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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 964 Clips / 16575 minutes of video!
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![WHAT CAN YOU TELL TO MY GUN - WHAT CAN YOU TELL TO MY GUN?
Starring: Luiza, Max, Tatiana, Billy Brag.
CUSTOM
«Thank you very much. I enjoyed the movie».
From customer’s review
ONE OF THE MOST GORY SHOOTING MOVIE WE’VE EVER MADE!
Elements:
Shooting (many shots), blood, much wounds, guts, three headshots
Luiza - female character
John - male character
Gunman 1 & 2 - very brief appearance, can be any gender, or using the same actors/ actress but in different clothes/ with masks/ sun glasses to hide the identity
Location: the two story house with large staircase you used before
In a bed room upstairs.
Luiza and John are dressing up. Luiza is naked and piece by piece out on her shirt and skirt and high heel sandals (costume to be specified by me later), not wearing bras nor panty.
They joked about the great sex they just had, John was totally happy but Luiza appeared a bit perfunctory.
As Luiza pulls on her sandals, John said “you feet are really beautiful, so big, how big are they”
Luiza said “ I wear size 40, (or whatever her real size, we decide later), come, do you want one more kiss?” She teases and put one of her feet on a chair.
John kneel in front her and kissed her feet.
Luiza pull out a small syringe in her purse and plunged into John’s neck. John twitched and fell face down on the floor.
Luiza quickly moved to the desk in the room, she fumbled with the lock and opened the drawer. She took a mini SD card. She stood there and thought for.a brief moment. Then she sat down and used a sticky tape to tape chip on the insole of her sandal then put the shoe back on. (This is a chance to show the show size and a very good, closed look of her feet and toes polished in dark red).
Luiza rushed out of the room with a glee on her face. [camera showing her gait, and a lot view of feet step by step, even some slow mo]. She descended down the stairs.
We heard a gun shot.
Luiza [camer showing only her chest and above] froze in her steps, stunned expression on her face; She looked down, camera follows her gaze, down to her belly, there is a gaping exit wound on the right side of her abdomen, blood oozing out.
Camera pulls away, show Luiza full body standing on the stair, and John standing behind her on the top of the staircase, left hand pressing on his own neck, right hand holding a pistol.
He fired two more times.
Luiza jerked, and we saw two exit wound exploding out very Low on her belly, almost right above where her pubic hair would be.
She stifled a yelp and turned on her heel, seeing John with disbelief.
She looks determined to fight. She fished out a small pistol from her bag and shoot, only heard en empty click.
John smirked: “I know you might be the mole, honey, I switched out your position and also took all your bullets away”. With that, he took a small vial of liquid and several bullet from his pocket and dropped them on the floor.
Luiza: “Bastard, I am going to kill you”, she took a small switch knife out from her purse, raise it above her head and walked up the stairs with great efforts, glaring at her foe.
John fired and key firing, bullet after bullet hitting her. First on the left shoulder, she twisted and kept walking, then two on her right chest, she jerked; then one in her stomach, she bent forward then stood again, kept walking up step by step, knife raising.
John’s gun clicked empty too. There is a moment of panic in his eyes as he checked the chamber.
Luiza smirked with agony “that’s all you got? Just 7 bullets? Not even a full mag?” She gathered her last energy and landed on the top of the stair case, and raised the knife over her head.
Commotions. Foot steps from downstairs.
Two gun man enter the lobby, they are body guards ( could wear mask and sun glasses if you have too use the same actor or actress) , each holding machine guns or assault rifles. They opened fire on Luzia’s back.
Camera shows Luiza’s back and her front, Hollywood style, as she jerked in the rain of bullet, as holes open on her back and exit her front blood splatting. She tried to maintain her stand, but was pushed by the impact and staggered towards to wall.
