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    All content on Kinky Clips is Role Playing Fantasy only.
    All content is consensual and is acted out by models of legal age.
    Random Clips more
     Bountuful Harvest
    8 minutes
      Bountuful Harvest - Bountiful Harvest

Starring: Judi, Marina, Tim, Alex

Fetish Elements:
Cut Throat, Bloody boobs. Surprised reactions, Death Stares, Crucifixion, Nude, Blood, Gore, Carrying Dead Body
Plot
One year after graduating University, two young female citizen were driving to the ex-student party in the south of USA. Strange and dark places. Navigator couldn’t help there and they did wrong turn. They wanted to call friends but it was no mobile connection there. And one more trouble happened  - the car was stuck…
Girl was standing near the broken car with no-connection phones. There are only empty fields around. It was getting dark. The girls became nervous. But they were happy to see two farmers near. Men prayed next to the scarecrow. It looked very strange but girls had no time to think about local traditions and they asked for help. Poor girls didn’t know farmers were pagan sectarians and they prayed their god – the scarecrow  - for harvest. They believed the scarecrow needed victims as the gift. Farmers attacked girls and cut their throat. After terrible agony they put corpses under the scarecrow, and watered it with their fresh blood…

If you like this sexy horror film made in road-slasher style please check out
MUSHROOMS
And
NEIGHBOUR  5 Deaths Of Angelina
    28 minutes
      5 Deaths Of Angelina - Starring: Angelina

5 erotic ************* murders with Angelina in one 28 minutes clip!

She is brutally ********* in different situations. Clip consists ,any ************* faith elements for Angelina’s fans and ************* lovers!

3,4$ per scene!

Fetish elements: sexy clothes, sexy death situations, strangulations, *******, foot fetish.  Leg kicking, death stares, fighting for life, home invasions.

If you like shooting more please check SHOOTING MEDLEY with 8 independent shooting scenes with 8 different actresses
     MATRIX RELOAD
    4 minutes
      MATRIX RELOAD - MATRIX RELOAD
CUSTOM
Starring: Ksysha Zaichik, Max, Billy Brag, Sally

The remake of famous scene from Matrix Reload about Persephone kills one of program guards.  Captured Factory 2
    14 minutes
      Captured Factory 2 - CAPTURED FACTORY 2
Starring: Hass, Angelina, Christy, Kit

1 STRANGULATION SCENE IN LATEX
1 STRANGULATION SCENE in BOOTS WITH FATALITY DEATH
FACE TORTURE AND GORE FACE-SLASHING
CHOKING SCENE
CARRYING, STRIPPIG, BODYPILE IN BOOTS
BODIES SLESHING IN MEAT-GRINGER

Plot
Dr.Ko’s Captory of clone-making was stacked by two intruder (watch it in CAPTURE FACTORY. Dark Rooms store) 

After 3 best female guard were strangled, captor management invited 3 cruel female mercenaries:
Hass (played by Hass)  - brave biker girl. Skills: Machine gun shooting, hunting, chasing, fighting.
Fox (played by Angeline) – guard, military girl. Skills: Fighting.
Snake (played by Christy) – guard, manager. The daughter of Dr.Co. Lazy. Sadistic, rich, glamorous. Her father didn’t want her to be in the factory but she liked to kill and manage. 
Agent 0014 was sent to kill all guards again and steal new flash with clones-code. 
He attacked Hass from behind when she was on her boke. It was very hard to kill Hass, but he chose very good position to send this bitch to the God. 
He took machine gun from her dead hands and went to kill Fox. He attacked her and crashed her neck with machinegun strangling her. All she could is just to jerk with her long legs in boots. He threw her to big industrial fan to slash her face. Poor shake was still alive with her throat broken and faceless. After a terrible agony she dies. 
Only Snake were alive. Easy target. Rich bitch was making selfies when Agent 0014 attacked her. She tried to escape but she ran to the cowardly girl and strangled her. 
He decided to eliminate corpses and put them to the fan to slash bodies like forcemeat. 
If you like this one please check out
ELIMINATE MISTRESS
CAPTURE FAVTORY
AGENT 13
SPACE INTRUDER
     THE ELF AND BAD SANTA
    38 minutes
      THE ELF AND BAD SANTA - THE ELF AND BAD SANTA



CUSTOM

CAST: Tatiana, Max, Annabelle

The theme of this story is that Tatiana is called to the office to be punished for naughty things she has done against Christmas.  She is insolent and defiant, but wants to keep her job, so she admits to some sins, willing to take a little punishment, never thinking that Max the enforcer knows all the bad things she has done, or what her ultimate punishment is. 

The enforcer begins to list her sins, and with each sin, gives her a punishment. 

I will leave it to your creative genius to use as many offenses and punishments as you can, till we get closer to the climax. 

Some transgressions she has committed: Misaddressing Christmas cards, hiding presents, badly wrapping presents, putting the wrong presents in the wrong packages, keeping toys for herself, not singing Christmas carols, using the wrong words in carols, not being happy with children on Santa’s lap, showing her cleavage to little boys, denying reindeer can fly—whatever you and your crew can think of. 

Each offense is punished by progressive harder, sexier, more sadistic punishments, such as slapping her hand, spanking her bottom (hand and/or ruler), face slapping, stomach punch, breast slap, hair pull, whipping her bottom, face punch, choking (one or both hands).

It is IMPERATIVE that T’s elf take these punishments with amusement, surprise, and pleasure (mixed with pain), willingly submitting even while showing some resentment at the abuse.  The harder they get, the more pleased surprise she shows—wide eyes, open mouth, with some pain but also delight.

As the list of sins goes on and on, however, and the punishments get harder, though, she beings to regret her willingness to accept them.

Two essential punishments for moderately severe offenses against Christmas: 

One:  T is forced to kneel on the ground and bend over at the waist, face shoved forward into the carpet, her bottom in the air.   Her feet are tied together and her hands are tied behind her back.  Her short dress is pulled up to expose her almost bare bottom, and she is paddled with something like a ping-pong paddle.  She gasps and cries with pain and struggles, and cries insults at the enforcer, but doesn’t really try get away or stop him.

