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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 965 Clips / 16587 minutes of video!
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![APACHE DANCING - APACHE DANCING
Premium Custom Movie
Starring: Tatiana. Max. Billy Brag, Edward Petrov, MaryAnn, Annabelle, Alex, actors of mass scenes
«I have to say, first, that your production exceeded my expectations.
The set selection, decoration, and props, were all excellent, even the
posters on the walls.»
From Customer’s Review
ELEMENTS:
Dancing, Tango. Apach Dancing, Retro, Beating, Strangulation, Humilation. Body Carrying, BDSM
This movie is a tribute to the genre of Apache Dancing. Apache Dance (highly dramatic dance associated in popular culture with Parisian street culture at the beginning of the 20th century) is sometimes said to reenact a violent \"discussion\" between a pimp and a prostitute. It includes mock slaps and punches, the man picking up and throwing the woman to the ground, or lifting and carrying her while she struggles or feigns unconsciousness. Thus, the dance shares many features with the theatrical discipline of stage combat. In some examples, the woman may fight back.
In this music movie the hidden conception of Apache Dance is shown is grotesque sadomasochistic form when during the performance the man starts real violence of woman. It’s thr cruel story between a sailor and a prostitute who tries to steal money from him. In the process of dancing, the sailor switches to beating, the line between dance and reality is gradually erased, the surrounding public involuntarily becomes an accomplice in this offense and murder. The venerable public takes off their masks and tastes animal instincts. The film combines classics and avant-garde provocative modern style.
The actors took special dance master classes to participate in this complex project.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
DATING TO THE TRASH
FANTASY WITHIN FANTASY](studio/images/scene43201-80e.png "APACHE DANCING - APACHE DANCING
Premium Custom Movie
Starring: Tatiana. Max. Billy Brag, Edward Petrov, MaryAnn, Annabelle, Alex, actors of mass scenes
«I have to say, first, that your production exceeded my expectations.
The set selection, decoration, and props, were all excellent, even the
posters on the walls.»
From Customer’s Review
ELEMENTS:
Dancing, Tango. Apach Dancing, Retro, Beating, Strangulation, Humilation. Body Carrying, BDSM
This movie is a tribute to the genre of Apache Dancing. Apache Dance (highly dramatic dance associated in popular culture with Parisian street culture at the beginning of the 20th century) is sometimes said to reenact a violent \\"discussion\\" between a pimp and a prostitute. It includes mock slaps and punches, the man picking up and throwing the woman to the ground, or lifting and carrying her while she struggles or feigns unconsciousness. Thus, the dance shares many features with the theatrical discipline of stage combat. In some examples, the woman may fight back.
In this music movie the hidden conception of Apache Dance is shown is grotesque sadomasochistic form when during the performance the man starts real violence of woman. It’s thr cruel story between a sailor and a prostitute who tries to steal money from him. In the process of dancing, the sailor switches to beating, the line between dance and reality is gradually erased, the surrounding public involuntarily becomes an accomplice in this offense and murder. The venerable public takes off their masks and tastes animal instincts. The film combines classics and avant-garde provocative modern style.
The actors took special dance master classes to participate in this complex project.
IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
DATING TO THE TRASH
FANTASY WITHIN FANTASY")
![BEAUTY TO SOIL - BEAUTY TO SOIL
CUSTOM
«Thank you! The performance and makeup are fantastic! It is beyond my expectations! I'm very impressed of how your studio make progress in these years! And the makeup definitely followed my instructions, even the very detailed patterns! And Keila is definitely a great actress! Her performance is so attractive, nature and realistic!»
Starring: Keila and Billy Brag
Fetish Elements: Poison, Agony, Very naturalistic agony and death scene, sweat during agony, cadaveric termination, cadaveric decomposition, stages of cadaveric decomposition, undressing the body, transferring the body from place to place, dressing the body, playing with the body, necrophilia, necrofetishism, dead body in the forest
ATTENTION! VERY REALISTIC MAKEUP OF THE CORPSE!
Plot
CHAPTER 1: Alive
background: Max and Keila are best friends. Keila is dying due to some disease
1. Keila calls Max to see her. She told him she is dying
2. Keila induce Max to play her dead body
Talk: Keila and Max. [Keila lying on a chair and she is very weak]
Keila: Do I look ugly now?