The shooting is quite brief, a few second later the bullets stopped and Luzia was against the walk, still standing. She painfully pushed herself against the wall and turned around the face John and the gun men, leaning on the wall, full of holes, breathing with much difficulty with blood coming out of her mouth too, but she is stil standing [ some camera view of her leg and feet]
Her knife was already dropped, so was her purse.
John walked up: “Bitch, yeah, now is it enough bullet for you?”
Luzia is barely alive, and vomiting blood, but she managed a wan scoff on her beautiful face, without any weapon, she raised her right hand, with her thumb up and index finger miming a gun pointing at John, a faint final word was squeezed out of her bloody lip “bang”.
John stepped aside, motioned to his gun man (off camera), and we hear massive gun shots again and this time Luzia’s body was pushed against the wall and twitching and jerking as bullet holes were peppered all over her torso, even arms and a few on her legs, then suddenly, several rounds hit her on her forehead and even face, brains exploded from back of her head, then everything is quite and still for a moment:
Luzia was still standing, more holes on her body [but still manageable blood, not causing completed soaking, still able to see each of the bullet holes], there are 3 bullet holes on her forehead, one on her face on the cheek bone, and one on her chin [ i will confirm the location of those bullet with picture later].
After a few seconds, her body started to slide down, leaving a huge paint rush of blood and gore on the wall behind her, especially a little above where he head used to be, you can clearly see blobs of brain matters sticking on the wall.
She finally fell onto a sitting position and died, leg spreading, in an twisted, humiliating pose , but a very heroic death. Here eyes wide open; her lips half open.
John walked up, kicking her body. He squatted down next to her, holding her chin and twisted her face towards him, looking at her dead face, he spoke many humiliating words.
When he moved her body, we saw her back is totally different from her front. While the her front is still relatively “clean” where we can even count each Buttler hole, her back is totally soaked with blood and gore. The exit wounds have slit open her lower back, a large loop of intestines and organs looped on the floorm, between her back and the wall.
He finally counted total 38 bullets (including those in the head). He even reach his finger into the skull of Luzia and pulled our more pieces of brain, and played with her guts, and jeered that she is so “gutless and brainless” now. All the time Luzia’s eyes wide open and starting into emptiness with an expression of indifference.
FinallyJohn started to look for the mini SD card Luzia took. He searched her phrase but can;t find, eventually as he started to worship her feet again, he took her sandals off to kiss her feet, and found the chips. He proceeded to play with her feet, eventually put the sandals back on when he finished. [ he needs to wash hands clean before this scene, I don;t like blood on the feet]
Finally, looking at Luzia’s now messy dead body, John;s lips curled up in a sinister grin. He motioned to the gun man. They took Luzia’s arm pit and her feet, lifted her up and walked into the bedroom again.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
COVID MASSACRE
TORTURE KILLER](studio/images/what_can_you_tell_to_my_gun_screens1-63e.jpg "WHAT CAN YOU TELL TO MY GUN - WHAT CAN YOU TELL TO MY GUN?
Starring: Luiza, Max, Tatiana, Billy Brag.
CUSTOM
«Thank you very much. I enjoyed the movie».
From customer’s review
ONE OF THE MOST GORY SHOOTING MOVIE WE’VE EVER MADE!
Elements:
Shooting (many shots), blood, much wounds, guts, three headshots
Luiza - female character
John - male character
Gunman 1 & 2 - very brief appearance, can be any gender, or using the same actors/ actress but in different clothes/ with masks/ sun glasses to hide the identity
Location: the two story house with large staircase you used before
In a bed room upstairs.
Luiza and John are dressing up. Luiza is naked and piece by piece out on her shirt and skirt and high heel sandals (costume to be specified by me later), not wearing bras nor panty.
They joked about the great sex they just had, John was totally happy but Luiza appeared a bit perfunctory.
As Luiza pulls on her sandals, John said “you feet are really beautiful, so big, how big are they”
Luiza said “ I wear size 40, (or whatever her real size, we decide later), come, do you want one more kiss?” She teases and put one of her feet on a chair.