Two:  T, still being insolent, runs and sits in the enforcer’s large, luxurious armchair, being impishly disobedient, having fun and mocking the enforcer’s seriousness, and what she regards as minor offenses.

T (sitting the chair like a queen):  This could be mine!  I could do your job!  You think you can keep me in line?  You hit like a girl!  Sissy!  Poor little boy, trying to be mean!  Come her—at my feet!

M (slowly approaches the chair, and pulls up the ottoman so he can sit close to T):  Little elf, I have not even begun to give you what you deserve.  (Suddenly, punches her breast (close up) hard enough to bounce her off the back of the chair.)

T (Gasps and shrieks a little, but lies back, wide eyed, looking at M with astonishment):  Wow!

M:  You were saying?  (Punches her other breast, just as hard (close up)).

T:  Owww! (Eyes even wider, mouth open with utter surprise, both at what M is doing and at her enjoyment of it.  She touches her breasts, then looks wantingly at M, and puts her hands back against the back of the chair, by her head, inviting more hits).

M (punches her breast even harder (close up).

T:  Uhhhhh!  (Head bouncing forward then back, then head leaning back, eyes almost closed, lips parted, in obvious pleasure.  She stays in her previous position, exposed.)

M (laughs a little, then punches her other breast, again bouncing her off the chair back).

T:  Oooph!   (slumps in the chair, overwhelmed with the pleasure of being hit so erotically)

M (stands, grabs the front of T’s dress and pulls her up, into the middle of the room.  She wobbles on her feet.  M grabs her breasts and pulls her toward him, her head and arms flying behind her.  He then spins in a tight circle, swing T by her breasts in front of him.  After two circles (her eyes wide, gasping and crying), he flings her by her breasts across the room.  She hits the floor and rolls under the Christmas tree.  As she lies there still, M goes to his desk to see what else T must be punished for.  She crawls timidly out from under the tree, unsure if she likes this game anymore.)

(T decides to try to seduce the enforcer, so she comes to him and tries to hug and caress him, rubbing her body against him, enticing him with her eyes, showing him her cleavage.  He lets her do what she wants for a while, then shoves her away.)

After being rejected and shoved the floor, she continues to try to seduce him, by preening, stretching, raising her stockinged legs, spreading her legs, rolling about, showing off her body in various inviting poses.  He ignores her at first, but finally exasperated, goes to the large armchair and sits.  He pats his lap and says, “Come sit on my lap.â€

Tatiana (thinking she was won the battle): “On your lap?  I’d love to.â€

Max:  Yes.  Come here.  I want to beat you.

Tatiana (surprised, but liking the idea):  You want to beat me?

Max:  Yes, I want to beat you.  You need to be beaten.

T (get up off the floor and sits on M’s lap, wraps her arm around him):  You can beat me, but wouldn’t you rather do something else?

M (laughs and begins nuzzling and caressing T all over, quickly getting an excited response from her.  He lets her hair down, and when she is breathing heavy, he stops caressing her.  “Ready?â€

T:  Yes!  Yes!  Ready for what?

M (takes her by the hair):  This!  (hit her hard twice in one breast with the side of his hand (the thumb side), like the edge of a knife or axe, knocking the wind out of T)  [we must see these hits close up to know what’s happening]

T (responds to hits with even more excitement)

M (caresses her some more, then moves her around and hits her other breast on the nipple four times with the side of his hand;  T jerks and gasps with each hit)

T (moaning with pleasure):  Oh, my God!

M (to himself):  Yes, you’ll meet him soon enough! (hits her breast twice more, as she gasps)  You’ve been so bad, trying to seduce Father Christmas’s enforcer!  How hard should I hit you for that?

T:  As hard as you want!

M (hits her four more times in the breast)

T (gasps and twists with each hit, but doesn’t try to stop M or protect herself)

M (after a pause, hits her breast twice more):  This is good.  How many times should I hit you for this new offense?

T (breathless, knowing she will be hit again):  As many times as I deserve!

M (shifts her around again and hits her other breast six times, fast and hard (close ups); T jerks and gasps with each hit).

T:  Oh! Oh! Oh! Oh! Oh! Oh!

M:  Naughty elf!  You don’t deserve your elf costume!  Take it off!

T (stand, strips off her dress, sits back on M’s lap):  Yes, I’ve been so naughty!

M (holding her by the hair, still using the edge of his hand, hit each of T’s breasts several times)

T:  Beat me!  Hurt me!

M:  You want to be hurt?  Take off your bra!

T (eagerly takes off bra and throws it away)

M (grabs one breast and holds it tightly (close up) while, using his palm now, slams his hand into each breast (close up) half a dozen times (fully shot to show holding her by the breast while hitting her, her arms spread wide, defenseless); T is becoming delirious with joyful/pain). 

M (shoves her off his lap and onto the floor):  On your knees!  Hands behind you!  Head back!  Lean back!

T (crawls to the middle of the rug on the floor and does as instructed)

M (kneels on the floor in front of T and punches her in each breast a number of times with his fist; T responds with little shrieks.  M hits her again, very hard, sprawling her on her floor, face down.  He slips his hand under her, grabs her breast and pulls her by her breast onto her back (close up of this action).   She lies, arms spread wide, breathing hard.  He straddles her, grabs her breasts, and pulls her up till she is bent at the waist.  She hangs by her breasts in his hands, arms limp, head hanging back.)

M:  You think you were going to get away with all your sins?  (Shakes T up and down)  Did you?  (shakes her up and down more, pushing and pulling her by her breasts; view sides and from above as he does)  Did you think you could seduce me and escape your punishment?  (shakes her) Did you?

T (finally trying to remove his hands, without success):  No, no!  I didn’t mean anything!  I know I deserve what’s happening!

M (shoves her to the floor and sits again at his desk, consulting his papers):  That beating was just for trying to avoid being disciplined for your worst sins against Christmas.  Do you understand that?

T (Still on the floor): Yes.  I’m sorry.  I won’t do that again!  I promise!  I’ll take what’s coming to me.

