|
Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 964 Clips / 16575 minutes of video!
|
![WHAT CAN YOU TELL TO MY GUN2 - WHAT CAN YOU TELL TO MY GUN? 2
Custom
Cast: Xena, Max, Ksusha Zaichik, Billy Brag
This is a sequel to the previous movie \"What can you tell to my gun?\"
Xena is the fellow agent of Luiza who died infiltrating Max’s organisation.
Xena sits naked in her apartment and unwrapping a box, inside is a pair of blood stained sandals, those worn by Luiza when she died. She checked the shoes, this time please show the shoe size mark clearly, (I think Anna bought size 41). As she stared at the shoes pensively, there is brief back-and-white flash back of Luzie wearing these shoes and got shot dead.
Xena wiped the shoes clean, and put her beautiful bare feet into them, her toes nails were also painted in the red wine Color. A lot of details of her feet in the sandals, showing how fit they were for her. She then put on her clothes (which I will specify with the prop manager later, most likely dress or shirt+skirt). No stockings, no underpants, no bras. She slid a hand gun into her purse, took a last look at herself in the mirror with a grim look and left the room. (Camera can follow her feet a little longer).
Scenes cut to another bed room - this time at Max’s place. There is a few fast cut/ flashing of scenes Xena and Max hugging and making love (just indicatively, to the extent you can) with loud and satisfying moaning from both of them and some sultry background music.
As the music fades, it shows Xena is re-dressing herself, camera can show her wearing her sandals. Max just zipped up his pants, he kneeled down to kiss Xena’s feet praising her feet so big and beautiful. He murmured that her shoes looked a bit familiar then he suddenly looked suspicious when he saw the shoe size mark. He found an excuse walked into another room and made a call, asking his security team to come.
He came back, asking Xena to get a drink as she walks towards the cabinet, he opened her purse and saw the gun. Just as Xena turned to face him asking what he wants to brink, he fired Xena’s pistol at her repeatedly and emptied the entire clip (10-17 rounds, I will work with your prop manager to see what pistol model your are using). Xena jerked and bucked with each bullet hit as she was pushed by the impact step by step and smashed onto the back wall, but managed to stand. [The entry wound are small neat holes with little blood at the beginning but each exit wound is bigger, blood splashing on the wall.
Max clicked the empty and smirked :”wow powerful toy! A whole xx rounds (actual number TBD)”, but he was stunned to see Xena was not dead yet, she snarled at him and pushed herself up against the wall. She dashed to him and tackled him, both falling down with Xena on the top. She pushed Max a few times on the face and then tried to strangle him with her bare hand. As she pushed down her hands, she also started to vomit blood from her mouth, some dripping onto Max’ face. [Xena is now straddling on Max, it is a good chance to see all the exit wounds on her back, also some close up on her feet, it is a good chance to show the bottom of her sandals and the clear shoe size mark].
Max was over powered by Xena not able to move too much. He managed to free his right arm and fumbled around to get a knife. He plunged and slashed the knife on Xena the lower back (the left side) repeatedly, Xena’s guts started to pour out of the open wound. But Xena ignored it and just kept strangling him. Finally, Max grew too weak, his arm dropped and the knife was stuck on Xena’s back. Xena found the chance, she reached back and pulled the knife out.
Now, she raised the knife with both hand high above her head, she straddled on Max and back straight, ready to plunge the knife down. But at the exact moment, the door burst open, two of Max’s men rushed in and opened hire (riffle or pistol, no shot gun this time), it was a short burst only a few seconds, but many bullets hit Xena’s back drilling small red holes, but busting out of her chest in bigger holes, splashing blood and tissues all over Max. Xena held her postion, her arms raised high, body arching back, jerking twisting violently in the rain of bulleted.
When the gun shot stoped, Xena was “frozen” in her strike position for a short while, with wide opened eyes and stunned impression, after a second, she groaned only one world “fuck” (or the Russian equivalent), then she fell forward, not able to control her body anymore, the knife plunged deep into Max’s shoulder, and she dropped prone on top of Max, like in sex, but just not moving anymore, her back full of bullet holes and a loop of intestines hanging out.
