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    All content on Kinky Clips is Role Playing Fantasy only.
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     MISSION BATTLE ROYAL PART 1
    31 minutes    		  MISSION BATTLE ROYAL PART 1 - CAST: Ksusha Zaichik, Sally, Annabelle, Billy Brag Professional acting! Hot scenes! High quality video! After Ksusha successfully completed her 2nd mission and thus averted the collateral damage from her organization, she returned to her apartment. There she writes her report about her mission and sends it to her organization. In doing so, she recapitulates and analyzes the execution of her individual assassinations during her mission in order to avoid future mistakes and states for herself that she loves her job and her way of killing by strangling her victims more than anything and from order to order becomes more and more professional. A few days later, due to her excellent work, Ksusha receives an encrypted invitation message on her computer with the following content: Ksusha is invited to a once in 7 year meeting of her organization where the best hit men come together and only one of them is chosen to receive a position in the business level of the organization for life, giving them say, financial security and a free hand in the organization Selection and awarding of orders. The meeting is the unique "Battle Royal". There are no rules here, except that in the end there is only one person left who gets the coveted job. So everything is allowed for every participant...  DEATH SCENES
    18 minutes    		  DEATH SCENES - DEATH SCENES Starring: Nata and Hass Custom Clip 17 minutes 10 scenes 20 deaths Exotic, grotesque poses, expressive reactions, deadly surprised emotions, agonies, bodypiles, bottom up bodypiles and ultra sexy poses Stabbings and shootings! Catfightings to the death! GREAT ACTING NEW LEVEL OF SHOT DEAD COCTAILES FULL HD, Great CameraWork, Best DarkRoom traditions 100% death fetish clip! Scenes detailed descriptions: Scene 1. Nata is holding a gun, her legs spread apart. Nata aims to shoot (at an off-screen, unseen enemy), but she is shot in her lower belly, making her gasp with her eyes and mouth wide open and she puts her hand where she was shot. She stumbles and then falls to the floor into this pose. Pictures show facial expression when shot, body reaction, and death pose. Hass comes in and gets on her knees beside Nata and checks her, Hass\\\'s legs are spread apart while on her knees. Hass grabs the gun and aims, but she is also shot in her lower belly, making her gasp as her head and shoulder fling back (her face looking at the ceiling), her back curved and ass sticking back a little and she puts her hand on her lower belly. The camera shows a good profile view of Hass. Hass then falls forward over top of Nata (do not cover Nata\\\'s crotch). Hass has her ass in the air and her legs spread apart. Scene 2. Nata is aiming (similar to first sample picture) but gets shot in her belly and reacts (second sample picture) and she falls to the floor in this death pose (third sample picture) , with one knee forward propping up her hips and her legs still spread apart. Hass is aiming and also gets shot in her lower belly. Hass falls to the ground and begins to writhe, squirm and roll around slowly as she has her hand on her lower belly (keep hand on belly entire time). While Hass is writhing, she rolls over face-down, lifting her ass up into the air (camera shows nice view of her ass), then rolls completely over onto her side and back. Hass moans and makes sexy sounds (moans and other sexy sounds) as she writhes, arching her back up, her legs spreading apart often (camera shows between her legs and good views of her belly, hips, and ass while she is writhing. After writhing, squirming, and rolling over for about 15 or 20 seconds, Hass gasps very loudly with her eyes and mouth open wide as her back arches very high and her legs spread (similar to photo below), then after a pause for 2 or 3 seconds, she slowly exhales with a soft, sexy moan as her body slowly relaxes (not sudden drop), as her eyes roll back and she goes limp, her leg falls to one side into her death pose and has a good death stare. Scene 3. Hass is shot in her lower belly, making her react with a sexy squeal as her body reacts (ass and hips thrust back, her back arched) as she puts her hand on her lower belly. She is shot again under her breast, making her body react (similar to first photo). She stumbles and then falls into this pose (second photo): Hass has one final gasp, her hips lifting into the air a little, then she exhales with a sexy, soft sigh and relaxes her body, her hips sink back down. The camera shows 3 good camera angles, one showing between her legs and her ass, from above her, and also of her face and ass in the background. Nata walks in and gets on her knees beside Hass. Nata checks on her, then slowly rolls Hass over (pulling on her hips). Camera shows Hass\\\'s hips and ass as she is rolled over, her legs still open. These sample pictures show good camera angle of Hass, Hass being rolled over, and the new pose for Hass: Nata is then shot in her lower belly, making her react, then she falls over top of Hass Scene 4. Hass and Nata are holding fake knives, and they get locked together (holding each other\\\'s wrists), and push up against each other, legs spread apart. Camera shows profile view and also behind as they struggle with knives. Then the girls fall to their knees, similar to these photos: Nata forces her knife between them, the knife low to the ground, both girls have their back curved and ass sticking out some, with legs apart. Nata slowly overpowers Hass, forcing her knife upward, closer to Hass\\\'s belly, then she thrusts upward, stabbing Hass below her bellybutton, making her gasp and squeal as her back