Studio Tags:    

     
Clips Cart more
Your Clips Cart
Is Empty

Currencies
Categories
Amazons Battles

Arrows

Bagging

Beating

Bellybutton Fetishes

Cannibal

Dead Dolls/Necro Playing

Deadly Fights

Decapitation/Beheading

drowning

Freeze

Girls Kill Men

Gory and Bloody

hanging

MASS KILLING

Neck Snap

Other exotic deaths

Poison

Shooting And Stabbing

Shooting and strangling videos

Shooting videos

Shot-dead cocktails

Stabbing

Stabbing Cocktail

Strangulation/Choking

Superheroines

Toxic Moon Production

Vore

Yellow Press Productions

View All Clips
Top Clips
  • Picnic Hunters
  • Forbidden Film
  • Handcuffed And
  • The Police Tradegy
  • Beating And
  • Death By Orgasm
  • Captives
  • Cheating Guts
  • Clones 2
  • Mass Female
  • Modern Hanging
  • Handcuffed And
  • Last Dream
  • Forbidden Film
  • Handcuffed And
  • Deep Inside
  • Dept Collector
  • Sniper And Bella
  • Spiesdivers
  • Torture Killer
  • Information
    Create Account
    Playing The Videos
    Terms and Conditions
    Contact Us
    Please Note

    All content on Kinky Clips is Role Playing Fantasy only.
    All content is consensual and is acted out by models of legal age.
    Random Clips more
     DEATH SCENES
    18 minutes
      DEATH SCENES - DEATH SCENES
Starring: Nata and Hass
Custom Clip 
17 minutes 
10 scenes
20 deaths 
Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses
Stabbings and shootings!
Catfightings to the death!
GREAT ACTING

NEW LEVEL OF SHOT DEAD COCTAILES

FULL HD, Great CameraWork, Best DarkRoom traditions

100% death fetish clip!

Scenes detailed descriptions: 
Scene 1. 

Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose.
  
Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass.  Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart.


Scene 2. 

Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart.
  

Hass is aiming and also gets shot in her lower belly.  Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time).  While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing.
After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. 


Scene 3. 

Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly.  She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo):
 

Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down.  The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background.
Nata walks in and gets on her knees beside Hass.  Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open.  These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass:
  

Nata is then shot in her lower belly, making her react, then she falls over top of Hass 
Scene 4. 

Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives.  Then the girls fall to their knees, similar to these photos:

Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart.  Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward).  When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata.  Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture.  One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread.  The second photo is the death pose after falling back.
 
Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass.
 
Nata gets on one knee in a victory pose over top of Hass (see sample photo).  Nata does not know Hass is still alive and has a knife.  Hass surprises Nata with a stab to her lower belly, making her gasp.  After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass.  See sample photos for victory pose as well as death pose (body pile where their ass is still showing):


Several camera angles are shown, showing good ass views and between their legs.

Scene 5. 

Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo).  Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down):
  
Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds).

Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down).  Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass.
  
Nata is then shot by off-screen, unseen enemy and she falls.

Scene 6. 

Hass and B are standing near a couch (or bed).  Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures).  Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles:
    
Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else.  Both Hass and Nata are close together, but not covering each other.  See these sample pictures for Nata, either one will work.  Both girls should have a nice death stare.


Scene 7. 

Nata is holding a knife and Hass walks in holding a gun.  Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp.  Nata is still holding the knife.  Hass does not know Nata is still alive.  Hass walks over and sits on Nata, similar to these pictures:

Nata is still holding her knife, she wakes up without Hass knowing.  Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose:

When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata.  Hass\\\'s ass still propped up into the air.  After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos:     
To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some.  Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose:

Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures:
     
Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread.  After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). 
 

Scene 8. 

