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     PENALTY
    23 minutes    		  PENALTY - CUSTOM LONG SUPER SEXY STRANGULATION OF MIRA GREEN! Thank you for sending the completed film. It’s superb and exceeded my expectations. Mira gives a wonderful performance - so committed and convincing - the best I’ve seen. Maxim also gives good support. And your directors and editor also did an excellent job. Thank you. Customer’s Review Sasha (Mira Green) is an executive secretary, smartly dressed, hair tied fully up, wearing thick framed glasses. She is walking home from her office, down the street, wearing a fur coat. (Include a shot of her walking towards the camera.) She reaches her apartment and as she puts her key in the lock she thinks she hears a noise. She looks round but there is no-one there. She enters her apartment and takes off her coat and shoes. She pours herself a drink, sits on the sofa and makes a phone call to her friend. She says that she had a strange day at work - she enjoyed telling the creepy guy at work that he was getting fired but he was angry and told her she’d regret it one day. When she finishes the call, she moves to the bathroom and begins to slowly undress in front of the mirror. We see the reflection of her looking at herself as she does so. When naked she removes her glasses and steps into the shower. Her hair is still up. While showering, she thinks she hears a noise. She looks worried and turns off the water to listen but can hear nothing. She shrugs; she must be imagining things. Sasha gets out of the shower and dries herself. Again looking at herself in the mirror, let’s down her hair and combs it, puts on a silk bathrobe and her glasses. She goes back to sit on the sofa and starts to read a magazine. There is a sudden noise and she looks up in alarm. Suddenly, a figure appears behind the sofa, wearing a Halloween mask and holding a nylon stocking. As Sasha goes to turn around, he wraps the stocking round her throat. Her eyes bulge in surprise. She claws at her neck and at her attacker, and her body bucks desperately as she tries to free herself. Her face contorts in a mix of agony, shock and terror. Her robe falls open. She goes cross-eyed at times and sometimes her tongue protrudes wildly as she searches for air. At one point she manages to move her body to a standing position on the sofa. Her robe has fallen away completely and her glasses fall off in the violent struggle. At other points her attacker forces her onto her front and her back, before she is forced back into a sitting position. There is an overhead camera shot from the killer POV as her head is tilted up and back, looking at him in terror (close-ups here). Then she is facing front again, her face increasingly contorted, cross-eyed, tongue protruding. After a long and violent struggle, she gradually begins to weaken. Her attacker moves to the front of the sofa to face her. He reaches for her glasses and replaces them on her face; then removes his mask. There is an expression of disbelief on her face as she recognises that it is her work colleague. We now see a brief flashback to Sasha in the office - from killer POV - gleefully telling him that he’s fired. Then we cut back to his POV as he viciously tightens the stocking further. Her eyes bulge wide in shock, hands reach up to her throat, her tongue protrudes fully. Her arms then flail by her side and her body convulses as she nears her end. There is one final look of panic and surprise her face as she realises that there is no more air, that this is her last moment. She dies with her face frozen in an expression of surprise, slightly cross-eyed, mouth open, tongue protruding. The stocking is still hanging loosely round her neck. As the killer surveys her body there are jump cuts between brief shots of Sasha walking down the street, on the phone to her friend, looking in the mirror as she undresses and removes her bra, and then back to her dead face. He leaves and we see various shots of her dead body and face, frozen in surprise and terror. Clothes - high class executive (no very short skirts). Underwear sexy but not tarty. Thick framed glasses are important (please use those from custom Persecution Mania if possible). Make-up also high class (no bright red lipstick or excessive eye shadow) Take time with the build-up - walking down street, shots in apartment etc Mira should really struggle hard during attack - lots of face contortions and work with eyes Final death expression of shock very important and should be maintained through rest of film. Photos attached for reference - death stare and expressions that should feature during death struggle. IF YOU LIKE THIS FILM PLEASE CHECK OUT DIVAS FEMALE CRIMINAL EXECUTION GARROTTA  HOSPITAL 4 Nurses Strangled