curves down more (hips thrust upward). When Nata pulls the knife out, Hass exhales with a moan and goes limp, slumping onto Nata. Nata holds her up for a few seconds, then lets Hass fall backward, her legs tucked under, into the pose in the sample picture. One sample photo shows a good body reaction from an upward stab to her lower belly, her back curved down some, her ass out, and legs spread. The second photo is the death pose after falling back. Nata then rolls Hass over into this pose and several camera angles are shown, including between her legs and good view of her ass. Nata gets on one knee in a victory pose over top of Hass (see sample photo). Nata does not know Hass is still alive and has a knife. Hass surprises Nata with a stab to her lower belly, making her gasp. After reacting to the stab, Nata slumps to the side of Hass, with her leg over Hass. See sample photos for victory pose as well as death pose (body pile where their ass is still showing): Several camera angles are shown, showing good ass views and between their legs. Scene 5. Nata shoots Hass in her lower belly, Hass puts her hands on her belly, and then Hass falls slowly to her knees, her legs spread (similar to first photo). Then Hass\\\'s eyes go cross (cross-eyed, similar to second photo), and then she slumps forward, her hips and ass high in the air, her legs spread, similar to the third photo (her legs spread, back curved down): Camera shows good angles, including between her legs, camera low to ground and looking up between legs, camera angle from over top of her looking down, profile view, and of face with ass in background (about 10 seconds). Nata walks to Hass and nudges her hips , which very slowly makes Hass\\\'s hips sink down to the ground (camera from behind showing her hips sink down). Then Nata uses her foot to slowly roll over Hass into a new pose. Pictures show camera angle after her hips sink down to the ground, being rolled over, and the new death pose for Hass. Nata is then shot by off-screen, unseen enemy and she falls. Scene 6. Hass and B are standing near a couch (or bed). Hass is shot in her lower belly, making her react with a loud gasp (eyes and mouth wide open), then a sexy moan, then she falls forward (over the edge of the couch, or off the bed), so her upper body is off the end, her face and shoulders on the ground, but her hips and ass are propped up in the air and her legs spread (see sample pose pictures). Camera angle showing between her legs, from above, at floow level showing her face with her ass and hips in the background, similar to these deaht poses and camera angles: Nata is then shot, making her react in a similar way as Hass. Nata falls back and is either draped back over the couch arm, or draped off the edge of the bed, her legs spread far apart, her back arched over the edge. One leg can be propped up on back of couch or someting else. Both Hass and Nata are close together, but not covering each other. See these sample pictures for Nata, either one will work. Both girls should have a nice death stare. Scene 7. Nata is holding a knife and Hass walks in holding a gun. Hass shoots Nata in her lower belly, making her moan and put her hand on her belly, then she falls to the ground on her back and is limp. Nata is still holding the knife. Hass does not know Nata is still alive. Hass walks over and sits on Nata, similar to these pictures: Nata is still holding her knife, she wakes up without Hass knowing. Nata reaches around and stabs Hass in her lower belly (or in her side), making Hass react with a gasp, her back curved, her face looking toward ceiling, similar to this pose: When Nata pulls the knife out, Hass exhales with a sexy moan and goes limp, slumping forward, her legs still straddling Nata. Hass\\\'s ass still propped up into the air. After camera gets several good camera angles, including between her legs and also floor level showing her ass and hips in the background, then Nata sits up, similar to these photos: To make sure she is dead, Nata stabs Hass in her lower back, making Hass softly gasp and lift her hips and ass up into the air a little, then exhale with a soft sexy moan as her eyes go cross and she dies. Nata then gently rubs her hands down Hass\\\'s body, and then fondles her ass some. Then Nata very slowly rolls Hass off to the side into a new death pose with legs spread apart far and knee bent, similar to this pose: Nata then holds her lower belly, falls back to the floor, and begins to write and roll around, her legs spreading apart, arching her back up, rolling on her side and twisting, rolling over and lifting ass and hips into the air, similar to these sample pictures: Then, Nata suddenly gasps very loud and lifts her entire body up, her legs spread. After a pause for a few seconds, she slowly exhales with a soft sexy moan and relaxes her body down as her eyes roll back (not a sudden drop or plop to the floor). Scene 8. Both girls are on their knees holding knives. They get locked together, pushing against each other, then they fall over to the floor and begin rolling around, one girl on top, then the other, and sometimes both on their side, their legs intertwined. These photos show the action: Hass finally gets the advantage, she gets to her knees, Nata still on the floor, her legs spread apart. Hass gets her knife free and with Nata\\\'s legs spread far apart, she stabs her below her bellybutton, making her gasp and arch her back up, her legs still spread apart. Sample photos show Hass on her knees, Nata has legs spread apart, and her reaction to being stabbed: When Hass pulls the knife out, Nata exhales with a sexy moan and her eyes roll back and she goes limp. Hass gets beside her (opposite side as camera) and runs her knife across her body while camera shows good view of her belly and between her legs. Hass does not