M:  You certainly will.  (Consults papers)  I’m coming to the end of the list, and I see here, you have two of the worst possible sins.  The second worst sin is, you have told children that Father Christmas doesn’t exist!

T:  But—but—I’ve never seen him!  I might be working all day for someone’s imagination!

M:  And you compound the sin to me!  Stand up!  By the fire, face me and take your punishment!

T (stands, feet together, in front of the fire)

M:  Deny Father Christmas, will you?  (slaps her face hard, a dozen times)

T (astonished, after the last slap):  Show him to me!

M:  You’re just making it worse for yourself!  (slaps her breasts a dozen times)

T (crying): I’ve done nothing wrong!  He’s not real!

M:  Hands behind your head!

T (clasps hands behind her head, staring at M, knowing she is going to be hit): Do it!

M (punches T hard in left breast four times (close up!)

T (at fourth hit, staggers backward)

M:  What are you doing?  I’m not done!

T (resumes her position, hands behind her head)

M (punches each breast several times on the nipple, and sideways (close ups), total six hits)

T (doubles over, hands over her chest)

M: Stand up!  You’re not finished!

T (resumes position, hands behind her head)

M:  Father Christmas does exist! (punches each breast three times, hard than ever, finishes with one more vicious breast punch that sends T to the floor; she lies on her side, arms stretched above her head)

M: Some elf you were! (Kicks her in the breasts, rolling her across the floor several times, then returns to desk)

T (slowly recovers, gathering her clothes (bra, dress, gloves, cap)as M returns to his desk; as he checks off items, she starts to stumble toward the door)

M:  Wait!  There’s just one more thing.

T (actually frightened now):  I haven’t done anything else!

M:  Yes, you have.  (Leaves desk and pulls T by her hair back into the room, to the large chair.  He pulls the ottoman into the middle of room while still holding T). 

M (holding T by the hair) You’ve told children THERE’S NO SUCH THING AS CHRISTMAS!!!  That is an offense worthy of death!

T: Nooooo!

M (sits on ottoman, pulling T down backward  so she is lying across his legs, on her back)

M:  There is no greater offense, and no greater punishment!  (Wraps a red stocking around T’s neck and tightens it.  As T struggles against the beginning of the strangulation):  Choose between being beaten to death (punches her breast on the nipple) or being strangled! (tightens stocking)

T (Speechless, terrified)

(For the next several minutes, T alternately tries to stop the strangulation and stop the beating.  When her hands try to pull the stocking away, M punches her breasts until T tries to protect her breasts with her hands.  When she tries to protect herself, he tightens the stocking a little more, edging her closer to asphyxiation.  This process repeats itself 3-4 times (distance shots and close ups).  Finally, T realizes she being strangled and death is near, so she stops trying to protect her breasts.  She claws at the stocking while M repeated punches each breast, harder and harder, trying to distract her; T lets him hit her, because she’s just trying to survive.  But it’s too late.  Slowly, even as M continues to hit her, her arms fall back behind her head.  M cinches the stocking down and punches her breasts until T shows no signs of life, and hangs limply across his lap.  He lifts her head by the stocking and shakes it, then pulls it back down and punches her breasts several more times (clearly seen).  Finally, he rolls her off his lap onto the floor, and kicks her onto her back.)

M (kneels and straddles her, grabs her breasts and pulls her up into a sitting position; she hangs by her breasts, dead, in his hands (mandatory: (1) side view, (2) close up, (3) camera moving from behind T, seeing her face, up and over her to look down on her breasts in M’s hands) and (4) view from high up above):  Naughty, naughty elf!  Father Christmas is the nicest old man in the world, and there’s no place for tarts like you, who question his existence and ruin children’s dreams!  (Drops her, stands and stomps on each breast several times hard enough to bounce her off the floor, saying “Bad elf!†with each stomp).

M (returns to desk, consults papers):  So much to do, so much to do!  (He works for a while, until his eyes stray and he sees a boy’s toy still unwrapped—a toy pistol that shoots rubber suction cup darts [e.g. by the Dreidel Company Detective Set, less than USD $10 on Amazon].  He looks at T’s body, and has an idea.

He props T’s body up against a wall (using whatever means you like to keep her upright), then takes some women’s lipsticks and draws round targets on her breasts, with her nipples as the bullseyes, then amuses himself for a while shooting the suction cup darts against her breasts (2x the 10-11 darts).  She stands passively, restrained up against the wall, head to one side, eyes open, lips slightly parted, as the darts hit her breasts and nipples (close ups), though they simply indent her breasts but don’t stick.  He enjoys this at first, but quickly tires of it.  He looks at T, looks around the room, and decides it needs more decoration.  He ties her hands behind her back and her arms to each other (she is limp, so he has to continually manhandle her, pushing her up against a wall and holding her there alternately by her neck, her hair, and just one breast), and then ties her feet together and, ties her thighs together, then wraps her body in a string of lighted Christmas lights (including wrapping some tightly around her breasts), puts her red stocking cap on her head, and hangs her by the neck from the ceiling. )

M (pours himself a drink and works at his desk as T dangles in the background):  So much to do!  So much to do! 

(The clock ticks by the hours, till it is near midnight.  M finally lowers T and takes off all the lights and wrappings.  He then makes out a label:  “Return to workshop.  Defective elf merchandise.† He then pulls out a large cardboard box and stuffs T into it, then stuffs packing papers around her, seals it up, put on the label and has it carted off by more helpers.

M (back at his desk): So much to do, so much to do!

