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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 1009 Clips / 17700 minutes of video!
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![ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA](studio/images/modelexecutioncover-55d.jpg "ANGELINA GARROTTA EXECUTION - ANGELINA GARROTTA EXECUTION
CAST: Angelina, Max
CUSTOM
«Thank you, that was excellent, even better than I expected! The lighting and camera work were great, and so was the acting. You captured what I wanted and threw in some nice extra elements too. And the process was very smooth and fast».
Customer’s Review
Victim: Angelina. Her hairstyle should be down like in Single Bullets, she should wear her favorite stylish dress and makeup.
Executioner: Any male actor, should look like a gentleman and wear something formal like the male actor in Suspicion.
The executioner walks Angelina to the garroting chair. Angelina’s arms are handcuffed behind her back and the executioner holds her upper arm. The executioner sits Angelina down in the garroting chair. He does not put the rope around her neck yet. He then pulls up a folding chair and sits down in it, leaning in and facing Angelina at eye level. Angelina is confident and gives the executioner a seductive smile.
The executioner says: “You look stunning today.”
Angelina says: “Of course, I know this is being filmed for the victim’s family. I used to be a model, I want to give them a good last performance. I owe them that for their son.”
The executioner says: “You will have your chance in a minute, we just have to wait for the last call from the Tribunal.”
Angelina takes a deep breath and then asks: “Will this hurt?”
The executioner says: “Only for a few minutes. I will be as gentle as I can. Are you afraid?”
Angelina thinks about this for another moment and then says: “Yes.”
The executioner says: “I have a little gift for you.” He unlocks Angelina’s handcuffs and then gives her a flask or mini-bottle of vodka from his pocket. He says: “Here, drink this. It will give you some courage.”
Angelina takes the bottle and drinks it as the executioner’s phone rings. The executioner answers his phone. It is the Tribunal, and they tell him Angelina’s last appeal has been denied. The executioner acknowledges this and hangs up. Then he faces Angelina to tell her the bad news: “Your last appeal has been denied. Are you ready?”
Angelina’s eyes become more afraid. She says, “Wait, wait: You have been so nice to me. I have a little gift for you too. She starts to take off her dress and signals the executioner to help. The executioner helps her take off her dress and throws the dress on the folding chair. Angelina is now completely nude and the executioner stares at her body.
Angelina says: “Go ahead, you can touch them.”
The executioner gently feels Angelina’s breasts and strokes her vagina. He says: “Very nice.”
Angelina says: “I know, it would be a shame to bury them, right?” She summons up all of her composure and tries her best to seduce the executioner to let her go.
The executioner just shakes his head and stands up, takes Angelina’s arms, and handcuffs them back behind her back. He also slides the rope around her neck. As he is doing this, Angelina begs him: “Wasn’t that fun? I could keep doing that.”
The executioner still says nothing, just walks back around to face her. He takes a piece of paper out of his jacket pocket and reads her sentence: “Angelina [last name], you have hereby been sentenced to death for murder. Do you have any last words before the sentence is carried out?”
Angelina begs him: “No, please, this is such a waste of talent.”
The executioner goes behind her as Angelina loses her composure and panics, and the executioner tightens the rope. Angelina struggles. I like her struggle in Mass Female Execution, but she shouldn’t go cross-eyed. It should be a little bit less dramatic and more realistic than in Female Criminal Executed Garrote. She should struggle to open her mouth for air but not be able to open her mouth so wide. Also, Angelina’s neck should stay pinned to the back of the chair because of the rope, but the rest of her body should struggle. She should become weaker gradually over 5 minutes or so without a big dramatic gesture at the end. Then, she becomes limp and unconscious. Her knees should be close together but lower legs and feet should be splayed apart in different directions. Her eyes should also be closed.
There should not be blood, but can you use makeup to create a subtle bruise on Angelina’s neck where the rope was?
After Angelina goes limp, the executioner keeps the rope tight around her neck. The camera pans over all the details of Angelina’s body from her feet to face for another 2 minutes or so. After this is done, the executioner loosens the rope, feels Angelina’s neck for a pulse, and then carries her to a gurney that he wheels to the morgue.
