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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 961 Clips / 16510 minutes of video!
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![WRONG PLACE WRONG TIME - WRONG PLACE WRONG TIME
Hello!
Thank you very much for the video! It is perfect!
It exceeds my expectations. The complete outfit, especially the gloves, the action, the utensils used, everything fits exactly. Thanks also to the actresses, very well done! The cuts, the scenes, the movie has Hollywood qualities!
Thanks again to the whole team!
I will definitely recommend it to others.
And I will think about a sequel.
Customer’s review
It's about a young female burglar who does bad things and always wins.
She comes from a rich background and does the crimes just for fun and for the thrill.
Cast:
Sonya Krueger
Bella Lenina
Story of "Wrong place, wrong time":
1. B walks down a hallway to the door of R's apartment. She looks around to see if anyone is
is around. She carries a shoulder bag with her "tools" and for the stolen goods.
2. She is alone and puts on her black nitrile gloves.
3. She keeps an eye on the surroundings and opens the door with a lockpick and enters the apartment.
4. B calmly searches the apartment for valuables.
5. a few moments later she hears someone at the door. R returns earlier than expected.
6. B hides in the next room and takes out her pistol [still without silencer] from her bag.
7. B waits until R is completely in the apartment and has closed the door.
8. Then B steps towards R with the pistol.
9. R looks in horror down the barrel of the Walther. "Please don't hurt me, you can take what you want".
10. B: "Lie down on the floor! On your stomach, hands behind your back!"
11. R lies down on the floor and holds her hands behind her back.
12. B takes out handcuffs and puts them on R.
13. B takes out a long cable tie and ties R's feet with it.
14. B turns R on her back and sits on her [wide-legged on her stomach]. She takes out the silencer and screws it onto the pistol in front of R's eyes.
15. R: "Oh my God! No!" R is scared to death.
16. B: "I'm glad you came home. There's a safe in the bedroom and you're going to tell me the code for it now!"
17. R: "I don't know the code".
18. B holds the pistol to R's head and cocks the hammer of the Walther with her thumb.
19. B: "Think carefully what you say! The code, or I'll scatter your little brain all over the floor!"
20. R cries: "I have no idea about the code, only my husband knows it."
21 B: "ok". B kneels down next to R and puts the gun aside. She gags R with a piece of tape.
22. Then she takes the stun gun out of her pocket. She demonstrates the function to R and pulls the trigger. The stun gun flashes. Then she tortures R with the stun gun.
[audible effect only].
23. R writhes in pain and moans under the gag.
24. B thinks it is time to ask again and removes R's gag.
25. B: "What is the code?"
26. R: "Please stop! Please! I don't know the code!"
27. B gets annoyed: "Ok, you asked for it".
28. B takes out a transparent plastic bag from her pocket.
29. R suspects evil and asks for mercy but B sits on R again and pulls the bag over her head.
30. B seals the bag around her neck.
31. B "There are only two options: You tell me the code or you will die under this bag!"
32. R tries to resist, but no chance because of the handcuffs and the cable tie.
33. Time is running out and R is running out of air. She desperately tries to get air.
34. B: "Well, what now?"
35. R gives up, "Ok I, say the code, please, please put the bag away!"
36. B removes the plastic bag.
37. R gasps for air. She tells B the code for the safe.
38. B gets up and goes into the bedroom with the silenced gun in her hand.
39. a moment later she returns, satisfied.
40. B: "Now I know why you resisted for so long. You have a fortune stashed here.
Thank you very much, my dear." B's shoulder bag is now well filled.
41. R: "Then everything is good now, isn't it?
42. B: "Well, actually yes, but there is one problem: I never leave any witnesses..."
43. R: "No, what's the point?"
44. B: Sits wide-legged on R's stomach again, picks up the plastic bag and takes a long cable tie out of her pocket.
45. R squirms, she suspects the worst. "Why isn't anyone helping me?"
46. B takes the bag in both hands and prepares to put it over R's head.
47. B: "It won't take long, soon it will be over"
48. B pulls the plastic bag over R's head and pulls the cable tie around R's neck, sealing the bag
49. R: "No, oh my God, no."
50. B tenderly strokes R's bagged head and watches R struggle to death with pleasure.
51. R keeps wailing, "No," "Help." She can no longer breathe, the bag inflates and contracts again as she breathes.
52. B stands up and picks up the pistol with silencer.
53. With the pistol in her right hand, she looks down at R.
54. R squirms but has no chance. The breathing becomes shallower.
55. B watches as R suffocates.
56. R stops moving.
57. B kneels next to R and takes the electric shocker and gives her electric shocks to her stomach [acoustic effects].
58. R shows no movement, she is dead.
59. B: "Yes my dear, in the end the bag always wins!"
60. B gets up [the bag remains above R's head], puts the stun gun and the pistol in her bag and leaves the apartment.](studio/images/wp-847.jpg "WRONG PLACE WRONG TIME - WRONG PLACE WRONG TIME
Hello!