know that Nata is still alive. Hass gets on top of Nata straddling her (similar to first photo), and leaning forward so her face is close to Nata, similar to second photo (talking trash to her), Hass\\\'s ass is up in the air, her back curved downward. Hass does not know Nata is still holding a knife. Nata is playing dead, and without Hass knowing, she sneaks a knife underneath Hass. Nata surprises Hass with an upward stab into her lower belly (below her bellybutton), making her gasp as her back curves downward more, her eyes and mouth wide open (camera must show her body when stabbed). Camera shows view of her face with ass in background, a good profile view (showing knife in her belly), and a good angle from behind, showing her ass and up close between her legs. After the camera views, Nata puts her other hand (opposite side of camera) on Hass\\\'s lower back, then pulls her downward onto the knife more, making Hass gasp and moan in a sexy way, then she exhales and her eyes go cross and her tongue sticks out as she goes limp, slumping forward over top of Nata. Hass\\\'s ass in the air. Sample photos show facial reactions for Hass and her death pose on top of Nata. Scene 9. Hass is standing guard, her legs spread apart. Nata is holding a knife and sneaks up from behind. Nata puts one arm around Hass\\\'s neck, then reaches around with the knife and stabs her below her bellybutton, making her gasp and arch her back, her ass pressing into Nata. Sample pictures show good pose while standing guard and sneak frorm behind, arm around neck and curving back, and good sample picture of lower belly stab and body reaction. The fourth sample picture shows a great camera angle looking up between her legs before she slides down and while she is sliding. Other good camera angles are from the front, and also a profile view with the knife in her belly. Hass moans, puts her hand on her wound, then Nata pulls the knife out, which makes Hass moan. Hass then slowly slides down to her knees, her legs spread apart. Nata then gets on her knees behind Hass. Nata reaches around Hass again and stabs her in her lower belly again, with a similar reaction to this sample picture: After Hass reacts to the second belly stab, her legs begin to spread apart as she slides down to closer to the ground. Nata then slowly pulls Hass back on top of her. Nata stabs her in the bellybutton, making Hass gasp as her back arches upward, legs spread, then after a pause, she slowly exhales with a sexy sound and goes limp. Sample pictures show Hass with legs spread and a great camera angle between her legs, and the final belly stab and reaction. Nata then fondles Hass for a few seconds while camera shows between her legs and another good body view. Then Nata slowly rolls Hass into a new death pose (sample pictures): Nata is turned on. She gets on all fours over top of Hass (who is dead), Nata\\\'s legs are spread apart. Nata puts the knife in Hass\\\'s limp hand. Nata moves the knife up and down her body, then she stabs herself below her bellybutton (while Hass\\\'s hands are on the knife), making Nata react with a sexy moan and a little sensation of pain as her back curves downward. Camera shows view of her face with ass in background, a profile view, and a view from behind (showing ass and between legs). Nata then pulls the knife out with a sexy moan. Nata is very turned on. She then stabs herself again in her belly, making her gasp with eyes and mouth wide open, then she has a pleasureful look. She pulls the knife out and her eyes roll back as she exhales with a soft sexy moan and goes limp, slumping forward over the top of Hass. Nata\\\'s ass is in the air, her legs spread (Nata should not cover Hass\\\'s crotch). Scene 10. Hass and B have knives and get locked together. Hass pushes Nata back over the couch cushion, Nata\\\'s back is arched over the cushion and her legs are spread far apart. Hass is between her legs (there is a gap between them so camera can see Nata\\\'s belly and between her legs). They push up onto the couch even more and Nata is over the couch arm, her legs spread apart, and Girl is is over top of her. Nata\\\'s legs are spread apart, one leg on the back of the couch. Sample pictures show pushing over couch, and up over couch arm while fighting with knives: Nata drops her knife, and Hass pushes over the couch arm. Hass then stabs Nata below her bellybutton, making her gasp as her back curves over the couch arm even more. Hass pulls the knife out, making Nata moan. Hass moves back (not blocking camera view) while Nata holds her belly and writhes, her back still curved over the couch arm, her legs spread. Nata twists, lifts her body up, lifts her legs as she writhes. Sample shows back arched over couch arm and also writhing, lifting legs, lifting body up. Hass then gets near Nata\\\'s face and moves the knife up and down her body, then stabs her in the bottom cleavage of her breast, making Nata gasp loudly as she arches her back high and lifts her body up, one leg on the back of the couch as she lifts up, then when Hass pulls the knife out Nata\\\'s eyes instantly go cross as she exhales with a sexy sound and her body slowly sinks back down (not sudden drop) and she is left draped backward over the couch arm, one leg on the back of the couch, legs open wide. Sample pictures show arching back and lifting up when stabbed in breast, and several samples of death poses draped back, one leg up. Camera shows 8 seconds of showing her dead body, with a good view between her legs, from above, and another showing her face with her eyes crossed. Hass then pulls and pushes Nata off the couch, and Nata slowly rolls over and falls to the floor, one leg still up on the couch (see sample picture of new death pose). Hass then puts one leg up on the couch into a victory pose (see sample picture). Then