(There’s a knock at his door, and another beautiful, sexily clad elf comes in and says): “Is this where I come to be punished for my sins?â€

Max winks at the camera.  BEYOND
    17 minutes
      BEYOND - BEYOND
If you like very erotic cruel fetish horros this one is for you!
Dissolute STRANGULATION with new fetish death way – FALLING DOWN FROM THE WINDOW!
VERY VERY R-Raiting MOVIE!
The most hardcore video by DARKROOMS
VERY SEXY XX STRANGULATION WITH CLOSE-UPS AND SEXY VIEWS
VERY AGGRESSIVE AND HARD
PLAYINGWITH CORPSEANDFOOD
PUTTINGH FOOD IN DEAD GIRL’S MOUTH
VIOLENSE ULTRA VIOLENCE
Throwing corpse from the window!
Throwing girl from the window!
FALLING FROM THE HIGH BUILDING
AGONY AFTER FALLING
FORCED TO STRIP, NECRO STRIPPING, NUDE CONTENT
BODYPILE

Plot
Two students work as private maids. They clean houses in sexy shorts hoping for big tips. But the client looks like real crazy guy. He’s very rude and strange. When one of the girl is washing window, the clients calls the second girl to the kitchen and sudden attacks her and starts to choke! 

It’s very hard and sexy choking scenes. Then he playes with poor girl’s body, he puts hamburger to her mouth, then strips and puts hamburger on her legs and ass. He calls for another girl, terrors her and forced to lick her friend’s corpse and lick food from her body. Then he forses girl to carry corpse to the balcony and to wash window with her big-size boobs! Game over – he thwows corpse from the balcony, then he forses to strip his second victim full nude and throwes her from balcony. She is falling from 40th floor to the ground, she’s crying and shouting desperately when flying down. When she lands with crunch  she is still alive and moans before death. Two nude corpses are at the asphalt.
     SPACESHIP INDIGO Part 4
    10 minutes
      SPACESHIP INDIGO Part 4 - SPACESHIP INDOGO: Change Of Course
CUSTOM
Part 4

Starring:
Mia Jane, Elvira Twins, Irena, Maya Dinova, Annabelle, Pola, Laura Romeo, Maria

GREAT MASS MASSACRE SHOOTING SCENE IN COMMAND CENTER!
OFFICE MASSACRES
YOUNG SCIENTIST WAS SHOT
COMMAND CENTER EMPLOYEES SHOT
INTRUDERS ARE SHOT BY GUARDS

Great episode in exclusive location. Intruders enter command center and shoot all employees. Many of them are killed by guards. Last intruders catch the rule and change the course…

PLEASE CHECK OUT ALL PARTS OF
SPACESHIP INDOGO  

To be continued…  THE COLLECTOR part 1 Lis Death
    22 minutes
      THE COLLECTOR part 1 Lis Death - THE COLLECTOR (Part 1: Murder of Li)

*ULTRA EROTIC!*



CUSTOM

«‘The Collector: Student Reporter’ is nothing short of a masterpiece, what you might call Arthouse Erotic Horror. Full of iconic moments, this video is destined, in my opinion, to become a classic. Make no mistake, what Ugine and team have produced is one of the best videos in the genre, ever, and your money here is well spent.




What I gave Ugine was an insanely complex script. It took the characters seriously, giving paragraph after paragraph to their thoughts and feelings. It linked out to clips from some of the best videos in our genre — specifically, the best portrayals of my favorite elements that I wanted to repurpose for my story. And it had a story arc, with a beginning, a middle, and an end. Not to mention that Ugine even integrated multiple audio clips that I had recorded by a voice actress for one of the character’s internal dialogue. This was truly hard work, and I can’t thank Ugine enough. This was a leap of faith for me, and Dark Rooms delivered!»

 

Customer’s Review

 

CAST: Annabelle, Judi, Li, Max

ALL DIALOGES ARE IN ENGLISH WITH VOICE OVER TRANSLATION (By Actresses By Customer’s Side)! FIRST TIME IN OUR HISTORY!

 

THE BEST SHOOTING STORY!

LIGHTING, SOUNDING, BOOM, DIRECTING WERE MADE BY PROFESSIONAL CINEMA CREW!

 

Fetish Elements

Adult Student Girls, Stalking, Shooting to the body with silencer, Shooting and destroying bra for topless, Shooting to the breast, Death, Death Stare, Playing with body (very lot!) , Death Stare With Tounge Out, Stripping Nude, Touching Breasts, Touching Face, Injection to freeze the body

 

Plot

On the campus of The Pence Academy, an all-girls boarding school in the northeast United States, all is quiet. Most of the girls — teenagers, from wealthy families — have retired to their rooms, except for a handful of seniors (all of them 18-years-old), who as leaders of various student organizations are working into the night. One such girl is KAITLIN GALLAGHER, the ambitious daughter of international banker, Robert Gallagher.

Wearing a black suit, white shirt, and red tie, THE COLLECTOR is calm, cool, and collected, as he sits in his car parked across from the Pence Academy senior class house. He is a hitman, and this is his first job in the U.S. His first American target: Kaitlin Gallagher. His job is not just to stop her from publishing the exposè on Petrov, his client, but also to make an example of her.

He gets the task to eliminate Kaitlin Gallagher but he must kill also two her roommates. The Collector is what you might call a high-functioning maniac, doing what other hitmen refuse to do: kill young women. Of course, the young women of interest to his clients usually came from privilege — wielding power they inherited, never earning it. And it was Kaitlin’s status as an American princess — her arrogant adolescent pursuits — that made killing her so tantalizing.

 

Worse than death was what he did with the girls afterward. In a previous life, he was a Russian defense services officer — a scientist, in fact, tasked by his government to find ways of incapacitating and preserving the bodies of criminals for long-term, inexpensive imprisonment. The result: cryo-nanoparticles, which preserved bodies perfectly, though not without killing them first — often in dramatic fashion. Thus he failed, though not entirely, for he had found a way to turn his victims into living dolls.

His first victim is Ashley Witford, the queen of graduation.

Ashley arrives at the entryway of the house. A distracted look on her face, she begins climbing the stairs — while The Collector watches her unnoticed from his car. He knows what happens to girls who climb stairs in short skirts. Suppressing his excitement, he covers his mouth with his hand.

 

As she reaches the top of the stairs, her skirt flips up, though not enough, revealing just the bottoms of her ass cheeks — and just briefly. Disappointed, but patient, he continues watching her, trusting the skirt will betray her soon enough.

 

Now at the door, Ashley goes to find her keys. Letting the left strap slide off her shoulder, she cradles the backpack on her right side and unzips the front compartment. Rummaging through the contents for several moments, she just cannot find her keys. Frustrated, she sets the backpack on the ground and squats to dig through it more thoroughly.