    22 minutes    		  HOSPITAL 4 Nurses Strangled - PREVIEW http://nicheclips.com/145/clips/files/preview_files/hospitalpreviw.jpg HOSPITAL STRANGULATION MASSACRE 4 NURSES WAS STRANGLED BY DOCTOR! Starring: Annabelle, Pola, Masha, Marina and Kit FETISH ELEMENTS: Clothes: Real nurse uniform, lingerie, stockings, high heel Killing methods: strangulation with stocking, long strangulation, agony, strangulation and hanging, very much legs jerking, very much foot fetishes, death stares, eyes wide opened, tongues, gasping, trying to escape, touching herself in agony during strangulation, putting off stocking from the dead body during strangulation. Bodypiles: 3 Bodypile after deaths - lying together, lying on backs, faces down bodypile Plot Kit was a honest doctor. He was very upset when one of his patient passed away. He went to staff rest-room to talk with a nurse that they must leave their job after that tragedy - they couldn’t save a man. But nurse said that she wasn’t upset and even she was glad – an old man gave all his money for therapy and his death was just relief. When Kit tried to shame her, she was too rude with him. Kit took a stocking and decided to kill all his nurses. You will see four long, naturalistic, ultra sexy strangulation deaths with some exotic and very well done fetish elements. If you like this movie please also check out Nurse and her strangler House of 9 corpses (all 3 parts) House of 7 corpses Unhappy Birthday (all 2 parts)
     MACHINE GUNNED 6 Fill Clip
    62 minutes    		  MACHINE GUNNED 6 Fill Clip - 1 hour! About 180 death scenes! 4 actresses! Spies, Gangsters & Soldiers - 3 girls in a series of sketches where they portray spies, gangsters, and army chicks. Spies: Scene 1 – Mary sneaks in to steal some papers. Guards Hass and Tora catch her and as she surrenders they have her face the wall and frisk her, then machine gun her. She slides down the wall onto the floor and her dead body twitches for several seconds before Hass riddles her some more. As Hass and Tora stand over the dead body, the cameraman mows both of them down and they fall into a body pile. Scene 2 – This time Mary makes a run for it and is machine gunned down by the guards. Her body twitches so Tora stands over her and riddles her over and over again (overkill). As she finishes, the cameraman mows her and Hass down who fall into a body pile on top of Mary. This time Hass and Tora's bodies twitch and so the cameraman has to blast them (and hits Mary's body too) again. Scene 3 – In this version, Mary fights back and shoots it out with Hass and Tora. Mary hits Hass but is then mowed down by Tora. Tora really blasts her so she goes down dead. Hass's body twitches a bit so Tora finishes her off. Tora drags Mary's body on top of Hass's, then riddles the bodies. As she does so, the cameraman mows her down (in the back) and she falls onto the body pile as the cameraman continues to fire, which makes all of the bodies shake. Scene 4 – Mary the spy is caught between the two guards, as they prepare to fire, she suddenly drops down and Hass and Tora accidentally machine gun each other. Both bodies twitch so Mary riddles them some more, one at a time. She blasts Hass so that her body rolls across the floor forming a pile with Tora. The cameraman mows down Mary who falls into the pile. Mary's body twitches a lot so the cameraman blasts her and the pile some more. Scene 5 – Mary again surrenders, so Hass and Tora have her face the wall. As Hass frisks Mary, Tora machine guns them both. It's important that they bounce around touching against each other much of the time. As they fall, Tora keeps shooting them. She finally stops just as the cameraman mows her down. Scene 6 – Mary is trapped by the guards and as they close in, she raises her gun and machine guns herself to death. The guards are surprised and a bit disappointed since they wanted to shoot her. Tora walks over and riddles Mary's body. Hass mows down Tora, who falls on top of Mary then riddles her body, also hitting Mary's dead body. The cameraman then mows down Hass who also falls on the body pile. Hass twitches quite a bit so the cameraman riddles the body, also hitting Tora and Mary's dead bodies. Scenes 7-12, same as above with girls switching parts, and Tora being the spy. Scenes 13-18, same as above with Hass being the spy. Scene 19 – All 3 girls are spies and get caught by the cameraman and shoot it out, all of them going down in a hail of bullets. The bodies twitch so the cameraman riddles them. Scene 20 – All 3 girls are spies and this time when caught, they surrender. The cameraman has them face the wall and then machine guns them in the back. They fall into a twitching heap, which the cameraman riddles some more. Mary's body still twitches a little bit so she is blasted one more time, but some of the bullets also hit the other bodies. Gangsters: Scene 1 – Hass and Tora are sitting playing cards when Mary comes in. They both stand and raise their hands but Mary mows them both down. Hass twitches so Mary shoots her some more. The cameraman then blasts Mary who falls across the bodies forming a pile. Cameraman riddles body pile. Scene 2 – Mary and Hass playing cards when Tora comes in. She makes them stand facing the wall, then executes them by machine gunning them in the back. They fall in a pile. Cameraman then mows down Tora. Mary's body twitches so the cameraman riddles the pile. Scene 3 – Tora and Mary are playing cards when Hass comes in. Without even standing, Mary goes for her gun and Hass mows her down. Distracted by mowing down