Hass is shot in her lower belly by an off-screen, unseen person and Hass reacts with a gasp (eyes and mouth wide open) as her back curves. Hass falls forward over the couch cushion, her legs spread apart, her ass in the air. She rolls over with her back curved over the couch arm, legs spread, as she writhes, lifting leg, turning from side to side (showing views of her ass), her hips and legs are off the edge. Hass is shot again in her lower belly, making her react, back curving over the cushion. She then turns over, her legs spread far apart, ass in the air. She wants to end it, so she grabs the knife on the couch cushion. With her back curved downward, she stabs herself in the bottom cleavage of her breast, making her gasp, then her eyes quickly go crossed and tongue out as she exhales with a sexy sigh and goes limp, her ass still in the air. Sample pictures show the new death pose for Nata, Hass\\\'s victory pose, Hass falling over the couch arm, Hass writhing, then final death pose and facial expression for Hass. IF YOU LIKE THIS CLIP PLEASE CHECK OUT SHORT SHORTS And check out 9 stabbing of Nata
     BEST FRIENDS
    18 minutes    		  BEST FRIENDS - BEST FRIENDS Fetish elements Strangulation, Choking, Garroting, Death Stares, Agony, Foot Fetish. Vagina Views. Short Shorts, Legs, Stripping, Bodypile 18 minutes of hot strangling Plot A nervous guy has a conflict with his girlfriend when he is searching for his drugs. She says too much rude words to him. He loses control attacks her and brutally strangles with a cord. This is a long and sexy strangulation scene from many angles. After a murder he calls his best friend for advise what to do. The friend promises to come as fast as he can and asks the guy to strip dead body and burn her things. Somebody knocks to the door. The guy is sure that it is his best friend but… it is her best friend, Alice. He covers the body with a cover and tells that this is a sculpture. Alice realizes something wrong and the guy has to strangle her too. It is the second hot strangling scene with vagina views under her jeans shorts. The friend comes. Two friends make bodypile and they are ready to burn corpses.  UNDEGROUND QUEENS
    30 minutes    		  UNDEGROUND QUEENS - UNDEGROUND QUEENS FIRST TIME BLOODY RESTLING AND BOXING WITHOUT RULES!!! EXTRA CUSTOM WITH EXTRA BLOOD IN EXTRA LOCATION!!! 30 MINUTES LONG CAST: Alice Miren, Polina Wood, Archie CUSTOM «Hi Ugine, This is downright amazing, thank you so much! You nailed the setting, the attires, and the brutal action perfectly. The setting is thrilling, the actresses (and actor) stunning and immensely professional and talented. The fight especially was amazing, the brutality and intensity of the choreography was just perfect. I absolutely enjoyed it, and I'm also super impressed, you all do fight scenes as good as the other studios that specialise in this. Alice and Polina did a fantastic job, and I really enjoyed the contrast between a gorgeous start and a vicious, primal finish. Archie fit in very well in the high society setting as well, and looked like he was enjoying it! My compliments to all three of them, and the director and the team involved. My sincere thanks to you and your entire team for all the work you put into this, I loved it very much». Customer’s Review FETISH ELEMENTS Catfighting, Boxing, Blood, Punching, Kicking, Death, Female VS Female, Head Shot (Bloody and gory!) The movie starts off with both fighters in different (or the same?) venues, preparing themselves, getting dressed, putting on makeup, feeling nervous but excited, ready to kill her hated rival. It is a quiet moment where they prepare, trying to look more beautiful than the other, vying to be better just on looks alone. It cuts to the underground scene, where both are dressed in their lace robes, standing across from one another, confidently showing off their feminine attributes, trying to intimidate the other. A buzzer sounds and they strip their robes off, setting them aside daintily and in a feminine way. The first round has begun. Their minds have nothing except for a desire to destroy one another. Blows are traded, a violent exchange begins as they struggle to beat the living crap out of each other, showing no mercy, no hesitation, only pure hatred and rage. Timeskips begin afterwards, where it fast forwards to each round (2, 5, 7, 14, 22 etc). There is short periods of rest in between, like, when the buzzer sounds. It can be a draw, or one girl is sobbing on the floor in pain while the other limps away. The loser of the round crawls to her chair. Each rest scene might have something different. In one, like boxers, they drink, but instead of water, it is bottles of champagne in classy buckets. They drink greedily, spilling it on their bodies, wetting it. In another one, they do other things to recover, like inject themselves with auto-injectors filled with fight drugs to make them more violent and give them an edge. As the rounds continue, both look more and more damaged and exhausted, until it timeskips to a brutal final round. They go from graceful, elegant women to just animals. They give it their all, fighting to a bitter finish, until one is overpowered and beaten to death. The buzzer sounds before she can be finished off, but the victor keeps beating her until she is broken and limp, spasming on the ground violently, puking blood as she goes into death-spasms. The victor screams as the adrenaline and drugs wear off, and as she slowly crawls away, she realises she has broken the rules for not stopping when the buzzer sounded. Her penalty is an execution, and she is horrified when she is put down, begging first before being shot in the head for her insolence in breaking the rules. In the end, there is no victor, only a satisfied hidden audience, who has paid highly for the livestreamed match.