Both girls are on their knees holding knives.  They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined.  These photos show the action:

   
Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart.  Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart.  Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed:
When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp.  Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs.  Hass does not know that Nata is still alive.  Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward.
Hass does not know Nata is still holding a knife.  Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass.  Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed).  Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs.  After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and  her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata.  Hass\\\'s ass in the air.  Sample photos show facial reactions for Hass and her death pose on top of Nata.
Scene 9. 
Hass is standing guard, her legs spread apart.  Nata is holding a knife and sneaks up from behind.  Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding.  Other good camera angles are from the front, and also a profile view with the knife in her belly.
Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan.  Hass then slowly slides down to her knees, her legs spread apart.  Nata then gets on her knees behind Hass.  Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture:
After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her.  Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp.  Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction.
Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view.  Then Nata slowly rolls Hass into a new death pose (sample pictures):
Nata is turned on.  She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart.  Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs).  Nata then pulls the knife out with a sexy moan. Nata is very turned on.  She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass.  Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch).
Scene 10. 
Hass and B have knives and get locked together.  Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart.  Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs).  They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her.  Nata\\\'s legs are spread apart, one leg on the back of the couch.  Sample pictures show pushing over couch, and up over couch arm while fighting with knives:
Nata drops her knife, and Hass pushes over the couch arm.  Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more.  Hass pulls the knife out, making Nata moan.  Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread.  Nata twists, lifts her body up, lifts her legs as she writhes.  Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up.
Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up.
Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed.
Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose).  Hass then puts one leg up on the couch into a victory pose (see sample picture).  Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves.  Hass falls forward over the couch cushion, her legs spread apart, her ass in the air.  She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge.  Hass is shot again in her lower belly, making her react, back curving over the cushion.  She then turns over, her legs spread far apart, ass in the air.  She wants to end it, so she grabs the knife on the couch cushion.  With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air.  Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass.


IF YOU LIKE THIS CLIP PLEASE CHECK OUT

SHORT SHORTS

And check out
9 stabbing of Nata  ARCHER 2
    20 minutes
      ARCHER 2 - ARCHER 2
Three girls were hinted and arrowed to death!
Fetish elements:
Clothes: boots, bikini
Death fetishes: arrow shots, belly stabbings, pulling out arrows from the flesh, bodypil, bondage by hands, long deaths, running away, trying to escape

Plot
3 sexy exotic dancers were just walking and having fun where the archer (well known from THE ARCHER movie) decided to go for hunt…

If you like the movie
Don’t miss
THE ARCHER
And also
WTONG TURN
     UNEASY BUSINESS
    7 minutes
      UNEASY BUSINESS - Nata is in a room dressed in the same outfit she wore in \\\"Equal Fights\\\", the one where she is sat at the windowsill.
 she has a gun ir her hand and she has a flash drive hanging to her neck, the flash drive is resting between her   breasts.
She stops where a computer is and taking out the flash drive from her neck, she introduces it in the computer and    begins to download files.
While she is doing this, another woman enters the room, Nata doesn\\\'t see her because she is behind her. This   woman has a gun and she aims Nata.
Nata finishes her downloading and leans down to take the flashdrive in the same moment the other woman shoots,missing her by inches.
Nata takes her gun and turning shoots to the woman, hitting her in the gut.
The woman cries and takes a step backwards, Nata very slowly aims again and shoots the woman, this time
 hitting her in the middle of her breasts.
The woman is scared and badly wounded but she tries to raise her gun to shoot Nata. Nata fires again and her 
 bullet goes thru the girl\\\'s right breast. The girl moans and falls to the floor.
The girl lies on the floor, she is in agony and moves accordingly. Nata comes where she is and kicks the gun that     is still in her hand, then she shoots her right thru her heart. The girl shudders and dies.
Nata watches the dead girl with anger and then she shoots 3 more times to the dead body, then takes the    flashdrive and hangs it to her neck again leaving the scene.
Another woman is in an office sat at a desk. We see that she looks with      surprise to the door of the office where she is.
Nata enters very angry and shouts to the woman: \\\"You set me up\\\", \\\"You told me there was no problem and I   almost get killed\\\"
We can see an open drawer in the desk where a pistol is kept, very slowly the woman takes the gun and says to     Nata \\\"I\\\'m very sorry.\\\" Suddenly she takes the gun out and shoots Nata in her left breast.
Nata\\\'s face is a mixture of surprise and pain, she tries to reach for her breast, but she dies and falls to the floor.
The woman stands up and goes to see what happened. Nata lies on her back, her eyes and mouth slightly open     and her black hair extended like a fan on the floor. The flash drive is still tied to her neck and resting between her    breasts.
The woman kneels and takes Nata\\\'s right hand that is lying on her stomach letting it to fall to the floor, then she      unzipps Nata\\\'s dress exposing her beautiful breasts. An ugly wound can be seen on her left breast very close to      her nipple. 
The woman puts her gun on the floor and caresses Nata\\\'s right breast, then she raises Nata\\\'s head in order to  pull out the flash drive from her neck, then she caresses her face closing her eyes and kisses her (could be on  the forehead, the cheek or the mouth) and she says again \\\"I\\\'m very sorry\\\"  She raises and leaves the room.  GLADIATORS
    6 minutes
      GLADIATORS - NEW CRIME HOUSE DESTINATION: AMAZONS BATTLES!

