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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 961 Clips / 16510 minutes of video!
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![PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
"What's Going on?" she cries. "Who are you? Get out or I will call the police."
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
"What do you want?" she says softly.
"I need your help."
"Why would I want to help you?" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found."
"How do you know I had anything to do with those?" Melissa cries. "You have no evidence."
"Oh we have evidence all right."
She takes a white bluse out of a wardrobe and puts it on. "Why haven't you arrested me then?" she asks as she takes a skirt out of another wardrobe and puts that on.
"Because we thought you might be useful to us some day"
She laughs. "So who is it you want killed?" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
"Maria and Katarina xxx", he says. "Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it."
"That's a bit extreme," she says.
"They're not innocent. They're helping him."
"What's in it for me?"
"Your fiancé, Rodion."
"What have you done with him?" she asks angrily.
"We've only let him out of jail."
Her phone rings. She picks it up excitedly. "Rodya, is that you?...You're out? That's great..."Yes I promise...I love you too baby...See you soon...kis, kiss."
"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time."
"Okay, I'll do it. I guess I don't have much option."
"No, you don't."
"How do I know you won't kill me afterwards."
The man smiles. "You'll just have to trust us."
"I don't trust you," she replies, and you can see the conflict and fear in her face, "but I'll do it for Rodya. When do you want me to do it?"
"They're at home now."
"That's a bit sudden."
He hands her an envelope. "This is everything you need. Address, GPS coordinates, duplicate keys."
She takes the envelope from him, and you can still see the conflicting emotions in her face. "Well, I might as well get it done so."
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
"I won't scream," she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
"Walk on," he says.
"I always knew," she says.
"Of course," he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
"Rodya," she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.](studio/images/permissiontokillcoverdsc-5bc.jpg "PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
\"What's Going on?\" she cries. \"Who are you? Get out or I will call the police.\"
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
\"What do you want?\" she says softly.
\"I need your help.\"
\"Why would I want to help you?\" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
\"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?\"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
\"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found.\"
\"How do you know I had anything to do with those?\" Melissa cries. \"You have no evidence.\"
\"Oh we have evidence all right.\"
She takes a white bluse out of a wardrobe and puts it on. \"Why haven't you arrested me then?\" she asks as she takes a skirt out of another wardrobe and puts that on.
\"Because we thought you might be useful to us some day\"
She laughs. \"So who is it you want killed?\" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
\"Maria and Katarina xxx\", he says. \"Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it.\"
\"That's a bit extreme,\" she says.
\"They're not innocent. They're helping him.\"
\"What's in it for me?\"
\"Your fiancé, Rodion.\"
\"What have you done with him?\" she asks angrily.
\"We've only let him out of jail.\"
Her phone rings. She picks it up excitedly. \"Rodya, is that you?...You're out? That's great...\"Yes I promise...I love you too baby...See you soon...kis, kiss.\"
\"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time.\"
\"Okay, I'll do it. I guess I don't have much option.\"
\"No, you don't.\"
\"How do I know you won't kill me afterwards.\"
The man smiles. \"You'll just have to trust us.\"
\"I don't trust you,\" she replies, and you can see the conflict and fear in her face, \"but I'll do it for Rodya. When do you want me to do it?\"
\"They're at home now.\"
\"That's a bit sudden.\"
He hands her an envelope. \"This is everything you need. Address, GPS coordinates, duplicate keys.\"
She takes the envelope from him, and you can still see the conflicting emotions in her face. \"Well, I might as well get it done so.\"
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
\"I won't scream,\" she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
\"Walk on,\" he says.
\"I always knew,\" she says.
\"Of course,\" he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
\"Rodya,\" she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.")
![THE ELF AND BAD SANTA - THE ELF AND BAD SANTA
CUSTOM
CAST: Tatiana, Max, Annabelle
The theme of this story is that Tatiana is called to the office to be punished for naughty things she has done against Christmas. She is insolent and defiant, but wants to keep her job, so she admits to some sins, willing to take a little punishment, never thinking that Max the enforcer knows all the bad things she has done, or what her ultimate punishment is.
The enforcer begins to list her sins, and with each sin, gives her a punishment.
I will leave it to your creative genius to use as many offenses and punishments as you can, till we get closer to the climax.