 

As she squats digging for her keys, she pays no attention to her skirt riding up her ass, finally revealing it. The upskirt is completely accidental, and she would be horrified to know a man was enjoying it. The bulge of her pussy presses against the cotton fabric of her simple panties, framed by the roundness of each ass cheek.

Ashley keeps digging, when at long last she hears a METALLIC JINGLE — she has found her keys. Relieved, she breathes a sigh of relief. Then standing back up, she arches her back to maintain her balance, accentuating her ass before it finds cover under the skirt again.

 

She picks up the backpack and puts it back on. In a moment of self-awareness — rare for this would-be prom queen — she adjusts her skirt, yanking it down and confirming with her fingers, their fingernails painted white, that her ass is properly covered. Paranoid, she takes a quick look around — noticing the car, though making nothing of it.


Opening the entryway door, Ashley walks into the house, phone in hand. As she walks to her room, the phone BUZZES with a message from someone named Emily Astor.

EMILY ASTOR is texting Ashley from her dorm room. Wearing a sports bra and spandex booty shorts and her hair tied in a ponytail, she stands barefoot on an empty stretch of floor, ready for some yoga — something she feels compelled to tell Ashley.

Daughter of David Astor, a real estate investor, Emily was born and raised in New York City — as she frequently reminds others. She loves yoga almost as much as her mother, and one day, she wants to open her own studio in Manhattan.

Having had enough, Ashley puts her phone down on her desk and starts to get undressed. Undoing the buttons, she removes her blouse, revealing a pair of young breasts suspended in a simple bra. Then tossing the blouse aside, she goes to remove her skirt — when all of a sudden, she hears someone whistling behind her.

 

She gasps, as she turns to find The Collector pointing a gun at her. Staring blankly at him, she shakes her head no, raising her hands slowly in surrender. With bated breath, she begins pleading with him.

Before the word “no” can leave Ashley’s mouth, The Collector fires into her abdomen, below her navel — the BLAST
MUFFLED BY THE SILENCER ON THE GUN. She HOWLS in
agony as the bullet leaves just a small hole in her flesh, spewing a rivulet of
blood that runs down her pelvis.

Clutching her wound with her hands, she YELPS as she doubles over in agony, giving us a look down the cleavage of her breasts from the front — while from the back, we look up her skirt.

 

In terrible pain, Ashley straightens her back and stares at The Collector. She looks confused as much as she looks scared, and shaking her head, she begins to CRY. This only makes him LAUGH, and grinning widely, he fires two more shots into her chest.

His bullets strike the very middle of her bra — right on target — shredding the fabric and leaving the disconnected cups to fall away from her bare breasts. Her heart pierced through, she is dying, NOISILY CHOKING on her blood. Her eyes cross, then roll back into her head, as blood starts to trickle from a corner of her lips.

 

Falling, her back finds a wall, and she slides down it. As she does so, her legs bend at the knees and spread apart. Her ass comes to rest on the floor, and we can see the front of her panties under her skirt.

We hear Ashley taking HER DYING BREATH, watching her naked chest rising and falling a few more times, before her long legs spasm and then totally relax.

As a death stare sets on her face, she briefly makes an ahegao face, crossing and rolling her eyes while protruding her blood-soaked tongue. A tear rolls down her cheek, carrying with it some smokey eyeshadow.

Ashley is dead. Breasts exposed, she dies with her tongue hanging out of her mouth. The Collector approaches her body, admiring it. His grin fades as he addresses her.

Looking for Ashley’s phone, The Collector scans the room and quickly finds it on her desk. Encountering the lock screen, he reads the instructions to himself — in English.

he Collector takes a seat next to Ashley on the ground, sitting shoulder to shoulder with her. He opens the photos app on her phone and flips through her selfies. We see one of her in her schoolgirl uniform, but also wearing a tiara. She is smiling radiantly in the images, preening for social media.

Delighted, though no longer laughing, The Collector plants a kiss on Ashley’s cheek, jostling her lifeless head. Then putting her phone down, he moves into a crouch in front of her. He cradles her chin with his fingers, admiring her beautiful, blood-stained face.

 

He removes her broken bra, unhooking it from the back and pulling the broken pieces off her arms. He takes a moment to admire her breasts, cupping them in his hands to assess their firmness and weight. Then taking her hands in his, he admires her white nailpolish.

 

Releasing Ashley’s hands, he moves to grab her ankles, then drags her onto her back, away from the wall. As she is being dragged, her skirt bunches up around her waist, revealing her simple panties.

…

 

TO BE CONTINUED IN NEXT PARTS

FIRST PART IS VERY IMPORTANT FOR UNDERSTANDING THE PLOT AND ENJOING INTRIDUCING OTHER CHARACTERS…

 

IF YOU LIKE THIS VIDEO PLEASE PURCHASE NEXT PARTS AND THE MOVIE:

EASY MONEY
     
    10 minutes
      SURPRISE FOR ASSASSINS - SURPRISE FOR ASSASSINS
CUSTOM
CAST: Mira Green, Scarlett Fandera, Archi

«Ugine,  Thank you!  I didn't expect the clip to be ready so soon!  And it is absolutely brilliant!  Mira, Scarlett  were fantastic and sexy, and Archie looked like a real "James Bond" type spy.  This clip was so realistic.  Great acting, camerawork, body positions, everything exactly as I scripted it, right down to the dialogue. You are the best!»
Customer’s Review

MIRA GREEN AND SCARLETT FANDERA ARE AGAIN IN THIS SPY MOVIE!

Two sexy girls are sent to seduce 007-style agent and they were going to stick him to the back with a knife or a gun. But he is faster and surprises them both with his silencer shooting while they were kissing.