NEW SHOOTING TEAM: ONE MORE MAINSTREAM DIRECTOR JOINED OUR BRAND
NEW ACTRESS: SEXY AND TALANTED ACTRESS, MODEL AND FASHION DESIGHNER YANA!
NEW STYLE: GLAMOUR AND BEAUTIFULL FROM NEW SIDE OF FETISH-EXPLO MOVIES!

CONTAINES:
BRILLIANT SEXY SPORTY GIRLS!
HANDSOME STRONG MEN!
RARY PROP, PROFESSIONALY, SUPER HD QUALITY
Stabbing
Sword-fighting to the death
Hass kills Annabelle by two swords
Hass kills Yana with a sword
Kit kills Hass with a sword
Kit cuts Juliana’s throat!  
FETISH ELEMENTS:
Aristocracy VS slaves
Gladiators’ Arena
Fighting to the death
Nude bodies with oil
Blood, brave fighting and fear 

PLOT

	It’s modern Gladiators’ and Amazons’ Arena. Group of very rich people love watching fighting to the real death. They do bets and enjoy the show. 
 	Alex is a son of oil tycoon, Pola is socialite VIP girl, his lover, Juliana is his second lover, his ex-maid and now she is luxary girl of this young rich minion of fortune.  
 	Hass is a girl from poor family who battles for money trying to collect money to save her mother from cancel. She is very brave and strong and she wins. It’s her last battle, if she wins she gets 100K $ and leaves Arena as a winner. 
	Annabelle is an orphan. She worked as a worker, as a waitress, as a whore and because of her strong soul and body she decides to change her life battling in Arena. It’s her first battle. Unfortunately for this young sexy girl, she looses the battle by mortal sword hit.  
	Yana (New Crime House Model!) is a girl who lost her parents, broke her heart when her young man went out to another girl became cruel and asocial and went to Arena via invitation for money and adrenaline. She had some victories before and was good Gladiatrix but this time  was killed by strong Hass.
	Kit is mercenary. After some War Crimes in the Army he was discharged from military and he became contract killer and Gladiator. He was last test for Hass. Oh! Brave female warrior lost it! She was stabbed by Cruel Kit!
	Is show over now? Show must go on! Capricious Pola  says she is tied of show where only poor people fight and die for money. She wants to see «Expensive Elite Meat». Alex wants it too. They have a plan – to throw Juliana to Arena for fun!
	It was surprise for Juliana! She stranded in the Elite Balcony as a Queen in her red dress and now she is lying on the bloody floor of Arena. She liked to see how another people died for her fun and she is a helpless victim now. Kit comes to her. He understands she has no chance, she can’t fight. He orders her to put off her dress. She is scared to death, she thinks it’s a joke and her partners just have fun. But this is deadly joke. She was a maid and VIP Alex and Pola, heirs of rich parents let her in the High Sosiety only for this moment  - to throw her to die! She is topless, in her red panties. She won’t be nude like others because she is from another social class. She is still queen for Kit, but she is in her knees, topless, helpless. He cut her throat. Her eyes are full of pain, fear, agony, humiliation. She dies and her body lied in the pile of another dead girls. 
	Kit wins all money. He leaves Arena. Four bodies lie on the floor. Dead losers. They will be fed to Alex’s dogs soon. 
	«Great evening!» - says Pola. «I’m tied of blood! Let’s go to the casino» - she suggests. 
	Alex and Pola leave the castle, seat in Bentley and move to casino for next enjoyment. Dead faces of losers look to the sky. Hass can’t help her mother, Annabelle couldn’t understand why she was agree to this adventure and to die so young, Yana couldn’t believe she loose so shamefully, but the most spacey was death stare of Juliana  - she was going to casino with her friends but her life changed another share – to be dead between losers!
     PERMISSION TO KILL
    17 minutes
      PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».

