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     ARCHER 15
    32 minutes
      ARCHER 15 - ARCHER 15
Cast: Mira Green, Li, Polina Wood, Max 
CUSTOM 


«Crime does not pay.  Li and Mira make the additional mistake of asking the Archer to join them in their plot.   Julia decides to renegotiate her deal with him.  Can you guess the outcome that awaits our three women.
 
Exceptionally well done work!  I truly enjoy the performances of Li, Mira and Julia who think they can outfox our friend and his obsession.    Unbelievably passionate performances as our heroines meet their end at his hands.  
 
The amount of effort you put in bringing to life these ideas on my behalf is the reason I come back with more stories for you.  The only way to make my projects any better is for me to write you better scripts.  Thank you Darkrooms!!!
 
Customer’s Review»

FETISH ELEMENTS

	Actor #1 enters the scene with his hands up in the air.  Actress #3 has a gun out and is pointing it at Actor #1’s back
 	Actress #3 sees the large duffle bag full of money.  She walks over and looks at the bag.  She picks it up and puts it down.
 	Actress #1 is nude and wearing boots and her hands are tied above her head.   Their hands are with ropes and the ropes are attached to a chain and hook.  (Same as what was done in Syndicate 7)
 	She is tied up by the wall.  Actress #2 is nude and her hands are tied above her head.  Actress #3 is finishing tying up Actress #2.
 	Actor #1 now picks up an arrow walks over to where he plans to shoot Actress #2 (she is in center) and loads the arrow.  Actress #2 continues to struggle franticly against her ropes energetically pulling away from the post and falling back to post her hands are pulling from back to front on those ropes in an attempt to free herself .  The Actor aims his bow at Actress #2’s belly button.  (Please take a camera view as suggested with picture #1 just an arrow and a view of the camera and victim and Actress #2 struggling against the ropes in same view.)  Return to normal camera view of Actress #2 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shoot the arrow (We see a POV arrow approach Actress #2) and the sound of the arrow hitting Actress #2 in her belly button.  Actress #2 lets out a loud moan when hit.  Actress #2 moves her head to look down at the end of the shaft.  Actress #2 moves her head slowly down and looks down her body further to look at her belly button.  Actress #2 moves her head back up and looks at the archer.  Actress #2 arches her back and leans back against the wall.  Show a number of camera views of Actress #2 after being shot.   Slowly zoom in on the arrow and pan down to her feet.  There is now a blood trail running down her belly there is blood on their inner thighs and a puddle on the ground. 
Show a camera view from above actress #2 looking down at the arrow (Just like the view in Archer 9)
Actress #2 is twisting to her left, then back to center and then to the right.  Pan up and down on her body.  
Actress #1 & 3 turn and look at Actress #2.  Actress #3 moves her head and looks down at her belly button.  Actress #1 looks back at Actress #2.  Actress #2 is now shown leaning against post.  Her hands above her head are slowly (about 1/3 of the energy before she was shot) and without much energy pulling on the ropes above her head back and forward trying desperately to free herself.  Actress #2 keeps twisting her body from side to side.  She has less energy because she has been shot with an arrow.
Actress #1 continues to struggle against the ropes pulling away from post and falling back to post.  Actor #1 aims his bow at Actress #1’s belly button.  (Please take a camera view from behind the archer capturing him aiming his bow at Actress #1’s belly button and Actress #1 struggling in the same view.)  Return to normal camera view of Actress #1 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shooting the arrow (A POV arrow heads towards Actress #1) and the sound of the arrow hitting its target.  Then show the arrow sticking out of Actress #1’s belly button.  Actress #1 lets out a loud moan when hit.  Actress#1 slowly moves her head to look down at the end of the arrow shaft.  Actress #1 moves her head down some more and looks down her body to look at her belly button. 
Show a camera view from above Actress #1 looking down at the arrow.
Actress #1 moves her head back up and looks at the Archer.  Actress #1 arches her back and leans back against the wall.  Camera pans back and shows Actress #2 again.
Actresses 1 & 2 each have an arrow in their belly button.   Camera zooms in on Actress #1’s arrow, there is now a blood trail running down her belly and on her inner thighs camera pans down to the puddle on the ground between her legs.  
Have Actress 1 & 2 are now both twisting their bodies either to the left then center than to the right.  They also slowly reach for their head with their hands in addition to still try to pull free from the ropes.
Actor #1 now picks up a third arrow walks over to where he plans to shoot Actress #3 and loads the arrow.  Actress #3 continues to struggle franticly against her ropes energetically pulling away from the post and falling back to post her hands are pulling from back to front on those ropes in an attempt to free herself .  Actor #1  aims his bow at Actress #3’s belly button.  (Please take a camera view behind the archer capturing his aiming his bow at Actress #3’s belly button and Actress #3 struggling against the ropes in same view.)  Return to normal camera view of Actress #3 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shoot the arrow (A POV arrow heads toward Actress #3) and the sound of the arrow hitting Actress #3 in her belly button.  Actress #3 lets out a loud moan when hit.  Actress #3 moves her head to look down at the end of the shaft.  Actress #3 moves her head slowly down and looks down her body further to look at her belly button.  Actress #3 moves her head back up and looks at the archer.  Actress #3 looks towards the other two women.  Actress #3 arches her back and leans back.  Camera zooms in on arrow.  Camera slowly pans to the ground where there is a puddle of blood on the floor between her legs.
Show a camera view from above actress #3 looking down at the arrow.
Show a number of camera views of Actress #3 after being shot.  Pan up and down on her body.   Actress #3 is now twisting her body form left to right.
Go back with camera and show Female Actress #1 & 2 again.  Pan and show all three actresses.
Show Actress #3 slowly stops struggling.
Actor #1  than walks over to Actress #3, he reaches for the rope and unties her hands.  When her hands become free, He places her on the ground in the body pile he is making.
Actor #1  unties Actress #1 and Actress #2 and places them on the ground in the body pile he is making.
Camera slowly shows Actress #1, Actress #2 and Actress #3.
Actress #3 opens her eyes.  She let’s out a moan.   She arches her back (Same as Sally in Archer 11 she was awesome”.
She reaches for the arrow in her belly with her left hand.  She bends forward and looks down her body at the arrow in her belly. 
There is a gun on the floor. 
Actress #3 slowly crawls away from the body pile.  She is crawling towards the gun on the floor.  She reaches the gun picks it up.  She aims it at Actor #1. 
Actress #3 drops the gun.  She rolls on to her back.  She moans again and reacts.  She slowly closes her eyes.  
Camera pans all of the 3 women’s who are now lying on the ground in a body pile slowly.  Please take a few shots of all 3 women one by one as a close ups. 
All three Actress’s have been shot by arrows and are on the floor in a body pile.   Actress #1 arms are at her side and her legs and feet are straight and she has an arrow in her belly button.  Actress #2 arms are at her side and her legs and feet are straight and she has an arrow in her belly button.  Actress #3 arms are at her side and her legs and feet are straight and she has an arrow in her belly button there is a cell phone near her hand.
Camera pans all of the 3 women’s who are now lying on the ground in a body pile slowly.  Please take a few shots of all 3 women one by one as a close ups.  
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
THE ARCHER – ARCHER 2-14  WITHOUT MEAT
    12 minutes
      WITHOUT MEAT - WITHOUT MEAT