DEATH STARES WITH CLOSED EYES AND OPENED EYES


A male spy is in his apartment and gets a phone call.  He repeats what he heard, "A pair of sexy female assassins have been assigned to kill me?  Won't they get a surprise!"  (Dialogue should be in Russian with subtitles).  Soon, he gets a knock on the door.  He sees a beautiful woman, (Mira Green, dressed  like in Killer in the Trap 3, white blouse, black mini-skirt (but not TOO short), black heels, white panties, and white bra this time (last time was black).  Hair loose down her back. She tells the agent, "Hi, I'm Agent Mira, I've been assigned to work with you on the Zarodyn case.  They sit down to have some wine.  Man says, "How long have you been with the firm?"  Mira answers, oh, about 4 years now, but I've never had such a handsome partner, I think we will work well together."  She takes his hand and they stand up.  Then she opens a couple of buttons on her blouse, exposing some of her white bra.  They come together slowly, and start to kiss.  As they are kissing she pulls out a small hidden knife (back of her skirt, her hair, or just hiding it behind her back, whatever is easiest).  They are still kissing, but she is raising her knife over his back to stab him.  Just before she can,  we hear pffutt, pffutt, 2 silenced shots into the side of her body, about chest high, they are embracing and kissing, so he needs to hold the gun on her (left) side (if he is right handed).  We see two small bloodstains on Mira's side (chest high).  They are still embracing, but Mira looks at the spy, drops the knife, (we see it fall, and clatter on the floor), still standing, and her head slumps to the side, eyes closed dead.  The spy, still holding her, lowers her slowly to the ground, on her back, legs bent, slight view of panties and bra(not full view).  Spy makes a phone call, and says, "I need a cleanup crew."  Several shots of Mira on the ground, mostly pans and full body from different angles.  Then fade out.         Next scene.  Spy is again sitting down, doorbell rings, this time it's Scarlett Fantera, dressed just like in "Fatal Interrogation, but with a sleeveless white pullover blouse, with a black bra (that hopefully you can see a little bit through the blouse.  (Otherwise her outfit should be same as Fatal Interrogation, black leather skirt, stockings or pantyhose, boots, hair loose down her back).  SHe says, "Hi, I'm Agent Scarlett, I've been sent by our agency to work with you on the Zarodyn case.  Spy, pretending to not suspect any problem, invites her in, again, for a glass of wine.  She says, "When I found out I was going to work with you, I was so excited, and now that I see how sexy you are, even more!"  (Ugine, you can add some dialogue if you think it will add to the scene).  Scarlett takes the spy's hand, and they stand up, embrace and start to kiss.  This time, she's hiding a tiny pistol (somewhere, I'll leave that to you, again could be in back of her skirt.)  THey stop kissing for a moment, still embracing, and Scarlett looks at the spy, and tries to bring the gun forward to shoot him.  Again, we hear "pffutt, pffutt"  and two small bloodstains appear on Scarlett's blouse about chest high.  She staggers back, still standing, looks surprised, and drops the gun (we see it fall and hear it clatter.)  Then she slowly falls (like in fatal interrogation, maybe seen from a few angles), and hits the floor EXACTLY (as much as possible) as in Fatal Interrogation, eyes open.  We see pans of her beautiful body, with the gun near her, and mostly full body shots from different angles.  The agent calls again, and says, "Hey, guys, need another cleanup crew for another beautiful dead assassin.  Maybe they'll leave me alone now.  He gets up, steps over the body, and leaves the room