The guards fliped Xena off their boss. Max got up with help. He was badly hurt but will live. He looked at Xena, now lying face-up on the ground face up, eyes wide open, mouth half open. Her front was full of holes too, some small (entry), but mostly quite big (exit), thru the blood soaked clothes, we can still see each jagged bullet holes. Intestines on her side. Max cursed and kicked her body, out of rage, he grab a pistol from his guard and shot Xena on her face: 3 on the forehead, one on the cheek and one on her chin, similar to Luzia previously [ you can make the wounds slightly smaller than last time, but keep the quality!] Chunks of Xena;s brain is now splashed all around her head.
Max was escorted out by the guards. Xena left alone on the floor, camera should give a very very long and slow view of their body, feet, face, all the wounds [make sure her body position can reveal most of the wounds! For example, her head need to tilt to the side that allows and face shot to be seen]
Scene darks, then lighten up up, caption showing “8 hours later, The Next Morning”
Max came back, his should now patched up. He mocked at now matter how strong Xena was, she is now al dead with no guts no brains left. He admired her body again, especially her big feet. He played with the feet, but didnt’t remove her shoes [we can see the show size again]. He said to himself Xena’s size 41 feet is so beautiful but the sandal reminded of him Luiza that is how he found out. He mocked at Xena being so tough but missed a small point. He then counted the bullets holes one-by-one, and found out she took xx bullets in total [ this time let’s slow down, take the time and let the audience enjoy Xena and all the wound effect meticulously made by your crew].
Finally he left Xena lying there and walked away.](studio/images/what_can_you_tell_to_my_gun_2_screens-c01.jpg "WHAT CAN YOU TELL TO MY GUN2 - WHAT CAN YOU TELL TO MY GUN? 2
Custom
Cast: Xena, Max, Ksusha Zaichik, Billy Brag
This is a sequel to the previous movie \\"What can you tell to my gun?\\"
Xena is the fellow agent of Luiza who died infiltrating Max’s organisation.
Xena sits naked in her apartment and unwrapping a box, inside is a pair of blood stained sandals, those worn by Luiza when she died. She checked the shoes, this time please show the shoe size mark clearly, (I think Anna bought size 41). As she stared at the shoes pensively, there is brief back-and-white flash back of Luzie wearing these shoes and got shot dead.
Xena wiped the shoes clean, and put her beautiful bare feet into them, her toes nails were also painted in the red wine Color. A lot of details of her feet in the sandals, showing how fit they were for her. She then put on her clothes (which I will specify with the prop manager later, most likely dress or shirt+skirt). No stockings, no underpants, no bras. She slid a hand gun into her purse, took a last look at herself in the mirror with a grim look and left the room. (Camera can follow her feet a little longer).
Scenes cut to another bed room - this time at Max’s place. There is a few fast cut/ flashing of scenes Xena and Max hugging and making love (just indicatively, to the extent you can) with loud and satisfying moaning from both of them and some sultry background music.
As the music fades, it shows Xena is re-dressing herself, camera can show her wearing her sandals. Max just zipped up his pants, he kneeled down to kiss Xena’s feet praising her feet so big and beautiful. He murmured that her shoes looked a bit familiar then he suddenly looked suspicious when he saw the shoe size mark. He found an excuse walked into another room and made a call, asking his security team to come.
He came back, asking Xena to get a drink as she walks towards the cabinet, he opened her purse and saw the gun. Just as Xena turned to face him asking what he wants to brink, he fired Xena’s pistol at her repeatedly and emptied the entire clip (10-17 rounds, I will work with your prop manager to see what pistol model your are using). Xena jerked and bucked with each bullet hit as she was pushed by the impact step by step and smashed onto the back wall, but managed to stand. [The entry wound are small neat holes with little blood at the beginning but each exit wound is bigger, blood splashing on the wall.
Max clicked the empty and smirked :”wow powerful toy! A whole xx rounds (actual number TBD)”, but he was stunned to see Xena was not dead yet, she snarled at him and pushed herself up against the wall. She dashed to him and tackled him, both falling down with Xena on the top. She pushed Max a few times on the face and then tried to strangle him with her bare hand. As she pushed down her hands, she also started to vomit blood from her mouth, some dripping onto Max’ face. [Xena is now straddling on Max, it is a good chance to see all the exit wounds on her back, also some close up on her feet, it is a good chance to show the bottom of her sandals and the clear shoe size mark].