Max: No, you are a beauty
Keila: But … I will become a dead body … this body … will be no different to a giant dead meat …
Keila: Will you feel sick of me? I will be cold, stiff, and smelly …
Max: no…
Keila [weak smile]: After I die, please help me to dress in these white clothes, and let me become soil in the forest…
3. Keila suddenly feels bad and fall down to the ground
CHAPTER 2: Death
1. Pain: Keila is pain
2. Last struggle
a. At first, she is struggling with large movement;
b. Then her movement becomes smaller and have high frequence, like tremble;
c. She was drenched with sweat. Her full body is sweat include part of her hair
d. Then, her mouth and nose have blood coming out.
3. Last words
a. Keila is in Max’s arms
b. Keila’s eyes are closing, and she tries her best to re-open her eyes. Her eyes can rolling back in this process;
Keila [very weak]: This corpse is yours…
Keila’s eyes slowly become half-open
4. Die (very important, see image below. This face expression is always the same for the entire film)
a. Keila’s eyes are half-open
b. Keila’s eyes are looking straight
c. Her mouth is half-open
CHAPTER 3: Clean
1. Max removes Keila’s clothes genteelly
a. Note: when removing clothes, there should be sweats on her abdomen and breasts
2. Max cleaning Keila’s sweats and blood
a. The blood should not be fully cleaned. There should be some trace of blood.
3. Changing clothes
a. Max carry Keila to bed
b. This process should show her body is soft
c. Keila has no underwear
CHAPTER 4: Change
1. Day 1: stiff
a. Max carry Keila to the forest
b. Keila’s body become stiff and hard to change pose
c. Max turns Keila and sees her back. There are some red pattern on her back, which is the “Livor mortis” (see image below)
d. Max put Keila to a sexy pose, but Keila’s body is still stiff
Livor mortis: on her back, there are red patterns. But the area that contact ground don’t have such patterns
2. Day 2: soft
a. Max come back to see Keila
b. Keila is soft again
c. Max opens her clothes and touches her breasts, moving her body, changing her pose, huge, etc.
3. Day 3: rot
a. Max remove Keila’s clothes in a brutal way
b. He found Keila’s body is rot (see reference image below)
c. Finally, show her body
IF YOU LIKE THIS FILM AND WANT TO SEE MORE REALISTIC DEATH SCENES AND CORPSES MADE BY DARKROOMS PRODUCTION PLEASE CHECK OUT
COUNTRY OF BEAUTY
MORGUE FOR ORPHAN
POSTMORTEM PHENOMENA
DEATH OF SCARLETT IN 2070](studio/images/beautytosoilscreenscover-a94.jpg "BEAUTY TO SOIL - BEAUTY TO SOIL
CUSTOM
«Thank you! The performance and makeup are fantastic! It is beyond my expectations! I'm very impressed of how your studio make progress in these years! And the makeup definitely followed my instructions, even the very detailed patterns! And Keila is definitely a great actress! Her performance is so attractive, nature and realistic!»
Starring: Keila and Billy Brag
Fetish Elements: Poison, Agony, Very naturalistic agony and death scene, sweat during agony, cadaveric termination, cadaveric decomposition, stages of cadaveric decomposition, undressing the body, transferring the body from place to place, dressing the body, playing with the body, necrophilia, necrofetishism, dead body in the forest
ATTENTION! VERY REALISTIC MAKEUP OF THE CORPSE!
Plot
CHAPTER 1: Alive
background: Max and Keila are best friends. Keila is dying due to some disease
1. Keila calls Max to see her. She told him she is dying
2. Keila induce Max to play her dead body
Talk: Keila and Max. [Keila lying on a chair and she is very weak]
Keila: Do I look ugly now?
Max: No, you are a beauty
Keila: But … I will become a dead body … this body … will be no different to a giant dead meat …
Keila: Will you feel sick of me? I will be cold, stiff, and smelly …
Max: no…
Keila [weak smile]: After I die, please help me to dress in these white clothes, and let me become soil in the forest…
3. Keila suddenly feels bad and fall down to the ground
CHAPTER 2: Death
1. Pain: Keila is pain
2. Last struggle
a. At first, she is struggling with large movement;
b. Then her movement becomes smaller and have high frequence, like tremble;
c. She was drenched with sweat. Her full body is sweat include part of her hair
d. Then, her mouth and nose have blood coming out.
3. Last words
a. Keila is in Max’s arms
b. Keila’s eyes are closing, and she tries her best to re-open her eyes. Her eyes can rolling back in this process;
Keila [very weak]: This corpse is yours…
Keila’s eyes slowly become half-open
4. Die (very important, see image below. This face expression is always the same for the entire film)
a. Keila’s eyes are half-open
b. Keila’s eyes are looking straight
c. Her mouth is half-open
CHAPTER 3: Clean
1. Max removes Keila’s clothes genteelly
a. Note: when removing clothes, there should be sweats on her abdomen and breasts
2. Max cleaning Keila’s sweats and blood
a. The blood should not be fully cleaned. There should be some trace of blood.
