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    All content on Kinky Clips is Role Playing Fantasy only.
    All content is consensual and is acted out by models of legal age.
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     Respect
    16 minutes    		  Respect - MATTER OF RESPECT Starring: Oksana and Annabelle This page of Yellow Press is for ************* lovers. Two long ************* scenes. New very sexy PlayBoy model. Fetish elements: ************* by cord, ************* by stocking, trying to escape, bad *****, a **** looks at her best friend’s death, dialog (with English subtitles), very inpressive ************* reactions, twitching, kicking, death stares, sexy bodypile, stripping bodies  CHEATING GUTS FEELING
    21 minutes    		  CHEATING GUTS FEELING - CUSTOM Cast: Max and Mira Green GREAT CRUEL FILM WITH LOTS OF GUTS WITH MIRA GREEN! «First, thank you for update on the movie and delivering it within a few days of the update. It sounds like the business is doing well. Congratulations on the success of the film company, I hope it keeps up! I look forward to future productions with you guys. The film was outstanding! The acting was awesome, especially the opening of the movie, loved it! The disemboweling scene was over the top, very realistic. Awesome job by your props and makeup crew, they do excellent work! That’s not an easy special effect to pull off but your actors and crew made it amazing! The camera angles and shots were perfect». Customer’s Feedback and Review FETISH ELEMENTS binding, sacrifice, chloroform, blow, stabbing unconsciousness, guts, agitating, dismemberment, taking out the intestines, sawing, saw, a lot of blood Scene 1 One of the male actors who is Miras boyfriend sees her and another man holding hands walking down the side walk. They don’t see him. He follows them and sees them flirting with each other. Mary goes into the other mans apartment to hook up. Miras boyfriend goes home devastated. Mary comes home to her boyfriends place. He follows her to the bedroom and confronts her about her cheating. She slaps him and he loses it. He’s gonna make her pay for being unfaithful to him. He knocks her out. She falls to the floor. He takes her by the legs and he drags her body out of the room. Her arms drag above her head. He drags her into the living room. Camera views at the floor level of her body and belly. He goes and gets something to wrap her body up so no one sees him leave with her. He wraps her body up. Scene2 The next scene he’s carrying her body into a room. In the room there is a table set up that has shackles for her arms and legs. He lays her out on the table. He takes all her clothes off. He takes each arm and secures them above her head and then secures her legs. Her body is fully stretched out. Head to toe camera pans of her naked body. But before he guts her he enjoys her body some. He takes his hand and rubs her stomach, circling her belly button with his finger. He rubs her tits. He takes his fingers and gently presses down on her belly on several different areas. He then takes both hands and puts them on her sides and squeezes her belly gently. Next we get a point of view from Mira, as if looking through her eyes. She’s waking up and the camera view goes from dark to light as she opens her eyes looking up. Mira looks around at her situation. She lifts her head and looks down to her feet. If you could get a shot from her point of view as she looks down her body to her feet, the shot shows her her belly rising and falling rapidly as she sees the her boyfriend standing at the end of the table at her feet. (See the example photo attached) He’s staring at her. She struggles against the restraints but can’t get free. Her boyfriend walks to the side of the table as she’s struggling. Mira asks him what he’s going to do to her? Camera views of her belly rising and falling because shes breathing hard. He places his hand on top of her stomach as she struggles to get free. He tells her that he can’t believe that she had the guts to cheat on him. She arches her back raising her body off the table. She’s trying to get his hand off her. Mira tells him that she’s glad she cheated on him. He angrily presses her body back down with the hand that’s on her belly. He tells her that he is the last person she’s gonna chest on. He keeps his hand on her stomach. She asks whats he’s going to do to her. He takes his hand off her belly and then slowly runs his finger down the middle of her belly, he stops at her navel and fingers it as he tells her he’s going to cut open her belly and slowly gut her like a pig. She starts to struggle and beg him not to kill her. He takes a cloth and holds it over her nose and mouth. She slowly stops struggling and goes unconscious. Scene3 Opens with camera views of Miras body. She’s still unconscious. Her boyfriend Is standing over her with a knife in his hand. He takes the knife and slides it up and down the middle of her belly. He circles her navel with the knife. He takes the knife and places the tip on her upper belly just below her sternum. He presses down and the knife slides in to the hilt. We see the hilt of the knife press down against her belly. He pulls the blade down