Finally, there is the morgue scene where Angelina lies on a slab with a toe tag, like in Female Criminal Executed Garrote. Except, her hands should be folded on top of each other and rested on the center of her body just under her breasts. The executioner will walk around and take a few pictures of her body from different angles with a camera to send to the victim’s family. Finally, he walks away and turns off the lights.
IF YOU LIKE THIF FILM PLEASE CHECK OUT
FEMALE CRIMINAL EXECUTION
FEMALE CRIMINAL EXECUTION 2
FEMALE CRIMINAL EXECUTION GARROTA")
![WHAT CAN YOU TELL TO MY GUN2 - WHAT CAN YOU TELL TO MY GUN? 2
Custom
Cast: Xena, Max, Ksusha Zaichik, Billy Brag
This is a sequel to the previous movie \"What can you tell to my gun?\"
Xena is the fellow agent of Luiza who died infiltrating Max’s organisation.
Xena sits naked in her apartment and unwrapping a box, inside is a pair of blood stained sandals, those worn by Luiza when she died. She checked the shoes, this time please show the shoe size mark clearly, (I think Anna bought size 41). As she stared at the shoes pensively, there is brief back-and-white flash back of Luzie wearing these shoes and got shot dead.
Xena wiped the shoes clean, and put her beautiful bare feet into them, her toes nails were also painted in the red wine Color. A lot of details of her feet in the sandals, showing how fit they were for her. She then put on her clothes (which I will specify with the prop manager later, most likely dress or shirt+skirt). No stockings, no underpants, no bras. She slid a hand gun into her purse, took a last look at herself in the mirror with a grim look and left the room. (Camera can follow her feet a little longer).
Scenes cut to another bed room - this time at Max’s place. There is a few fast cut/ flashing of scenes Xena and Max hugging and making love (just indicatively, to the extent you can) with loud and satisfying moaning from both of them and some sultry background music.
As the music fades, it shows Xena is re-dressing herself, camera can show her wearing her sandals. Max just zipped up his pants, he kneeled down to kiss Xena’s feet praising her feet so big and beautiful. He murmured that her shoes looked a bit familiar then he suddenly looked suspicious when he saw the shoe size mark. He found an excuse walked into another room and made a call, asking his security team to come.
He came back, asking Xena to get a drink as she walks towards the cabinet, he opened her purse and saw the gun. Just as Xena turned to face him asking what he wants to brink, he fired Xena’s pistol at her repeatedly and emptied the entire clip (10-17 rounds, I will work with your prop manager to see what pistol model your are using). Xena jerked and bucked with each bullet hit as she was pushed by the impact step by step and smashed onto the back wall, but managed to stand. [The entry wound are small neat holes with little blood at the beginning but each exit wound is bigger, blood splashing on the wall.
Max clicked the empty and smirked :”wow powerful toy! A whole xx rounds (actual number TBD)”, but he was stunned to see Xena was not dead yet, she snarled at him and pushed herself up against the wall. She dashed to him and tackled him, both falling down with Xena on the top. She pushed Max a few times on the face and then tried to strangle him with her bare hand. As she pushed down her hands, she also started to vomit blood from her mouth, some dripping onto Max’ face. [Xena is now straddling on Max, it is a good chance to see all the exit wounds on her back, also some close up on her feet, it is a good chance to show the bottom of her sandals and the clear shoe size mark].
Max was over powered by Xena not able to move too much. He managed to free his right arm and fumbled around to get a knife. He plunged and slashed the knife on Xena the lower back (the left side) repeatedly, Xena’s guts started to pour out of the open wound. But Xena ignored it and just kept strangling him. Finally, Max grew too weak, his arm dropped and the knife was stuck on Xena’s back. Xena found the chance, she reached back and pulled the knife out.