Some transgressions she has committed: Misaddressing Christmas cards, hiding presents, badly wrapping presents, putting the wrong presents in the wrong packages, keeping toys for herself, not singing Christmas carols, using the wrong words in carols, not being happy with children on Santa’s lap, showing her cleavage to little boys, denying reindeer can fly—whatever you and your crew can think of.
Each offense is punished by progressive harder, sexier, more sadistic punishments, such as slapping her hand, spanking her bottom (hand and/or ruler), face slapping, stomach punch, breast slap, hair pull, whipping her bottom, face punch, choking (one or both hands).
It is IMPERATIVE that T’s elf take these punishments with amusement, surprise, and pleasure (mixed with pain), willingly submitting even while showing some resentment at the abuse. The harder they get, the more pleased surprise she shows—wide eyes, open mouth, with some pain but also delight.
As the list of sins goes on and on, however, and the punishments get harder, though, she beings to regret her willingness to accept them.
Two essential punishments for moderately severe offenses against Christmas:
One: T is forced to kneel on the ground and bend over at the waist, face shoved forward into the carpet, her bottom in the air. Her feet are tied together and her hands are tied behind her back. Her short dress is pulled up to expose her almost bare bottom, and she is paddled with something like a ping-pong paddle. She gasps and cries with pain and struggles, and cries insults at the enforcer, but doesn’t really try get away or stop him.
Two: T, still being insolent, runs and sits in the enforcer’s large, luxurious armchair, being impishly disobedient, having fun and mocking the enforcer’s seriousness, and what she regards as minor offenses.
T (sitting the chair like a queen): This could be mine! I could do your job! You think you can keep me in line? You hit like a girl! Sissy! Poor little boy, trying to be mean! Come her—at my feet!
M (slowly approaches the chair, and pulls up the ottoman so he can sit close to T): Little elf, I have not even begun to give you what you deserve. (Suddenly, punches her breast (close up) hard enough to bounce her off the back of the chair.)
T (Gasps and shrieks a little, but lies back, wide eyed, looking at M with astonishment): Wow!
M: You were saying? (Punches her other breast, just as hard (close up)).
T: Owww! (Eyes even wider, mouth open with utter surprise, both at what M is doing and at her enjoyment of it. She touches her breasts, then looks wantingly at M, and puts her hands back against the back of the chair, by her head, inviting more hits).
M (punches her breast even harder (close up).
T: Uhhhhh! (Head bouncing forward then back, then head leaning back, eyes almost closed, lips parted, in obvious pleasure. She stays in her previous position, exposed.)
M (laughs a little, then punches her other breast, again bouncing her off the chair back).
T: Oooph! (slumps in the chair, overwhelmed with the pleasure of being hit so erotically)
M (stands, grabs the front of T’s dress and pulls her up, into the middle of the room. She wobbles on her feet. M grabs her breasts and pulls her toward him, her head and arms flying behind her. He then spins in a tight circle, swing T by her breasts in front of him. After two circles (her eyes wide, gasping and crying), he flings her by her breasts across the room. She hits the floor and rolls under the Christmas tree. As she lies there still, M goes to his desk to see what else T must be punished for. She crawls timidly out from under the tree, unsure if she likes this game anymore.)
(T decides to try to seduce the enforcer, so she comes to him and tries to hug and caress him, rubbing her body against him, enticing him with her eyes, showing him her cleavage. He lets her do what she wants for a while, then shoves her away.)
After being rejected and shoved the floor, she continues to try to seduce him, by preening, stretching, raising her stockinged legs, spreading her legs, rolling about, showing off her body in various inviting poses. He ignores her at first, but finally exasperated, goes to the large armchair and sits. He pats his lap and says, “Come sit on my lap.â€
Tatiana (thinking she was won the battle): “On your lap? I’d love to.â€
Max: Yes. Come here. I want to beat you.
Tatiana (surprised, but liking the idea): You want to beat me?
Max: Yes, I want to beat you. You need to be beaten.
T (get up off the floor and sits on M’s lap, wraps her arm around him): You can beat me, but wouldn’t you rather do something else?
M (laughs and begins nuzzling and caressing T all over, quickly getting an excited response from her. He lets her hair down, and when she is breathing heavy, he stops caressing her. “Ready?â€
T: Yes! Yes! Ready for what?
