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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 964 Clips / 16575 minutes of video!
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![WHAT CAN YOU TELL TO MY GUN2 - WHAT CAN YOU TELL TO MY GUN? 2
Custom
Cast: Xena, Max, Ksusha Zaichik, Billy Brag
This is a sequel to the previous movie \"What can you tell to my gun?\"
Xena is the fellow agent of Luiza who died infiltrating Max’s organisation.
Xena sits naked in her apartment and unwrapping a box, inside is a pair of blood stained sandals, those worn by Luiza when she died. She checked the shoes, this time please show the shoe size mark clearly, (I think Anna bought size 41). As she stared at the shoes pensively, there is brief back-and-white flash back of Luzie wearing these shoes and got shot dead.
Xena wiped the shoes clean, and put her beautiful bare feet into them, her toes nails were also painted in the red wine Color. A lot of details of her feet in the sandals, showing how fit they were for her. She then put on her clothes (which I will specify with the prop manager later, most likely dress or shirt+skirt). No stockings, no underpants, no bras. She slid a hand gun into her purse, took a last look at herself in the mirror with a grim look and left the room. (Camera can follow her feet a little longer).
Scenes cut to another bed room - this time at Max’s place. There is a few fast cut/ flashing of scenes Xena and Max hugging and making love (just indicatively, to the extent you can) with loud and satisfying moaning from both of them and some sultry background music.
As the music fades, it shows Xena is re-dressing herself, camera can show her wearing her sandals. Max just zipped up his pants, he kneeled down to kiss Xena’s feet praising her feet so big and beautiful. He murmured that her shoes looked a bit familiar then he suddenly looked suspicious when he saw the shoe size mark. He found an excuse walked into another room and made a call, asking his security team to come.
He came back, asking Xena to get a drink as she walks towards the cabinet, he opened her purse and saw the gun. Just as Xena turned to face him asking what he wants to brink, he fired Xena’s pistol at her repeatedly and emptied the entire clip (10-17 rounds, I will work with your prop manager to see what pistol model your are using). Xena jerked and bucked with each bullet hit as she was pushed by the impact step by step and smashed onto the back wall, but managed to stand. [The entry wound are small neat holes with little blood at the beginning but each exit wound is bigger, blood splashing on the wall.
Max clicked the empty and smirked :”wow powerful toy! A whole xx rounds (actual number TBD)”, but he was stunned to see Xena was not dead yet, she snarled at him and pushed herself up against the wall. She dashed to him and tackled him, both falling down with Xena on the top. She pushed Max a few times on the face and then tried to strangle him with her bare hand. As she pushed down her hands, she also started to vomit blood from her mouth, some dripping onto Max’ face. [Xena is now straddling on Max, it is a good chance to see all the exit wounds on her back, also some close up on her feet, it is a good chance to show the bottom of her sandals and the clear shoe size mark].
Max was over powered by Xena not able to move too much. He managed to free his right arm and fumbled around to get a knife. He plunged and slashed the knife on Xena the lower back (the left side) repeatedly, Xena’s guts started to pour out of the open wound. But Xena ignored it and just kept strangling him. Finally, Max grew too weak, his arm dropped and the knife was stuck on Xena’s back. Xena found the chance, she reached back and pulled the knife out.
Now, she raised the knife with both hand high above her head, she straddled on Max and back straight, ready to plunge the knife down. But at the exact moment, the door burst open, two of Max’s men rushed in and opened hire (riffle or pistol, no shot gun this time), it was a short burst only a few seconds, but many bullets hit Xena’s back drilling small red holes, but busting out of her chest in bigger holes, splashing blood and tissues all over Max. Xena held her postion, her arms raised high, body arching back, jerking twisting violently in the rain of bulleted.
When the gun shot stoped, Xena was “frozen” in her strike position for a short while, with wide opened eyes and stunned impression, after a second, she groaned only one world “fuck” (or the Russian equivalent), then she fell forward, not able to control her body anymore, the knife plunged deep into Max’s shoulder, and she dropped prone on top of Max, like in sex, but just not moving anymore, her back full of bullet holes and a loop of intestines hanging out.
