees, her legs spread apart. Nata then gets on her knees behind Hass. Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture: After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her. Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp. Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction. Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view. Then Nata slowly rolls Hass into a new death pose (sample pictures): Nata is turned on. She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart. Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs). Nata then pulls the knife out with a sexy moan. Nata is very turned on. She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass. Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch). Scene 10. Hass and B have knives and get locked together. Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart. Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs). They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her. Nata\\\'s legs are spread apart, one leg on the back of the couch. Sample pictures show pushing over couch, and up over couch arm while fighting with knives: Nata drops her knife, and Hass pushes over the couch arm. Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more. Hass pulls the knife out, making Nata moan. Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread. Nata twists, lifts her body up, lifts her legs as she writhes. Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up. Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up. Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed. Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose). Hass then puts one leg up on the couch into a victory pose (see sample picture). Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves. Hass falls forward over the couch cushion, her legs spread apart, her ass in the air. She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge. Hass is shot again in her lower belly, making her react, back curving over the cushion. She then turns over, her legs spread far apart, ass in the air. She wants to end it, so she grabs the knife on the couch cushion. With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air. Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass. IF YOU LIKE THIS CLIP PLEASE CHECK OUT SHORT SHORTS And check out 9 stabbing of Nata
     SOLVED CASE
    14 minutes    		  SOLVED CASE - SOLVED CASE ONE MORE CUSTOM IS UP! Starring: Nata, Vika and Kit CRUEL SHOOTING AND CRUEL STABBING!! Fetish elements: Multi shooting, much blood, firefight, many bullets to one victim, belly shooting, chest-shooting, long agony before death, knife-fighting, stabbing to the belly, stabbing to the chest, death stares, blood from month, begging for life, body carrying, leather pants, blouses, bodypile Plot Two police women go to the maniac’s flat searching for proofs of his crimes. They have no order to enter his place. When they find computer with victim’s photos Vika says she can give this proof to her boss and she will receive a promotion. Nata is indignant about why they did it together, and the increase will only get Vika. Vika explains this by a hierarchy and offers Nate the humiliating place of her assistant. Nata takes out the trunk in anger and threatens Vicki with murder. A fierce, dynamic exchange of fire begins between two police women. Natha kills Vika with a lot of shots. Suddenly, the maniac returns to his den, and attacks a knife with a knife. After a fierce knife fight, the maniac very slowly and painfully kills Nata with a knife. Two new corpses on his account! If you like this movie please check out AGENT 13  ARROWS TO HER PUSSY
    29 minutes    		  ARROWS TO HER PUSSY - KILLING BY ARROWS! Spies and close are meanly killed by silent bow-sniper! 29 minutes of arrowing pleasure 7 plot stories Shot by two cameramen with 2 angles to make you see this story with different points of views! CUSTOM CLIP Part 2 SCENES WITH ARROWS IN HER PUSSY AND NAVEL! 3 ARROWS KILLS! LONG AGONIES! 8th scene: An arrow hits Luiza's back, through her bra strap. She arches and twirls around, and her hair hangs down all around the arrow. She tries to reach behind her to touch it. She sinks to the ground and tries to crawl. She gets weaker and weaker. Her hair is hanging down over her face to the floor. Finally she is still. Pans from several angles. The killer walks into the room and grabs her hair and lifts her head up to look at her face. He puts her head back down and puts his foot on her back and pulls the arrow out. He searches the back of her body, then rolls her over and searches her front, feeling her breasts and legs and pushing her skirt up. He finds a flash drive inside her skirt and takes it. Long pans from several angles. 