John kneel in front her and kissed her feet.
Luiza pull out a small syringe in her purse and plunged into John’s neck. John twitched and fell face down on the floor.
Luiza quickly moved to the desk in the room, she fumbled with the lock and opened the drawer. She took a mini SD card. She stood there and thought for.a brief moment. Then she sat down and used a sticky tape to tape chip on the insole of her sandal then put the shoe back on. (This is a chance to show the show size and a very good, closed look of her feet and toes polished in dark red).
Luiza rushed out of the room with a glee on her face. [camera showing her gait, and a lot view of feet step by step, even some slow mo]. She descended down the stairs.
We heard a gun shot.
Luiza [camer showing only her chest and above] froze in her steps, stunned expression on her face; She looked down, camera follows her gaze, down to her belly, there is a gaping exit wound on the right side of her abdomen, blood oozing out.
Camera pulls away, show Luiza full body standing on the stair, and John standing behind her on the top of the staircase, left hand pressing on his own neck, right hand holding a pistol.
He fired two more times.
Luiza jerked, and we saw two exit wound exploding out very Low on her belly, almost right above where her pubic hair would be.
She stifled a yelp and turned on her heel, seeing John with disbelief.
She looks determined to fight. She fished out a small pistol from her bag and shoot, only heard en empty click.
John smirked: “I know you might be the mole, honey, I switched out your position and also took all your bullets away”. With that, he took a small vial of liquid and several bullet from his pocket and dropped them on the floor.
Luiza: “Bastard, I am going to kill you”, she took a small switch knife out from her purse, raise it above her head and walked up the stairs with great efforts, glaring at her foe.
John fired and key firing, bullet after bullet hitting her. First on the left shoulder, she twisted and kept walking, then two on her right chest, she jerked; then one in her stomach, she bent forward then stood again, kept walking up step by step, knife raising.
John’s gun clicked empty too. There is a moment of panic in his eyes as he checked the chamber.
Luiza smirked with agony “that’s all you got? Just 7 bullets? Not even a full mag?” She gathered her last energy and landed on the top of the stair case, and raised the knife over her head.
Commotions. Foot steps from downstairs.
Two gun man enter the lobby, they are body guards ( could wear mask and sun glasses if you have too use the same actor or actress) , each holding machine guns or assault rifles. They opened fire on Luzia’s back.
Camera shows Luiza’s back and her front, Hollywood style, as she jerked in the rain of bullet, as holes open on her back and exit her front blood splatting. She tried to maintain her stand, but was pushed by the impact and staggered towards to wall.
The shooting is quite brief, a few second later the bullets stopped and Luzia was against the walk, still standing. She painfully pushed herself against the wall and turned around the face John and the gun men, leaning on the wall, full of holes, breathing with much difficulty with blood coming out of her mouth too, but she is stil standing [ some camera view of her leg and feet]
Her knife was already dropped, so was her purse.
John walked up: “Bitch, yeah, now is it enough bullet for you?”
Luzia is barely alive, and vomiting blood, but she managed a wan scoff on her beautiful face, without any weapon, she raised her right hand, with her thumb up and index finger miming a gun pointing at John, a faint final word was squeezed out of her bloody lip “bang”.
John stepped aside, motioned to his gun man (off camera), and we hear massive gun shots again and this time Luzia’s body was pushed against the wall and twitching and jerking as bullet holes were peppered all over her torso, even arms and a few on her legs, then suddenly, several rounds hit her on her forehead and even face, brains exploded from back of her head, then everything is quite and still for a moment:
Luzia was still standing, more holes on her body [but still manageable blood, not causing completed soaking, still able to see each of the bullet holes], there are 3 bullet holes on her forehead, one on her face on the cheek bone, and one on her chin [ i will confirm the location of those bullet with picture later].