The guards fliped Xena off their boss. Max got up with help. He was badly hurt but will live. He looked at Xena, now lying face-up on the ground face up, eyes wide open, mouth half open. Her front was full of holes too, some small (entry), but mostly quite big (exit), thru the blood soaked clothes, we can still see each jagged bullet holes. Intestines on her side. Max cursed and kicked her body, out of rage, he grab a pistol from his guard and shot Xena on her face: 3 on the forehead, one on the cheek and one on her chin, similar to Luzia previously [ you can make the wounds slightly smaller than last time, but keep the quality!] Chunks of Xena;s brain is now splashed all around her head.
Max was escorted out by the guards. Xena left alone on the floor, camera should give a very very long and slow view of their body, feet, face, all the wounds [make sure her body position can reveal most of the wounds! For example, her head need to tilt to the side that allows and face shot to be seen]
Scene darks, then lighten up up, caption showing “8 hours later, The Next Morning”
Max came back, his should now patched up. He mocked at now matter how strong Xena was, she is now al dead with no guts no brains left. He admired her body again, especially her big feet. He played with the feet, but didnt’t remove her shoes [we can see the show size again]. He said to himself Xena’s size 41 feet is so beautiful but the sandal reminded of him Luiza that is how he found out. He mocked at Xena being so tough but missed a small point. He then counted the bullets holes one-by-one, and found out she took xx bullets in total [ this time let’s slow down, take the time and let the audience enjoy Xena and all the wound effect meticulously made by your crew].
Finally he left Xena lying there and walked away.](studio/images/what_can_you_tell_to_my_gun_2_screens-c01.jpg "WHAT CAN YOU TELL TO MY GUN2 - WHAT CAN YOU TELL TO MY GUN? 2
Custom
Cast: Xena, Max, Ksusha Zaichik, Billy Brag
This is a sequel to the previous movie \\"What can you tell to my gun?\\"
Xena is the fellow agent of Luiza who died infiltrating Max’s organisation.
Xena sits naked in her apartment and unwrapping a box, inside is a pair of blood stained sandals, those worn by Luiza when she died. She checked the shoes, this time please show the shoe size mark clearly, (I think Anna bought size 41). As she stared at the shoes pensively, there is brief back-and-white flash back of Luzie wearing these shoes and got shot dead.
Xena wiped the shoes clean, and put her beautiful bare feet into them, her toes nails were also painted in the red wine Color. A lot of details of her feet in the sandals, showing how fit they were for her. She then put on her clothes (which I will specify with the prop manager later, most likely dress or shirt+skirt). No stockings, no underpants, no bras. She slid a hand gun into her purse, took a last look at herself in the mirror with a grim look and left the room. (Camera can follow her feet a little longer).
Scenes cut to another bed room - this time at Max’s place. There is a few fast cut/ flashing of scenes Xena and Max hugging and making love (just indicatively, to the extent you can) with loud and satisfying moaning from both of them and some sultry background music.
As the music fades, it shows Xena is re-dressing herself, camera can show her wearing her sandals. Max just zipped up his pants, he kneeled down to kiss Xena’s feet praising her feet so big and beautiful. He murmured that her shoes looked a bit familiar then he suddenly looked suspicious when he saw the shoe size mark. He found an excuse walked into another room and made a call, asking his security team to come.
He came back, asking Xena to get a drink as she walks towards the cabinet, he opened her purse and saw the gun. Just as Xena turned to face him asking what he wants to brink, he fired Xena’s pistol at her repeatedly and emptied the entire clip (10-17 rounds, I will work with your prop manager to see what pistol model your are using). Xena jerked and bucked with each bullet hit as she was pushed by the impact step by step and smashed onto the back wall, but managed to stand. [The entry wound are small neat holes with little blood at the beginning but each exit wound is bigger, blood splashing on the wall.
Max clicked the empty and smirked :”wow powerful toy! A whole xx rounds (actual number TBD)”, but he was stunned to see Xena was not dead yet, she snarled at him and pushed herself up against the wall. She dashed to him and tackled him, both falling down with Xena on the top. She pushed Max a few times on the face and then tried to strangle him with her bare hand. As she pushed down her hands, she also started to vomit blood from her mouth, some dripping onto Max’ face. [Xena is now straddling on Max, it is a good chance to see all the exit wounds on her back, also some close up on her feet, it is a good chance to show the bottom of her sandals and the clear shoe size mark].