9th scene. Luiza is standing behind a couch. She is shot in her back and falls over the back of the couch, so that her hands and hair are hanging down. Pans from several angles, especially of her hair and hands hanging down, and her ass and legs. The killer comes in and lifts her head up by her hair and looks at her face. She is still alive. He puts her head back down and takes a rope out of his pocket and strangles her. She clutches his shirt tightly while she struggles, then she goes limp and her hands fall down. He pulls the arrow out turns her over and picks her up. He turns so that the camera can see her hair and arms and legs hanging down. He carries her to a table and lays her on it with her hair hanging down off the edge. Pans from several angles. He searches her body, pushing her skirt up and then feeling her breasts. He unbuttons her blouse and takes a flash drive out of her bra. 10th scene: Luiza is brushing her hair in front of a mirror. An arrow hits her back. She arches and tries to reach it. She doesn’t know what has happened. She turns to look at her back in the mirror and sees the arrow. She screams and faints. Pans of her body. She moans and wakes up and tries to crawl, but gets weaker and weaker. Body pans from several angles. 11th scene: Luiza staggers into the room. There is already an arrow in her back. She is holding her breast because the point of the arrow has gone through her back and through her heart and into her breast. She finds her telephone and calls for help. She sinks to the ground. Body pans. More clones stagger into the room. Some have arrows in their chests, and some have arrows in the front of their skirts. Pans from several angles of the body pile. 12th scene: Luiza walks into a room and is shot in the front of her skirt, below her belt. She clutches herself and doubles over and falls. She is in great pain. She tries to crawl away. The killer walks in and turns her over onto her back. He strangles her. She tries to fight, but she is very weak. Her legs kick and her hands clutch his shirt very tightly. She dies, and the killer drags her away. More clones walk into the room and are shot and strangled. They are dragged away to a body pile. Pans from several angles. 13th scene: Luiza is standing against a wall with her hands above her head. She is very frightened and looking at the camera and pleading. She sees the killer aiming at her chest, so she covers her breasts with her hands. The arrow hits the front of her skirt. She screams and doubles over, clutching herself, in terrible pain. Her hair falls in front of her face. She looks up at the camera through her hair. She sinks to her knees, then to the floor, still looking at the camera through her hair. She closes her eyes. Pans from several angles. The killer walks into the frame, and strangles her. He searches her body and feels a flash-drive in her bra. He unbuttons her blouse and takes it. He drags her away. 14th scene: An arrow hits Luiza’s back. She screams and arches and tries to reach it. Her hair is hanging down all around the arrow and her hands. Another arrow hits her left breast. She screams again and clutches her breast with both hands and her hair falls all around it again. Another arrow hits the front of her skirt. She doubles over. The arrow in the front of her skirt is so painful that she doesn’t care about the other arrows any longer. She holds it with both hands. She tries to stay on her feet, but she gets weak and sinks to her knees. She is crying. She lays down very carefully on the floor so the arrows don’t cause her more pain. She cries some more, then is still. Long pans from several angles.
     ASSASSIN DESTROY
    15 minutes    		  ASSASSIN DESTROY - ASSASSIN DESTROY Custom «Got it, I absolutely love it. Thank you guys so much. » Customer’s Review Script: Background: Judi is a sexy assassin. She and her partner just completed a killing mission and came back. Scene 1: Judi and the male actor came into the room, sat down at a table, and started drinking. Then they started talking about their mission. Judi says:” after I shot her, she struggled like a fish on the ground. It’s so embarrassing.” The male actor says, “that is what a bullet would do.” Judi takes a spare clip for the handgun out and unloads a bullet. She looks at the bullet and says, “I do not understand how such a small bullet could do that. If I am ever shot, I definitely will