Erotic Slasher for stabbing, cut-throat and cannibal genres lovers

The Vegans Cooking Show has very low rating in Texas. Viewers want to see how to cook meat-dishers, but every Monday TV show tells only about Vegan cooking. It was more that just bad marketing strategy of TV-show, TV presenters are fanatics of vegan lifestyle. They hate meat, killing animals and meat-eating. 
When their thief, young woman from program-management says that it’s time to change format and tell about meat and stop vegan show, they are in fury. But their assistant are loyal to any format and she’s ready to tell how to cook stakes. 
Boss says to vegans «you’re fired!» and lets assistant to continue her job. 
Vegans loose control. They rush to the show, attack boss and assistant, fight with them and stript them, terror them with knifes and cut their throats!   They just want to show terror of meat-eating. Sometimes extremes are very horror!
Women agonize with their throats being cut. Assistant  licks the table during agony before her death.
After the females were dead, vegans decompose corpses of women, stab them and start their «Non-Vegan Show». 
It’s just fantasy erotic horror and comedy with R-raiting. Crime House respect all cultures, including vegans culture, so, the film is just a fantasy. 
If you like fetish elements with eating people imitation erotic fantasy please check out
MEAT-EATERS
And 
CANNIBAL INVITATION
In our store

If you like cut-throats imitation erotic fantasy please check out
NEIGHBOUR
and check out
Mushrooms   
Barber
Spiritism
     THE PASSWORD IS DARKROOMS
    11 minutes
      THE PASSWORD IS DARKROOMS - THE PASSWORD IS DARKROOMS

СAST: Annabelle(Ilsa), Max(Viktor)

    Ilsa, the gorgeous girlfriend of a powerful crime boss.