Mary, Hass is then mowed down by Tora, falling on top of Mary. Tora is pretty happy at coming out alive, but then the cameraman mows her down and she falls on top of the pile. She twitches so the cameraman riddles the pile. Scene 4 – All girls a playing cards, when cameraman makes them face the wall and executes them, and the fall into a pile. They all twitch so she shoots them some more. Scene 5 – Mary machine guns Tora and is captured by Hass. Mary is taken to wall and is machine gunned (executed.) After the shooting stops she falls and her body twitches a bit so another burst is given. After that the body is still. Cameraman then machine guns Hass. Scene 6 – Tora machine guns Hass and is captured by Mary. Tora is taken to wall and is machine gunned (executed). After the shooting stops she falls and her body twitches a bit so another burst is given. After that the body is still. Cameraman then machine guns Mary. Scene 7 – Hass machine guns Mary and is captured by Tora. Hass is taken to wall and is machine gunned (executed). After the shooting stops she falls and her body twitches a bit so another burst is given. After that the body is still. Cameraman then machine guns Tora. Scene 8 – All 3 girls are executed one after the other. The bodies falling to a pile. Mary gets it first, then Hass, and finally Tora gets it. The girls are brought in one at a time, mowed down, and the bodies left to pile together. Scene 9 – As Hass is getting machine gunned by the cameraman, Mary pushes Tora onto the line of fire, causing her to be machine gunned also. As she steps closer to get a better look at the shaking bodies, she gets too close and steps into the line of fire. All 3 girls shake and shudder as the fall into a body pile. Scene 10 – Mary is about to execute Tora when Hass bursts into the room and machine guns Mary. Although mortally wounded, as Mary starts to go down she manages to machine gun. Hass blasts Mary again and Mary dies falling into a heap on top of Hass. Her dead body convulses in death. Tora walks over and riddles the bodies, and is then machine gunned by the cameraman. Forearms - I'd like each scene to be one continuous take with no stops or edits. Scene 1 – Mary shows her arms and the camera lighting makes the hair glisten. Suddenly the cameraman machine guns her and dies face down, arms extended. She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs. Scene 2 - Tora shows her arms and the camera lighting makes the hair glisten. Suddenly the cameraman machine guns her and dies face down, arms extended. She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs. Scene 3 - Hass shows her arms and the camera lighting makes the hair glisten. Suddenly the cameraman machine guns her and dies face down, arms extended. She can even take off one glove and tug at her arm hair, as long as both gloves are back on when the machine gunning occurs. Scene 4 – Tora machine guns Mary. She then takes off one glove and plays with Mary's arm hair. She puts the glove back on and is then machine gunned by Hass. Hass then takes off one glove and checks out Tora's arm hair. She puts her glove back on and is machine gunned by the cameraman. Scene 5 – Tora and Mary machine gun Hass. They then take off one glove and check out Hass's arm hair. They then check out each other's arms as well as their own arms. Next they put their gloves back on and promptly shoot each other to death. The camera gets a nice view of all of their arms. They twitch a little so the cameraman then riddles the bodies. Army: Scene 1 – All 3 girls attack the cameraman. The scene is viewed strictly from the cameraman's point of view. They hide, duck, crawl but eventually, one by one the girls are all mowed down. Scene 2-3 – Same as Scene 1, but with some variation. Scene 4 – Tora and Hass attack Mary. Hass goes down and Tora uses her body to block the bullets. As Mary shoots at Tora, the bullets hit Hass's body, which jerks to the impact. Eventually, Tora makes a break for it and manages to mow down Mary. The cameraman then mows down Tora. Scene 5 – Same with Hass and Mary attacking Tora. Scene 6 – Same with Mary and Tora attacking Hass. Scene 7 – All three girls are huddled together setting an ambush for the cameraman. But the cameraman is behind then and she sneaks up on them and machine guns them in the back. They fall into a body pile and twitch, somewhat excessively, so the cameraman riddles the pile. Scene 8 – Mary and Hass are walking towards the camera. Tora is a few steps behind them. Suddenly Tora opens fire mowing them both down. They shake and bounce together and fall in a pile. Tora stands over the pile and riddles it, but is then mowed down by the cameraman, falling into the pile herself. She twitches so the cameraman riddles the pile. Scene 9 – Same as above with Hass mowing down Tora and Mary. Scene 10 – Same as above with Mary mowing down Hass and Tora. Final Scene. All girls walk toward the camera, smile and say something nice and are then promptly mowed down by the cameraman. They twitch and are riddled some more. First is Hass, then Tora, and finally Mary. At the end they are in a body pile. Lots of lingering forearm close-ups before cameraman riddles the bodies. Requirements: • Gloves in every death scene • Everyone dies in every scene • Plenty of forearm closeups of both living and dead • Lots of shaking, pained expressions, and (moans, groans, grunts, aarrrgghhhh type stuff) • Obvious, sometimes excessive dead body twitching • Mix of eyes open/eyes closed death stares • Lots of in the back shooting • Lots of face down final positions • Legs and Bellies and Arms • Body piles  FAKE LOVE