Thank you very much for the video! It is perfect!
It exceeds my expectations. The complete outfit, especially the gloves, the action, the utensils used, everything fits exactly. Thanks also to the actresses, very well done! The cuts, the scenes, the movie has Hollywood qualities!
Thanks again to the whole team!
I will definitely recommend it to others.
And I will think about a sequel.
Customer’s review
It's about a young female burglar who does bad things and always wins.
She comes from a rich background and does the crimes just for fun and for the thrill.
Cast:
Sonya Krueger
Bella Lenina
Story of \"Wrong place, wrong time\":
1. B walks down a hallway to the door of R's apartment. She looks around to see if anyone is
is around. She carries a shoulder bag with her \"tools\" and for the stolen goods.
2. She is alone and puts on her black nitrile gloves.
3. She keeps an eye on the surroundings and opens the door with a lockpick and enters the apartment.
4. B calmly searches the apartment for valuables.
5. a few moments later she hears someone at the door. R returns earlier than expected.
6. B hides in the next room and takes out her pistol [still without silencer] from her bag.
7. B waits until R is completely in the apartment and has closed the door.
8. Then B steps towards R with the pistol.
9. R looks in horror down the barrel of the Walther. \"Please don't hurt me, you can take what you want\".
10. B: \"Lie down on the floor! On your stomach, hands behind your back!\"
11. R lies down on the floor and holds her hands behind her back.
12. B takes out handcuffs and puts them on R.
13. B takes out a long cable tie and ties R's feet with it.
14. B turns R on her back and sits on her [wide-legged on her stomach]. She takes out the silencer and screws it onto the pistol in front of R's eyes.
15. R: \"Oh my God! No!\" R is scared to death.
16. B: \"I'm glad you came home. There's a safe in the bedroom and you're going to tell me the code for it now!\"
17. R: \"I don't know the code\".
18. B holds the pistol to R's head and cocks the hammer of the Walther with her thumb.
19. B: \"Think carefully what you say! The code, or I'll scatter your little brain all over the floor!\"
20. R cries: \"I have no idea about the code, only my husband knows it.\"
21 B: \"ok\". B kneels down next to R and puts the gun aside. She gags R with a piece of tape.
22. Then she takes the stun gun out of her pocket. She demonstrates the function to R and pulls the trigger. The stun gun flashes. Then she tortures R with the stun gun.
[audible effect only].
23. R writhes in pain and moans under the gag.
24. B thinks it is time to ask again and removes R's gag.
25. B: \"What is the code?\"
26. R: \"Please stop! Please! I don't know the code!\"
27. B gets annoyed: \"Ok, you asked for it\".
28. B takes out a transparent plastic bag from her pocket.
29. R suspects evil and asks for mercy but B sits on R again and pulls the bag over her head.
30. B seals the bag around her neck.
31. B \"There are only two options: You tell me the code or you will die under this bag!\"
32. R tries to resist, but no chance because of the handcuffs and the cable tie.
33. Time is running out and R is running out of air. She desperately tries to get air.
34. B: \"Well, what now?\"
35. R gives up, \"Ok I, say the code, please, please put the bag away!\"
36. B removes the plastic bag.
37. R gasps for air. She tells B the code for the safe.
38. B gets up and goes into the bedroom with the silenced gun in her hand.
39. a moment later she returns, satisfied.
40. B: \"Now I know why you resisted for so long. You have a fortune stashed here.
Thank you very much, my dear.\" B's shoulder bag is now well filled.