the middle of her stomach. As the hilt of the blade gets to her navel. He twist the knife several times. This causes Mira to let out a Ugg! Sound as she wakes up. He finishes the cut all the way down to her pussy. He pulls the knife out as she groans. He then takes his hands and opens her belly up. He reaches in her belly and starts to pull out her guts. Mary squirms in pain. He holds a hand full of her guts as she looks up at them. He drops the guts back on her belly as he finishes pulling them out. Her head rolls to the side, eyes open. Finally he’s done and he drops her guts Into a bucket on the floor. Mary’s still alive. He finally takes the knife and stabs her in the chest between her tits and she dies. The camera pans over Mary’s gutted body. Her boyfriend now has to get rid of Mary’s body. The final scene is Mary’s boyfriend walking up to her body with a long saw. We see him place the saw across her stomach over her navel as if he’s going to cut her in half. The last scene is a an overhead view from the chest up. Her body rocking back and forth as her body is cut in half. IF YOU LIKE THIS FILM PLEASE CHECK OUT DINNER DATE COVID MASSACRE (Blood and Bullets) TENDER MEAT 2 GUTTED GIRLFRIEND
     MACHINE GUNNED 6 Fill Clip
    62 minutes    		  MACHINE GUNNED 6 Fill Clip - 1 hour! About 180 death scenes! 4 actresses! Spies, Gangsters & Soldiers - 3 girls in a series of sketches where they portray spies, gangsters, and army chicks. Spies: Scene 1 – Mary sneaks in to steal some papers. Guards Hass and Tora catch her and as she surrenders they have her face the wall and frisk her, then machine gun her. She slides down the wall onto the floor and her dead body twitches for several seconds before Hass riddles her some more. As Hass and Tora stand over the dead body, the cameraman mows both of them down and they fall into a body pile. Scene 2 – This time Mary makes a run for it and is machine gunned down by the guards. Her body twitches so Tora stands over her and riddles her over and over again (overkill). As she finishes, the cameraman mows her and Hass down who fall into a body pile on top of Mary. This time Hass and Tora's bodies twitch and so the cameraman has to blast them (and hits Mary's body too) again. Scene 3 – In this version, Mary fights back and shoots it out with Hass and Tora. Mary hits Hass but is then mowed down by Tora. Tora really blasts her so she goes down dead. Hass's body twitches a bit so Tora finishes her off. Tora drags Mary's body on top of Hass's, then riddles the bodies. As she does so, the cameraman mows her down (in the back) and she falls onto the body pile as the cameraman continues to fire, which makes all of the bodies shake. Scene 4 – Mary the spy is caught between the two guards, as they prepare to fire, she suddenly drops down and Hass and Tora accidentally machine gun each other. Both bodies twitch so Mary riddles them some more, one at a time. She blasts Hass so that her body rolls across the floor forming a pile with Tora. The cameraman mows down Mary who falls into the pile. Mary's body twitches a lot so the cameraman blasts her and the pile some more. Scene 5 – Mary again surrenders, so Hass and Tora have her face the wall. As Hass frisks Mary, Tora machine guns them both. It's important that they bounce around touching against each other much of the time. As they fall, Tora keeps shooting them. She finally stops just as the cameraman mows her down. Scene 6 – Mary is trapped by the guards and as they close in, she raises her gun and machine guns herself to death. The guards are surprised and a bit disappointed since they wanted to shoot her. Tora walks over and riddles Mary's body. Hass mows down Tora, who falls on top of Mary then riddles her body, also hitting Mary's dead body. The cameraman then mows down Hass who also falls on the body pile. Hass twitches quite a bit so the cameraman riddles the body, also hitting Tora and Mary's dead bodies. Scenes 7-12, same as above with girls switching parts, and Tora being the spy. Scenes 13-18, same as above with Hass being the spy. Scene 19 – All 3 girls are spies and get caught by the cameraman and shoot it out, all of them going down in a hail of bullets. The bodies twitch so the cameraman riddles them. Scene 20 – All 3 girls are spies and this time when caught, they surrender. The cameraman has them face the wall and then machine guns them in the back. They fall into a twitching heap, which the cameraman riddles some more. Mary's body still twitches a little bit so she is blasted one more time, but some of the bullets also hit the other bodies. Gangsters: Scene 1 – Hass and Tora are sitting playing cards when Mary comes in. They both stand and raise their hands but Mary mows them both down. Hass twitches so Mary shoots her some more. The cameraman then blasts Mary who falls across the bodies forming a pile. Cameraman riddles body pile. Scene 2 – Mary and Hass playing cards when Tora comes in. She makes them stand facing the wall, then executes them by machine gunning them in the back. They fall in a pile. Cameraman then mows down Tora. Mary's body twitches so the cameraman riddles the pile. Scene 3 – Tora and Mary are playing cards when Hass comes in. Without