M (takes her by the hair): This! (hit her hard twice in one breast with the side of his hand (the thumb side), like the edge of a knife or axe, knocking the wind out of T) [we must see these hits close up to know what’s happening]
T (responds to hits with even more excitement)
M (caresses her some more, then moves her around and hits her other breast on the nipple four times with the side of his hand; T jerks and gasps with each hit)
T (moaning with pleasure): Oh, my God!
M (to himself): Yes, you’ll meet him soon enough! (hits her breast twice more, as she gasps) You’ve been so bad, trying to seduce Father Christmas’s enforcer! How hard should I hit you for that?
T: As hard as you want!
M (hits her four more times in the breast)
T (gasps and twists with each hit, but doesn’t try to stop M or protect herself)
M (after a pause, hits her breast twice more): This is good. How many times should I hit you for this new offense?
T (breathless, knowing she will be hit again): As many times as I deserve!
M (shifts her around again and hits her other breast six times, fast and hard (close ups); T jerks and gasps with each hit).
T: Oh! Oh! Oh! Oh! Oh! Oh!
M: Naughty elf! You don’t deserve your elf costume! Take it off!
T (stand, strips off her dress, sits back on M’s lap): Yes, I’ve been so naughty!
M (holding her by the hair, still using the edge of his hand, hit each of T’s breasts several times)
T: Beat me! Hurt me!
M: You want to be hurt? Take off your bra!
T (eagerly takes off bra and throws it away)
M (grabs one breast and holds it tightly (close up) while, using his palm now, slams his hand into each breast (close up) half a dozen times (fully shot to show holding her by the breast while hitting her, her arms spread wide, defenseless); T is becoming delirious with joyful/pain).
M (shoves her off his lap and onto the floor): On your knees! Hands behind you! Head back! Lean back!
T (crawls to the middle of the rug on the floor and does as instructed)
M (kneels on the floor in front of T and punches her in each breast a number of times with his fist; T responds with little shrieks. M hits her again, very hard, sprawling her on her floor, face down. He slips his hand under her, grabs her breast and pulls her by her breast onto her back (close up of this action). She lies, arms spread wide, breathing hard. He straddles her, grabs her breasts, and pulls her up till she is bent at the waist. She hangs by her breasts in his hands, arms limp, head hanging back.)
M: You think you were going to get away with all your sins? (Shakes T up and down) Did you? (shakes her up and down more, pushing and pulling her by her breasts; view sides and from above as he does) Did you think you could seduce me and escape your punishment? (shakes her) Did you?
T (finally trying to remove his hands, without success): No, no! I didn’t mean anything! I know I deserve what’s happening!
M (shoves her to the floor and sits again at his desk, consulting his papers): That beating was just for trying to avoid being disciplined for your worst sins against Christmas. Do you understand that?
T (Still on the floor): Yes. I’m sorry. I won’t do that again! I promise! I’ll take what’s coming to me.
M: You certainly will. (Consults papers) I’m coming to the end of the list, and I see here, you have two of the worst possible sins. The second worst sin is, you have told children that Father Christmas doesn’t exist!
T: But—but—I’ve never seen him! I might be working all day for someone’s imagination!
M: And you compound the sin to me! Stand up! By the fire, face me and take your punishment!
T (stands, feet together, in front of the fire)
M: Deny Father Christmas, will you? (slaps her face hard, a dozen times)
T (astonished, after the last slap): Show him to me!
M: You’re just making it worse for yourself! (slaps her breasts a dozen times)
T (crying): I’ve done nothing wrong! He’s not real!
M: Hands behind your head!
T (clasps hands behind her head, staring at M, knowing she is going to be hit): Do it!
M (punches T hard in left breast four times (close up!)
T (at fourth hit, staggers backward)
M: What are you doing? I’m not done!
T (resumes her position, hands behind her head)
M (punches each breast several times on the nipple, and sideways (close ups), total six hits)
T (doubles over, hands over her chest)
M: Stand up! You’re not finished!
T (resumes position, hands behind her head)
M: Father Christmas does exist! (punches each breast three times, hard than ever, finishes with one more vicious breast punch that sends T to the floor; she lies on her side, arms stretched above her head)
M: Some elf you were! (Kicks her in the breasts, rolling her across the floor several times, then returns to desk)
T (slowly recovers, gathering her clothes (bra, dress, gloves, cap)as M returns to his desk; as he checks off items, she starts to stumble toward the door)
M: Wait! There’s just one more thing.