    32 minutes    		  FAKE LOVE - FAKE LOVE CUSTOM CAST: Tatiana, Max, Seva Husband: “Husband” is a retired criminal. He met Tatiana and fell in love. He decided to retire and settle down because of her. She changed him. He was thinking about retiring anyways. Tatiana made it easier. They got married and had kids. “Husband” has 20 million buried away somewhere, and he is the only one that knows where it is. “Husband” has never told Tatiana about the money but he wants to tell her. Tatiana and “Husband” have been doing small robberies because Tatiana convinced him they need the cash. She also seems to like it. But “Husband” doesn’t want to do them anymore. He wants to focus on being a good father and husband. He plans to tell Tatiana about the money, so she does not feel they have to rob anymore. Tatiana: Tatiana was hired by “Boss” to find the location of the money. She understands she must earn his trust somehow. Her plan is to seduce “Husband” into falling in love with her and marry him. This way he would trust her and eventually tell her where the money is. She plans on convincing him to start robbing again. She knows “Husband” does not want to rob anymore. She thinks “Husband” will grow tired of robbing and will tell her about the money so they will stop. Boss: “Boss” is the former partner in crime of “Husband”. They had a big argument after a big job. They both split 40 million dollars from the job and decided to never talk again. “Boss” feels disrespected by “Husband” and wants him dead. “Boss” wants the other half of the 40 million before he is dead. He knows “Husband” buried it away but not where he buried it. “Boss” hired Tatiana to figure it out and then kill him. But things don't go according to plan. IF YOU LIKE THIS MOVIE PLEASE CHECK OUT DEATH IS PLEASURE STOKHOLM SYNDROME
     THE ARCHER
    30 minutes    		  THE ARCHER - THE ARCHER THE ARCHER Custom Movie Remake of 1996 movie according customer’s original idea 30 minutes fetish horror movie Starring: Luiza, Annabelle FETISH ELEMENTS: Much boot-fetishes (putting on boots, putting off boots, dancing with boots, talking about boot-fetish, teasing with sexy boots) Chloroform Bellybutton torture Bondage to trees Bellybutton terror Arrowings to bellybutton Great Pain and panic Agonic deaths Blood Putting off arrows from bloody bellies PLOT Two young sexy dancers drive to the forest for picnic. They wear swimsuits and take boots for some outside dancing for each other in boots. Both girls like boots. They don’t know the forest is very dangerous for them because strange archer hunts for people in this deep places. He sees young girls and decides to play his game. He catches them one by one, chloroforms them, bondages to trees, tortures their bellybuttons with finger and arrow and then shoots by bow to them.  Home Not Alone
    12 minutes    		  Home Not Alone - Young pretty woman is home alone. Really? She’s sure about it! She is reading a detective story when hears a strange noises… a robber! She grabs a knife and bravely goes to stop the intruder. But he takes a gun and shoots her! Again and again. In the stomach, in her chest, in her leg, arm, in the chest! What a stupid death - to be shot by somebody in the ugly mask in her own place! Cruel robber does a final shot in her head when she is already dead chick. fetish elements leggy blonde woman, home alone situation, shooting, headshot, execution, agony, bullets, brave ******
     Bar
    17 minutes    		  Bar - BAR Starring: Marina, Juliana and Nata Custom Movie with directors edition Warning: VERY HOT! Much ultra erotic angles! Fetish elements: ***** *****, ***** Fetish, Military Fetish, Shooting to the chest, Two head shots, headshot and chest shot, death stares, stripping bodies, limp fetishes, stockings, exotic death poses, bodypile, boot fetish Plot Two soldier military ***** are drinking alcohol in bar. Their behave is too vulgar what makes a waitress get angry. After much provocations she takes a gun and shoots one of the soldiers in her tit. Dead ***** chick! Her partner shoots a waitress to her head, but officer comes who decides to do his own judgment - he shoots ***** soldier to her chest and head. Then he makes something surreal erotic with three dead bodies. They were alive during war but died so stupid in the bar!  HOSPITAL EXPERIMENT