The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.

"What's Going on?" she cries. "Who are you? Get out or I will call the police."

The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.

"What do you want?" she says softly.

"I need your help."

"Why would I want to help you?" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.

"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?"

She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.

"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found."

"How do you know I had anything to do with those?" Melissa cries. "You have no evidence."

"Oh we have evidence all right."

She takes a white bluse out of a wardrobe and puts it on. "Why haven't you arrested me then?" she asks as she takes a skirt out of another wardrobe and puts that on.

"Because we thought you might be useful to us some day"

She laughs. "So who is it you want killed?" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.

"Maria and Katarina xxx", he says. "Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it."

"That's a bit extreme," she says.

"They're not innocent. They're helping him."

"What's in it for me?"

"Your fiancé, Rodion."

"What have you done with him?" she asks angrily.

"We've only let him out of jail."

Her phone rings. She picks it up excitedly. "Rodya, is that you?...You're out? That's great..."Yes I promise...I love you too baby...See you soon...kis, kiss."

"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time."

"Okay, I'll do it. I guess I don't have much option."

"No, you don't."

"How do I know you won't kill me afterwards."

The man smiles. "You'll just have to trust us."

"I don't trust you," she replies, and you can see the conflict and fear in her face, "but I'll do it for Rodya. When do you want me to do it?"

"They're at home now."

"That's a bit sudden."

He hands her an envelope. "This is everything you need. Address, GPS coordinates, duplicate keys."

She takes the envelope from him, and you can still see the conflicting emotions in her face. "Well, I might as well get it done so."

The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.

The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.

One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.

The second girl puts down her racket (on a table, counter, whatever is within her reach).

"I won't scream," she says quietly.

Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.

As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.

"Walk on," he says.

"I always knew," she says.

"Of course," he replies.

She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.

We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.

As the camera dwells on her we see the shadow of another man approaching and  standing over her.

"Rodya," she whispers. Then she spasms one last time, coughs up a little blood and ties.

The man  bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.

The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.

The camera pans over the corpse.  Helpline 2
    20 minutes
      Helpline 2 - HELPLINE 2
Introducing New Crime House Model  - MARINA 
Starring: Luiza and Marina 
Super new movie of Crime House!
New Model, New style
21 minutes long!

Fetish elements
Clothes: 
Office style, black mini skirts, pantyhose, high heels, white shirts
Murder style:
Electro shock, ************* with cord 
Death fetish elements:
Long agony scenes, death stares, intensive agony, deadly make up, wet corpses, body carrying and stripping, bodypile 
Plot 
It’s the next day after events of the first part.  Two young female psychologists  from Marina and Luiza are discussing cruel murder of their colleges of another helpline support. They say they don’t like their job and don’t respect patients with their strange obsessions, phobias and sociopathy. 
In the first part maniac who killed two female psychologists captured phoneline and received a call from self-destroyer and said him to jump. And he did it. His best friend didn’t know about maniac and though that helpline managers killed his friend and decided to revenge.  He called himself as Friend. 
He went to helpline office late in the evening and attacked the psychologist Luiza when she was taking a break in the office bathroom. He surprised and scared her, pulled to the bath with water and threw heat gun to the bathtub.  
Luiza had very long and very sexy agony from electro shock. She was in her wet office suit. It takes few minutes to make her heart stop. Friend puts off head gun and stripes dead and wet Luiza in the water. Then he carries her body to offices and takes a courage. 
Marina was speaking by phone when Friend came for her soul. He ********* her with phone cord. The young woman shows great dynamic ************* agony with intensive kicking her legs (in sexy pantyhose), panic and trying to escape. When she was dead the blue line stayed at her neck. Friend enjoys her opened-eyes death stare and closes her eyes. He stripes her corpse and lets only pantyhose stay at her long pretty legs. 
He brings Luiza dead wet corpse and makes bodypile.
     Schoolgirl Comes Home
    14 minutes
      Schoolgirl Comes Home - Student Girl Comes Home
(Custom)
Fetish Elements: Home Invasion, Shooting many times 
The young student was intrudered at her home and shot to the death by cruel killer  Capture
    16 minutes
      Capture - CAPTURED
Starring: Hass, Luiza, Annabelle, Juliana
Stabbing, Shooting, Burning, Shootout action!
Super sexy agent VS terrorists saga
FETISH ELEMENTS: Spy *****, Bad *****, Shooting Out, Shot into chest, Stomach, Breast, Long deaths, Quick Deaths, ***** with guns, Stabbing, **** with Sword, **** with Machete, Stripping bodies, sexy shorts, sexy uniform, boots, army, burning bodies, interesting plot, bad *****’ death 
PLOT
Czech Republic, 2016
Special agents gets an information about terrorists attack. 
Reference: Terror group RED EAGLES  - radical world groupment. Their purpose is to destabilize political situation all over the world. Includes mercenaries from Russian Federation, USA, Kenya, South Africa and some other countries. Sponsored by unknown oligarchs. 
RED EAGLES has female departments.  The recruitment of ***** going around the world. Organization needs cruel well-educated *****, teaches them to fight, to shoot, to use steel arms and to use sexuality to destabilize the enemy. RED EAGLES ***** take special ***** to be more sustained against fire and pain. 