    Viktor, a trusted enforcer that works for the crime boss.

    Mikael the crime boss does not appear in the film.


Mikael believes that his girlfriend (Ilsa) has stolen financial information from him. He believes that she is planning to turn it over to a rival gang. 


The story opens in the basement of an abandoned building. Ilsa is seated in a chair with a gag in her mouth. Her hands are tied behind her back. Her legs are tied at the knees and ankles, and her bare feet are sitting on top of a small table directly in front of her. Much of the fetish action involves showing the soles of Ilsa's feet - so as long as they are clearly visible any position will work.


On a nearby table we see a laptop computer. The computer is locked with a password. 


Viktor is on the phone with Mikael. "The computer is locked with a password," he says. 


On the other end of the call Mikael instructs Viktor to extract the password from Ilsa. Viktor complies: "Yes, boss." he says. "I will extract the password and call you back when I have the information."


He hangs up the phone and approaches Ilsa. He removes the gag. "Mikael knows what you did. Give me the password and I will let you go."


"I didn't do anything!" Ilsa cries. "I don't know the password!"


"This is your computer, yes?" Viktor asks.


"No! I've never seen that thing before in my life, Viktor. Please!" Ilsa is frantic. "I didn't do anything! Let me go!"


Viktor takes a CLEAR PLASTIC BAG and pulls it over Ilsa's head. He secures it around her neck, cutting off her air. We see Ilsa struggle against her bonds. Mouth open. Gasping for air. We see the toes of her feet clenching hard as she fights to breathe. The soles of her feet erupt with wrinkles.


After a time, Viktor removes the bag. Ilsa screams for air.


"Give me the password!" he demands.


"I don't know what you're talking about," she cries.


Viktor pulls the bag over her head once again - suffocating her for a much longer period. Again we see Ilsa's bare feet struggling as she sucks frantically against the bag. Eventually Viktor lets her go again.


"This is your last chance," he says.


"Okay," Ilsa says, gasping. "The password is DARKROOM... now please just let me go!"


Viktor uses the password to unlock the laptop. He puts his phone to his ear again. "Mikael," he says. "I have the password."


Mikael barks instructions to Viktor. "Yes," Viktor responds. He opens files on the desktop. "Yes. I see it. It is all here. What do you want me to do with Ilsa?"


Mikael tells Viktor to put Ilsa out of her misery.


Viktor hangs up the phone. He takes a thin wire out of his pocket and wraps it around Ilsa's neck.


"Wait!" Ilsa screams. "No! I didn't mean to do this! Please! NO!"


Viktor tightens the cord. Ilsa strangles. Once again we see her body writhe and strain. Her barefoot soles clenching as she suffers... and ultimately expires.  GAS CHAMBER 2
    8 minutes
      GAS CHAMBER 2 - GAS CHAMBER 2

CUSTOM MOVIE!

THE EXECUTION OF FASHION MODEL ACTED BY EMMA BY GAS CHAMBER!

Scene opens with a woman standing in an office, a court room. She is in an eastern European country, under arrest, charged with espionage!

She is not from this specific country, but from another east Europe country.

She is wearing a black mini dress and shiny black high heel thigh high boots. She is a fashion model. As she is under arrest, she is also wearing prisoner restraints.

At this point in her trial she has been found guilty. All that’s left now is sentencing.

From behind the camera a voice,  the judge, reminds her she has been found guilty.

The woman knows she faces the death penalty.

She claims she is only a fashion model,  but the judge doesn’t believe her.

The judge (voice from behind camera) officially sentence the fashion model to be put to death! He informs her that on her arrival at the women’s prison she will be taking to the gas chamber and executed.

Scene fades out to black.

Scene fades back in

Revealing the woman is sitting In a chair, similar to and electric chair.  She is strapped down tight, her wrists,  booted ankles,  her waist and across her chest all firmly strapped to the chair, almost completely immobilising her. She is extremely afraid,  at the point of crying.