    25 minutes    		  HOSPITAL EXPERIMENT - HOSPITAL EXPERIMENT CAST: Xena, Sally, Billy Brag Sally is a secret agent who has a mission to find a female serial killer in her apartment. She goes to the apartment armed with a gun and goes inside secretly to find her. When she goes in to look for her there is no one and she starts walking around with her gun. Suddenly,without Sally can see what's going on behind her,Xena attacks her from behind wearing a hospital pajama like gown,Xena is locking her throat with her hand,Sally starts choking but doesn't drop her gun. She fights for her life and starts to faint and little by little she starts to fall to the ground. Xena doesn't let her go and continues to choke her until at one point Sally begins to lose consciousness litle by litle until she finally falls asleep and is left helpless on the ground with a gun in her hand.Xena begins to relax her hand from Sally's neck and drops her head to the ground,Sally stands with her mouth slightly open and Xena starts stroking her head and moving her head lightly to check if she slept well.Xena stands up and leaves Sally lying on the ground without taking the gun from his hand. She gets on the phone and calls for a man to help her carry Sally to the bed in the bedroom.While Xena waits for the man to come she starts to touch one of Sally's boots.The man arrives, she tells him to grab Sally under the arms, and she grabs both legs under the bends of the knees, and they carry Sally into the bedroom, while they carry the body, Sally holds her gun in her hand without letting it go. When they get to the bedroom, they put Sally on the bed lying down. Xena tells the man to leave the room and she is left alone with Sally's helpless body. She sits down next to Sally and slowly takes the gun from her hand and places it on the nightstand. Sally turns her head slightly to the side with her mouth slightly open. Xena strokes her head and lifts Sally's body slightly to take off the jacket and lay her down again. Xena takes off her hospital pajamas and remains completely naked. She walks over to Sally again and unzips one boot and slowly begins to take it off,she puts the boot on the floor then she slowly take off 1 sock which she also leaves on the ground next to a boot. When Sally is left with one bare foot Xena grabs it and starts massaging it lightly then she takes off the other boot and sock and leaves them on the ground with the others. Now the camera takes a photo of how Sally is lying barefoot helplessly on the bed and her boots and socks are on the ground, when the camera takes a picture, while Sally is lying on the bed, the boots should also be visible on the ground. After photographing Sally's legs from behind, they go to photograph them from the front as well .Xena slightly lifts Sally's body to take off her blouse and while Sally is sitting on the bed the camera takes a picture of her bare feet and legs. After taking off her blouse she also takes off her bra.After that Xena unties the hair of Sally.Finaly she unzips the belt and the jeans of Sally and slowly take them off.All of Yana's clothes are left on the bed. Finally, Xena takes off Sally's panties and leaves her completely naked. Xena calls the man into the room and tells him that they need to take Sally into the bathroom and give her a bath. Man comes in and grabs Sally under the arms and Xena grabs both and legs under the bends of the knees and they carry Sally's body into the bathroom. Xena again tells the man to get out and she is left alone with Sally's naked body and begins to bathe her. She gets her all wet and washes her hair with shampoo and body with shower gel.She also remove her make up and lipstick.When she is already bathed, she dries her body and again calls the man to enter the bathroom to help her carry Sally to the bedroom. The man grabs Sally under the arms and Xena by both legs under the bends of the knees and they carry Sally to the bed in the bedroom. Xena tells the man to leave the bedroom and she is left alone with Sally.She makes Sally sit on the bed. She gets a hair dryer and dries Sally's hair.Then she dresses Sally in her hospital pajamas after that she combs her hair with a comb to be beautiful and finaly she puts Sally laying on the bed on sleeping position and leaves her to sleep. Now Xena gets dressed with Sally's clothes and puts on her socks and boots. Finally she puts on her Sally's jacket and leaves the room.A little time passes and Sally starts to wake up. She looks surprised that she is wearing pajamas and her clothes are gone but she sees on the bedside table that Xena forgot to take her gun and She takes it and leaves the bedroom and sees Xena in the back sitting on the couch, .She hits her in the head with the gun and Xena passes out. Sally puts Xena down on the couch and takes off her clothes and she puts them back on and leaves Xena lying on the couch completely naked. When Yana is back in her own clothes and boots and socks,she drags Xena's body to the bathroom and there she ties her hands and feet and leaves her naked and tied in the bathroom.Sally goes back to the living room gets her gun and opens the apartment door to escape but is met at the door by Xena's man and he starts hitting her repeatedly with fists in the face, after which Sally falls to the ground unconscious, but the man continues to hit her in the face.Sally is severely beaten and cannot move, her whole face is covered in blood and wounds, the man bends down and takes the gun from her hand and puts it aside. He goes to the