even standing, Mary goes for her gun and Hass mows her down. Distracted by mowing down Mary, Hass is then mowed down by Tora, falling on top of Mary. Tora is pretty happy at coming out alive, but then the cameraman mows her down and she falls on top of the pile. She twitches so the cameraman riddles the pile. Scene 4 – All girls a playing cards, when cameraman makes them face the wall and executes them, and the fall into a pile. They all twitch so she shoots them some more. Scene 5 – Mary machine guns Tora and is captured by Hass. Mary is taken to wall and is machine gunned (executed.) After the shooting stops she falls and her body twitches a bit so another burst is given. After that the body is still. Cameraman then machine guns Hass. Scene 6 – Tora machine guns Hass and is captured by Mary. Tora is taken to wall and is machine gunned (executed). After the shooting stops she falls and her body twitches a bit so another burst is given. After that the body is still. Cameraman then machine guns Mary. Scene 7 – Hass machine guns Mary and is captured by Tora. Hass is taken to wall and is machine gunned (executed). After the shooting stops she falls and her body twitches a bit so another burst is given. After that the body is still. Cameraman then machine guns Tora. Scene 8 – All 3 girls are executed one after the other. The bodies falling to a pile. Mary gets it first, then Hass, and finally Tora gets it. The girls are brought in one at a time, mowed down, and the bodies left to pile together. Scene 9 – As Hass is getting machine gunned by the cameraman, Mary pushes Tora onto the line of fire, causing her to be machine gunned also. As she steps closer to get a better look at the shaking bodies, she gets too close and steps into the line of fire. All 3 girls shake and shudder as the fall into a body pile. Scene 10 – Mary is about to execute Tora when Hass bursts into the room and machine guns Mary. Although mortally wounded, as Mary starts to go down she manages to machine gun. Hass blasts Mary again and Mary dies falling into a heap on top of Hass. Her dead body convulses in death. Tora walks over and riddles the bodies, and is then machine gunned by the cameraman. Forearms - I'd like each scene to be one continuous take with no stops or edits. Scene 1 – Mary shows her arms and the camera lighting makes the hair glisten. Suddenly the cameraman machine guns her and dies face down, arms extended. She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs. Scene 2 - Tora shows her arms and the camera lighting makes the hair glisten. Suddenly the cameraman machine guns her and dies face down, arms extended. She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs. Scene 3 - Hass shows her arms and the camera lighting makes the hair glisten. Suddenly the cameraman machine guns her and dies face down, arms extended. She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs. Scene 4 – Tora machine guns Mary. She then takes off one glove and plays with Mary's arm hair. She puts the glove back on and is then machine gunned by Hass. Hass then takes off one glove and checks out Tora's arm hair. She puts her glove back on and is machine gunned by the cameraman. Scene 5 – Tora and Mary machine gun Hass. They then take off one glove and check out Hass's arm hair. They then check out each other's arms as well as their own arms. Next they put their gloves back on and promptly shoot each other to death. The camera gets a nice view of all of their arms. They twitch a little so the cameraman then riddles the bodies. Army: Scene 1 – All 3 girls attack the cameraman. The scene is viewed strictly from the cameraman's point of view. They hide, duck, crawl but eventually, one by one the girls are all mowed down. Scene 2-3 – Same as Scene 1, but with some variation. Scene 4 – Tora and Hass attack Mary. Hass goes down and Tora uses her body to block the bullets. As Mary shoots at Tora, the bullets hit Hass's body, which jerks to the impact. Eventually, Tora makes a break for it and manages to mow down Mary. The cameraman then mows down Tora. Scene 5 – Same with Hass and Mary attacking Tora. Scene 6 – Same with Mary and Tora attacking Hass. Scene 7 – All three girls are huddled together setting an ambush for the cameraman. But the cameraman is behind then and she sneaks up on them and machine guns them in the back. They fall into a body pile and twitch, somewhat excessively, so the cameraman riddles the pile. Scene 8 – Mary and Hass are walking towards the camera. Tora is a few steps behind them. Suddenly Tora opens fire mowing them both down. They shake and bounce together and fall in a pile. Tora stands over the pile and riddles it, but is then mowed down by the cameraman, falling into the pile herself. She twitches so the cameraman riddles the pile. Scene 9 – Same as above with Hass mowing down Tora and Mary. Scene 10 – Same as above with Mary mowing down Hass and Tora. Final Scene. All girls walk toward the camera, smile and say something nice and are then promptly mowed down by the cameraman. They twitch and are riddled some more. First is Hass, then Tora, and finally Mary. At the end they are in a body pile. Lots of lingering forearm close-ups before cameraman riddles the bodies. Requirements: • Gloves in every death scene • Everyone dies in every scene • Plenty of forearm closeups of both living and dead • Lots of shaking, pained expressions, and (moans, groans, grunts, aarrrgghhhh type stuff) • Obvious, sometimes excessive dead body twitching • Mix of eyes open/eyes closed death stares • Lots of in the back shooting • Lots of face down final positions • Legs and Bellies and Arms • Body piles  ARCHER 15