Now, she raised the knife with both hand high above her head, she straddled on Max and back straight, ready to plunge the knife down. But at the exact moment, the door burst open, two of Max’s men rushed in and opened hire (riffle or pistol, no shot gun this time), it was a short burst only a few seconds, but many bullets hit Xena’s back drilling small red holes, but busting out of her chest in bigger holes, splashing blood and tissues all over Max. Xena held her postion, her arms raised high, body arching back, jerking twisting violently in the rain of bulleted.
When the gun shot stoped, Xena was “frozen” in her strike position for a short while, with wide opened eyes and stunned impression, after a second, she groaned only one world “fuck” (or the Russian equivalent), then she fell forward, not able to control her body anymore, the knife plunged deep into Max’s shoulder, and she dropped prone on top of Max, like in sex, but just not moving anymore, her back full of bullet holes and a loop of intestines hanging out.
The guards fliped Xena off their boss. Max got up with help. He was badly hurt but will live. He looked at Xena, now lying face-up on the ground face up, eyes wide open, mouth half open. Her front was full of holes too, some small (entry), but mostly quite big (exit), thru the blood soaked clothes, we can still see each jagged bullet holes. Intestines on her side. Max cursed and kicked her body, out of rage, he grab a pistol from his guard and shot Xena on her face: 3 on the forehead, one on the cheek and one on her chin, similar to Luzia previously [ you can make the wounds slightly smaller than last time, but keep the quality!] Chunks of Xena;s brain is now splashed all around her head.
Max was escorted out by the guards. Xena left alone on the floor, camera should give a very very long and slow view of their body, feet, face, all the wounds [make sure her body position can reveal most of the wounds! For example, her head need to tilt to the side that allows and face shot to be seen]
Scene darks, then lighten up up, caption showing “8 hours later, The Next Morning”
Max came back, his should now patched up. He mocked at now matter how strong Xena was, she is now al dead with no guts no brains left. He admired her body again, especially her big feet. He played with the feet, but didnt’t remove her shoes [we can see the show size again]. He said to himself Xena’s size 41 feet is so beautiful but the sandal reminded of him Luiza that is how he found out. He mocked at Xena being so tough but missed a small point. He then counted the bullets holes one-by-one, and found out she took xx bullets in total [ this time let’s slow down, take the time and let the audience enjoy Xena and all the wound effect meticulously made by your crew].
Finally he left Xena lying there and walked away.](studio/images/what_can_you_tell_to_my_gun_2_screens-c01.jpg "WHAT CAN YOU TELL TO MY GUN2 - WHAT CAN YOU TELL TO MY GUN? 2
Custom
Cast: Xena, Max, Ksusha Zaichik, Billy Brag
This is a sequel to the previous movie \\"What can you tell to my gun?\\"
Xena is the fellow agent of Luiza who died infiltrating Max’s organisation.
Xena sits naked in her apartment and unwrapping a box, inside is a pair of blood stained sandals, those worn by Luiza when she died. She checked the shoes, this time please show the shoe size mark clearly, (I think Anna bought size 41). As she stared at the shoes pensively, there is brief back-and-white flash back of Luzie wearing these shoes and got shot dead.
Xena wiped the shoes clean, and put her beautiful bare feet into them, her toes nails were also painted in the red wine Color. A lot of details of her feet in the sandals, showing how fit they were for her. She then put on her clothes (which I will specify with the prop manager later, most likely dress or shirt+skirt). No stockings, no underpants, no bras. She slid a hand gun into her purse, took a last look at herself in the mirror with a grim look and left the room. (Camera can follow her feet a little longer).
Scenes cut to another bed room - this time at Max’s place. There is a few fast cut/ flashing of scenes Xena and Max hugging and making love (just indicatively, to the extent you can) with loud and satisfying moaning from both of them and some sultry background music.
As the music fades, it shows Xena is re-dressing herself, camera can show her wearing her sandals. Max just zipped up his pants, he kneeled down to kiss Xena’s feet praising her feet so big and beautiful. He murmured that her shoes looked a bit familiar then he suddenly looked suspicious when he saw the shoe size mark. He found an excuse walked into another room and made a call, asking his security team to come.