 The first army **** from RED EAGLES enters the room of Check apartment house where secret information about world banks is stored.  The agent shoots her in the stomach and to the chest. Slow death! The first target was easy. Seems she is rookie in RED EAGLES. It was her first mission and she died. 
The second mercenary was more experimented soldier. Sexy Annabelle is fluent machete fighting. She attaches the agent, but after  a short fighting he pulls her machete and stabbed her through to the stomach, She has pain shock, shouts, and falls to the floor dead with surprised death stare. She was sure she wouldn’t die. She killed 20 persons – men, guards, super agents, very strong soldiers… 
The third mercenary (Hass) was to more slowly than the agent. She got two or more bullets to her body, writhed in agony and dead. She was so sexy in her latex leggings. 
The agent hid in a shelter. The male terrorist and his female assistant entered the room. The man looked to the dead ***** and went away. His assistant (sexy Luiza with a sword) stayed to check bodies. The agent opened fire from the cover and caught the **** unawares. She was killed. 
The agent checked dead bodies and went away searching for another terrorists. 
A killer from RED EAGLES (man) went to the room with four killed *****.  He played with bodies (RED EAGLES is very cynical group – you’re well paid when you’re alive but you’re just toy for fun or utilization when you’re dead) and threw  corpses to the bpdypile. He decided to trace: he doused the bodies with gasoline and burned the room. 
Boom! But corpses were still sexy after fire. It was ****’s action  - their bodies were resistant against external influences. Only clothes were burned. So, ***** staid sexy after death and fire. Can we say they were lucky *****? Hah, if being lucky gorl is to stay sexy after death, may be. But I think they were losers and now bad bad ***** are just pile of dead bodies with stupid death stares.
     ARCHER 15
    32 minutes
      ARCHER 15 - ARCHER 15
Cast: Mira Green, Li, Polina Wood, Max 
CUSTOM 


«Crime does not pay.  Li and Mira make the additional mistake of asking the Archer to join them in their plot.   Julia decides to renegotiate her deal with him.  Can you guess the outcome that awaits our three women.
 
Exceptionally well done work!  I truly enjoy the performances of Li, Mira and Julia who think they can outfox our friend and his obsession.    Unbelievably passionate performances as our heroines meet their end at his hands.  
 
The amount of effort you put in bringing to life these ideas on my behalf is the reason I come back with more stories for you.  The only way to make my projects any better is for me to write you better scripts.  Thank you Darkrooms!!!
 
Customer’s Review»