    32 minutes    		  ARCHER 15 - ARCHER 15 Cast: Mira Green, Li, Polina Wood, Max CUSTOM «Crime does not pay. Li and Mira make the additional mistake of asking the Archer to join them in their plot. Julia decides to renegotiate her deal with him. Can you guess the outcome that awaits our three women. Exceptionally well done work! I truly enjoy the performances of Li, Mira and Julia who think they can outfox our friend and his obsession. Unbelievably passionate performances as our heroines meet their end at his hands. The amount of effort you put in bringing to life these ideas on my behalf is the reason I come back with more stories for you. The only way to make my projects any better is for me to write you better scripts. Thank you Darkrooms!!! Customer’s Review» FETISH ELEMENTS Actor #1 enters the scene with his hands up in the air. Actress #3 has a gun out and is pointing it at Actor #1’s back Actress #3 sees the large duffle bag full of money. She walks over and looks at the bag. She picks it up and puts it down. Actress #1 is nude and wearing boots and her hands are tied above her head. Their hands are with ropes and the ropes are attached to a chain and hook. (Same as what was done in Syndicate 7) She is tied up by the wall. Actress #2 is nude and her hands are tied above her head. Actress #3 is finishing tying up Actress #2. Actor #1 now picks up an arrow walks over to where he plans to shoot Actress #2 (she is in center) and loads the arrow. Actress #2 continues to struggle franticly against her ropes energetically pulling away from the post and falling back to post her hands are pulling from back to front on those ropes in an attempt to free herself . The Actor aims his bow at Actress #2’s belly button. (Please take a camera view as suggested with picture #1 just an arrow and a view of the camera and victim and Actress #2 struggling against the ropes in same view.) Return to normal camera view of Actress #2 struggling with her hands pulling on rope and her body leaning away from post. Show Actor #1 shoot the arrow (We see a POV arrow approach Actress #2) and the sound of the arrow hitting Actress #2 in her belly button. Actress #2 lets out a loud moan when hit. Actress #2 moves her head to look down at the end of the shaft. Actress #2 moves her head slowly down and looks down her body further to look at her belly button. Actress #2 moves her head back up and looks at the archer. Actress #2 arches her back and leans back against the wall. Show a number of camera views of Actress #2 after being shot. Slowly zoom in on the arrow and pan down to her feet. There is now a blood trail running down her belly there is blood on their inner thighs and a puddle on the ground. Show a camera view from above actress #2 looking down at the arrow (Just like the view in Archer 9) Actress #2 is twisting to her left, then back to center and then to the right. Pan up and down on her body. Actress #1 & 3 turn and look at Actress #2. Actress #3 moves her head and looks down at her belly button. Actress #1 looks back at Actress #2. Actress #2 is now shown leaning against post. Her hands above her head are slowly (about 1/3 of the energy before she was shot) and without much energy pulling on the ropes above her head back and forward trying desperately to free herself. Actress #2 keeps twisting her body from side to side. She has less energy because she has been shot with an arrow. Actress #1 continues to struggle against the ropes pulling away from post and falling back to post. Actor #1 aims his bow at Actress #1’s belly button. (Please take a camera view from behind the archer capturing him aiming his bow at Actress #1’s belly button and Actress #1 struggling in the same view.) Return to normal camera view of Actress #1 struggling with her hands pulling on rope and her body leaning away from post. Show Actor #1 shooting the arrow (A POV arrow heads towards Actress #1) and the sound of the arrow hitting its target. Then show the arrow sticking out of Actress #1’s belly button. Actress #1 lets out a loud moan when hit. Actress#1 slowly moves her head to look down at the end of the arrow shaft. Actress #1 moves her head down some more and looks down her body to look at her belly button. Show a camera view from above Actress #1 looking down at the arrow. Actress #1 moves her head back up and looks at the Archer. Actress #1 arches her back and leans back against the wall. Camera pans back and shows Actress #2 again. Actresses 1 & 2 each have an arrow in their belly button. Camera zooms in on Actress #1’s arrow, there is now a blood trail running down her belly and on her inner thighs camera pans down to the puddle on the ground between her legs. Have Actress 1 & 2 are now both twisting their bodies either to the left then