He came back, asking Xena to get a drink as she walks towards the cabinet, he opened her purse and saw the gun. Just as Xena turned to face him asking what he wants to brink, he fired Xena’s pistol at her repeatedly and emptied the entire clip (10-17 rounds, I will work with your prop manager to see what pistol model your are using). Xena jerked and bucked with each bullet hit as she was pushed by the impact step by step and smashed onto the back wall, but managed to stand. [The entry wound are small neat holes with little blood at the beginning but each exit wound is bigger, blood splashing on the wall.
Max clicked the empty and smirked :”wow powerful toy! A whole xx rounds (actual number TBD)”, but he was stunned to see Xena was not dead yet, she snarled at him and pushed herself up against the wall. She dashed to him and tackled him, both falling down with Xena on the top. She pushed Max a few times on the face and then tried to strangle him with her bare hand. As she pushed down her hands, she also started to vomit blood from her mouth, some dripping onto Max’ face. [Xena is now straddling on Max, it is a good chance to see all the exit wounds on her back, also some close up on her feet, it is a good chance to show the bottom of her sandals and the clear shoe size mark].
Max was over powered by Xena not able to move too much. He managed to free his right arm and fumbled around to get a knife. He plunged and slashed the knife on Xena the lower back (the left side) repeatedly, Xena’s guts started to pour out of the open wound. But Xena ignored it and just kept strangling him. Finally, Max grew too weak, his arm dropped and the knife was stuck on Xena’s back. Xena found the chance, she reached back and pulled the knife out.
Now, she raised the knife with both hand high above her head, she straddled on Max and back straight, ready to plunge the knife down. But at the exact moment, the door burst open, two of Max’s men rushed in and opened hire (riffle or pistol, no shot gun this time), it was a short burst only a few seconds, but many bullets hit Xena’s back drilling small red holes, but busting out of her chest in bigger holes, splashing blood and tissues all over Max. Xena held her postion, her arms raised high, body arching back, jerking twisting violently in the rain of bulleted.
When the gun shot stoped, Xena was “frozen” in her strike position for a short while, with wide opened eyes and stunned impression, after a second, she groaned only one world “fuck” (or the Russian equivalent), then she fell forward, not able to control her body anymore, the knife plunged deep into Max’s shoulder, and she dropped prone on top of Max, like in sex, but just not moving anymore, her back full of bullet holes and a loop of intestines hanging out.
The guards fliped Xena off their boss. Max got up with help. He was badly hurt but will live. He looked at Xena, now lying face-up on the ground face up, eyes wide open, mouth half open. Her front was full of holes too, some small (entry), but mostly quite big (exit), thru the blood soaked clothes, we can still see each jagged bullet holes. Intestines on her side. Max cursed and kicked her body, out of rage, he grab a pistol from his guard and shot Xena on her face: 3 on the forehead, one on the cheek and one on her chin, similar to Luzia previously [ you can make the wounds slightly smaller than last time, but keep the quality!] Chunks of Xena;s brain is now splashed all around her head.
Max was escorted out by the guards. Xena left alone on the floor, camera should give a very very long and slow view of their body, feet, face, all the wounds [make sure her body position can reveal most of the wounds! For example, her head need to tilt to the side that allows and face shot to be seen]
Scene darks, then lighten up up, caption showing “8 hours later, The Next Morning”
Max came back, his should now patched up. He mocked at now matter how strong Xena was, she is now al dead with no guts no brains left. He admired her body again, especially her big feet. He played with the feet, but didnt’t remove her shoes [we can see the show size again]. He said to himself Xena’s size 41 feet is so beautiful but the sandal reminded of him Luiza that is how he found out. He mocked at Xena being so tough but missed a small point. He then counted the bullets holes one-by-one, and found out she took xx bullets in total [ this time let’s slow down, take the time and let the audience enjoy Xena and all the wound effect meticulously made by your crew].
Finally he left Xena lying there and walked away.")