FETISH ELEMENTS

	Actor #1 enters the scene with his hands up in the air.  Actress #3 has a gun out and is pointing it at Actor #1’s back
 	Actress #3 sees the large duffle bag full of money.  She walks over and looks at the bag.  She picks it up and puts it down.
 	Actress #1 is nude and wearing boots and her hands are tied above her head.   Their hands are with ropes and the ropes are attached to a chain and hook.  (Same as what was done in Syndicate 7)
 	She is tied up by the wall.  Actress #2 is nude and her hands are tied above her head.  Actress #3 is finishing tying up Actress #2.
 	Actor #1 now picks up an arrow walks over to where he plans to shoot Actress #2 (she is in center) and loads the arrow.  Actress #2 continues to struggle franticly against her ropes energetically pulling away from the post and falling back to post her hands are pulling from back to front on those ropes in an attempt to free herself .  The Actor aims his bow at Actress #2’s belly button.  (Please take a camera view as suggested with picture #1 just an arrow and a view of the camera and victim and Actress #2 struggling against the ropes in same view.)  Return to normal camera view of Actress #2 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shoot the arrow (We see a POV arrow approach Actress #2) and the sound of the arrow hitting Actress #2 in her belly button.  Actress #2 lets out a loud moan when hit.  Actress #2 moves her head to look down at the end of the shaft.  Actress #2 moves her head slowly down and looks down her body further to look at her belly button.  Actress #2 moves her head back up and looks at the archer.  Actress #2 arches her back and leans back against the wall.  Show a number of camera views of Actress #2 after being shot.   Slowly zoom in on the arrow and pan down to her feet.  There is now a blood trail running down her belly there is blood on their inner thighs and a puddle on the ground. 
Show a camera view from above actress #2 looking down at the arrow (Just like the view in Archer 9)
Actress #2 is twisting to her left, then back to center and then to the right.  Pan up and down on her body.  
Actress #1 & 3 turn and look at Actress #2.  Actress #3 moves her head and looks down at her belly button.  Actress #1 looks back at Actress #2.  Actress #2 is now shown leaning against post.  Her hands above her head are slowly (about 1/3 of the energy before she was shot) and without much energy pulling on the ropes above her head back and forward trying desperately to free herself.  Actress #2 keeps twisting her body from side to side.  She has less energy because she has been shot with an arrow.
Actress #1 continues to struggle against the ropes pulling away from post and falling back to post.  Actor #1 aims his bow at Actress #1’s belly button.  (Please take a camera view from behind the archer capturing him aiming his bow at Actress #1’s belly button and Actress #1 struggling in the same view.)  Return to normal camera view of Actress #1 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shooting the arrow (A POV arrow heads towards Actress #1) and the sound of the arrow hitting its target.  Then show the arrow sticking out of Actress #1’s belly button.  Actress #1 lets out a loud moan when hit.  Actress#1 slowly moves her head to look down at the end of the arrow shaft.  Actress #1 moves her head down some more and looks down her body to look at her belly button. 
Show a camera view from above Actress #1 looking down at the arrow.
Actress #1 moves her head back up and looks at the Archer.  Actress #1 arches her back and leans back against the wall.  Camera pans back and shows Actress #2 again.
Actresses 1 & 2 each have an arrow in their belly button.   Camera zooms in on Actress #1’s arrow, there is now a blood trail running down her belly and on her inner thighs camera pans down to the puddle on the ground between her legs.  
Have Actress 1 & 2 are now both twisting their bodies either to the left then center than to the right.  They also slowly reach for their head with their hands in addition to still try to pull free from the ropes.
Actor #1 now picks up a third arrow walks over to where he plans to shoot Actress #3 and loads the arrow.  Actress #3 continues to struggle franticly against her ropes energetically pulling away from the post and falling back to post her hands are pulling from back to front on those ropes in an attempt to free herself .  Actor #1  aims his bow at Actress #3’s belly button.  (Please take a camera view behind the archer capturing his aiming his bow at Actress #3’s belly button and Actress #3 struggling against the ropes in same view.)  Return to normal camera view of Actress #3 struggling with her hands pulling on rope and her body leaning away from post.  Show Actor #1 shoot the arrow (A POV arrow heads toward Actress #3) and the sound of the arrow hitting Actress #3 in her belly button.  Actress #3 lets out a loud moan when hit.  Actress #3 moves her head to look down at the end of the shaft.  Actress #3 moves her head slowly down and looks down her body further to look at her belly button.  Actress #3 moves her head back up and looks at the archer.  Actress #3 looks towards the other two women.  Actress #3 arches her back and leans back.  Camera zooms in on arrow.  Camera slowly pans to the ground where there is a puddle of blood on the floor between her legs.
Show a camera view from above actress #3 looking down at the arrow.
Show a number of camera views of Actress #3 after being shot.  Pan up and down on her body.   Actress #3 is now twisting her body form left to right.
Go back with camera and show Female Actress #1 & 2 again.  Pan and show all three actresses.
Show Actress #3 slowly stops struggling.
Actor #1  than walks over to Actress #3, he reaches for the rope and unties her hands.  When her hands become free, He places her on the ground in the body pile he is making.
Actor #1  unties Actress #1 and Actress #2 and places them on the ground in the body pile he is making.
Camera slowly shows Actress #1, Actress #2 and Actress #3.
Actress #3 opens her eyes.  She let’s out a moan.   She arches her back (Same as Sally in Archer 11 she was awesome”.
She reaches for the arrow in her belly with her left hand.  She bends forward and looks down her body at the arrow in her belly. 
There is a gun on the floor. 
Actress #3 slowly crawls away from the body pile.  She is crawling towards the gun on the floor.  She reaches the gun picks it up.  She aims it at Actor #1. 
Actress #3 drops the gun.  She rolls on to her back.  She moans again and reacts.  She slowly closes her eyes.  
Camera pans all of the 3 women’s who are now lying on the ground in a body pile slowly.  Please take a few shots of all 3 women one by one as a close ups. 
All three Actress’s have been shot by arrows and are on the floor in a body pile.   Actress #1 arms are at her side and her legs and feet are straight and she has an arrow in her belly button.  Actress #2 arms are at her side and her legs and feet are straight and she has an arrow in her belly button.  Actress #3 arms are at her side and her legs and feet are straight and she has an arrow in her belly button there is a cell phone near her hand.
Camera pans all of the 3 women’s who are now lying on the ground in a body pile slowly.  Please take a few shots of all 3 women one by one as a close ups.  
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
THE ARCHER – ARCHER 2-14  STAR
    13 minutes
      STAR - THE LEAGUE OF THE STAR
CUSTOM MOVIE
Starring: Nata, Marina
Fetish elements:
Headshot (slow, sexy and cinematic scene)
Girl kills girl (shooting, two bullets to the chest)
Searching evidence on the dead body 
Strangulation in the car scene
Spy theme
Black dresses
 