center than to the right. They also slowly reach for their head with their hands in addition to still try to pull free from the ropes. Actor #1 now picks up a third arrow walks over to where he plans to shoot Actress #3 and loads the arrow. Actress #3 continues to struggle franticly against her ropes energetically pulling away from the post and falling back to post her hands are pulling from back to front on those ropes in an attempt to free herself . Actor #1 aims his bow at Actress #3’s belly button. (Please take a camera view behind the archer capturing his aiming his bow at Actress #3’s belly button and Actress #3 struggling against the ropes in same view.) Return to normal camera view of Actress #3 struggling with her hands pulling on rope and her body leaning away from post. Show Actor #1 shoot the arrow (A POV arrow heads toward Actress #3) and the sound of the arrow hitting Actress #3 in her belly button. Actress #3 lets out a loud moan when hit. Actress #3 moves her head to look down at the end of the shaft. Actress #3 moves her head slowly down and looks down her body further to look at her belly button. Actress #3 moves her head back up and looks at the archer. Actress #3 looks towards the other two women. Actress #3 arches her back and leans back. Camera zooms in on arrow. Camera slowly pans to the ground where there is a puddle of blood on the floor between her legs. Show a camera view from above actress #3 looking down at the arrow. Show a number of camera views of Actress #3 after being shot. Pan up and down on her body. Actress #3 is now twisting her body form left to right. Go back with camera and show Female Actress #1 & 2 again. Pan and show all three actresses. Show Actress #3 slowly stops struggling. Actor #1 than walks over to Actress #3, he reaches for the rope and unties her hands. When her hands become free, He places her on the ground in the body pile he is making. Actor #1 unties Actress #1 and Actress #2 and places them on the ground in the body pile he is making. Camera slowly shows Actress #1, Actress #2 and Actress #3. Actress #3 opens her eyes. She let’s out a moan. She arches her back (Same as Sally in Archer 11 she was awesome”. She reaches for the arrow in her belly with her left hand. She bends forward and looks down her body at the arrow in her belly. There is a gun on the floor. Actress #3 slowly crawls away from the body pile. She is crawling towards the gun on the floor. She reaches the gun picks it up. She aims it at Actor #1. Actress #3 drops the gun. She rolls on to her back. She moans again and reacts. She slowly closes her eyes. Camera pans all of the 3 women’s who are now lying on the ground in a body pile slowly. Please take a few shots of all 3 women one by one as a close ups. All three Actress’s have been shot by arrows and are on the floor in a body pile. Actress #1 arms are at her side and her legs and feet are straight and she has an arrow in her belly button. Actress #2 arms are at her side and her legs and feet are straight and she has an arrow in her belly button. Actress #3 arms are at her side and her legs and feet are straight and she has an arrow in her belly button there is a cell phone near her hand. Camera pans all of the 3 women’s who are now lying on the ground in a body pile slowly. Please take a few shots of all 3 women one by one as a close ups. IF YOU LIKE THIS MOVIE PLEASE CHECK OUT THE ARCHER – ARCHER 2-14
     Shoot Them All
    26 minutes    		  Shoot Them All - SHOOT THEM ALL LONG SHOT DEAD COCKTAIL MEDLEY Custom Video Starring: Oksana, Nata, Masha, Luiza, Angelina 5 MODELS 26 minutes 3 clips in one! Many shooting scenes (more than 60 deaths!) with different fetish clothes: fetish skirts, shite shirts, pantyhose, stockings, jeans shorts, lingerie, topless Different poses, death stares, eyes opened, eyes closed, begging for life POV gun shooting, digital *****, slow motion effects. SUPER HOT! THIS WEEKEND SALE! BASIC PRICE IS 24,99$!  Her Last Morning
    12 minutes    		  Her Last Morning - Starring: Angelina
     SANDRA
    14 minutes    		  SANDRA - SANDRA Starring: Annabelle, Kit and Alex Custom Movie LOOK HOW TERRIBLE IS THE END OF A BRAVE BODYGUARD-GIRL! The story about brave female bodyguard in her mission of protection her client. This is bad day for her she dies of stabs and many bullets… GREAT BULLETS EFFECTS, MUCH ACTION, FIGHTING, SHOOTING, SUFFORING. DEADLY EROTIC THRILLER! 2 all shooting days to make it! Fetish elements: Jeans, navel, foot-fetish, death stare, tits, shooting, human shield, staging to the belly and navel, shooting to the breasts, blood, pain, firefight, cop-theme, female-fatale theme, noir-theme. If you like this movie please also check BODYGUARD THE ARCHER  Office Killer