     EXECUTION BY ARROWS
    15 minutes    		  EXECUTION BY ARROWS - EXECUTION BY ARROWS CAST: Polina Wood, Tim CUSTOM «That was AMAZING! Very well edited and great acting. You can be proud of your team. Many thanks» FETISH ELEMENTS Arrowing, Bow, Archer, Arrows To The Chest, Nude Content Customer’s Review PLOT We start with the victim alone in a small room or cell, sitting at a table, looking around her and showing some tension, but not being scared. The door opens and a man walks in. She stands up. "Prepare yourself," he says. "It will be in ten minutes." She manages to hide her shock and fear. "I am ready," she says. "I will show you how a Russian woman can die with dignity." "I like your spirit," he says, with a faint smile. "Is there anything you need beforehand?" "Yes," she replies. "Can you bring me my make-up kit and hairbrush?" He disappears and comes back only a few moments later with a small handbag that he places on the table. "Thank you," she says. The man nods and leaves. The woman sits down at the table again, takes a hand mirror from the bag and examines herself. She applies lipstick and other makeup (you needn't take too long over this!) and then brushes her hair. Then she puts everything back in the bag, pushes it away, places her arms on the table with her hands together and waits. - CUT The man enters the room again. "It is time," he says. She offers her wrists to be handcuffed. He handcuffs her and leads her out. You can shoot the next part in another room or outside against a tree, as you prefer. He leads the woman to where she will be executed and ties her handcuffed wrists above her head, as high as her arms will comfortably stretch. She says nothing, but we can see that she is focused on remaining calm. She forces herself not to look away from him, determined not to show her fear. He steps back and shoots the first arrow/ bullet. It hits her just above the waist (it would be nice to get a good stain on the white blouse). She cries out "Nnnnnrrrrgh!" through clenched teeth, and pants and gasps. Blood trickles down onto her skirt. The next arrow/ bullet also hits her in the belly, but a little higher. This time the cry forces itself out through her clenched teeth - like "Nnnnrrrghaaar!", and she continues to pant and gasp as the trickle from the second shot merges with the first. The third arrow/ bullet hits her in the right breast. This time she can't stop herself from crying out " Aaiiiinnnngh!" She struggles to remain upright, to stop her knees from giving out, and she gulps air. The final arrow/ bullet hits her in the left breast. She gives a strangled grunt of pain - "Hrrrunnngh!" and coughs blood. As her head droops the blood from her mouth drips onto her blouse. Blood is oozing from both breast wounds as well. Her head flops forward and she goes completely limp, held up only by her bonds. The man walks up to her and feels her neck. If he has used a bow he pulls the arrows out now and throws them on the ground. Then he unlocks the handcuffs and cuts her loose. Fr collapses into his arms like a doll. He hoists her over his shoulder and the camera catches him from the front - showing the girl's legs and butt - and the back, with her upper body hanging down his back, and her arms and hair hanging loose. He lays her on the ground and takes off her skirt and blouse. We see her white underwear as the camera pans over her. Then he removes the rest of the clothes except for the boots. Then one last body pan. IF YOU LIKE THIS FILM PLEASE CHECK OUT ARCHER (All Parts)  ASSASSIN VS ASSASSIN
    23 minutes    		  ASSASSIN VS ASSASSIN - ASSASSIN VS ASSASSIN CUSTOM Cast: Angelina and Xena «I've seen a lot of Stabbing videos and this is easily one of the Best I've ever seen. Angelina did not disappoint. It's always fun watching her and how much personality she brings, both as the victim and the killer. As the victim, her cries of anguish really sold the stabbings. As the killer, she surprised me by getting wonderfully maniacal, which made that part of the video even more entertaining. Admittedly, I was taking a gamble with Xena since I hadn't seen any of her videos prior to this. But, it was a good gamble because she did an excellent job as well. She was very sexy both as the killer and the victim. The only disappointing thing was that I could tell they were just pantomiming the kissing scenes. I'm guessing that was done as a COVID-19 precaution. Though it is unfortunate, it is understandable. Regardless, the film was still very enjoyable and worth the wait» Customer’s Review MANY SUPER STABBINGS AND SHOOTINGS! A Rogue Agent, Angelina returns to the apartment she is using as a safe house. She wears blue jeans (possibly with a belt), a black leather jacket, a sleeveless tank top (a dark color or white), and high heel boots (preferably black), her hair is tied back in a ponytail or braid, light make up/natural look, and no nail polish unless it’s black, a dark color, white, or clear. She sees that a section of the wall and floor of the living room (it doesn’t have to be the living room) is covered by plastic (or a tarp, whichever is easier/looks better)) and immediately knows something is off. An Assassin, Xena, comes out of hiding and aims her pistol (with a silencer) at Angelina’s head. She wears blue jeans, a sleeveless tank top (a dark color), and high heel boots (preferably black), her hair is tied back in a ponytail or braid, light make up/natural look, and no nail polish unless it’s black, a dark color, white, or clear. Xena chuckles. Xena suddenly stabs her in the abdomen. Angelina looks at the knife and Xena in shock. Xena stabs her in the abdomen again. And then a third time. Xena twists the blade, causing Angelina to groan/moan in pain. (Maybe sometimes she stabs her in the same place. If need be, this section can be shortened to two stabs with Xena twisting the blade on the 2nd stab.) Xena smiles in satisfaction and makes out with her and Angelina can’t help kissing her back. She then stabs Angelina in the chest with a downward strike. Angelina looks dazed. Xena holds it in for a few seconds then stabs her in the chest again. She then stabs her in the chest a third time. (Maybe sometimes she stabs her in the same place. If need be, this section can be shortened to two stabs.) Xena pulls out the knife, aims it at Angelina’s abdomen, then