T (actually frightened now): I haven’t done anything else!
M: Yes, you have. (Leaves desk and pulls T by her hair back into the room, to the large chair. He pulls the ottoman into the middle of room while still holding T).
M (holding T by the hair) You’ve told children THERE’S NO SUCH THING AS CHRISTMAS!!! That is an offense worthy of death!
T: Nooooo!
M (sits on ottoman, pulling T down backward so she is lying across his legs, on her back)
M: There is no greater offense, and no greater punishment! (Wraps a red stocking around T’s neck and tightens it. As T struggles against the beginning of the strangulation): Choose between being beaten to death (punches her breast on the nipple) or being strangled! (tightens stocking)
T (Speechless, terrified)
(For the next several minutes, T alternately tries to stop the strangulation and stop the beating. When her hands try to pull the stocking away, M punches her breasts until T tries to protect her breasts with her hands. When she tries to protect herself, he tightens the stocking a little more, edging her closer to asphyxiation. This process repeats itself 3-4 times (distance shots and close ups). Finally, T realizes she being strangled and death is near, so she stops trying to protect her breasts. She claws at the stocking while M repeated punches each breast, harder and harder, trying to distract her; T lets him hit her, because she’s just trying to survive. But it’s too late. Slowly, even as M continues to hit her, her arms fall back behind her head. M cinches the stocking down and punches her breasts until T shows no signs of life, and hangs limply across his lap. He lifts her head by the stocking and shakes it, then pulls it back down and punches her breasts several more times (clearly seen). Finally, he rolls her off his lap onto the floor, and kicks her onto her back.)
M (kneels and straddles her, grabs her breasts and pulls her up into a sitting position; she hangs by her breasts, dead, in his hands (mandatory: (1) side view, (2) close up, (3) camera moving from behind T, seeing her face, up and over her to look down on her breasts in M’s hands) and (4) view from high up above): Naughty, naughty elf! Father Christmas is the nicest old man in the world, and there’s no place for tarts like you, who question his existence and ruin children’s dreams! (Drops her, stands and stomps on each breast several times hard enough to bounce her off the floor, saying “Bad elf!†with each stomp).
M (returns to desk, consults papers): So much to do, so much to do! (He works for a while, until his eyes stray and he sees a boy’s toy still unwrapped—a toy pistol that shoots rubber suction cup darts [e.g. by the Dreidel Company Detective Set, less than USD $10 on Amazon]. He looks at T’s body, and has an idea.
He props T’s body up against a wall (using whatever means you like to keep her upright), then takes some women’s lipsticks and draws round targets on her breasts, with her nipples as the bullseyes, then amuses himself for a while shooting the suction cup darts against her breasts (2x the 10-11 darts). She stands passively, restrained up against the wall, head to one side, eyes open, lips slightly parted, as the darts hit her breasts and nipples (close ups), though they simply indent her breasts but don’t stick. He enjoys this at first, but quickly tires of it. He looks at T, looks around the room, and decides it needs more decoration. He ties her hands behind her back and her arms to each other (she is limp, so he has to continually manhandle her, pushing her up against a wall and holding her there alternately by her neck, her hair, and just one breast), and then ties her feet together and, ties her thighs together, then wraps her body in a string of lighted Christmas lights (including wrapping some tightly around her breasts), puts her red stocking cap on her head, and hangs her by the neck from the ceiling. )
M (pours himself a drink and works at his desk as T dangles in the background): So much to do! So much to do!
(The clock ticks by the hours, till it is near midnight. M finally lowers T and takes off all the lights and wrappings. He then makes out a label: “Return to workshop. Defective elf merchandise.†He then pulls out a large cardboard box and stuffs T into it, then stuffs packing papers around her, seals it up, put on the label and has it carted off by more helpers.
M (back at his desk): So much to do, so much to do!
(There’s a knock at his door, and another beautiful, sexily clad elf comes in and says): “Is this where I come to be punished for my sins?â€
Max winks at the camera.](studio/images/theelfbadsantascreens-491.jpg "THE ELF AND BAD SANTA - THE ELF AND BAD SANTA
CUSTOM
CAST: Tatiana, Max, Annabelle
The theme of this story is that Tatiana is called to the office to be punished for naughty things she has done against Christmas. She is insolent and defiant, but wants to keep her job, so she admits to some sins, willing to take a little punishment, never thinking that Max the enforcer knows all the bad things she has done, or what her ultimate punishment is.