bathroom and frees Xena, then the two go to the living room and Xena sees Sally lying beaten on the ground and helpless.Sally slowly opens her eyes but can't speak because of the pain she feels, she tries to speak and ask for help but Xena laughs at her. Sally starts moaning and shaking heavily, her body is shaking. Xena tells the man to grab Sally under the arms and she grabs both legs under the bends of her knees and they carry Sally's helpless body into the bedroom, as they carry her Sally moans in pain. When they reach the bedroom they put Sally to bed. And the two of them with the man begin to undress her quickly.The man begins to take off the jacket and blouse of Sally and at that moment Xena begins to take off her boots.Sally begins to moan and cry to be left alone, she kicks with her legs to avoide to be stripped.Xena can't take Sally's boots off,she kicks so hard that Xena can't hold her back and she calls the man for help. A man comes and grabs both of Sally's legs so Xena can take the boots off. As Sally tries to kick Xena take off her socks also.Sally remains only in jeans and a bra,her socks and boots and her jacket and blouse are on the floor.Sally moans in pain and can't speak. Xenna starts stroking Sally's bare feet and tells her to calm down. Just then the doorbell rings and Xena and the man leave Sally alone in the bedroom and they go to see who is calling. Xena hides because she is naked and the man goes to open the door. He sends the person who rings and closes the door.At that moment Sally manages to get out of the room but falls to the ground and begins to drag herself because she doesn't have the strength to walk. Dragging herself and with a bloodied face, she asks for help, someone to help her, finally leaves her lying on her stomach with her face to the ground. The man grabs her hands and as Sally is lying face down on the ground, he starts dragging her along the ground as he takes her back to the bedroom.The camera is filming Sally's legs dragging and her crying helplessly. When they reach the bed in the room the man lifts Sally off the ground and throws her onto the bed. Xena comes into the bedroom again. Sally kicks her legs to get up released but Xena holds them tightly and the man lifts Sally's body to take off her bra and finally when she is already half naked. A man grabs Sally's hands and Xena unbuttons her jeans and takes them off, finally she takes off her pants and Sally remains completely naked on the bed crying. Xena puts on Sally's clothes and boots again,puts her jacket on. While Sally moans Xena and the man dresses Sally in hospital pajamas and then tie her legs and hands. While Sally is crying Xena goes and punches Sally several times in the face and she falls unconscious. Finally they leave Sally lying in the bed tied up and beaten in hospital pajamas and barefoot. The camera shoots from all sides to show Sally's bare feet and her helpless body,Sally is with open mouth moaning from pain and agony.Finally they leave the room, leaving Sally's alone and helpless.
     PRISONER ABUSE 2
    21 minutes    		  PRISONER ABUSE 2 - PRISONER ABUSE 2 Starring: Angelina, Max Prisoner Abuse 2 The Interrogator roughly escorts Angelina. He wears a dark shirt, cargo pants, and dark shoes/boots (similar to Max’s outfit in “Prisoner Abuse”). Angelina wears a white tank top, dark shorts, and black high heel boots, her hair in a ponytail, light make up/natural look, and no nail polish unless it’s, clear, white, or black. Her hands are cuffed behind her back. As the Interrogator escorts her, Angelina protests, saying things like “You can’t just arrest me like this,” “What did I do?” “I have a right to know,” etc. The Interrogator ignores her. He shoves her into the room and sits her in a folding chair. The room is open with a lot of space and the floor is covered with a tarp or plastic. (Similar to the room where “Prisoner Abuse” takes place) Angelina looks up at her Captor. ANGELINA: Whatever you think I did, you have the wrong person- The Interrogator suddenly punches her in the head. Angelina is surprised by the attack. He grabs her by the hair and leans in close to her. INTERROGATOR: We know you’re a Spy for the Resistance. We have proof, so don’t bother denying it. As he speaks, Angelina glares at him. The Interrogator lets go of her hair. INTERROGATOR: I suggest you answer my questions truthfully. Otherwise… The Interrogator suddenly punches her in the head again. Again, Angelina is surprised by the attack, but this time she immediately stares back at him without fear. He punches her again, and then a third time. Angelina takes the pain and again stares back at him without fear. INTERROGATOR: You can take a hit. Good. Makes it more fun. He punches her several more times in the head in a few different ways. Sometimes he hits her with left and right hooks, other times he holds her with one hand while punching her with the other, and a few times he hits her with straight punches to the face. One final hook knocks her out of the chair and onto the floor. She pants and groans in pain. INTERROGATOR: Come on, get up! He kicks her in the gut. INTERROGATOR: Get up! With her injuries