not die so miserably.” Judi then invites her partner to drink alcohol while saying, “anyway, we completed another mission and need to celebrate it. Here is to our 12 years of partnership.” They both drank the alcohol. Scene 2: Judi’s partner tells her that he is in love with her from working with her and wants to have a relationship with her and leave the business. Judi is surprised and disgusted, “seriously? We are just partners; I would never have a relationship with you outside of work. You are ugly, and I would never date someone like you.” This line makes her partner mad. He stands up and says, “how dare you to say that.” Scene 3: He pushes Judi to the ground, and one hand touches her pussy while the other hand strangles her neck. Judi shouts,” what are you doing?” while trying to fight back. After some struggle, Judi pushes him off and stands up. She then takes out her gun and runs behind some structure in the room as a cover. Her partner also stands up and runs behind a cover. Then they started shooting each out. Scene 4: After their guns are empty, Judi stands up, takes a knife, and walks toward him. “I always bring a knife as my backup, and I know you do not. You are going to die for violating me.” Her partner stands up and laughs, “but I do bring extra ammo.” He then loads a new magazine in the gun and shoots her four times (scattered shots) on her chest (realistic bullet hole), and she is shocked and looks at her wounds and drops her knife. She says with a faint voice,” so this is what being shot feels like.” She then starts coughing blood (a lot of blood-emphasize processes). Then she kneels (both knees), loses consciousness, and falls to her back with legs split open (embarrassing position). (Similar to Robber’s shootout) Scene 5: Her partner approaches her and shoots her two more times on the upper belly area (realistic bullet hole). The pain wakes her up. Judi wants to say something but can’t speak, and blood oozes out of her mouth, and she continues to cough blood (emphasize process). Her body then started convulsing as she struggles on the ground due to the agonizing pain. Her legs also straighten out but still split open, revealing her underwear. He mimics her, saying with contempt, “If I am ever shot, I definitely will not die so miserably.”, then he says to her,” you are like fish on the chopping board, and I can do whatever I want to you now.” He uses her knife to cut open her blouse/shirt and bra, revealing her breast and belly with realistic bullet holes. He touches her breast and masturbates her pussy (no need to show). Judi still convulses on the ground and stares at him with hate, but she can’t do anything. He says,” what a pity, such a nice piece of meat is going to waste.” He then touches her bloody lips and says,” those lips are so beautiful, and I have always wanted to kiss them.” Then he bends down and kisses her lip. (If possible). After kissing, Judi pukes a mouthful of blood out and tells him, “Go to hell.” She then struggles to breathe and stick her tongue out (some facial focus on this). He laughs at her and stands up, and tells her, “It’s time to go.” Then he shoots her two times on the forehead and one time on the right cheek. (Realistic Bullet hole). Brain matter splatters on the ground, and Judi convulses and twitches more intensely like having an orgasm and then drops dead in a sexy yet embarrassing pose with legs split open and mouth slightly open, revealing her tongue, also death stares. Her finger still twitches a few more times. Her partner then leaves. Scene 6: A few days later, her partner returns to the scene. He saw the corpse with realistic corpse makeup and touches her breast and pussy again. Then she caresses her face and says, “I miss you, and I really hope that day did not turn out the way it is. “Then he tries to close her eyes, but no matter what he tries, the eyes stay open. He then left. IF YOU LIKE THIS FILM PLEASE CHECK OUT WITNESS PROTECTION 2  BDSM GAMES PART 1
    30 minutes    		  BDSM GAMES PART 1 - THE FIRST PART OF A FULL-LENGTH FILM FOR OUR VIP CUSTOMER! PREMIUM CUSTOM MOVIE! EXCLUSIVE! Starring: Tatiana, Max, Annabelle, Achilles, Tim This film is an erotic thriller, the most erotic, explicit and sexy film our film company has ever made. A young married couple is going through a relationship crisis and they want to save their marriage through BDSM practices. In the first part we are introduced to the characters, and watch the beginning of the BDSM story: slapping, humiliation, bullying, submission, strangulation, chest beating, erotic dreams with murder.