The enforcer begins to list her sins, and with each sin, gives her a punishment.
I will leave it to your creative genius to use as many offenses and punishments as you can, till we get closer to the climax.
Some transgressions she has committed: Misaddressing Christmas cards, hiding presents, badly wrapping presents, putting the wrong presents in the wrong packages, keeping toys for herself, not singing Christmas carols, using the wrong words in carols, not being happy with children on Santa’s lap, showing her cleavage to little boys, denying reindeer can fly—whatever you and your crew can think of.
Each offense is punished by progressive harder, sexier, more sadistic punishments, such as slapping her hand, spanking her bottom (hand and/or ruler), face slapping, stomach punch, breast slap, hair pull, whipping her bottom, face punch, choking (one or both hands).
It is IMPERATIVE that T’s elf take these punishments with amusement, surprise, and pleasure (mixed with pain), willingly submitting even while showing some resentment at the abuse. The harder they get, the more pleased surprise she shows—wide eyes, open mouth, with some pain but also delight.
As the list of sins goes on and on, however, and the punishments get harder, though, she beings to regret her willingness to accept them.
Two essential punishments for moderately severe offenses against Christmas:
One: T is forced to kneel on the ground and bend over at the waist, face shoved forward into the carpet, her bottom in the air. Her feet are tied together and her hands are tied behind her back. Her short dress is pulled up to expose her almost bare bottom, and she is paddled with something like a ping-pong paddle. She gasps and cries with pain and struggles, and cries insults at the enforcer, but doesn’t really try get away or stop him.
Two: T, still being insolent, runs and sits in the enforcer’s large, luxurious armchair, being impishly disobedient, having fun and mocking the enforcer’s seriousness, and what she regards as minor offenses.
T (sitting the chair like a queen): This could be mine! I could do your job! You think you can keep me in line? You hit like a girl! Sissy! Poor little boy, trying to be mean! Come her—at my feet!
M (slowly approaches the chair, and pulls up the ottoman so he can sit close to T): Little elf, I have not even begun to give you what you deserve. (Suddenly, punches her breast (close up) hard enough to bounce her off the back of the chair.)
T (Gasps and shrieks a little, but lies back, wide eyed, looking at M with astonishment): Wow!
M: You were saying? (Punches her other breast, just as hard (close up)).
T: Owww! (Eyes even wider, mouth open with utter surprise, both at what M is doing and at her enjoyment of it. She touches her breasts, then looks wantingly at M, and puts her hands back against the back of the chair, by her head, inviting more hits).
M (punches her breast even harder (close up).
T: Uhhhhh! (Head bouncing forward then back, then head leaning back, eyes almost closed, lips parted, in obvious pleasure. She stays in her previous position, exposed.)
M (laughs a little, then punches her other breast, again bouncing her off the chair back).
T: Oooph! (slumps in the chair, overwhelmed with the pleasure of being hit so erotically)
M (stands, grabs the front of T’s dress and pulls her up, into the middle of the room. She wobbles on her feet. M grabs her breasts and pulls her toward him, her head and arms flying behind her. He then spins in a tight circle, swing T by her breasts in front of him. After two circles (her eyes wide, gasping and crying), he flings her by her breasts across the room. She hits the floor and rolls under the Christmas tree. As she lies there still, M goes to his desk to see what else T must be punished for. She crawls timidly out from under the tree, unsure if she likes this game anymore.)
(T decides to try to seduce the enforcer, so she comes to him and tries to hug and caress him, rubbing her body against him, enticing him with her eyes, showing him her cleavage. He lets her do what she wants for a while, then shoves her away.)
After being rejected and shoved the floor, she continues to try to seduce him, by preening, stretching, raising her stockinged legs, spreading her legs, rolling about, showing off her body in various inviting poses. He ignores her at first, but finally exasperated, goes to the large armchair and sits. He pats his lap and says, “Come sit on my lap.â€
Tatiana (thinking she was won the battle): “On your lap? I’d love to.â€
Max: Yes. Come here. I want to beat you.
Tatiana (surprised, but liking the idea): You want to beat me?
Max: Yes, I want to beat you. You need to be beaten.
T (get up off the floor and sits on M’s lap, wraps her arm around him): You can beat me, but wouldn’t you rather do something else?