stabs her four more times (taking a second or two between each stab). She then stabs her fifth time, this time slowly driving it into Angelina’s abdomen and the twisting the blade a couple times. (Maybe sometimes she stabs her in the same place) She pulls out the knife. Angelina takes a couple staggering steps forward. Xena easily pushes her back against the wall and makes out with her some more and slowly gropes her breasts. She then spends some time licking and sucking on Angelina’s tits. Xena aims the knife at one of Angelina’s nipples and slowly drives it into her. She then does the same to Angelina’s other nipple. Both times the pain is almost orgasmic. She turns Angelina around to face the wall and uncuffs her. She tosses the cuffs aside, turns Angelina back around, and watches for a moment as she struggles to cling to life. Xena stabs her in the chest in a downward strike four more times, taking a second or two between each stab. (Maybe sometimes she stabs her in the same place. If need be, this section can be shortened to three stabs.) Xena smirks, impressed. She then grabs Angelina by the throat and aims the knife where the entrance to her pussy would be. Angelina just glares at her. Xena drives the blade into Angelina’s pussy. She gasps and her eyes roll back. Xena holds it inside her and watches her dazed orgasmic reaction. Her body begins to spasm, inadvertently making her fuck the blade. She decides to help, fucking Angelina with the knife. She finally pulls it out. Blood and piss spill from Angelina. After a few seconds, Angelina drops to her knees, and her face lands against Xena’ belly. Xena holds her head there, cradling it. Xena laughs manically while Angelina clings to life, her body shivering and/or spasming. Xena gets down on one knee (or both knees) so she can look Angelina in the eyes. She kisses her. Xena considers this for a second (or at least pretends to) She then slowly drives the knife into Angelina’s heart, then twists the blade two times. Gradually, Angelina lays down (possibly into the pool of blood and piss), Xena guiding/helping. Xena watches as Angelina’s life begins slips away. She gives Angelina one last kiss goodbye. Wanting her to suffer till her last breath, Xena pulls out the knife and slowly drives it into the base of Angelina’s throat. Angelina gradually dies, her dead eyes staring into Xena’s (possible POV). Xena pulls the knife out, then straightens Angelina out (if need be), and as she looks down at her (body pans), she becomes mesmerized by the peaceful look on Angelina’s face, turning it back and forth and stroking it. She slowly makes out with her, savoring the taste and unique feeling of the dead girl’s unresponsive lips, all while groping her breasts. Gradually she moves down, kissing and nibbling on her neck, and then sucking on her breasts, enjoying the taste of her blood. She then makes out with her some more. She takes Angelina’s hands and runs them up and down her body, making her grope her breasts (Xena’s), enjoying the feel of her dead lover’s hands. She then makes out with her some more. Inevitably, throughout all this Xena can’t help getting Angelina’s blood on her and she enjoys it. Maybe she rubs it on herself every now and then. As she stares at Angelina’s dead face her blood lust takes over and she stabs Angelina three more times in the chest (it can be shortened to two stabs, if need be), twice in the abdomen (it can be shortened to one stab, if need be), then two more times in the chest (it can be shortened to one stab, if need be). She pauses between each stab to savor it. She then stabs the top of her pussy mound. She then aims the knife at the entry of her pussy and stabs her pussy three more times (a couple seconds between each stab, or it can be shortened to one stab, if need be) and then fucks her with the knife. She then makes out with her again, hard and angrily this time but then gradually getting softer and more loving. She then slowly drives the knife into Angelina’s heart one last time and leaves it there. Xena gives her one final deep kiss then walks away. Body pans, ending with a close up of Angelina’s face (This appears to be the end). Xena pulls out her phone and makes a call. Angelina suddenly inhales, slowly sits up, and stands (almost as if she were a zombie). She sees Xena has her back turned. She glares at her as she pulls the knife out of her chest and approaches. Angelina suddenly grabs Xena from behind and stabs her in the back, causing her to drop her phone. The Boss calls out to Xena from the phone. Angelina then stabs her in the back a second and third time. (If need be, this section can be shortened to one stab) Angelina puts Xena up against the wall and stabs her in the abdomen then twists the blade to causing Xena to groan/moan. Xena looks at the knife and Angelina in shock. She twists the blade again, causing her more pain. Angelina smiles in satisfaction and makes out with her and Xena can’t help kissing her back. She roughly pulls the knife out of Xena, causing her more pain. As Xena clutches her wound, moaning in pain, Angelina retrieves Xena’s gun and aims it at her. XENA (chuckles): I guess I should consider myself lucky. You always end the fun quickly. ANGELINA: It’s called being efficient. And for you, I’ll make an exception. Angelina suddenly shoots Xena in the base of her throat. For a moment Xena is shocked as her hand goes to the wound in her throat. It becomes increasingly difficult for her to breathe. Angelina grabs a chair and places it on the plastic for Xena. As Xena sits down, blood streams from her throat as she lets out labored wheezing breaths. ANGELINA: Having trouble breathing? Don’t worry. We have plenty of time before the fun is over. Angelina puts the gun to the side. (Maybe she grabs another chair for herself, or she can bend/crouch down. Whatever is easier/looks better). She strokes Xena’s faces and makes out with her. She takes her time, slowly making out with Xena, slowly yet roughly groping, licking, and sucking on her breasts, kissing and licking her abdomen, licking the blood, and rubbing her crotch. All the while, Xena continues to let out labored wheezing breaths as she chokes on the bullet. She doesn’t resist. She is too weak. After a while, Angelina grabs the gun. Crouching down, she holds Xena from behind, grabbing her breasts as she