Max was over powered by Xena not able to move too much. He managed to free his right arm and fumbled around to get a knife. He plunged and slashed the knife on Xena the lower back (the left side) repeatedly, Xena’s guts started to pour out of the open wound. But Xena ignored it and just kept strangling him. Finally, Max grew too weak, his arm dropped and the knife was stuck on Xena’s back. Xena found the chance, she reached back and pulled the knife out.
Now, she raised the knife with both hand high above her head, she straddled on Max and back straight, ready to plunge the knife down. But at the exact moment, the door burst open, two of Max’s men rushed in and opened hire (riffle or pistol, no shot gun this time), it was a short burst only a few seconds, but many bullets hit Xena’s back drilling small red holes, but busting out of her chest in bigger holes, splashing blood and tissues all over Max. Xena held her postion, her arms raised high, body arching back, jerking twisting violently in the rain of bulleted.
When the gun shot stoped, Xena was “frozen” in her strike position for a short while, with wide opened eyes and stunned impression, after a second, she groaned only one world “fuck” (or the Russian equivalent), then she fell forward, not able to control her body anymore, the knife plunged deep into Max’s shoulder, and she dropped prone on top of Max, like in sex, but just not moving anymore, her back full of bullet holes and a loop of intestines hanging out.
The guards fliped Xena off their boss. Max got up with help. He was badly hurt but will live. He looked at Xena, now lying face-up on the ground face up, eyes wide open, mouth half open. Her front was full of holes too, some small (entry), but mostly quite big (exit), thru the blood soaked clothes, we can still see each jagged bullet holes. Intestines on her side. Max cursed and kicked her body, out of rage, he grab a pistol from his guard and shot Xena on her face: 3 on the forehead, one on the cheek and one on her chin, similar to Luzia previously [ you can make the wounds slightly smaller than last time, but keep the quality!] Chunks of Xena;s brain is now splashed all around her head.
Max was escorted out by the guards. Xena left alone on the floor, camera should give a very very long and slow view of their body, feet, face, all the wounds [make sure her body position can reveal most of the wounds! For example, her head need to tilt to the side that allows and face shot to be seen]
Scene darks, then lighten up up, caption showing “8 hours later, The Next Morning”
Max came back, his should now patched up. He mocked at now matter how strong Xena was, she is now al dead with no guts no brains left. He admired her body again, especially her big feet. He played with the feet, but didnt’t remove her shoes [we can see the show size again]. He said to himself Xena’s size 41 feet is so beautiful but the sandal reminded of him Luiza that is how he found out. He mocked at Xena being so tough but missed a small point. He then counted the bullets holes one-by-one, and found out she took xx bullets in total [ this time let’s slow down, take the time and let the audience enjoy Xena and all the wound effect meticulously made by your crew].
Finally he left Xena lying there and walked away.")
![ANNABELLES AUDITION - «Thanks again for the custom which I enjoyed a lot. The models were both excellent They captured the spirit of the piece - with convincing playfulness between the two of them as interviewer and candidate, whilst giving strong performances in the three death scenes.
The production quality is good».
Customer’s Review
PLOT
Annabelle is a serious actress. But in the middle of the pandemic, work is very hard to find. So, she has applied to become a death fetish model with Crime House, a fetish film producer in Russia. This is the story of her audition with CH.
She is being interviewed in a living room by Nata. Nata asks Annabelle what experience she has of acting out death scenes, and Annabelle says she has done some scenes in drama school – but not this type of work before. Nata is confident Annabelle will be fine but explains that first they have to do three auditions in the bedroom – which is connected by hidden cameras to a group of CH clients. They will decide on the scenarios and determine if Annabelle is suitable to join the CH team. Annabelle is very enthusiastic and says she is sure it will be fine and that they will have fun together. She even hugs Nata making it clear that she finds Nata attractive.
