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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 961 Clips / 16510 minutes of video!
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![NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY
CUSTOM MOVIE
Film Type: Action/Spy film that goes sideways
Actress: Emma
Villain Actors:
Crime
boss: male villain
Betraying
agent: male or female
Costume: Agent outfit, similar to what was used for Super
Agents vs Villains.
Length: 15-20 minutes
Synopsis:
Scene
1:
This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants
her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal.
Scene 2:
They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple
minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit
talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained
by the arms from behind by one enemy, punches by the other, villains take turns with the beating
Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine
coughing and stunned Throat lift - slammed against wall
Crawling away, kick to stomach Kicking when down
Pulled up from the ground by her hair
Bearhug
Anything else - be creative!
Scene 3:
She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness.
Scene 4:
She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \"You shouldn\'t have done that\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between
her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the
finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
Super Agents vs Villains](studio/images/notagooddayforspyscreens-81b.jpg "NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY
CUSTOM MOVIE
Film Type: Action/Spy film that goes sideways
Actress: Emma
Villain Actors:
Crime
boss: male villain
Betraying
agent: male or female
Costume: Agent outfit, similar to what was used for Super
Agents vs Villains.
Length: 15-20 minutes
Synopsis:
Scene
1:
This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants
her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal.
Scene 2:
They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple
minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit
talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained
by the arms from behind by one enemy, punches by the other, villains take turns with the beating
Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine
coughing and stunned Throat lift - slammed against wall
Crawling away, kick to stomach Kicking when down
Pulled up from the ground by her hair
Bearhug
Anything else - be creative!
Scene 3:
She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness.
Scene 4:
She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \\"You shouldn\'t have done that\\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between
her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the
finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
Super Agents vs Villains")
-941.jpg "KNIFE DUELING - KNIFE DUELING
CUSTOM
STARRING: KEILA, KELLY, ALICE MIREN, MARYANN, MAX
Fetish Elements
Knives, Stabbing, Cat fighting to the death, Battle, Diver Outfits
«Wow!
It's one of the hottest yet! Those surf suits are SO sexy and the acting is great.
Many thanks»
Customer’s Feedback
The man is seated in the chair, holding his gun and facing the rest of the room. There is a little bell on the armrest of his chair.
One team of girls is standing against one wall, the other stands against the opposite wall. The camera pans over the girls and you can see a mixture of fear and excitement on their faces. On a table against the third wall are two pairs of knives.
The man gets up and walks over to the black team with two straws in one hand. He offers them one girl. She draws the long straw, so that the other, with a resigned expression, walks over to the table, picks up two knives and takes up her position. He walks over to the blue team, and this time the first girl to draw gets the short straw, so that she too takes up a pair of knives and takes up her combat position opposite the first girl.
The man sits down and rings his bell. The girls begin to fight. You can have them give one another flesh wounds before the black team member lands a knife in her opponent's belly. The blue girl cries out, dropping one knife. The black girl withdraws the knife, and the blue girl staggers drunkenly, raising her remaining knife to attack. But the black girl easily knocks it out of her hand and lands a knife below the blue girl's left breast. This time she leaves the knife there. the blue girl clutches it, and falls to her knees, coughing blood. The black girl gives here a kick and she falls on her back, still clutching the knife, and lies writhing, spasming and coughing blood until she dies. The black girl pulls out the knife and raises both arms above her head in a victory gesture. She resumes her place beside her team mate.
This time the remaining two team members know that it is their turn. They take up position and, when the man rings the bell, they begin to fight. Again you can have them inflict flesh wounds. But this time it is the blue girl who lands an upper thrust above her opponent's left breast. She follows through with a belly wound. The black girl drops both knives and falls drunkenly to her knees. The blue girl gets behind her, pulls her head back by the hair and cuts her throat. The black girl falls forward, spasming and coughing lots of blood until she dies. Now it is the blue girl who raises her arms in triumph.
Now the surviving girl from the black team gets up to face her new opponent. Both girls are disheveled, with flesh wounds. After some sparring and some more flesh wounds, the black girl, stepping backwards, trips against one of the dead girls. The blue girl seizes this moment to slash her opponent's side below the ribs. But the black girl regains her balance, attacking and landing two thrusts to the blue girl's belly. The blue girl falls on her back, her body shaking, apparently all but spent. Throwing one knife aside the black girl sits astride her. She throws her head back back in savage triumph and raises her remaining knife high with both hands, preparing to plunge it into her opponent's chest. But the blue girl, in a lightning gesture with her remaining strength, plunges a knife in below her opponent's left breast. The black girl's expression changes from triumph to pain to puzzlement, Her upper body rocks slightly forward and she coughs blood. The blue girl tries to laugh but only manages to cough blood. The black girl's expression goes blank and she falls forward. Both girls spasm, shiver and die. The camera pans over the four corpses.
The man lines up the corpses on their backs. The camera pans over them fully clothed. One by one he unzips their uniforms, revealing their breasts. Another camera pan. Then he strips their bodies for one last camera pan.")