IF YOU LIKE THIS FILM PLEASE CHECK OUT
DEATH IS PLEASURE
INTERSTELLAR AGENTS ADVENTURES  MIRA VS LUIZA
    11 minutes
      MIRA VS LUIZA - MIRA VS LUIZA
Starring: Mira Green and Luiza
Fetish Elements: 
Catfighting, Stabbings, Fighting With Knives, Much Blood, Great Stabbing Scenes 
Plot
Mira Green is an experienced cop. She has a very good reputation among her partners, but her good work has also made her several enemies that are dangerous. Mira´s does not use guns that often, instead, she has specialized in fist and sword fighting, and that is why she loves to collect them. That is the reason why she has 2 small swords on her apartment.
Her enemies are dangerous, and one of them decides to hire a professional killer, Luiza, who also specializes in sword fighting, because she loves to stab her victims through their bodies and watch them bleed to death (SHE IS NO PSYCHO, so no expressions like Max in “Stabbing in the Rain” PLEASE). She also carries 2 swords, in case she loses one for a moment during battle, just like Mira.
Development:
1. Mira arrives to her apartment back from work, she seems tired after a long day of paperwork and no action at all, she seems pissed about it and says: “What a boring day! I could not fight anyone. If only I had the chance to use my swords someday.”
2. Mira goes to her kitchen, serves herself a glass of water and takes a couple of sips while she looks at her phone. She smiles a little since she saw something funny.
3. Suddenly, Mira hears a noise that comes from the living room. She seems kind of curious and scared at the same time as she leaves her glass of water on the table (she makes the expressions from the pictures below as she walks towards the living room)
    When she hears the noise.
4. Mira walks inside the living room, and the first thing she sees is Luiza, who is holding one of her swords while the other is left on the couch.
5. Luiza says: “Finally, you notice that I am here.”
6. Mira responds: “Who are you? How did you get in here?”
7. Luiza points at Mira with her sword and says: “A good killer can get inside any place, and… well, I suppose that you know who I am now. I am Luiza and I am here to kill you. Just imagine this inside your body.” Mira makes the expression from the picture below.
8. Mira says: “I don´t know who hired you, but you are making a big mistake. Maybe we could reach an agreement?” While she says that, Mira slowly walks to the place where she has one of her swords.
9. Luiza responds: “I don´t think so. You will die today.” After that, Mira grabs her sword and challenges Luiza by saying: “I told you this was a mistake, I was saying that for your own sake, since no one beats me with swords. Let´s see who stabs who first.”
10. Luiza tries to attack first, going straight for Mira, while Mira defends herself using her excellent sword fighting skills. Both of them fight hard and get near each other with their swords clashing against each other. Mira smiles and says: “Not bad, but not good enough.”
11. Mira believes that she has the perfect moment to attack and stab Luiza, but the problem is that her rival has studied her techniques very well and knows what Mira is about to do.
12. Mira tries to stab Luiza on her chest, but Luiza wisely dodges the attack, spins and appears right behind Mira. Mira quietly says: “Shit!!!” as she knows what is about to happen.
13. Luiza strikes first, as she stabs Mira in her back, with the sword coming out of her chest, between her breasts, almost getting her heart. Mira is shocked, as she makes a face of surprise while she slowly turns her head down to see the sword that came out of her chest. (See the picture below to see the expression on Mira´s face and the place where the sword should come out from) The sword is fully red, full of blood. The blood is dripping from the sword and Mira´s shirt starts to turn red all around the wound. (Take a good shot of the sword that went through the chest of Mira.)
14. Luiza smiles and whispers on Mira´s right ear: “Not bad, but not good enough, Mira.” She says that as Mira is processing what just happened, static because of what happens, as blood starts to come out from her mouth.
15. Luiza leaves the sword inside Mira´s body, as she watches her walk a little, trying to breathe. Luiza just crosses her arms and watches Mira walk away to take some distance.
16. Mira is far from defeated, as she spits some blood and recovers her posture. She looks at Luiza and says: “Now you have no sword. It´s my turn.” 
17. Mira grabs her second sword and now has one sword on each hand, since she never dropped the one she had first. Luiza is scared, but she has no place to hide.
18. Mira goes straight for the attack, EVEN WITH A SWORD STUCK INSIDE HER CHEST, that does not slow her down and attacks Luiza.
19. Mira stabs Luiza in the belly, with the sword coming out of her back. Mira twists the sword as Luiza grunts and gasps for breath. (Luiza makes an expression like the picture below) The sword starts dripping the blood of Luiza, as the shirt turns red because of the blood from both sides of the body. The sword is also fully red, full of blood.
20. Mira leaves the sword inside Luiza, punches her in the face, making Luiza turn her back on Mira, who takes advantage and stabs Luiza with her other sword, in the back, with the sword coming out of her chest. (Literally same place where Mira was stabbed) Take good shots of the swords that went through the body of Luiza.
21. Mira whispers to Luiza´s right ear: “I want to see if you can resist as much as I can.” While she says that, Luiza spits blood from her mouth, as some of it falls on her shirt. She is stunned as she has the same expression as the one from the picture below for a few seconds.
22. Mira takes the sword out of Luiza´s back, and leaves the other sword stuck inside her belly.
23. Luiza knows she has no sword, and realizes that her only choice is to use the sword that is stuck inside her belly. Luiza slowly takes out the sword from her body, while she screams in pain and drops blood from her mouth nonstop.
24. Luiza finally takes out the sword, which is dripping blood, as she tells Mira: “I can still fight. No problem at all.”
25. Mira goes for the same attack, and successfully stabs Luiza in the chest, with the sword coming out of Luiza´s back (check picture below to see where I want the stab to be)
26. Luiza opens her arms, and drops her sword as the force of the stab pushes her a little. She coughs even more blood as she looks at Mira´s face in pain.
27. Mira was smiling at Luiza´s suffering face, but her reaction changes instantly, as she notices that Luiza is holding her arm, so she cannot take out the sword. (Take shots of the arms of both models at that moment, also from the sword, the shirts of both models red because of the wounds, as well as a good expression of doubt from Mira, like she does not understand what is going on)
28. Mira asks Luiza: “What did you let me stab you?”
29. Luiza just headbutts Mira, finally takes out the sword that was still stuck inside Mira´s chest, and then takes out the sword from her own chest. Now Luiza has 2 swords in hand and Mira has none. (Mira makes the following expression when Luiza takes the sword out of her body, as she also coughs blood that falls on the floor and her shirt.)
30. Luiza quickly reaches Mira and stabs her in the back, with the sword coming out of the left breast of Mira. (Mira is stunned as her clothes are even more red, full of blood. The sword is dripping blood and she makes the following face when she gets stabbed)
31. Mira tries to walk, but Luiza has a good grip on the sword and does not let Mira get away. Luiza takes the sword out of Mira´s body and Mira turns around.
32. Luiza stabs Mira again, with her 2 swords at the same time. (Check the picture below to see where she gets stabbed). 
Both swords come out of Mira´s back (have a good shot of both swords full of blood going through the back of Mira) Mira makes the following expression when she gets stabbed:
33. Luiza takes both swords out of Mira´s body, and says: “I know that is not enough.” Luiza is heavily injured too, and struggles to breathe, but can still get her job done.
34. Mira struggles to move, and grabs her chest, where she has the VERY FIRST WOUND, as it keeps squirting blood with no end. She tries to cover the wound with her hand, but the blood keeps coming out, dripping now over the hand of Mira. 
35. Mira cries and screams in agony, as she looks to Luiza and begs for mercy: “Okay, you won, you are the best. Please, let me live and I will pay you better than the man who hired you.”
36. Luiza drops the sword from her left hand, puts her hand on Mira´s right cheek, kisses her, smiles at her, and finally stabs her with the other sword right on the heart. 
37. Mira is left with her eyes wide open, as tons of blood flow from her mouth like a waterfall (exaggerate with the blood). Mira gurgles because of the blood.
38. Mira is done, she kneels down, but uses the last of her strength to grab the sword that Luiza dropped and stabs her very well. 
39. Luiza did not see that coming, as she puts an expression showing she is amazed. She did not expect that at all!! She cannot stop the blood that comes out of her mouth like a waterfall.
40. Luiza cannot stop panting and grabbing the wound, as blood cannot stop flowing out of her body. Her eyes are wide open too.
41. Luiza still has some energy left, and pushes Mira, who falls to the ground. By pushing her, the sword comes out of Luiza´s body, as Mira did not drop it.
42. Luiza realizes that she must finish Mira, so she uses one of her swords to stab Mira to death. (Luiza stabs Mira between 10 and 15 times, like the final scene from “Stabbing in the Rain”) 
43. Mira finishes like the picture below. Completely obliterated. (Leave her with much more blood on her mouth at that moment.)
44. Luiza struggles with the pain, drops her swords as she puts her left hand on the wound from her chest, due to the fact that tons of blood keeps coming out of her body.
45. Luiza grabs her phone, and calls the person that hired her to kill Mira. Luiza says: “It´s me. I did it. Mira is dead, let me send you a picture of her dead body. One last thing… I am badly injured and bleeding way too much. I am heading to you place, please have a doctor ready for me or I will die too.”
46. Luiza takes a picture of Mira, as Mira´s dead, bloody and wounded body has already formed a HUGE pool of blood on the floor all around her, as blood keeps squirting out of each and every single one of her wounds. (Please exaggerate with the amount of blood and the size of the pool of blood.) Take a big shot for a lot of seconds of the dead body.
47. Luiza says: “You were one hell of a rival. Sweet dreams.” And finally leaves the room with tons of pain while grabbing her wounds. (Show with the camera her back full of wounds and blood while she prepares to leave, maybe 10 or 15 seconds) Also take a good shot of how her body finished.
IF YOU LIKE THE FILM PLEASE CHECK OUT
NO WINNERS
 