The next scene is in the bedroom. Annabelle is sitting on the bed whil Nata is looking at her phone. She tells Annabelle that for the first audition, the client wants them to play lesbian lovers in the nude. But Nata has discovered Annabelle has betrayed her with a man. She will be on top of Annabelle pinning her down. Annabelle will plead for forgiveness, but Nata will strangle her with her bare hands. The client wants Annabelle to struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Annabelle smiles and gets up to hug and begin undressing Nata. Nata responds amorously and undresses Annabelle easing her back onto the bed. They kiss and cuddle for a while. Suddenly Nata pins Annabelle’s hands down and accuses Annabelle of betraying her with Ivan. Annabelle protests her innocence, but Nata pulls her hair back and pretends to slap her and twist her nipples. Annabelle screams in pain and begs Nata to stop. She admits she did sleep with Ivan but it meant nothing – she loves Nata.
Nata stops torturing Annabelle briefly and they hug each other affectionately. Annabelle says she will never betray Nata again. Nata agrees but then turns aggressive. She barks at Annabelle that there is only one way she can ensure there are no more betrayals. And with that she begins to strangle Annabelle. Annabelle’s eyes widen in shock and fear and she struggles desperately to break Nata’s grip and unbalance her. But Nata is too strong. Annabelle fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Nata kisses Annabelle on the forehead, says ‘cut’, and Annabelle opens her eyes and they both laugh and hug each other affectionately one more time.
Nata goes to her phone and tells Annabelle she has done well in her first scene.
Annabelle comes over and they look at the phone. They are both still nude. Annabelle asks the clients listening whether this time she can play the killer and let Nata be her victim. Nata pushes her away playfully and says she is too strong to be Annabelle’s victim.
The clients obviously like the playfulness between the two of them, because this time they say that Annabelle will play a contract killer who has been hired to murder Nata – with a garotte (maybe a red scarf that is in the room). Nata asks the client if she can fight to get free and the client texts that of course she can try. She puts the phone on a table or shelf by the bed.
Annabelle is confident and picks up the scarf and asks Nata sexily if she wants a bit of fun.
Nata says she doesn’t wish to be tied up and Annabelle strokes her tenderly and says the stocking is not for tieing her up. She eases Nata back on the bed and mounts her, threading the scarf around her throat. Nata asks what she is doing. Suddenly Annabelle gets serious and says someone has paid her to murder Nata. Nata begs for mercy, but Annabelle tightens the scarf and Nata begins to choke.
At first Annabelle is winning and Nata’s struggles are not making any difference. But then she slaps Anna in the belly and slightly winds her, and then unbalances her by jerking her body. Annabelle lets go of the scarf, but it is too late. She is already unbalanced, and Nata now rolls her over and after a bit more wrestling, gets the upper hand. Annabelle tries to fight back, but Nata pins first one hand and then the second above Annabelle’s head.
Annabelle stops struggling and asks what happens now. She thought she was going to win this role play. Nata looks at the phone. The client congratulates her and tells her to smother Annabelle with a pillow. This time it is Annabelle pleading for mercy. But soon, Nata smothers her and although Annabelle again fights with a lot of energy, after a while she accepts the inevitable and slowly dies.
Nata lifts up the pillow and again is happy and kisses Annabelle who opens her eyes a little annoyed she didn’t manage to be the killer in this role play.
Now they are both relaxing after expending a lot of energy in the two scenes.
Nata looks at her phone again and sighs. She turns to Annabelle and tells her this time the clients are going to make sure she is successful as the killer. She explains that in this scenario she will play a spy who has stolen secret account codes from a bank on a memory stick she intends to sell to the highest bidder. Annabelle plays an enforcer who has come to get the memory stick back for the bank and has permission to murder Nata when she gets it. Nata will start off pretending to be asleep on the bed so Annabelle can tie one of her wrists to the headboard before Nata even wakes up to ensure she won’t be able to escape.
Nata gets a memory stick and hides it in the pillowcase. Annabelle puts some light clothes on and goes out of camera shot.
Nata pretends to fall asleep on the bed and Annabelle comes in quietly. She ties one end of the scarf to the bed and then loops the other around Nata’s hand. Nata stirs, but Annabelle is on top of her and only one arm is free – which Annabelle quickly pins down.