M (laughs and begins nuzzling and caressing T all over, quickly getting an excited response from her. He lets her hair down, and when she is breathing heavy, he stops caressing her. “Ready?â€
T: Yes! Yes! Ready for what?
M (takes her by the hair): This! (hit her hard twice in one breast with the side of his hand (the thumb side), like the edge of a knife or axe, knocking the wind out of T) [we must see these hits close up to know what’s happening]
T (responds to hits with even more excitement)
M (caresses her some more, then moves her around and hits her other breast on the nipple four times with the side of his hand; T jerks and gasps with each hit)
T (moaning with pleasure): Oh, my God!
M (to himself): Yes, you’ll meet him soon enough! (hits her breast twice more, as she gasps) You’ve been so bad, trying to seduce Father Christmas’s enforcer! How hard should I hit you for that?
T: As hard as you want!
M (hits her four more times in the breast)
T (gasps and twists with each hit, but doesn’t try to stop M or protect herself)
M (after a pause, hits her breast twice more): This is good. How many times should I hit you for this new offense?
T (breathless, knowing she will be hit again): As many times as I deserve!
M (shifts her around again and hits her other breast six times, fast and hard (close ups); T jerks and gasps with each hit).
T: Oh! Oh! Oh! Oh! Oh! Oh!
M: Naughty elf! You don’t deserve your elf costume! Take it off!
T (stand, strips off her dress, sits back on M’s lap): Yes, I’ve been so naughty!
M (holding her by the hair, still using the edge of his hand, hit each of T’s breasts several times)
T: Beat me! Hurt me!
M: You want to be hurt? Take off your bra!
T (eagerly takes off bra and throws it away)
M (grabs one breast and holds it tightly (close up) while, using his palm now, slams his hand into each breast (close up) half a dozen times (fully shot to show holding her by the breast while hitting her, her arms spread wide, defenseless); T is becoming delirious with joyful/pain).
M (shoves her off his lap and onto the floor): On your knees! Hands behind you! Head back! Lean back!
T (crawls to the middle of the rug on the floor and does as instructed)
M (kneels on the floor in front of T and punches her in each breast a number of times with his fist; T responds with little shrieks. M hits her again, very hard, sprawling her on her floor, face down. He slips his hand under her, grabs her breast and pulls her by her breast onto her back (close up of this action). She lies, arms spread wide, breathing hard. He straddles her, grabs her breasts, and pulls her up till she is bent at the waist. She hangs by her breasts in his hands, arms limp, head hanging back.)
M: You think you were going to get away with all your sins? (Shakes T up and down) Did you? (shakes her up and down more, pushing and pulling her by her breasts; view sides and from above as he does) Did you think you could seduce me and escape your punishment? (shakes her) Did you?
T (finally trying to remove his hands, without success): No, no! I didn’t mean anything! I know I deserve what’s happening!
M (shoves her to the floor and sits again at his desk, consulting his papers): That beating was just for trying to avoid being disciplined for your worst sins against Christmas. Do you understand that?
T (Still on the floor): Yes. I’m sorry. I won’t do that again! I promise! I’ll take what’s coming to me.
M: You certainly will. (Consults papers) I’m coming to the end of the list, and I see here, you have two of the worst possible sins. The second worst sin is, you have told children that Father Christmas doesn’t exist!
T: But—but—I’ve never seen him! I might be working all day for someone’s imagination!
M: And you compound the sin to me! Stand up! By the fire, face me and take your punishment!
T (stands, feet together, in front of the fire)
M: Deny Father Christmas, will you? (slaps her face hard, a dozen times)
T (astonished, after the last slap): Show him to me!
M: You’re just making it worse for yourself! (slaps her breasts a dozen times)
T (crying): I’ve done nothing wrong! He’s not real!
M: Hands behind your head!
T (clasps hands behind her head, staring at M, knowing she is going to be hit): Do it!
M (punches T hard in left breast four times (close up!)
T (at fourth hit, staggers backward)
M: What are you doing? I’m not done!
T (resumes her position, hands behind her head)
M (punches each breast several times on the nipple, and sideways (close ups), total six hits)
T (doubles over, hands over her chest)
M: Stand up! You’re not finished!