slowly aims the gun. She then shoots Xena twice in the pelvis. Xena pisses herself. Angelina smiles and maybe chuckles in satisfaction. She then continues to make out with Xena and grope her body for a while longer. All the while Xena’s wheezing breaths become increasingly labored, her body shutters, her eyes are dazed. After a while, Angelina walks in front of Xena. She aims the gun right at where the entrance to Xena’s pussy would be. She gives Xena a few seconds to think about it, the fires, shooting Xena right in the pussy. Xena bucks forward, clutching her pussy, and slowly falls to the floor, landing in her own piss (and possibly Angelina’s piss as well). Angelina watches, enjoying the sight of Xena’s eyes rolling back and her body spasming as her wheezing breaths become increasingly labored. It’s almost orgasmic. She doesn’t have long. Angelina turns Xena onto her back (unless she is already on her back) and makes out with her some more. She then stares into Xena’s eyes as she gradually takes her last wheezing breath, her dead eyes staring into Angelina’s (up close and intimate, possible POV). ANGELINA: See you in Hell, my love. Save me a spot by the fire. Angelina becomes mesmerized by the peaceful look on Xena’ face and slowly makes out with her, savoring the taste and unique feeling of the dead girl’s unresponsive lips, all while groping her breasts. Gradually she moves down, kissing and nibbling on her neck, then sucking on her breasts. She then makes out with her some more. She takes Xena’ hands and runs them up and down her body, making her grope her breasts (Angelina’s), enjoying the feel of her dead lover’s hands. She then makes out with her some more. Inevitably, throughout all this Angelina can’t help getting Xena’ blood on her and she enjoys it. Maybe she rubs it on herself every now and then. As she stares at Xena’ dead face her blood lust takes over. She takes the knife and stabs Xena in the pussy and then fucks her with the knife. She then makes out with her again, hard and angrily this time but then gradually getting softer and more loving. Angelina gives her one final deep kiss then stands and looks her over (body pans). She then picks up the gun shoots Xena three times in the forehead (taking a second or two between shots) in the same place, making the wound bigger. (Angelina POV) Angelina picks up Xena’ phone. The Boss continues to call for Xena. ANGELINA: She dead. And you’re next. Angelina hangs up. She looks at the dead Xena and herself. What a mess. At least her victim brought cleaning supplies. She strides toward the bathroom to get cleaned up, almost like a bloody yet triumphant zombie. (Kind of similar to the final victory march in Capture the Flag Part 2 at 5:28: Our final body pans, ending with a close up of Xena’ face staring at us. The dialogue is more of a guideline, so feel free to have the models improvise if they like. Feel free to include any bloopers or outtakes at the end. Maybe even a bonus scene of the girls getting cleaned up afterwards. IF YOU LIKE THIS FILM PLEASE CHECK OUT GUTTED GIRLFRIEND
     RED BALL OF DEATH
    16 minutes    		  RED BALL OF DEATH - RED BALL OF DEATH CUSTOM CAST: Tatiana (NEW MODEL – available for customs) Bounty (NEW MODEL – available for customs) Merci (NEW MODEL - available for customs) MaryAnn Xena Mira Green as a killer And also Max and Tim in episodes Fetish Elements: Female Killer, Strangulation, Choking, Interesting situations of strangulations, stalking, bodypile PLOT A group of four country girls have fun in billiard bar. bargirl Bounty only has time to pour drinks. Maniac killer Mira Green hides under the table. She attacks girls one by one catching the situations when another girls don’t see the murder scenes. Where did all girl disappear? Great bodypile in the end IF YOU LIKE THIS MOVIE PLEASE CHECK OUT STRANGILING MIX (All parts) CHOKING MIX (All parts) Unhappy Birthday (All parts) Unhappy Christmas House Of 7 Corpses House Of 8 Corpses House Of 9 Corpses  8 GIRLS EXECUTION
    18 minutes    		  8 GIRLS EXECUTION - 8 GIRLS EXECUTION CUSTOM FILM «Hello It's absolutely AMAZING! Beautifully acted and SO sexy. It's great. Many thanks» Customer’s Review STARRING: Polina (Julia Woods – NEW MODEL), Mira Green, Juliana (came back after a long break!), Angelina, Luiza, Annabelle, Sally, Xena, Max, Alex FETISH ELEMENTS Mass Massacre, Swimming Suits, Shooting to the chest, Shooting to the stomach, shooting to the back, execution, captive, stripping bodies, bodypile, blood, death stare SCRIPT The executioner has a mobile phone. He phones someone and says: "Send the first one in." The first girl walks in. If you can film her from behind as she walks in that would be great. "Stand against the wall," says the executioner. She does this. She is clearly nervous but trying to hide her fear. "You know why you're here?" he says "Yes I know," she says. "Why the swimsuit, though?" He smiles. "I like it. Are you ready?" "Yes, I am ready." She frowns and closes her eyes, but they open wide in pain and she gasps, as the bullet hits her below her cleavage. She clasps the wound with both hands and slides to the floor. She thrashes around, whimpering in pain for a minute or so before she coughs up blood and goes into a spasm. Her arms and legs give one last twitch before she dies. The man grabs her by the ankles and drags her out of the way of where the other girls will be shot. He dials his phone and says: "One done. Send the next one in." Again please film her from behind as she walks in. She stops in shock for a moment when she sees the body of the first girl but she recovers herself, and stands against the wall without being told to. "Are you ready to die?" he says. She stands slightly forward, forces a smile and puts a hand on her hip. "I guess I'm as ready as I'll ever be," she says. He shoots her just above the navel. She gasps in pain, clutching the wound, as the blow knocks her back against the wall. She tries to step forward but she staggers and falls forward. She tries to get up, pushing herself up with one hand, while holding the other to the wound. But the effort is too much and she rolls over onto her back. She coughs blood, spasms, twitches and finally dies. Once again the man grabs her ankles, drags her body out of the way and lines it up beside the first body. He phones again. "Send the next