and her hands cuffed behind her, it’s a struggle, but she manages to get back to her feet. The Interrogator pulls out a knife and cuts her tank top, so it falls from her body, exposing her naked breasts. He puts the knife away and punches her in the head again, causing her to stumble back against the wall, but she manages to stay on her feet. The Interrogator then batters her with several hard punches to the abdomen that knock the wind out of her and make her double over, but every time she is about to fall, he catches her or holds her up (maybe he holds her up by the throat). He switches and hits her with more rights and lefts to the head. The final punch knocks her to the floor. He walks away. Angelina tries to breathe and fight through the pain. The Interrogator returns with a baton. He forces her back to her feet baters her abdomen with the baton many times. Every time he hits her, it knocks the wind out of her and makes her double over, groaning/moaning in pain, but every time, the Interrogator catches her or holds her up (maybe he holds her up by the throat). After one final blow, he finally lets her drop to her knees. He grabs her by the hair, sitting her up, and hits her with more punches to the face. With every punch, Angelina’s eyes become more dazed until she is knocked out. He shoves her to the floor, and she lands on her side Angelina’s limp body is now strung up, her hands cuffed/tied above her head (similar to how Xena was strung up in “Prisoner Abuse”). The Interrogator throws some water in her face to wake her up. INTERROGATOR: Have a nice nap? ANGELINA: Are you actually going to ask me some questions this time? INTERROGATOR: That was just a taste of what waits for you if you don’t cooperate. Tell me the location of your Cell’s headquarters. Who is your Commander? How many soldiers are there? And what kind of weapons do they have? Angelina remains silent. He grabs her by the throat and leans in close to her face. INTERROGATOR: Go ahead. Stay silent. I love hurting people. Especially pretty rebel bitches like you. But, if you answer my questions truthfully, I’ll have no choice but to stop. We’ll treat your wounds and give you a nice meal. No more pain. Or you can die slowly. I would love nothing more than to beat you to death. It’s your choice. Angelina takes a moment to consider his words. ANGELINA: You really enjoy hurting me that much? INTERROGATOR: More than you can imagine. ANGELINA: Then you’d better savor every second of it, because soon you’ll be dead as well and your Empire will fall, you sick fuck! She spits blood in his face. The Interrogator chuckles as he cleans his face with a rag. INTERROGATOR: I was hoping you’d say that. He hits her with a mixture of rights and lefts to the head and body. Sometimes he throws a few punches quickly. Other times, he briefly pauses between punches, so she can feel every hit. After many punches to the head and body, he switches to the baton. He takes his time as he batters her body with the baton, making her feel every hit and knocking the wind out of her each time. If not for her hands being strung up, she would have fallen many times. He grabs a shock-stick (the same one from “Bloody Interrogation” and “Prisoner Abuse” if possible). As he holds it close to her body, we finally see fear in her eyes. INTERROGATOR: Answer my questions and it all stops. Angelina buries her fear and glares at him with resolve. He shocks her in the belly, then one of her nipples, then the other nipple, and then finally her pussy. Each time he shocks for several long seconds, causing her eyes roll back as her body spasms (similar to her reactions when she is shocked in “Bloody Interrogation”). The last shock knocks her out. The Interrogator uncuffs/unties her hands and her limp body collapses to the floor. He rolls her onto her back then throws some more water in her face to wake her up. As she gets her bearings back, he stands between her legs and lifts them. Realizing what he is about to do, Angelina’s eyes widen in fear. INTERROGATOR: I’ll give you another chance. Answer my questions or I’ll destroy your pussy. After a few deep breaths, Angelina glares at him with resolve. ANGELINA: I never wanted children anyway. The Interrogator stomps on her pussy several times, causing her to cry out in agony. He takes a second or two between each stomp so she can feel every hit. Eventually the pain causes her to lose consciousness. The Interrogator continues to stomp on her pussy a few more times for good measure. He taps her face and shakes her head to wake her up. Angelina grabs her sore pussy and rolls onto her side groaning/moaning in pain. INTERROGATOR: Get up! Come on, get up! Summoning all of her strength, Angelina slowly stands. INTEROGATOR: Impressive. I’ll make you a deal. If you can get past me, you’re free to go. ANGELINA: (Exhausted) Liar! INTERROGATOR: (Chuckles) Maybe. What do you have to lose?... Unless you’re finally ready to talk. Angelina puts up her guard, though she can barely lift her arms. She throws a couple punches. They are wild and sloppy, and the Interrogator easily dodges them and pretends to applaud her effort. She throws another