     CAN YOU KEEP A SECRET
    19 minutes    		  CAN YOU KEEP A SECRET - CAN YOU KEEP A SECRET CUSTOM Cast: Mira Green, Bella Lenina, Alex Mira has a secret lover, she found him on a chat site; she has been texting him ever since. He is her first boyfriend; she has decided he will become a lover. She has arranged to meet him at her best friend’s apartment, she has the key to look after the place… while her friend is out of town visiting family; its going to be a ‘blast’! Mira doesn’t know it yet but, she is in danger; Her father has left town because he owes money to the wrong people… people you don’t mess with. They can’t find her father but, they know where his precious little girl is… and they are going to send him a message. They have assigned a contract to Alex and he has set up his profile to get her interested in meeting. She has taken the bait, now he can enjoy his work. Mira arrives at the apartment after college and heads for the guest room she has been using. She plans to change into something she has bought; something more appealing, more mature, more… ‘sexy’. She tries a few things against her in the mirror, she is still wearing her white socks, short pleated skirt and a tight top hanging over her cupped breasts which force her cropped top to hang out leaving a gap between her smooth body and the cotton material; the under frame of her brassier seductively teases under the hanging top and her waistband, designed to press her breasts up. Her cleavage teases out of the top of the limited material. A small pair of white cotton panties are visible every time she swings her petite body or bends to choose a new outfit. She is checking herself out in the long mirror deciding on what looks best against her; she slides her skirt up just to show off a little more leg; she loves herself. Suddenly, there is a knock at the door, Mira knows its him… he is early; she quickly throws her try on clothes to one side and straightens the bed. She walks nervously to the door and looks through the spy hole. She is excited and decides she will act real sexy, let him see what she has and what she can do for him. She wants him in her bed. Alex enters the apartment and offers her the single rose her has brought her. Mira turns excitedly, unsure what to do; she goes off camera to set the rose in a vase. Alex looks around while she is gone, removing his coat and quickly drawing the handgun from his pocket to hide it where he can get it fast. He places its suppressor next to it, he will need them later but wants to enjoy the moment, the night is young. Mira returns she has a bottle with her and two glasses; she pours the drink and the two begin to get close. They hook arms as they drink the wine and Mira turns away allowing Alex to slip his hands up and down her body as she enjoys his caress. They move to the bed, Alex begins to enjoy his evening, his hands are everywhere, sliding her skirt up and raising her top to reveal her underwear. They move to the bed. The scene shows Mira’s face in ecstasy as the assassin slowly slides down her body kissing each part of her naked flesh as he grips her legs. Mira is entangled in a sheet as she writhes arches and groans as we see the assassin, his head now between her legs hidden under the sheet. We see her panties sliding down her calf in the assassin’s hand and the scene ends with the assassin pumping himself against her as she moves sexily beneath him. Some time goes by and we see Bella Lenina heading up the stairs to the apartment. She searches for her keys, her coat hides her tight lycra pants that cling to every centimetre of her legs ass and groin. She has heeled ankle length boots complimenting the shape of her legs and a light buttoned up blouse tight against her pert breasts. She enters the apartment throwing her keys on the table and drops her coat to the couch as she moves into the living room unaware the apartment is occupied. Bella heads to the shower and begins to undress, she sits stretches and slouches for a few seconds, glad to be home. She drags off her boots and stands to slowly and sexily slipping her pants down her legs before unbuttoning her tight top and standing in just her open shirt, brassier and panties to head for the shower. We see her grab a towel and head for the shower. (I am happy with or without a shower scene). The next scene opens with the assassin now aware that someone has entered the apartment. He quickly slips his pants and shirt on and checks Mira who is still soundly asleep totally satisfied and exhausted. She is lying across the bed her skirt still wrapped around her waist showing her bare ass, her top is folded above her bare breasts, her brassier discarded on the floor. The assassin slowly opens the door and sees Bella’s clothes lying on the couch. He knows he will have to silence a witness before he kills Mira and slips back into the room to retrieve his weapon silently closing the door behind him, slowly, quietly screwing his suppressor to his weapon. He can hear the shower and prepares patiently for his first victim. We see Bella slipping on her nightdress, a plain