The room around her is small. Only enough room for the chair with a few feet around the chair. She is in a gas chamber!

She is still wearing the same outfit she was wearing in court, black mini dress, thigh high boots. She now also has heart monitor electrodes pasted on to her chest under her dress.

Underneath the chair is a large bowl filled with a clear liquid, an acid solution.

A few inches above Is a cup full of a white powder, Cyanide! The cup is attached to a mechanism to tip it over.

After a minute of seeing the woman in the gas chamber chair, under the chair the cup of cyanide starts to turn over, pouring the cyanide into the acid causing a vigorous foaming reaction and a cloud of vapours…….cyanide gas!

Minute 1: the woman upon seeing the gas rise up, quickly inhale s deeply and holds her breath

Minute 2: unable to hold her breath any longer, lets her breath go and instinctively take a couple more deep breaths, at first the gas has little effect with the woman only having a few light coughs.

Minute 3: the coughing gets worse

Minute 4: the woman is now struggling to breathe, in obvious discomfort.

Minute 5: The woman starts foaming from the mouth with uncontrollable salivating.

Minute 6: The Woman still salivating and foaming at the mouth continues to have difficulty breathing, with short breaths like slow motion hiccups.

Minute 7: the woman still foaming and gasping, now starts to feel dizziness start to set in.

Minute 8: foaming/salivating, gasping, and dizziness all continues.

Minute 9: foaming/salivating, gasping, and dizziness all worsen.

Minute 10: foaming/salivating, gasping, and dizziness all continues. The woman starts feeling herself getting physically weak, barely able to keep her head up.

Minute 11:barely able to get one last breath in, the gas causes the woman’s lungs to completely seize up, leaving her completely unable to breath in extreme discomfort!

Minute 12: the woman finally falls unconscious, within seconds dies.
     SEDUCTION
    20 minutes
      SEDUCTION - SEDUCTION
CUSTOM
« WEll done, I am so pleased! W e have finally succeeded in making an excellent and credible cold-war spy thriller, in the shoes of Ian Fleming! »
From Customer’s  Review 
STARRING: Judi, Max, Annabelle
Interesting Plot! Sexy Cinematic Death Stare! English Subtitles
Fetish Elements:
Nudity, Forced to strip, Emotions, Interrogation, Spy, Seduction, Black Stocking, Pillow Suffocation, Gasping, Choking, Death Stare

PLOT

 	Big Brother chose a simple frugal secretary of NSE typing pool, young and beautiful girl Tatiana Romanova for a dangerous and secret mission.  She should insinuate herself into double agent’s confidence  Oleg Barisov: seduce him and record all conversation to the little dictophone hidden in her earrings and necklaces. But Oleg already dealt with such spy devices ...  

IF YOU LIKE THIS MOVIE PLEASE CHECK OUT

CLOWN NIGHT
EXPERIMENT  DEATH SCENES
    18 minutes
      DEATH SCENES - DEATH SCENES
Starring: Nata and Hass
Custom Clip 
17 minutes 
10 scenes
20 deaths 
Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses
Stabbings and shootings!
Catfightings to the death!
GREAT ACTING

NEW LEVEL OF SHOT DEAD COCTAILES

FULL HD, Great CameraWork, Best DarkRoom traditions

100% death fetish clip!

Scenes detailed descriptions: 
Scene 1. 

Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose.
  
Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass.  Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart.


Scene 2. 

Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart.
  

Hass is aiming and also gets shot in her lower belly.  Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time).  While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing.
After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. 


Scene 3. 

Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly.  She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo):
 

Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down.  The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background.
Nata walks in and gets on her knees beside Hass.  Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open.  These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass:
  

Nata is then shot in her lower belly, making her react, then she falls over top of Hass 
Scene 4. 

Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives.  Then the girls fall to their knees, similar to these photos:

Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart.  Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward).  When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata.  Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture.  One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread.  The second photo is the death pose after falling back.
 
Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass.
 
Nata gets on one knee in a victory pose over top of Hass (see sample photo).  Nata does not know Hass is still alive and has a knife.  Hass surprises Nata with a stab to her lower belly, making her gasp.  After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass.  See sample photos for victory pose as well as death pose (body pile where their ass is still showing):


Several camera angles are shown, showing good ass views and between their legs.