She tells Nata she wants the memory stick. Nata denies she has it. Annabelle pretends to hit Nata’s face and belly and she pulls her hair back. Nata still will not tell her. Annabelle begins to hand smother Nata, who tries to fight her off with one free hand. But she cannot get the hand off. When Annabelle stops the hand smother, Nata is gasping for breath – but still she denies everything.
Annabelle picks up the pillow, turns it over and begins pillow smothering Nata, who again fights unsuccessfully to push the pillow off her. But this time Annabelle sees the memory stick in the pillowcase. She stops and takes the USB out and puts it on the bedside table next to the phone. She is very happy and knows now she has what she came for.
She looks at Nata beneath her – wondering what to do about her. Nata says now she has the memory stick she can go and just leave her. But she already knows, Annabelle will not let her live. Annabelle strokes Nata’s face gently, as if they are lovers. But Nata knows what is coming and asks her once more to let her go.
Too soon, Annabelle’s hands close round Nata’s throat and she knows it is the end for her. She tries to fight, but with only one hand free it is hopeless. She tries to die as sexily as Annabelle has and is soon in death spasms before closing her eyes and becoming still.
This time Annabelle hugs Nata, unties her hand, and kisses her.
Nata embraces her and they kiss – this time on the lips, maybe even more!
Nata picks up the phone and shows Annabelle. They both smile. And Nata says to Annabelle “Welcome to Crime House,”
[scene fades…].
IF YOU LIKE THIS FILM PLEASE CHECK OUT
DEADLY SEDUCTION](studio/images/annabelleauditionmicro-ae2.jpg "ANNABELLES AUDITION - «Thanks again for the custom which I enjoyed a lot. The models were both excellent They captured the spirit of the piece - with convincing playfulness between the two of them as interviewer and candidate, whilst giving strong performances in the three death scenes.
The production quality is good».
Customer’s Review
PLOT
Annabelle is a serious actress. But in the middle of the pandemic, work is very hard to find. So, she has applied to become a death fetish model with Crime House, a fetish film producer in Russia. This is the story of her audition with CH.
She is being interviewed in a living room by Nata. Nata asks Annabelle what experience she has of acting out death scenes, and Annabelle says she has done some scenes in drama school – but not this type of work before. Nata is confident Annabelle will be fine but explains that first they have to do three auditions in the bedroom – which is connected by hidden cameras to a group of CH clients. They will decide on the scenarios and determine if Annabelle is suitable to join the CH team. Annabelle is very enthusiastic and says she is sure it will be fine and that they will have fun together. She even hugs Nata making it clear that she finds Nata attractive.
The next scene is in the bedroom. Annabelle is sitting on the bed whil Nata is looking at her phone. She tells Annabelle that for the first audition, the client wants them to play lesbian lovers in the nude. But Nata has discovered Annabelle has betrayed her with a man. She will be on top of Annabelle pinning her down. Annabelle will plead for forgiveness, but Nata will strangle her with her bare hands. The client wants Annabelle to struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Annabelle smiles and gets up to hug and begin undressing Nata. Nata responds amorously and undresses Annabelle easing her back onto the bed. They kiss and cuddle for a while. Suddenly Nata pins Annabelle’s hands down and accuses Annabelle of betraying her with Ivan. Annabelle protests her innocence, but Nata pulls her hair back and pretends to slap her and twist her nipples. Annabelle screams in pain and begs Nata to stop. She admits she did sleep with Ivan but it meant nothing – she loves Nata.
Nata stops torturing Annabelle briefly and they hug each other affectionately. Annabelle says she will never betray Nata again. Nata agrees but then turns aggressive. She barks at Annabelle that there is only one way she can ensure there are no more betrayals. And with that she begins to strangle Annabelle. Annabelle’s eyes widen in shock and fear and she struggles desperately to break Nata’s grip and unbalance her. But Nata is too strong. Annabelle fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Nata kisses Annabelle on the forehead, says ‘cut’, and Annabelle opens her eyes and they both laugh and hug each other affectionately one more time.
Nata goes to her phone and tells Annabelle she has done well in her first scene.
Annabelle comes over and they look at the phone. They are both still nude. Annabelle asks the clients listening whether this time she can play the killer and let Nata be her victim. Nata pushes her away playfully and says she is too strong to be Annabelle’s victim.