    17 minutes    		  Office Killer - OFFICE KILLER CUSTOM VIDEO Starring: Angelina & Luiza Great movie with noir atmosphere. Fetish elements: office clothes, pantyhose, feet (many views of feet of alive and dead females), silencer shooting, head shot, backshots, begging for life, carrying. NOTE: If you like this style of videos please check out our another shooting video with office style: Shooting in the office, Crime and Punishment, Divorce. Plot: Two office women are working late at the office. Angelina is in the office with her shoes off working on the computer. The killer enters through the door and orders Angelina to stand up against the wall, yelling at her and inquiring about the whereabouts of a certain computer disk. Angelina is terrified and pleading with the killer that she does not know where it is. During this, Luiza casually walks into the office through the door and closes it, not realizing what is happening yet. She is carrying her shoes and some folders. She stops short when she finally sees Angelina and the killer and realizes what is happening. She also becomes terrified asking what is going on. The killer orders Luiza against the wall next to Angelina. He begins again yelling where the computer disk is. The camera is stationary behind the killer, at an angle and distance where both Angelina and Luiza can be seen head to toe. The killer now orders both women to turn and face the wall. He shoots Luiza twice with a silencer pistols. She lets out an "Ugh" with each hit. She arches her back slightly and drops her shoes and the folders she is still holding on to. She slumps down the wall down to her knees and then her upper torso collapses sideways to the floor (legs bent and soles of feet facing out towards camera). She is dead before she even hits the floor. Open-eyed death stare. Angelina seeing this is terrified out of her mind. She now turns around and faces the killer begging for her life. In mid-sentence, the killer shoots her once in the head, showing a single forehead bullet hole with a blank stare. She falls back against the wall and slides down the wall and crumbles very limply onto the floor next to Luiza. She is dead before she hits the floor with open-eyed death stare. The killer drags Angelina out of the room by her ankles. The camera remains fixed on Luiza as she still lays dead on the ground. After dragging Angelina into another room, the killer returns and drags Luiza out of the room by her hands or wrists. Both women are laying side by side on their backs in another room. The camera is stationary at a low angle/position, back far enough where both women are in view, with pantyhosed soles of feet facing the camera. The killer removes both women's clothing except for their pantyhose and bra. He lifts up their upper torso to remove their blouse shirts (still with open-eyed death stare and ***** visible from mouth and forehead bullet-hole). The killer inspects the clothes for the computer disk but cannot find it. He places the clothes inside a bag. The killer now drags both bodies by their arms/wrists (very limply) down a long office hallway. The camera is stationary at one end of the hallway at a low angle, capturing the soles of the pantyhosed feet as they are dragged away. In this scene, the bodies are actually being dragged further away from the camera as the camera is stationary and does not follow the dragging. Both bodies are then seen being dragged into the bathroom. Both bodies are placed into a single stall to conceal them. Run Time: 17:00 minutes File Size: 700 MB Format: .MP4 Category: Shooting
     RUSSIAN LEGENDS
    24 minutes    		  RUSSIAN LEGENDS - RUSSIAN LEGENDS CAST: Yana, Mira Green, Annabelle, Max and…. SPECIAL GUEST! Eerie, incredibly beautiful, chthonic thriller! PRODUCED AND DIRECTED BY MAINSTREAM FRIENDLY CREW! AVAILABLE LIMITED TIME! Our tribute to SUNSTY Filmed based on real Russian legends of a real small town, where we went to have a rest as a film crew and filmed an improvisation! This movie is special. This is the version for you, our dear customers! The censored version has been sent to the film festival! Sister and brother invite their friends to visit the land where they grew up - a Russian town with pagan traditions. The brother tells terrible legends about witches, and the sister does not believe in these "nonsense". However, the brother falls under the influence of the old pagan sect and, under hypnosis, ritually kills all the girls. Contains murder scenes - strangulation, drowning and cutting throats. At the end of the film, ritual bodies decorated with flowers.  MIRA GREEN IN PERIL 4K
    26 minutes    		  MIRA GREEN IN PERIL 4K - MIRA GREEN IN PERIL FILM IN 4K! CUSTOM FILM CAST: Mira Green and Billy Brag 1. She is in a bathroom taking lipstick and parfum on. Now Mira takes a latex leggins/black leather leggins on, leather boots and a black leather jacket. If she doesn't mind smoking, she could enlight a cigarette afterwards and we see her smoking in the bathroom while watching herself/her outfit in the mirror. We see the villain (in another room). He is looking at his mobile phone: on the screen of his mobile phone (close-up) we see a picture of Mira (probably in different clothes). Now we see him taking the gas mask over and taking chloroform bottle and cloth. Villain knocks on the door and we see him soaking the cloth with plenty of chloroform, Mira goes to open the door. She is attacked from front and driven with her back to the bathroom door. The villain presses the cloth on her face, after some struggeling and moaning her eyes begin to flutter, she goes out moaning, running down the bathroom door with the cloth still pressed on her mouth and