Scene 5. 

Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo).  Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down):
  
Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds).

Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down).  Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass.
  
Nata is then shot by off-screen, unseen enemy and she falls.

Scene 6. 

Hass and B are standing near a couch (or bed).  Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures).  Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles:
    
Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else.  Both Hass and Nata are close together, but not covering each other.  See these sample pictures for Nata, either one will work.  Both girls should have a nice death stare.


Scene 7. 

Nata is holding a knife and Hass walks in holding a gun.  Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp.  Nata is still holding the knife.  Hass does not know Nata is still alive.  Hass walks over and sits on Nata, similar to these pictures:

Nata is still holding her knife, she wakes up without Hass knowing.  Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose:

When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata.  Hass\\\'s ass still propped up into the air.  After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos:     
To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some.  Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose:

Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures:
     
Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread.  After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). 
 

Scene 8. 

Both girls are on their knees holding knives.  They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined.  These photos show the action:

   
Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart.  Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart.  Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed:
When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp.  Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs.  Hass does not know that Nata is still alive.  Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward.
Hass does not know Nata is still holding a knife.  Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass.  Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed).  Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs.  After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and  her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata.  Hass\\\'s ass in the air.  Sample photos show facial reactions for Hass and her death pose on top of Nata.
Scene 9. 
Hass is standing guard, her legs spread apart.  Nata is holding a knife and sneaks up from behind.  Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding.  Other good camera angles are from the front, and also a profile view with the knife in her belly.
Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan.  Hass then slowly slides down to her knees, her legs spread apart.  Nata then gets on her knees behind Hass.  Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture:
After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her.  Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp.  Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction.
Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view.  Then Nata slowly rolls Hass into a new death pose (sample pictures):
Nata is turned on.  She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart.  Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs).  Nata then pulls the knife out with a sexy moan. Nata is very turned on.  She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass.  Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch).
Scene 10. 
Hass and B have knives and get locked together.  Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart.  Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs).  They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her.  Nata\\\'s legs are spread apart, one leg on the back of the couch.  Sample pictures show pushing over couch, and up over couch arm while fighting with knives:
Nata drops her knife, and Hass pushes over the couch arm.  Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more.  Hass pulls the knife out, making Nata moan.  Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread.  Nata twists, lifts her body up, lifts her legs as she writhes.  Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up.
Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up.
Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed.
Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose).  Hass then puts one leg up on the couch into a victory pose (see sample picture).  Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves.  Hass falls forward over the couch cushion, her legs spread apart, her ass in the air.  She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge.  Hass is shot again in her lower belly, making her react, back curving over the cushion.  She then turns over, her legs spread far apart, ass in the air.  She wants to end it, so she grabs the knife on the couch cushion.  With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air.  Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass.


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9 stabbing of Nata
     SPACESHIP INDIGO Part 1
    8 minutes
      SPACESHIP INDIGO Part 1 - SPACESHIP INDIGO. Chapter 1

GREAT LOCATIONS! HIGH BUDGET! PROFESSIONAL ACTRESSES! MANY NEW FACES! COSTUMES, FX EFFECTS!

 

CUSTOM

 

Customer’s Review:

«Just watched that first episode and - wow!!!  Just wow!!  It’s totally amazing!




Brilliant visual FX, beautifully filmed and edited, lovely fast action with quick kills and great reactions... and the girls are totally stunning!  You’ve absolutely captured the atmosphere and style I was after, and there’s a great flow to it all.  Locations work really well too»

 

 

The First Episode of BIG MOVIE!

PLENTY OF NEW ACTRESSES!

Starring: Mia, Laura, May,  Elvira Twins, Sally, Irene, Annabelle, Maria, Pola, actresses of mass scenes

 

NEW STYLE AND OLD SPY MOVIES SCI-FI B-MOVIE!