3. Changing clothes
a. Max carry Keila to bed
b. This process should show her body is soft
c. Keila has no underwear
CHAPTER 4: Change
1. Day 1: stiff
a. Max carry Keila to the forest
b. Keila’s body become stiff and hard to change pose
c. Max turns Keila and sees her back. There are some red pattern on her back, which is the “Livor mortis” (see image below)
d. Max put Keila to a sexy pose, but Keila’s body is still stiff
Livor mortis: on her back, there are red patterns. But the area that contact ground don’t have such patterns
2. Day 2: soft
a. Max come back to see Keila
b. Keila is soft again
c. Max opens her clothes and touches her breasts, moving her body, changing her pose, huge, etc.
3. Day 3: rot
a. Max remove Keila’s clothes in a brutal way
b. He found Keila’s body is rot (see reference image below)
c. Finally, show her body
IF YOU LIKE THIS FILM AND WANT TO SEE MORE REALISTIC DEATH SCENES AND CORPSES MADE BY DARKROOMS PRODUCTION PLEASE CHECK OUT
COUNTRY OF BEAUTY
MORGUE FOR ORPHAN
POSTMORTEM PHENOMENA
DEATH OF SCARLETT IN 2070")
![DETECTIVE - DETECTIVE
CAST: Demonika, MaryAnn, Alex, Max
It begins with a scene in which a subordinate man watches out the door and a female detective watches out the window beside the mafia wife.
\"I will arrest the mafia who is upset because my wife was taken by the police.In the meantime, protect my mafia wife.That\'s why I chose the best of you,\" the command office tells the female detective on the phone.
The female detective hung up the phone from the control room.
\"I promise to save my life no matter what enemy attacks me,\" the female detective says, encouraging the mafia wife.
\"Something is wrong outside,\" the wife says anxiously to the female detective.
\"Tell me what\'s going on outside,\" a female detective tells a subordinate male detective in a transceiver.
However, there was no reply from his subordinates.
The tension between the female detective and the mafia wife is strained.
\"Answer me. What\'s the matter?\" the female detective again told the subordinate male detective in the transceiver.
I haven\'t heard back from my subordinates.
The female detective takes her to the back room.
\"Please lock the room and wait until I come back,\" the female detective tells his wife.
The female detective pulls the gun out of Holster and slowly approaches the front door, paying attention to the front door.
The female detective goes to the front door and asks the man outside, \"What\'s the matter?\"
The murderer kills his men, and the murderer changes into their clothes and knocks on the door.
The female detective looks out of the door eye.
A female detective is deceived by a murderer in the clothes of a subordinate man.
The detective looks displeased at his subordinate who doesn\'t answer.
The detective returns the gun to Holster and opens the front door...](studio/images/det-2be.png "DETECTIVE - DETECTIVE
CAST: Demonika, MaryAnn, Alex, Max
It begins with a scene in which a subordinate man watches out the door and a female detective watches out the window beside the mafia wife.
\\"I will arrest the mafia who is upset because my wife was taken by the police.In the meantime, protect my mafia wife.That\'s why I chose the best of you,\\" the command office tells the female detective on the phone.
The female detective hung up the phone from the control room.
\\"I promise to save my life no matter what enemy attacks me,\\" the female detective says, encouraging the mafia wife.
\\"Something is wrong outside,\\" the wife says anxiously to the female detective.
\\"Tell me what\'s going on outside,\\" a female detective tells a subordinate male detective in a transceiver.
However, there was no reply from his subordinates.
The tension between the female detective and the mafia wife is strained.
\\"Answer me. What\'s the matter?\\" the female detective again told the subordinate male detective in the transceiver.
I haven\'t heard back from my subordinates.
The female detective takes her to the back room.
\\"Please lock the room and wait until I come back,\\" the female detective tells his wife.
The female detective pulls the gun out of Holster and slowly approaches the front door, paying attention to the front door.
The female detective goes to the front door and asks the man outside, \\"What\'s the matter?\\"
The murderer kills his men, and the murderer changes into their clothes and knocks on the door.
The female detective looks out of the door eye.
A female detective is deceived by a murderer in the clothes of a subordinate man.
The detective looks displeased at his subordinate who doesn\'t answer.
The detective returns the gun to Holster and opens the front door...")