nose. Bad Guy goes on his kneee and carries her over the shoulder. Mira is put on a sofa. The villain is soaking the cloth again and presses it over mouth and nose again to keep her under (closeup of their faces). Than he takes pictures of the girl with his mobile phone and leaves the room. 2. Mira wakes up slowly and gets on her feet (she is still drugged and tired). The bad guy soaks the rag again with a good dose of Chloroform and approaches her. Mira recognizes him and is begging: "Please. You don't have to chloroform me again". She turns around and tries to get away, but stumbles. He catches her and presses the cloth over her mouth and nose. Mira tries to fight it, but after a short while her eyes flutter again and she goes out with a nice Little last moaning. The bad lifts her (cradle carry) and carrys her back to the sofa. The guy gags her with black tape and also ties her Hands with the tape. Meanwhile Mira wakes up slowly. she gets aware that she is tied and gagged. She stands up, leaves the sofa, and tries to open the door. But the bad guy has locked it. He soaks unhurriedly the Cloth again. Mira turns around and sees it. she knows what's coming and groans under the gag. The bad guy takes a step towards her, she tries to fend him off with her duct taped/tied hands, but he just pushes her arms away. Then he presses her (from the front) the cloth on mouth and nose, with his index finger and his middle finger framing her nose. She looks straight into the masked face, but after a short while her eyes are blurred, her eyes begin to flutter and she loses consciousness with a moan. Her head falls against his chest. He turns her over (with her back to her), constantly pushing the rag on her face until she slides to the floor. He puts the rag in his pocket, raises her and carries her back to the sofa. There he loosens the gag. Mira moans half unconscious and opens her eyes a crack wide. He takes the oxygen mask, tube and gastank. He turns the gas on. Mira meanwhile recovers more and more, the bad guy presses the mask over her mouth and nose, Mira tries to fight him off but has no chance. The mask is pressed over her face. She tries to hold her breath, but in her panic she sucks the gas in. After four to five breaths her eyes start to flutter again and she looses consciousnees. The bad guy keeps the mask for a few more seconsds on her face (close-up). The he turns the gass off (Hissing sound stops) and removes the mask. The villain leaves the room. 3. After a while Mira regains consciousness, she slowly sits up on the sofa, still groggy. The villain comes back, sneaking up from behind. Mira does not see him. He soaks the cloth and attacks her from behind. The are fighting (Mira on the sofa, her leaning over it from behind, to give you an idea, it should look like here: He is groping her tits and puts her bra down. After some struggeling she is nearly put to rest again (she is half unconscious). Mira is dragged back to the sofa. The villain puts the cloth on her face again and soakes it with lots of chloroform (while the cloth is already on her face). After some helpless struggelling Mira goes out moaning (close-up of her face). Now the villain carries Mira over the shoulder to a bedroom and starts to undress her. She awakes and he chloroforms her again, while she fights it as good as she can. Then he continues to undress her (she is still wearing her boots, leggins and bra). Then he gags her with a ballgag, he soaks the cloth again and presses it for a few seconds over her gagged mouth and under her nose (close-up of her face). The villain goes back to the living room. He takes an oxygen mask, tube and gastank. The villain returns to the bedroom. Mira wakes up again slowly and moans. She tries to crawl from the bed. Heturns the gas on (we here the hissing sound and see the gas escaping), puts it the mask over Miras mouth (with ballgag) and nose. Mira tries to hold her breath and fight it, but after a while she has to breath and after four to fives breaths she goes out like a light with a moan (close-up of her face). The villain keeps the mask a few more seconds o her face to make sure she is out. Then he turns the gas off (Hissing sound stops) and removes the mask. continues to undress Mira (takes her bra down, not off) and plays with her limp body. After a wile, she regains conscioussness. The villain chloroforms her again (only with the cloth, the oxygen mask is lying on the bed). Mira tries to fight it but goes out again (close-up of her face). Now the villain ties her ankles with duct tape. Meanwhile Mira recovers. The villains soaks the cloth again and chloroforms Mira another time. She struggles, but is put to rest again with a moan. At the end, the villain ties her hands with duct tape and presses the cloth for a few seconds over her face. He continues playing with her limp body and takes another pictures with his mobile phone. After a while Mira awakens again and starts moaning. The bad guy takes the oxygen mask again, turns the gas on, puts it over her mouth and nose to keep her under. Then he fixes the straps of the mask behind her head and leaves the gas on to keep her under. He takes some more pictures with his mobile phone and leaves.