 

Killing Scenes:

Neck Snaps, Strangulation, Choking, Shooting with blasters

 

Plot

SpaceShip «Indigo» was attacked by enemies intruders

 

IF YOU LIKE THIS MOVIE PLEASE CHECK OUT

CLONES

CLONES 2

SPY-DIVERS

INTERSTALLER AGENTS ADVENTURES  STRANGE NEIGHBOUR
    9 minutes
      STRANGE NEIGHBOUR - Strange Neighbor
Starring: Angelina and Juliana

Fetish elements: 
Strangulation
Choking
Putting stuff in the mouth 
Carrying
Legs Kicking’s
Death stares
Leggy girls 
Plot: Juliana is relaxing in her dacha when he is attacked by crazy neighbor who has been looking at her for a long time.  He strangled her from behind, stripped her body and strangled her friend Angelina to put the tomato in her mouth, strip and carry near Juliana’s body.
     BLOOD HEEL
    22 minutes
      BLOOD HEEL - CUSTOM

Interesting plot
Neck break
Much postmortem necro erotica
Beheading
Blood
Much pantyhose fetishes
+ bones scene  - Strangling

Fetish elements: 
Evil girl, domanation, forced to strip, punishment, begging for life, choosing the way of execution, neck break, body twitching after death, necro striping, putting off pantyhose from dead body and putting on them. beheading, twrowing head way like a rubbish, strangulation.

PLOT

Nice to meet you Mrs. Necro Rat

Present Time: In New York there was the Vicaflo Mob Family. The head of that crime family was Max Vicaflo. The crime family was involved in gambling and a dozen murders. Max was married to Debra. They had two children. Debra was a elegant and confident wife. However she grew a conciounce and asked for a divorce from Max. Max was 44 and Debra was 42 at the time. She didnt want to be married to a murderer and to a person that was into other illegal doings. She did break his heart and that made his blood boil but it wasn't something he would get revenge over. He was a mob boss of the modern times. He even helped her get a legit job and a house. End of story. Ya right.

A month later Debra's conciounce grew more and she decided to go to talk to the Feds. Max found out that she became a rat. That was something that he couldn't forgive her for. He asked his associates/henchmen to take her out. They wouldn't take the order. He had to get some outside help. Through some channels he got a hold of a company that takes care of these type of issues. He mentioned to them that he had a couple special requests too. A young yet cold hearted hit girl nicknamed Blood Heel was chosen for this job. They assured him that she would be perfect for this assignment. Max actually got a chuckle while thinking to himself "hmm a 24 year old hit girl offing my ex wife." The nickname sounded familiar to him too. She was known for taking care of certain jobs and was sadistic at it. Blood Heel recieved a goverment secured email on her iphone of her newest assignment. She didnt question any of it. Had no remorse over who the target was either. The following morning she got on a private plane to new york.

On the morning that debra was going to go talk to the Feds, she was in the shower. Shaving her sexy legs. She painted her toes red the night before. Her outfit was laying on the bed. A business attire type outfit. Black hose and black heels.  When she got out of the shower. She wrapped a towel over her wet mature looking nude body and walked out of her bathroom. When she walked out of her bathroom. She walked no further. She let out a loud shreak. Blood Heel was sitting on her bed. Legs crossed in her black tight leggins. Sitting with no remorse on her face. A silencer in her hand. Which was pointed towards Debra's forehead. Debra replied well I knew Max wasnt going to live with me becoming a rat. regardless if we have children. I just didnt think he was going to hire a young woman like you to do the dirty deed. Im mean come on. You look about the same age as my son." Blood Heel replied. now its my turn to speak. Im not hear to chit chat with you. Im not here to negotiate. I dont care who you are. you are just a assignment to me. Also believe me. I may be 24. But Im still a cold hearted bitch and good at my job." Debra replied. Well I see you dont lack confidence. So you are going to a bullet in between my forehead with that silencer? Blood Heel replied "get the fuck dressed and we will be taking a walk to your living room couch." Debra pretty knew her fate was sealed and obeyed. A part of her thought maybe she could plea for her life with his sweet looking yet sadistic young woman. Debra got dress and they walked down stairs to the living room couch. Debra sat down. Then she said now between us to adults and women. Do you really want to do this? Im a mother of two. my ex husband is a evil man and deserves to be in jail. Im doin what is right for me and my kids. Please I ask you to reconsider." Blood Heel replied as she was standing in front of her "I will give you a choice of death. I can either strangle you with your hose. Or snap your neck. You pick. My client prefers that your death be a clean kill. Also if it means anything. I will be taking a pic of your black hosed feet for my personal trophy pic album and a copy will be going to my client. So what kill method did you pick?"