T (resumes position, hands behind her head)
M: Father Christmas does exist! (punches each breast three times, hard than ever, finishes with one more vicious breast punch that sends T to the floor; she lies on her side, arms stretched above her head)
M: Some elf you were! (Kicks her in the breasts, rolling her across the floor several times, then returns to desk)
T (slowly recovers, gathering her clothes (bra, dress, gloves, cap)as M returns to his desk; as he checks off items, she starts to stumble toward the door)
M: Wait! There’s just one more thing.
T (actually frightened now): I haven’t done anything else!
M: Yes, you have. (Leaves desk and pulls T by her hair back into the room, to the large chair. He pulls the ottoman into the middle of room while still holding T).
M (holding T by the hair) You’ve told children THERE’S NO SUCH THING AS CHRISTMAS!!! That is an offense worthy of death!
T: Nooooo!
M (sits on ottoman, pulling T down backward so she is lying across his legs, on her back)
M: There is no greater offense, and no greater punishment! (Wraps a red stocking around T’s neck and tightens it. As T struggles against the beginning of the strangulation): Choose between being beaten to death (punches her breast on the nipple) or being strangled! (tightens stocking)
T (Speechless, terrified)
(For the next several minutes, T alternately tries to stop the strangulation and stop the beating. When her hands try to pull the stocking away, M punches her breasts until T tries to protect her breasts with her hands. When she tries to protect herself, he tightens the stocking a little more, edging her closer to asphyxiation. This process repeats itself 3-4 times (distance shots and close ups). Finally, T realizes she being strangled and death is near, so she stops trying to protect her breasts. She claws at the stocking while M repeated punches each breast, harder and harder, trying to distract her; T lets him hit her, because she’s just trying to survive. But it’s too late. Slowly, even as M continues to hit her, her arms fall back behind her head. M cinches the stocking down and punches her breasts until T shows no signs of life, and hangs limply across his lap. He lifts her head by the stocking and shakes it, then pulls it back down and punches her breasts several more times (clearly seen). Finally, he rolls her off his lap onto the floor, and kicks her onto her back.)
M (kneels and straddles her, grabs her breasts and pulls her up into a sitting position; she hangs by her breasts, dead, in his hands (mandatory: (1) side view, (2) close up, (3) camera moving from behind T, seeing her face, up and over her to look down on her breasts in M’s hands) and (4) view from high up above): Naughty, naughty elf! Father Christmas is the nicest old man in the world, and there’s no place for tarts like you, who question his existence and ruin children’s dreams! (Drops her, stands and stomps on each breast several times hard enough to bounce her off the floor, saying “Bad elf!†with each stomp).
M (returns to desk, consults papers): So much to do, so much to do! (He works for a while, until his eyes stray and he sees a boy’s toy still unwrapped—a toy pistol that shoots rubber suction cup darts [e.g. by the Dreidel Company Detective Set, less than USD $10 on Amazon]. He looks at T’s body, and has an idea.
He props T’s body up against a wall (using whatever means you like to keep her upright), then takes some women’s lipsticks and draws round targets on her breasts, with her nipples as the bullseyes, then amuses himself for a while shooting the suction cup darts against her breasts (2x the 10-11 darts). She stands passively, restrained up against the wall, head to one side, eyes open, lips slightly parted, as the darts hit her breasts and nipples (close ups), though they simply indent her breasts but don’t stick. He enjoys this at first, but quickly tires of it. He looks at T, looks around the room, and decides it needs more decoration. He ties her hands behind her back and her arms to each other (she is limp, so he has to continually manhandle her, pushing her up against a wall and holding her there alternately by her neck, her hair, and just one breast), and then ties her feet together and, ties her thighs together, then wraps her body in a string of lighted Christmas lights (including wrapping some tightly around her breasts), puts her red stocking cap on her head, and hangs her by the neck from the ceiling. )
M (pours himself a drink and works at his desk as T dangles in the background): So much to do! So much to do!
(The clock ticks by the hours, till it is near midnight. M finally lowers T and takes off all the lights and wrappings. He then makes out a label: “Return to workshop. Defective elf merchandise.†He then pulls out a large cardboard box and stuffs T into it, then stuffs packing papers around her, seals it up, put on the label and has it carted off by more helpers.
M (back at his desk): So much to do, so much to do!
(There’s a knock at his door, and another beautiful, sexily clad elf comes in and says): “Is this where I come to be punished for my sins?â€
Max winks at the camera.")