     UNIFORM PREDATOR
    20 minutes    		  UNIFORM PREDATOR - UNIFORM PREDATOR CUSTOM «Hey Ugine. Thank you so much for the custom. Mira looks perfect in this role and her performance is great. Mira's desperation is believable and she is clearly putting effort into the gun struggle which made it all the more exciting. Your choice for the villain did a great job as well. You followed the script nearly identical and for that I am much appreciative of. Once I again I thank you for accepting my custom, and will return with more custom videos in the future for you. Thanks again» Customer’s Review Starring: Mira Green and Max Fetish Elements Cop girl, Police, Arresting a criminal, From Police Girl To Victim, Figthing For the Gun, Strangulation, Police Girls Death PLOT He is Uniform Predator, he is a maniac, serial rapist and killer who loves policewomen’ boots and shoes. He rapes them or kills them for his trophies: their boots. This story is about one more police woman who decided to stop and arrest him. She found him in his lair when he was preparing for escape. She arrested him and handcuffed him. He became helpless and policewoman started to be a bitch teasing him showing her feet and shoes, knowing about his fetish. But he was able to be free from the handcuffs and the fight starts. They have different position during the fighting for the gun – sometimes she is near to grab the gun and to kill him, sometimes he is near to win. Finally after very aggressive fighting he choked her for her death… IF YOU LIKE THIF FILM PLEASE CHECK OUT SUPERHEROUS BRAVE AND DEAD POLICE WOMAN  TRAINING CAMP FOR A KILLER
    14 minutes    		  TRAINING CAMP FOR A KILLER - TRAINING CAMP FOR A KILLER CAST: Nata, Tanya. Max CUSTOM "Nata, Tanya and Max are great actors. It's always enjoyable to see Nata as an involuntary victim. Many thanks also to the team of the studios. Very good job, as usual." «CUSTOMER’R REVIEW» FETISH ELEMENTS: Female Fighting, Beating, Catfighting, Choking, Knock Out, Handcuffs, Bagging, Suffocation. Tits Grabbing, Strangulation. Shooting to the belly, Long Deaths, Carrying, Necro Stripping Actress: Nata (tight denim blue jeans, leather jacket or leather bolero, without underwear bra or top), Tanya (tight blue jeans, bra, leather jacket, a male actor (sportswear or suit with sunglasses) Prologue: An assassin is to be trained and an experienced killer of the Mafia takes over the training of the female aspirant. She is to learn different methods of killing. Scene 1. Nata is a successful woman in the erotic industry. She is dressed in tight blue denim pants and leather jacket, wears her hair long and flowing and expects a guest in her apartment. The assassin in training carefully breaks open the apartment door and surprises Nata in an unobserved glance. She attacks Nata and beats her several times, a short cat fight develops until Nata goes unconscious to the ground. The trainer as an observer is very satisfied. Scene 2. Nata is handcuffed on the back and placed on the couch. The assassin's task now is to try different techniques of killing. When Nata is conscious again, she starts screaming and gets a slap in the face. The assassin starts choking Nata with her hands, as she learned. Nata winds herself in the threatening death fight and full of panic. When she threatens to unconscious again, her tormentor lets her off after a while. Next Nata gets a plastic bag pulled for her head and she desperately gasps for air. The trainer is again very satisfied and gives instructions how it could be better. The assassin finds Nata very attractive and while she torments her, she begins to fondle Nata's breasts and squeeze her nipples. Scene 3. The Mafia's experienced instructor has no humor for such games. He is angry and draws his weapon. He slap his trainee hard in her face with the grip of his handgun and then he shoots Nata into her belly, which still carries the plastic bag on the head. Nata moans and winds herself in the death throes while the professional killer is trying to get his trainee into shape. He is beside himself with so much unprofessionalism that he strangles his apprentices, while Nata slowly dies of the bullet as well. However, he took the plastic bag from Nata's head beforehand. Scene 4. The experienced assassin drags the dead girls onto a bed, places them close together and opens the denim jeans, so everyone is able to see their pussys. He puts the gun down without wiping the handle because he wears gloves and leaves the apartment.
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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