Max was over powered by Xena not able to move too much. He managed to free his right arm and fumbled around to get a knife. He plunged and slashed the knife on Xena the lower back (the left side) repeatedly, Xena’s guts started to pour out of the open wound. But Xena ignored it and just kept strangling him. Finally, Max grew too weak, his arm dropped and the knife was stuck on Xena’s back. Xena found the chance, she reached back and pulled the knife out.
Now, she raised the knife with both hand high above her head, she straddled on Max and back straight, ready to plunge the knife down. But at the exact moment, the door burst open, two of Max’s men rushed in and opened hire (riffle or pistol, no shot gun this time), it was a short burst only a few seconds, but many bullets hit Xena’s back drilling small red holes, but busting out of her chest in bigger holes, splashing blood and tissues all over Max. Xena held her postion, her arms raised high, body arching back, jerking twisting violently in the rain of bulleted.
When the gun shot stoped, Xena was “frozen” in her strike position for a short while, with wide opened eyes and stunned impression, after a second, she groaned only one world “fuck” (or the Russian equivalent), then she fell forward, not able to control her body anymore, the knife plunged deep into Max’s shoulder, and she dropped prone on top of Max, like in sex, but just not moving anymore, her back full of bullet holes and a loop of intestines hanging out.
The guards fliped Xena off their boss. Max got up with help. He was badly hurt but will live. He looked at Xena, now lying face-up on the ground face up, eyes wide open, mouth half open. Her front was full of holes too, some small (entry), but mostly quite big (exit), thru the blood soaked clothes, we can still see each jagged bullet holes. Intestines on her side. Max cursed and kicked her body, out of rage, he grab a pistol from his guard and shot Xena on her face: 3 on the forehead, one on the cheek and one on her chin, similar to Luzia previously [ you can make the wounds slightly smaller than last time, but keep the quality!] Chunks of Xena;s brain is now splashed all around her head.
Max was escorted out by the guards. Xena left alone on the floor, camera should give a very very long and slow view of their body, feet, face, all the wounds [make sure her body position can reveal most of the wounds! For example, her head need to tilt to the side that allows and face shot to be seen]
Scene darks, then lighten up up, caption showing “8 hours later, The Next Morning”
Max came back, his should now patched up. He mocked at now matter how strong Xena was, she is now al dead with no guts no brains left. He admired her body again, especially her big feet. He played with the feet, but didnt’t remove her shoes [we can see the show size again]. He said to himself Xena’s size 41 feet is so beautiful but the sandal reminded of him Luiza that is how he found out. He mocked at Xena being so tough but missed a small point. He then counted the bullets holes one-by-one, and found out she took xx bullets in total [ this time let’s slow down, take the time and let the audience enjoy Xena and all the wound effect meticulously made by your crew].
Finally he left Xena lying there and walked away.")
![NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY
CUSTOM MOVIE
Film Type: Action/Spy film that goes sideways
Actress: Emma
Villain Actors:
Crime
boss: male villain
Betraying
agent: male or female
Costume: Agent outfit, similar to what was used for Super
Agents vs Villains.
Length: 15-20 minutes
Synopsis:
Scene
1:
This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants
her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal.
Scene 2:
They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple
minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit
talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained
by the arms from behind by one enemy, punches by the other, villains take turns with the beating
Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine
coughing and stunned Throat lift - slammed against wall
Crawling away, kick to stomach Kicking when down
Pulled up from the ground by her hair
Bearhug
Anything else - be creative!
Scene 3:
She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness.
Scene 4:
She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \"You shouldn\'t have done that\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between
her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the
finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
Super Agents vs Villains](studio/images/notagooddayforspyscreens-81b.jpg "NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY
CUSTOM MOVIE
Film Type: Action/Spy film that goes sideways
Actress: Emma
Villain Actors:
Crime
boss: male villain
Betraying
agent: male or female
Costume: Agent outfit, similar to what was used for Super
Agents vs Villains.
Length: 15-20 minutes
Synopsis:
Scene
1:
This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants
her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal.
Scene 2:
They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple
minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit
talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained
by the arms from behind by one enemy, punches by the other, villains take turns with the beating
Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine
coughing and stunned Throat lift - slammed against wall
Crawling away, kick to stomach Kicking when down
Pulled up from the ground by her hair
Bearhug
Anything else - be creative!
Scene 3:
She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness.
Scene 4:
She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \\"You shouldn\'t have done that\\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between
her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the
finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
Super Agents vs Villains")