light coloured thin shoulder strapped, cotton style, short and sexy. She slips on a clean pair of panties and hangs her towel to dry before leaving the bathroom. She is unaware of the intruder now watching her every move. Suddenly she is grabbed by the neck as she is slammed against the wall. The assassin presses his supressed pistol against her chest, pressing her breast upwards up with the muzzle. In shock she raises her hands in surrender whimpering, too afraid to make a sound that may anger the intruder. He releases his grip on her neck a place’s his finger to her lips and she nods her head in agreement. He withdraws his weapon as he slowly steps back placing his finger on his own lips to confirm his demand. He beckons her to the table, indicating to her with his weapon that she should sit opposite him at the table; she reluctantly obeys. He lowers his weapon under the table still pointing at her belly. She sits obediently and waits for him to tell her why he is there. Bella speaks: “I have no money please don’t hurt me” The assassin readies his weapon under the table and answers “I am so sorry” Bella begins her question but is unable to complete it… a single supressed shot finds her belly as she speaks. “What do you w…” Bella jolts violently, her words cut off in mid flow; she moans lightly and looks down at the hole in her nightdress. She presses her hand against the crimson patch and looks confused at the blood in her hand. Bella looks up at the assassin who is now getting out of his seat; she sees the weapon and looks down again at her wound realizing what he has done. The assassin points and shoots hitting her just below her breast. Bella grunts her disapproval jolting and kicking in her chair. Her head drops back with an empty dead stare, her mouth wide open; she dies arched over the chair. The assassin moves toward her dead body as she begins to slide from the chair, he catches her and gently lowers her to the floor. He admires her body, revealing her breasts then, rolling her over and lifting her nightdress to enjoy the view of her ass and groin as he inspects his work. He checks for a pulse, spreads her legs and fires a couple more bullets into her back, her dead body respond to the impact her ass shaking lightly from the impacts. He leans over dragging he panties enough to reveal her buttocks, playfully squeezing then slapping her ass… It is time to wake Mira. The assassin quietly opens the door and places his weapon down to get his boots on. He watches as Mira stirs, he sits on a chair near the door contemplating how he will slowly kill her and video his work for his employers to send to her Fathers email address. Mira wakes, a content smile fills her face as she slowly raises and begins to tidy her clothes. She collects her panties from the floor and replaces them and pulls up a sock. She sits on the bed and purposefully acts sexy sliding her legs apart inviting her new lover to contemplate a second round, her breasts ooze from under her top, she slowly wraps them in her grip with her cotton crop top tantalizing the assassin her every move turning him on. Alex picks up his weapon and Mira’s face changes in an instant. She straightens up and takes a deep breath in fear; she knows her Father has enemies and she knows she has just fucked one of them… “Oh God… NO No n…” The assassin fires without hesitation, Mira grunts a final “No” grabbing her belly wound and doubling up. She rolls over the bed onto her stomach and the assassin puts a second bullet in her side as she turns. Mira cries out and slides slowly off the bed tucking her legs into her chest in agony. The assassin switches on his phone camera and cocks his pistol. Mira kicks out and arches away grabbing at the wound as she gasps for breath. Her face is contorted with pain as she rolls onto her back. The assassin continues to film her as her body arches off the floor, her legs bent and open her groin pushed up in the assassins full view before sinking to the floor; she moans slowly. He kicks her legs apart points and fires two deliberate shots just above her stomach, Mira jolts momentarily and drops; her legs kick lightly even as she dies the assassin puts her out of her misery with a single shot in her left breast. (Mira has a great death stare, eye half open and mouth open showing teeth) He checks her pulse, throws his weapon on the bed and begins to enjoy rolling her body to check the small bullet perforations; plays with her breasts slapping her ass playfully as her begins to strip her body. We see the assassin throw her body on the bed and exit the room to retrieve Bella’s body. We see the assassin throw Bella on the bed and begins to strip her. Both girl’s bodies lie arched over the bed with their panties partially down just covering their ‘dignity’; their legs hang off the bed. We see the assassin push both girl’s legs apart and he turns towards camera (Camera looking from other room, through the door) and slowly closes the bedroom door as he turns beginning to unzip his pants.  SPY IN PERIL