41. R: \"Then everything is good now, isn't it?
42. B: \"Well, actually yes, but there is one problem: I never leave any witnesses...\"
43. R: \"No, what's the point?\"
44. B: Sits wide-legged on R's stomach again, picks up the plastic bag and takes a long cable tie out of her pocket.
45. R squirms, she suspects the worst. \"Why isn't anyone helping me?\"
46. B takes the bag in both hands and prepares to put it over R's head.
47. B: \"It won't take long, soon it will be over\"
48. B pulls the plastic bag over R's head and pulls the cable tie around R's neck, sealing the bag
49. R: \"No, oh my God, no.\"
50. B tenderly strokes R's bagged head and watches R struggle to death with pleasure.
51. R keeps wailing, \"No,\" \"Help.\" She can no longer breathe, the bag inflates and contracts again as she breathes.
52. B stands up and picks up the pistol with silencer.
53. With the pistol in her right hand, she looks down at R.
54. R squirms but has no chance. The breathing becomes shallower.
55. B watches as R suffocates.
56. R stops moving.
57. B kneels next to R and takes the electric shocker and gives her electric shocks to her stomach [acoustic effects].
58. R shows no movement, she is dead.
59. B: \"Yes my dear, in the end the bag always wins!\"
60. B gets up [the bag remains above R's head], puts the stun gun and the pistol in her bag and leaves the apartment.")
![PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
"What's Going on?" she cries. "Who are you? Get out or I will call the police."
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
"What do you want?" she says softly.
"I need your help."
"Why would I want to help you?" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found."
"How do you know I had anything to do with those?" Melissa cries. "You have no evidence."
"Oh we have evidence all right."
She takes a white bluse out of a wardrobe and puts it on. "Why haven't you arrested me then?" she asks as she takes a skirt out of another wardrobe and puts that on.
"Because we thought you might be useful to us some day"
She laughs. "So who is it you want killed?" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
"Maria and Katarina xxx", he says. "Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it."
"That's a bit extreme," she says.
"They're not innocent. They're helping him."
"What's in it for me?"
"Your fiancé, Rodion."
"What have you done with him?" she asks angrily.
"We've only let him out of jail."
Her phone rings. She picks it up excitedly. "Rodya, is that you?...You're out? That's great..."Yes I promise...I love you too baby...See you soon...kis, kiss."
"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time."
"Okay, I'll do it. I guess I don't have much option."
"No, you don't."
"How do I know you won't kill me afterwards."
The man smiles. "You'll just have to trust us."
"I don't trust you," she replies, and you can see the conflict and fear in her face, "but I'll do it for Rodya. When do you want me to do it?"
"They're at home now."
"That's a bit sudden."
He hands her an envelope. "This is everything you need. Address, GPS coordinates, duplicate keys."
She takes the envelope from him, and you can still see the conflicting emotions in her face. "Well, I might as well get it done so."
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
"I won't scream," she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
"Walk on," he says.
"I always knew," she says.
"Of course," he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
"Rodya," she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.](studio/images/permissiontokillcoverdsc-5bc.jpg "PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
\"What's Going on?\" she cries. \"Who are you? Get out or I will call the police.\"
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
\"What do you want?\" she says softly.
\"I need your help.\"
\"Why would I want to help you?\" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
\"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?\"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
\"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found.\"
\"How do you know I had anything to do with those?\" Melissa cries. \"You have no evidence.\"
\"Oh we have evidence all right.\"
She takes a white bluse out of a wardrobe and puts it on. \"Why haven't you arrested me then?\" she asks as she takes a skirt out of another wardrobe and puts that on.
\"Because we thought you might be useful to us some day\"
She laughs. \"So who is it you want killed?\" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
\"Maria and Katarina xxx\", he says. \"Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it.\"
\"That's a bit extreme,\" she says.
\"They're not innocent. They're helping him.\"
\"What's in it for me?\"
\"Your fiancé, Rodion.\"
\"What have you done with him?\" she asks angrily.
\"We've only let him out of jail.\"
Her phone rings. She picks it up excitedly. \"Rodya, is that you?...You're out? That's great...\"Yes I promise...I love you too baby...See you soon...kis, kiss.\"
\"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time.\"
\"Okay, I'll do it. I guess I don't have much option.\"
\"No, you don't.\"
\"How do I know you won't kill me afterwards.\"
The man smiles. \"You'll just have to trust us.\"
\"I don't trust you,\" she replies, and you can see the conflict and fear in her face, \"but I'll do it for Rodya. When do you want me to do it?\"
\"They're at home now.\"
\"That's a bit sudden.\"
He hands her an envelope. \"This is everything you need. Address, GPS coordinates, duplicate keys.\"
She takes the envelope from him, and you can still see the conflicting emotions in her face. \"Well, I might as well get it done so.\"
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
\"I won't scream,\" she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
\"Walk on,\" he says.
\"I always knew,\" she says.
\"Of course,\" he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
\"Rodya,\" she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.")