The clients obviously like the playfulness between the two of them, because this time they say that Annabelle will play a contract killer who has been hired to murder Nata – with a garotte (maybe a red scarf that is in the room). Nata asks the client if she can fight to get free and the client texts that of course she can try. She puts the phone on a table or shelf by the bed.
Annabelle is confident and picks up the scarf and asks Nata sexily if she wants a bit of fun.
Nata says she doesn’t wish to be tied up and Annabelle strokes her tenderly and says the stocking is not for tieing her up. She eases Nata back on the bed and mounts her, threading the scarf around her throat. Nata asks what she is doing. Suddenly Annabelle gets serious and says someone has paid her to murder Nata. Nata begs for mercy, but Annabelle tightens the scarf and Nata begins to choke.
At first Annabelle is winning and Nata’s struggles are not making any difference. But then she slaps Anna in the belly and slightly winds her, and then unbalances her by jerking her body. Annabelle lets go of the scarf, but it is too late. She is already unbalanced, and Nata now rolls her over and after a bit more wrestling, gets the upper hand. Annabelle tries to fight back, but Nata pins first one hand and then the second above Annabelle’s head.
Annabelle stops struggling and asks what happens now. She thought she was going to win this role play. Nata looks at the phone. The client congratulates her and tells her to smother Annabelle with a pillow. This time it is Annabelle pleading for mercy. But soon, Nata smothers her and although Annabelle again fights with a lot of energy, after a while she accepts the inevitable and slowly dies.
Nata lifts up the pillow and again is happy and kisses Annabelle who opens her eyes a little annoyed she didn’t manage to be the killer in this role play.
Now they are both relaxing after expending a lot of energy in the two scenes.
Nata looks at her phone again and sighs. She turns to Annabelle and tells her this time the clients are going to make sure she is successful as the killer. She explains that in this scenario she will play a spy who has stolen secret account codes from a bank on a memory stick she intends to sell to the highest bidder. Annabelle plays an enforcer who has come to get the memory stick back for the bank and has permission to murder Nata when she gets it. Nata will start off pretending to be asleep on the bed so Annabelle can tie one of her wrists to the headboard before Nata even wakes up to ensure she won’t be able to escape.
Nata gets a memory stick and hides it in the pillowcase. Annabelle puts some light clothes on and goes out of camera shot.
Nata pretends to fall asleep on the bed and Annabelle comes in quietly. She ties one end of the scarf to the bed and then loops the other around Nata’s hand. Nata stirs, but Annabelle is on top of her and only one arm is free – which Annabelle quickly pins down.
She tells Nata she wants the memory stick. Nata denies she has it. Annabelle pretends to hit Nata’s face and belly and she pulls her hair back. Nata still will not tell her. Annabelle begins to hand smother Nata, who tries to fight her off with one free hand. But she cannot get the hand off. When Annabelle stops the hand smother, Nata is gasping for breath – but still she denies everything.
Annabelle picks up the pillow, turns it over and begins pillow smothering Nata, who again fights unsuccessfully to push the pillow off her. But this time Annabelle sees the memory stick in the pillowcase. She stops and takes the USB out and puts it on the bedside table next to the phone. She is very happy and knows now she has what she came for.
She looks at Nata beneath her – wondering what to do about her. Nata says now she has the memory stick she can go and just leave her. But she already knows, Annabelle will not let her live. Annabelle strokes Nata’s face gently, as if they are lovers. But Nata knows what is coming and asks her once more to let her go.
Too soon, Annabelle’s hands close round Nata’s throat and she knows it is the end for her. She tries to fight, but with only one hand free it is hopeless. She tries to die as sexily as Annabelle has and is soon in death spasms before closing her eyes and becoming still.
This time Annabelle hugs Nata, unties her hand, and kisses her.
Nata embraces her and they kiss – this time on the lips, maybe even more!
Nata picks up the phone and shows Annabelle. They both smile. And Nata says to Annabelle “Welcome to Crime House,”
[scene fades…].
IF YOU LIKE THIS FILM PLEASE CHECK OUT
DEADLY SEDUCTION")