one in." The next girl comes in. Again please film her from behind if you can. Again she pauses momentarily when she sees the bodies but then she glares at the executioner. Again he says: "Are you ready to die?" "That's why I'm here, isn't it?," she replies. "Just get on with it." He shoots her in her right breast. She squeals in pain, clasping it with both hands. Then he shoots her in her left breast. Now she has to clasp each breast with only one hand as she slides to the floor. She tries to say "You bastard" but she coughs blood, muffling the words. She goes into spasms, twitches and dies. The man places her body next to the other two. "Send the next one in," he says on the phone. She walks in. She manages not to react when she sees the bodies, and instead turns to him defiantly. "I bet you're enjoying this, you sick bastard," she says. "Fuck you," he says, shooting her just above the pussy. She gasps in pain, clutching the wound with both hands. Her legs give way and she falls forward. The man turns her over with his foot. "You sick fucking bastard," she says, before he shoots hr in the cleavage. She coughs blood, goes into spasms, twitches and dies. He places her body next to the others. Then he phones again. "Let's change the plan," he says. "Send the rest in." The remaining four girls file into the room and line up against the wall, facing their executioner. The camera pans over them as they try to avoid looking at the bodies. "Turn around and face the wall," he says. "Hands against the wall." They do this. The camera pans over them again. "Who wants to be first?" he asks. The thirds from the left turns around, putting up her hand. "I'll go first," she says. But he shoots the girl on the right in the back instead. She cries out in pain, slides to the ground and rolls over onto her back. He points the gun at her. She raises her hands in fear, but he shoots her twice in her left breast. She coughs up blood, spasms, twitches and dies. The third girl from the left is still facing forward. "I said I wanted to go first," she says angily. "What sort of fucking..." Her words are interrupted by the shot, which hits her below the cleavage. With a sharp intake of breath she leans forward, her eyes wide with pain. She falls on her knees, then falls forward, spasms, coughs up blood, twitches and dies. The man turns her body over with his foot. "The rest of you, turn around and face me," he says. They turn around and he shoots each just once, one in the left breast and the other in the right. The both squeal and clutch their breasts as they fall to the floor, landing on their backs. As they lie there in pain, one reaches out her hand to the other, who reaches hers out in turn. Their fingers touch before the girl shot in the left breast goes into spasms, coughs blood and dies. The other girl lasts a minute longer before she too coughs up blood and dies. Now the man drags each of the four bodies over and lines them up with the first four. He surveys them in their swimsuits before he strips them, one by one. The camera pans over the naked bodies, lined up neatly, before the movie ends. IF YOU LIKE THIS FILM PLEASE CHECK OUT 6 GIRLS CAPTIVES CAPTIVES CAPTIVES 2 CAPTIVES 3 CLEANING SERVICE
     AGENTS ATTACK Present Past Future
    22 minutes    		  AGENTS ATTACK Present Past Future - Starring: Angelina, Tora, Marina, Annabelle, Luiza, Hass, Christy, Kit Kit is an agent of secret organization. He has a weekend in his country house when he sees two female agents going to his house. He takes a gun and goes to protect his life and home. After a firefight killers were dead. He shot them to their bellies and tits. He seems something is wrong. He takes off their clothes to check bodies. After manipulation with corpses bodies were dissapiered. He undersold they were human-clones from the space and it’s too early too relax. Next attacks are soon… After attack of agents Kit met new danger: Assassins from past (3 Amazons) were sent by Dr. Ko to kill him. Brave amazons from III century were very good sword-warriors but they all were killed by modern gun… All of them got several bullets to their sexy bodies and were ingloriously killed and gone to black hole forever. Agents from the 2030 year came to kill Kit and were killed by him. Very good SF-effects of shooting, good fallings, well-acted fresh stuff on gun-shooting destination. Fantastic amazons from the future dressed in jeans short, modern tops and super-sexy stockings are shot in their bellies, necks and tits. They are stripped nude after death. Firefight scene is bright and professional.  Murder In The Club
    13 minutes    		  Murder In The Club - MURDER IN THE CLUB Starring: Nadya, Christy and Annabelle HANGING NECK BREAK STRANGULATION Christy is VIP bad girl, the leader of femmene special secret organization. She is the boss for her the best security girls – her personal slave and her personal guards. When she hears strange noises she orders her girls to go and check. Nadya, the brave guard, goes to the hall of club for searching. Killer was waiting for her behind the wardrobe. He strangled her with a rope from behind and hanged her. Slave Annabelle went for her hunt and saw the hanged Nadya. «Oh, the end of stupid brave bitch» - she says and go to the hall, when the killer attacks her and breaks her neck. He goes for Christy’s sole. She shoots him by gun but he is too strong and bullets can’t kill him. He slowly strangled her by her own jewels. If you like this clip please also check Eliminate Mistress
     It is Just My Job
    7 minutes    		  It is Just My Job - It’s Just My Job Starring: Hass, Pola and Charlie Fetish elements: Two head shots Contract killer Silencer-gun Bullet-time Death stares Surprise reaction Stripping Full Nude Plot Two rich wives of businessmen were shot by contract killer. The mission included also postmortem quorate and stripping their bodies for full nude. If you like this clip please also check MISFIRE  CHASER
    8 minutes    		  CHASER - Fetish elements: Chasing, stalking, choking, limp fetish, playing with corpse, shooting Choking and shooting thriller Young woman is going home. Maniac sees her. He imagines how he strangles her at home. After his fantasies he shoots her in the street.
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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