After a few seconds, her body started to slide down, leaving a huge paint rush of blood and gore on the wall behind her, especially a little above where he head used to be, you can clearly see blobs of brain matters sticking on the wall.
She finally fell onto a sitting position and died, leg spreading, in an twisted, humiliating pose , but a very heroic death. Here eyes wide open; her lips half open.
John walked up, kicking her body. He squatted down next to her, holding her chin and twisted her face towards him, looking at her dead face, he spoke many humiliating words.
When he moved her body, we saw her back is totally different from her front. While the her front is still relatively “clean” where we can even count each Buttler hole, her back is totally soaked with blood and gore. The exit wounds have slit open her lower back, a large loop of intestines and organs looped on the floorm, between her back and the wall.
He finally counted total 38 bullets (including those in the head). He even reach his finger into the skull of Luzia and pulled our more pieces of brain, and played with her guts, and jeered that she is so “gutless and brainless” now. All the time Luzia’s eyes wide open and starting into emptiness with an expression of indifference.
FinallyJohn started to look for the mini SD card Luzia took. He searched her phrase but can;t find, eventually as he started to worship her feet again, he took her sandals off to kiss her feet, and found the chips. He proceeded to play with her feet, eventually put the sandals back on when he finished. [ he needs to wash hands clean before this scene, I don;t like blood on the feet]
Finally, looking at Luzia’s now messy dead body, John;s lips curled up in a sinister grin. He motioned to the gun man. They took Luzia’s arm pit and her feet, lifted her up and walked into the bedroom again.
IF YOU LIKE THIS FILM PLEASE CHECK OUT
COVID MASSACRE
TORTURE KILLER")
![VIP FETISH SERVICE - VIP FETISH SERVICE
CUSTOM
«I have seen the film. Again and again and again. It's far from easy to summarise my opinion: I'll try anyway.
First of all, I was very impressed by the interpretation you gave of my story. I say "interpretation" deliberately, because not everything was obvious from my script. I knew other films of yours and expected exactly that "plus of mainstream flavour" to be added by you. You have masterfully realised the spirit of the story. In the film, I could recognise your experience in this field and your knowledge of some "depths" of the human psyche, so to speak […].
Needless to say, I was speechless how Mira played her role. It was far beyond my imagination – and this was a fantasy I have been thinking about for a long time […].
Finally, I would like to tell you that I consider your way of communicating with the customers as the added value of your production. Your transparency about the making of the film, about the different steps, your readiness to keep the customer up-to-date, and last but not least your interest in good cinematic quality (not only for a simple 1:1 conversion of the script) make me say: Ugine, you have now definitely won a regular customer. I am already thinking about a new film and I am very excited to work with you again soon.[…]»
From Customer’s Review
PLOT
The story about VIP escort service where a girl need do play dead. This movie let you be with characters in their private room and watch for secret roleplaying game between escort girl and her customer…](studio/images/vipfetishservicesceens-3b5.jpg "VIP FETISH SERVICE - VIP FETISH SERVICE
CUSTOM
«I have seen the film. Again and again and again. It's far from easy to summarise my opinion: I'll try anyway.
First of all, I was very impressed by the interpretation you gave of my story. I say \"interpretation\" deliberately, because not everything was obvious from my script. I knew other films of yours and expected exactly that \"plus of mainstream flavour\" to be added by you. You have masterfully realised the spirit of the story. In the film, I could recognise your experience in this field and your knowledge of some \"depths\" of the human psyche, so to speak […].
Needless to say, I was speechless how Mira played her role. It was far beyond my imagination – and this was a fantasy I have been thinking about for a long time […].