     Murder In The Club
    13 minutes
      Murder In The Club - MURDER IN THE CLUB

Starring: Nadya, Christy and Annabelle

HANGING
NECK BREAK
STRANGULATION

Christy is VIP bad girl, the leader of femmene special secret organization. She is the boss for her the best security girls – her personal slave and her personal guards. When she hears strange noises she orders her girls to go and check.
Nadya, the brave guard, goes to the hall of club for searching. Killer was waiting for her behind the wardrobe. He strangled her with a rope from behind and hanged her.
Slave Annabelle went for her hunt and saw the hanged Nadya. «Oh, the end of stupid brave bitch» - she says and go to the hall, when the killer attacks her and breaks her neck.
He goes for Christy’s sole. She shoots him by gun but he is too strong and bullets can’t kill him. He slowly strangled her by her own jewels.

If you like this clip please also check
Eliminate Mistress  OFFICER DOWN
    17 minutes
      OFFICER DOWN - OFFICER DOWN
CUSTOM MOVIE
Fetish Elements
Female Fighting, Catfighting, Beating, Choking, Knocking Out, Firefight, Shooting, Shot 3 times to the chest (very good effects when wounds appears in the screen). Shot four times to the body, Death Stare, Chasing, Deadly Wounded, Police Woman, Woman Kills Woman, Woman Kills Man, Good Girl dies, Agony, Foot fetish and socks elements 
CAST:
NEW ACTRESS IN DARKROOMS (Available For Customs - XENA).
NATA RETURNES TO PRODUCTION and Available For Customs AGAIN!
MAX

PLOT
A very experienced officer is sitting on the sofa, answering her cell phone.
 “Hello? Really? Some called them ? Oh my god, we have been tracking this guy for months. You think you are positive on their location? Great. OK, yeah, I will be in right away. Listen, these guys have been terrorizing the city for years, and now we finally got him. Thanks.”
After hearing the good news, the officer wears on her leather jacket and long black leather boots, and starts to search her own apartment.
After several minutes a girl standing opposite her, saying with a smile:
“Detective Nata, it’s me. Looks like you will be the number six.” 
“You are sick. I am gonna take you down.” The cop punches the girl heavily, and beat her brutally. The girl falls on the ground and starts to moan. When the officer tries to take out handcuffs to arrest her, the girl suddenly kicks the scotch of the cop heavily. The cop is too painful that she falls on the ground. She tries to stand up, but gets another kick from the girl. The girl stands on the back of the cop, strangling her necks. After struggling and moaning, the girl gets more and more control, and the cop kicks her off with her boots. She fights hard, choking hard, moaning hard, trying to escape, getting weaker until her eyes cross and roll up in her head as she dies crossed.
At that time, the door opens again. A man enters the house, and he is the boyfriend of the girl.
“The dead cop had investigated us. We need to leave the city now.”

“I agree with you”, the man thinks the same as the girl, “but I have heard that the daed cop has a brilliant collection of jewellery. I think we can take some of them, so that we can have a decent life in other countries.”
“Sure. But we need to do another thing first.” By eyes communication, each other knows what s/he wants. They carry the cop into the bedroom, and put her on the bed. 
“Find out the jewellery as soon as possible, otherwise her backup will find us.” The girl orders her boyfriend to leave the bedroom. 
The girl decides to deboot the female cop first. After taking her boots off, two beautiful feet with black socks appear. She plays with her feet for a while, and goes out of the bedroom.,
When the couple is going to leave, the cop wakes up, picks up her gun, and walked outside the bedroom, with great shaking since she has been strangled and punched heavily. She points the gun to the killer, slowly but firmly.
“Don’t move! I am a cop! Drop your weapon, and and place your hands on your head, now!”
The couple is so surprised, and they never thought that the cop is not dead. “OK. Take it easy.” The man drops of his gun, and put the gun on the floor.
“Kick it over.”
The man kicks his gun to the detective.
The cop bends over slowly, to pick up the gun. However, the girl pulls of her gun, and points the gun to the cop 4 rounds: one in chest, and three in belly. Vomiting blood from her mouth, the cop tries to control herself. She makes great effort to stand up again, and gives another shot to kill the girl. Although his girl friend was killed, the man runs out of the door and walked downstairs.
After lying on the ground for about half a minute (like the picture above), the cop decided to catch up the man, and kill him to solve the case.
She tries her best to stand up, but she cannot. So she keeps creeping with her strong mind, like the picture above. 
It takes her great pain and long time, but she finally comes on the street (Please also include some scenes of the officer walking downstairs) , and the man appears in her scenes again. With the help of another car, she tries hard to stand up, and gives a fatal shot to the man.
Seeing the man dead, the cop feels that she can no longer control her body, She gradually lies on the ground, moaning, and her legs struggle heavily. Her whole body was shaking, and she is no longer able to say anything now, just like this picture. 


After one minutes, she goes wide eyed and still, dead from the four fatal wounds, with two feet on black socks.

IF YOU  LIKE THIS CLIP PLEASE ALSO PURCHASE ANOTHER FILMS FROM THIS SERIA:
EVEL NEVER WINS
GOOD COP IN THE HEAVEN
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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