Nata is on a bed sleeping, but she is restless, she is having a nightmare.
We see her in an executive suit leaving a house and walking to a car. When she is about to open the car’s door, she turns to the camera and fear fills her eyes.
We hear a shot and a hole appears in Nata’s forehead she stumbles back on the car’s bonnet and dies.
Nata suddenly awakes, she sits on the bed, she is naked and sweating, her breasts fall and rise with her heavy breathing caused for the nightmare she just had.
She comes out of bed and drinks wáter from a glass that is on her bureau. She calms down and go to the bathroom.
She runs the wáter in the shower and beholds her naked body on a mirror. Her look is now determined.
After a while,  the door of the bathroom opens and Nata comes out wrapped up in a towel. She sits on the bed and takes her cell pone, she dials a number.
She talks to someone saying: “Mike? I have decided to tell everything I know about the “Star”.  Yes I’m sure and don’t worry, I can take care of myself. See you.”
She hangs up, unwraps the towel and dress in black panties and a short black dress. From a drawer she takes a gun and prepares to leave her apartment when she realices someones is trying to enter.
She hides behind a door just as the intruder comes in. It’s a woman that has a gun and is entering trying not to make a noise.
When the woman is in front of the bed, Nata asks: “Are you looking for me?”
The woman who entered turns startled and doesn´t have time to react. Nata shoots her twice in the left breast. The woman falls dead on her back on the bed.
Nata approaches  and checks for a pulse in the woman’s neck, closes the corpse’s eyes and then checks the back of both her hands. She doesn’t find anything, so she opens the blouse of the girl. She has no underwear so she discovers a mark with the shape of a star in her left breast.
She watches the body and with disdain she says: “Stupid amateur” and leaves the room.
She is now in the same place as in her nightmare. She walks to her car being alert, pistol in hand, for the presence of someone stange. There is no one. She enter her car.
She leaves her gun in the copilot seat, puts the key in the start  and reach for the safety belt but before she can fasten it a man that is hidden in the back seat puts a string around Nata’s neck. We can only see his hands, and one of them has a star shaped mark.
The hands hold the string tight to Nata’s neck, she can’t scream and just gutural sounds come out of her throat. She tries to reach for her gun, but the string is so tight attached that she doesn’ have a chance.
The suffocation is unbearable, Nata sends both her hands to the string trying to loosen it but is useless, her hands slip from her neck to the front of her dress and she pulls it off leaving her full breasts exposed.
She tries again to grab the string but again she fails, her hands slip again and now she rests them on her breasts and then her hands go limp to her sides. She is dead. The hands stops the powerful grip releasing Nata’s neck. Her head leans towards the drivers’ door. Her eyes and mouth open.
We can see Nata through the doors window and we hear that the back door is opened and then closed. We see that the hand that strangled her now opens the driver’s door.
Nata’s body hangs out of the car just partially. Her long black hair and her hands touching the floor, her beatiful breasts exposed. The Star is not defeated.
     Black Crane
    14 minutes
      Black Crane - BLACK CRANE 
 Custom Movie
Starring: Mary and Nata
                    Fetish elements:
Stabbing to head, shard from mouth, death stare, *****, pantyhose, playing with body, female fatale  BULLY SOLUTION
    25 minutes
      BULLY SOLUTION - Bully Solution
Starring: Mary, Nadya, Alex
C U S T O M 
25 MINUTES!
Fetish Elements: Good reactions and acting (facial expressions and good short sounds. Costumes as requested. as much body play, violent reaction to shots and slow struggling movement as possible in the time allowed. Good small clean or slightly bloody bullet wound effects in flesh and holes in clothing.
Story background: The woman is planning a night out she is excited, in a hurry; She is waiting for her spoilt daughter to come home. Her daughter has a hatred for a rich girl at school, she and her friends have been bullying the rich girl for many months. But they did not know the business the rich girl's father was in and that he was a psycopath and loves only his daughter. The business man has employed a hitman to clear away the problem for his daughter; he wants no witnesses left.
    Payment Methods
    Kinky Clips Accepts:

    Credit Cards / Debit Cards / Direct Pay
    Kinky Cash Card

    Currencies:

    US Dollar   Euros  
    Studio Cash Card Points Offer
    What Are Cash Card Points?

    For every $1.00 spent on this studio
    You will earn $0.10 credit on
    the Cash Card for this studio.



    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

    Featuring 964 Clips / 16575 minutes of video!

    Recently Added Clips - Click To See The Full List! more
      PANTYHOSE SPIES ESCAPE FROM PRISON

    PANTYHOSE SPIES ESCAPE FROM PRISON

    $21.99

    Add to Cart
      SLAVES ELIMINATION

    SLAVES ELIMINATION

    $17.99

    Add to Cart
      REAL DETECTIVE

    REAL DETECTIVE

    $20.99

    Add to Cart
      SUPER NATURAL MURDERS

    SUPER NATURAL MURDERS

    $16.99

    Add to Cart
      Cannibals 4

    Cannibals 4

    $17.99

    Add to Cart
      BOUNTIFUL HARVEST

    BOUNTIFUL HARVEST

    $14.99

    Add to Cart
      DEATH MATCH

    DEATH MATCH

    $24.99

    Add to Cart
      MUMMY GUTS

    MUMMY GUTS

    $14.99

    Add to Cart
      BLOODY NAVELS HASS

    BLOODY NAVELS HASS

    $15.99

    Add to Cart
      BLOODY NAVELS 1

    BLOODY NAVELS 1

    $13.99

    Add to Cart
      TARGET IMPOSSIBLE

    TARGET IMPOSSIBLE

    $16.99

    Add to Cart
      MIRA GREEN DROWNED

    MIRA GREEN DROWNED

    $14.99

    Add to Cart
      MIRA GREEN IN PERIL 4K

    MIRA GREEN IN PERIL 4K

    $17.99

    Add to Cart
      BEAUTIFUL REVENGE

    BEAUTIFUL REVENGE

    $14.99

    Add to Cart
      A RIVAL TO BE ELIMINATED

    A RIVAL TO BE ELIMINATED

    $12.99

    Add to Cart

    Click HERE To See The Full List Of Clips On This Studio
    Top 25 Searches

    Quick Search

     

    Crime House is available on:
    | www.kinky-clips.com | Studio 0001069 | www.deadsexyclips.com | Studio 0001069 | www.deadsexyclips.com:80 | Studio 0001069 | www.footfetishvideos4u.com | Studio 0001069 |
    Return To www.Kinky-Clips.com Front Page
    There are 411 other studios and 30243 other clips!

    Kinky Clothes: Latex, PVC, Bondage Gear & Sex Toys!