Debra didnt want to die but atleast she was giving a choice of which kill method to be used. Atleast the kill method would be a clean kill. She was also flattered that her feet would be considered a trophy for a professional hit girl and a pic would be given to her ex husband. He had a thing for her sexy feet. Especially in hose. She replies I want you to snap my neck. Blood Heel replied "you got it." She walked behind the couch and stood right behind Debra. Blood Heel then said "do you have any last words before you show me your death stare?" Debra then said out loud with tears dripping down from her eyes  "good bye Timmy. Good bye Sarah. Mommy loved you.  Well I'm going to be one sexy necro mom." Blood Heel then grabbed Debra's neck tight and twisted Debra's neck till there was the sound of Debra's neck bone snapping.  Her eyes instantly roll back into her head. There is a couple death twitches and then she went limp. Blood Heel then said "you know you never get tired of hearing the sound of a target's neck breaking. Well time to finish up with the special requests that my client gave me to do." Blood Heel took a pic of Debra's lifeless eyes. The dried tear drops Blood Heel enjoyed looking at. She had a thing for the repose of her targets and the emotions that were shown on their faces. She then took a pic of Debra's dead red painted toe nailed black pantyhose incased feet in heels. Then took off the heels and took a pic of her hosed feet. Then peeled down her black hose and took a pic of her bare smooth sexy red painted toe nailed feet. She got a chuckle as she thought to herself. "The Black Crane if she was still alive would have enjoyed these feet for sure. Would have even got wet from the whiff from the scent of her heels and hosed feet." It was known in the underworld of the Black Cranes sadistic and sexual cravings. Then she took a jar and sharp knife out of her back pack and cut off Debra's head from her elegant body and put the severed head into the glass jar. Max wanted her severed head in a jar besides the pic of her dead feet in hose and bare. Then she posed Debra's headless corpse in a elegant pose on her couch and made her secure phone calls to who she needed to contact. Then left. The kids were picked up from school by Max's maid. The severed head in the jar and the pics discreetly were sent to Max. Max went to trial but no evidence was supportive enough to put him in jail. The children were told that their mother was killed by a up ax murderer. One that didnt exist of course. Well define didnt exist.

Price is 19$ only this weekend. 

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My wife is vampire
Black Crane  DEATH SHOW 4
    31 minutes
      DEATH SHOW 4 - PREMIUM CUSTOM MOVIE

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CAST:

Janina, Demonica, Nadezhda Preura, Mary Ann

(ALL ACTRESSES ARE AVAILABLE FOR CUSTOMS!)

 

PLOT

Four girls  were kidnapped for sadistic reality show where viewers vote online live or die.

In this episode viewers vote her:

Policewoman being garroted nude

Student being hanged nude

Capitan of Police shot by machine gun nude

Babysitter hanged in panties only

Many dialogues, begging for merci, bondage, preparations for death

 

WE SELDOM MAKE SUCH A CONTENT TODAY!
EXCLUSIVE MOVIE!

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DEATH GAME

DETAH GAME 2

TEXAS HANGTHEM POKER

ALL HANGING AND MASS DEATH CATAGORIES!
     Machine Gunned Both Parts
    53 minutes
      Machine Gunned Both Parts - About 100 deaths. Many death scenes. Custom video. Three models are playing being machinegunned (POV, killing each other). Many exitic death poses. agonies.  FOUNTAIN
    27 minutes
      FOUNTAIN - Perverted Horror Film About Strangulation

27 minutes film!

The movie contains special offer inside!


Fetish elements:

Strangulation with a broom

Poking your head in the freezer

Fracture of neck

Agony after death

A corpse falling from the closet (super scene!)

Strangulation through the glass with the collapse of the breasts

Strangulation in the air

Neck Break

Tights

Separation of corpses

Games with corpses

Fountain of dead women

Fracture of neck

A bunch of corpses

 

The man has a serious psychological trauma after the divorce. He is going to rent an apartment. Girls come to him on an ad. He compares them with his wife and brutally kills. Student Kate, he brutally strangled in the kitchen. A divorced woman, Nicole, he strangled terribly in the room. Then he killed a rich lady. After that, he built a terrible fountain of dead girls. When his wife came for things, she saw a terrible sculpture. He broke her neck and threw her body into the Fountain. The corpses crumbled, forming a chaotic heap. Tom lays down in a pile, taking a call from the new victim, promising that the apartment is waiting for her "Fountain".

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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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