punch, and the Interrogator easily blocks and counters with a hard punch to her head. She is unable to defend herself as he continues to pummel her with several more punches to the head, mostly right and left hooks, a few straight punches to the face, and punches to the body. Every punch to the head rocks her and some of the body shots double her over. Every time it looks like she’s about to fall, he catches her and stands her back up. Sometimes he holds her as he punches her. A final right hook knocks her to the floor (she lands on her back). She is barely conscious. The Interrogator straightens her out and gets on top of her, straddling her. He taps her face and shakes her head to wake her up. INTERROGATOR: This is your last chance. You won’t have another opportunity after this. ANGELINA: Good. I’m tired of hearing your stupid voice. INTERROGATOR: (Chuckles) Defiant till the end. I like that. The Interrogator hits her over and over with many brutal ground n pound rights and lefts to the head. He alternates a few times, sometimes he holds her with one hand while punching her with the other, sometimes he holds her while hitting her with straight punches to the face, sometimes he hits her with hammer-fists, but he always goes back to ground n pound rights and lefts. After a few minutes, she eventually dies. The Interrogator doesn’t notice at first and when he does realize that she is dead, he continues to punch her in the head several more times. This sequence lasts for about 2-3 minutes. He decides to take a break from punching and decides to brutalize her pussy some more by doing several running soccer (football) kicks to her pussy. He then straddles her and goes back to hitting her with several more ground n pound rights and lefts for about another 2 minutes. (Similar angles as before) The Interrogator finally decides to stop, smiling in satisfaction as he looks down at Angelina’s battered body and gets a sip of water. Suddenly, gunfire is heard off-camera. The Interrogator grabs his gun and goes to investigate. The camera pans Angelina’s dead body as more gunfire is heard and the Interrogator is killed off-screen. Possible POV: Another Resistance Fighter enters, gun drawn, (their face doesn't need to be seen) walking past the dead body of the Interrogator, they discover their dead comrade. RESISTANCE FIGHTER: Commander. I found her. We’re too late. She’s already dead. Looks like she didn’t tell them anything. COMMANDER (V.O.): Copy that. Finish sweeping the area, then bring her home. RESISTANCE FIGHTER: Yes sir… (To Angelina) You did good soldier… You did good. Final body pans ending with a close up of Angelina’s face. The End IF YOU LIKE THIS MOVIE PLEASE CHECK OUT PRISONER ABUSE  THE RIVAL
    20 minutes    		  THE RIVAL - THE RIVAL 20 MINUTES LONG CRUEL THRILLER JUST FOR 10$!! Custom Starring: Nata and Pola Great Offer for 10$ - big well-done movie with many forms of humiliations, violence, kidnapping CHOKING SCENE BAGGING SCENE HEADSHOT Wrap in Cellophane FEMALE KILLER VS INNOCENT VICTIM Plot Young sexy girl in sexy kitchen outfit was attacked by dangerous killer who wants to know some information. She first choked her with her hands in gloves, then she bagged her to her death. She was going to leave the crime scene but suddenly Pola reanimated. Nata shot her many times in her head…
     NIGHT ASSASIATION
    9 minutes    		  NIGHT ASSASIATION - NIGHT ASSOSIATION (Best CH Shooting!) NIGHT ASSASIATION CUSTOM Starring: MARIA A GREAT SEXY ACTRESS MARIA A AVAILABLE FOR CUSTOM! Model With Actress Education GREAT ACTING!! NEW LEVEL OF SHOOTING CLIPS!!! Realistic! Hot! Many emotions! Great wounds and reactions!! SUPER CLIP Fetish Elements: Home Alone, Sexy lingerie, Shooting to the stomach (surprised), GREAT PAIN, crawling in agony, trying to escape, shooting to the back, catching to legs, shooting to the chest, shooting to the heart, long agony, quick death after heart shooting, small agony before death, realistic emotions, crying, death stare, postmortem games Plot Young girls was home alone that fatal evening. She was reading a book «1000 places for tourist» planning her summer holiday. Suddenly she hears a strange noise and goes to check. She can’t realize what’s happened when she catches a bullet to her stomach. Pain! GREAT PAIN! Shock. Why? A man with a silencer gun enters a room. She falls to the floor (REALISTIC FALLING WITHOUT HELPING HERSELF WITH ARMS) and she’s crawling to the floor to her phone to call 911. Her face comes red because of animal fear and pain. He shoot her to the back. Too much pain! Panic. He grabs her legs and starts playing with her agonistic body. He shoots her twice to her heart. ITS REALLY HOT REALISTIC SHOOTING! Dead Play follows…  REAL DETECTIVE
    22 minutes    		  REAL DETECTIVE - A creepy police thriller! A policewoman, alone without reinforcements, decides to enter the lair of the notorious serial Ripper, but does not calculate her strength and herself takes the place of the victim… This time the maniac knows no limits in his monstrous methods of reprisal…
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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