    28 minutes    		  SPY IN PERIL - SPY IN PERIL 28 minutes Cast: Emma and Max General plot: Emma is a spy and gets chloroformed in various scenes. Scene 1 Emma sneaks around with her gun. She makes a call to her boss and says her mission will be easy. After she hangs up, an attacker comes up behind her and clamps a white rag over her mouth and nose.Emma struggles against her attacker. Emma moans into the cloth and her eyes roll up into her head multiple times. The camera can get a little closer for this so we can see the eyerolling.Emma eventually passes out and her limp body is placed on the ground. We get a full body shot of her unconscious body.The attacker then unbuttons Emma’s blouse completely, exposing her bra. Emma is then flipped face down and the attacker examines her legs.Emma’s blouse is removed and she is flipped onto her back. The attacker searches her and finds a USB in her bra. Emma starts to wake up on the ground. The attacker gets behind Emma and clamps the white rag over her mouth and nose again. Emma struggles but slowly passes out with lots of moaning and eyerolling. The attacker lays Emma back on the ground. Emma is then carried away. Scene 2 Emma is undercover at a party. She snoops around but is attacked from behind. A white rag is clamped over her mouth and nose. Emma struggles against her attacker. Emma moans into the cloth and her eyes roll up into her head multiple times. Emma eventually passes out and her limp body is placed on the ground. We get a full body shot of her unconscious body. Emma is then flipped face down and the attacker examines her legs. She is then flipped onto her back. The attacker searches her purse and finds a gun and badge. Emma starts to wake up on the ground so the attacker gets behind her and asks who sent her. Emma says she won’t tell, so the attacker chloroforms her again. Emma moans into the cloth and her eyes roll up into her head multiple times. Emma eventually passes out and her limp body is tossed aside. She is searched and a USB is found in her bra. We then get a full shot of her body. Emma is then carried away. Scene 3 Emma has her gun drawn and is searching for a criminal. She says out loud that she’s going to find them and arrest them. But suddenly, Emma gets attacked from behind by the criminal she’s looking for. A white rag is clamped over her mouth and nose. Emma struggles against her attacker. Emma moans into the cloth and her eyes roll up into her head multiple times. Emma eventually passes out and her limp body is placed on the ground. We get a full body shot of her unconscious body. The attacker then unbuttons Emma’s blouse completely, exposing her bra. Emma is then flipped face down and the attacker examines her legs. Emma’s blouse is removed and she is flipped onto her back. Emma is searched and a USB is found in her bra. Emma starts to wake up on the ground so the attacker gets behind her and chloroforms her again. Emma moans into the cloth and her eyes roll up into her head multiple times. Emma eventually passes out and her limp body is tossed aside. We then get a full shot of her body. Emma is then carried away. Scene 4 Emma is lying down on her bed with her legs up and on her phone. She hears a noise and grabs her gun and goes to investigate. Suddenly, Emma gets attacked from behind and a white rag is clamped over her mouth and nose. Emma struggles against her attacker. Emma moans into the cloth and her eyes roll up into her head multiple times. Emma eventually passes out and her limp body is placed on the ground. We get a full body shot of her unconscious body. The attacker strips off Emma’s top, exposing her bra. Emma is then flipped face down and the attacker examines her legs. Emma’s is then flipped onto her back. Emma is searched and a USB is found in her bra. Emma starts to wake up on the ground so the attacker gets behind her and chloroforms her again. Emma moans into the cloth and her eyes roll up into her head multiple times. Emma eventually passes out and her limp body is tossed aside. We then get a full shot of her body. Emma is then carried away.
     SUPERGIRL
    6 minutes    		  SUPERGIRL - CAST: Li, Yana, Annabelle Superr-girl arrives to the enemy-base. First she must liquidate two guards near bath with toxic water. She kills them with a laser. After she goes up to her main enemy and breaks the necks of clones-guards… IF YOU LIKE THIS MOVIE PLEASE CHECK OUT DEATH OF BRAVE SOLDIERS  CHOKING MIX 3
    15 minutes    		  CHOKING MIX 3 - CHOKING MIX 3 Custom Starring: Mila, Lara, Yana, Luiza 6 independent choking scenes from beginning to the end Different locations, exotic strangulation situations, much foot fetish, leg kicking, body jerking, agonies, deadly grimaces, death stares and surprises for strangulation lovers CLASSIC CRIME HOUSE FETISH STYLE Just Strangulation, Choking and nothing more! Great Price! Just 2.5$ per strangulation scene! 4 actresses 3 locations 6 scenes 15 minutes without any promos 6 different looks and outfits IF YOU LIKE THIS CLIP PLEASE CHECK OUT CHOKING MIX CHOKING MIX 2 CHOKING MEDLEY
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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