Finally, I would like to tell you that I consider your way of communicating with the customers as the added value of your production. Your transparency about the making of the film, about the different steps, your readiness to keep the customer up-to-date, and last but not least your interest in good cinematic quality (not only for a simple 1:1 conversion of the script) make me say: Ugine, you have now definitely won a regular customer. I am already thinking about a new film and I am very excited to work with you again soon.[…]»
From Customer’s Review
PLOT
The story about VIP escort service where a girl need do play dead. This movie let you be with characters in their private room and watch for secret roleplaying game between escort girl and her customer…")
![PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
"What's Going on?" she cries. "Who are you? Get out or I will call the police."
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
"What do you want?" she says softly.
"I need your help."
"Why would I want to help you?" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found."
"How do you know I had anything to do with those?" Melissa cries. "You have no evidence."
"Oh we have evidence all right."
She takes a white bluse out of a wardrobe and puts it on. "Why haven't you arrested me then?" she asks as she takes a skirt out of another wardrobe and puts that on.
"Because we thought you might be useful to us some day"
She laughs. "So who is it you want killed?" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
"Maria and Katarina xxx", he says. "Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it."
"That's a bit extreme," she says.
"They're not innocent. They're helping him."
"What's in it for me?"
"Your fiancé, Rodion."
"What have you done with him?" she asks angrily.
"We've only let him out of jail."
Her phone rings. She picks it up excitedly. "Rodya, is that you?...You're out? That's great..."Yes I promise...I love you too baby...See you soon...kis, kiss."
"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time."
"Okay, I'll do it. I guess I don't have much option."
"No, you don't."
"How do I know you won't kill me afterwards."
The man smiles. "You'll just have to trust us."
"I don't trust you," she replies, and you can see the conflict and fear in her face, "but I'll do it for Rodya. When do you want me to do it?"
"They're at home now."
"That's a bit sudden."
He hands her an envelope. "This is everything you need. Address, GPS coordinates, duplicate keys."
She takes the envelope from him, and you can still see the conflicting emotions in her face. "Well, I might as well get it done so."
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
"I won't scream," she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
"Walk on," he says.
"I always knew," she says.
"Of course," he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
"Rodya," she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.](studio/images/permissiontokillcoverdsc-5bc.jpg "PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
\"What's Going on?\" she cries. \"Who are you? Get out or I will call the police.\"
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
\"What do you want?\" she says softly.
\"I need your help.\"
\"Why would I want to help you?\" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
\"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?\"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
\"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found.\"
\"How do you know I had anything to do with those?\" Melissa cries. \"You have no evidence.\"
\"Oh we have evidence all right.\"
She takes a white bluse out of a wardrobe and puts it on. \"Why haven't you arrested me then?\" she asks as she takes a skirt out of another wardrobe and puts that on.
\"Because we thought you might be useful to us some day\"
She laughs. \"So who is it you want killed?\" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
\"Maria and Katarina xxx\", he says. \"Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it.\"
\"That's a bit extreme,\" she says.
\"They're not innocent. They're helping him.\"
\"What's in it for me?\"
\"Your fiancé, Rodion.\"
\"What have you done with him?\" she asks angrily.
\"We've only let him out of jail.\"
Her phone rings. She picks it up excitedly. \"Rodya, is that you?...You're out? That's great...\"Yes I promise...I love you too baby...See you soon...kis, kiss.\"
\"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time.\"
\"Okay, I'll do it. I guess I don't have much option.\"
\"No, you don't.\"
\"How do I know you won't kill me afterwards.\"
The man smiles. \"You'll just have to trust us.\"
\"I don't trust you,\" she replies, and you can see the conflict and fear in her face, \"but I'll do it for Rodya. When do you want me to do it?\"
\"They're at home now.\"
\"That's a bit sudden.\"
He hands her an envelope. \"This is everything you need. Address, GPS coordinates, duplicate keys.\"
She takes the envelope from him, and you can still see the conflicting emotions in her face. \"Well, I might as well get it done so.\"
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
\"I won't scream,\" she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
\"Walk on,\" he says.
\"I always knew,\" she says.
\"Of course,\" he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
\"Rodya,\" she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.")
