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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 961 Clips / 16510 minutes of video!
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![ANNABELLES AUDITION - «Thanks again for the custom which I enjoyed a lot. The models were both excellent They captured the spirit of the piece - with convincing playfulness between the two of them as interviewer and candidate, whilst giving strong performances in the three death scenes.
The production quality is good».
Customer’s Review
PLOT
Annabelle is a serious actress. But in the middle of the pandemic, work is very hard to find. So, she has applied to become a death fetish model with Crime House, a fetish film producer in Russia. This is the story of her audition with CH.
She is being interviewed in a living room by Nata. Nata asks Annabelle what experience she has of acting out death scenes, and Annabelle says she has done some scenes in drama school – but not this type of work before. Nata is confident Annabelle will be fine but explains that first they have to do three auditions in the bedroom – which is connected by hidden cameras to a group of CH clients. They will decide on the scenarios and determine if Annabelle is suitable to join the CH team. Annabelle is very enthusiastic and says she is sure it will be fine and that they will have fun together. She even hugs Nata making it clear that she finds Nata attractive.
The next scene is in the bedroom. Annabelle is sitting on the bed whil Nata is looking at her phone. She tells Annabelle that for the first audition, the client wants them to play lesbian lovers in the nude. But Nata has discovered Annabelle has betrayed her with a man. She will be on top of Annabelle pinning her down. Annabelle will plead for forgiveness, but Nata will strangle her with her bare hands. The client wants Annabelle to struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Annabelle smiles and gets up to hug and begin undressing Nata. Nata responds amorously and undresses Annabelle easing her back onto the bed. They kiss and cuddle for a while. Suddenly Nata pins Annabelle’s hands down and accuses Annabelle of betraying her with Ivan. Annabelle protests her innocence, but Nata pulls her hair back and pretends to slap her and twist her nipples. Annabelle screams in pain and begs Nata to stop. She admits she did sleep with Ivan but it meant nothing – she loves Nata.
Nata stops torturing Annabelle briefly and they hug each other affectionately. Annabelle says she will never betray Nata again. Nata agrees but then turns aggressive. She barks at Annabelle that there is only one way she can ensure there are no more betrayals. And with that she begins to strangle Annabelle. Annabelle’s eyes widen in shock and fear and she struggles desperately to break Nata’s grip and unbalance her. But Nata is too strong. Annabelle fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Nata kisses Annabelle on the forehead, says ‘cut’, and Annabelle opens her eyes and they both laugh and hug each other affectionately one more time.
Nata goes to her phone and tells Annabelle she has done well in her first scene.
Annabelle comes over and they look at the phone. They are both still nude. Annabelle asks the clients listening whether this time she can play the killer and let Nata be her victim. Nata pushes her away playfully and says she is too strong to be Annabelle’s victim.
The clients obviously like the playfulness between the two of them, because this time they say that Annabelle will play a contract killer who has been hired to murder Nata – with a garotte (maybe a red scarf that is in the room). Nata asks the client if she can fight to get free and the client texts that of course she can try. She puts the phone on a table or shelf by the bed.
Annabelle is confident and picks up the scarf and asks Nata sexily if she wants a bit of fun.
Nata says she doesn’t wish to be tied up and Annabelle strokes her tenderly and says the stocking is not for tieing her up. She eases Nata back on the bed and mounts her, threading the scarf around her throat. Nata asks what she is doing. Suddenly Annabelle gets serious and says someone has paid her to murder Nata. Nata begs for mercy, but Annabelle tightens the scarf and Nata begins to choke.
At first Annabelle is winning and Nata’s struggles are not making any difference. But then she slaps Anna in the belly and slightly winds her, and then unbalances her by jerking her body. Annabelle lets go of the scarf, but it is too late. She is already unbalanced, and Nata now rolls her over and after a bit more wrestling, gets the upper hand. Annabelle tries to fight back, but Nata pins first one hand and then the second above Annabelle’s head.
Annabelle stops struggling and asks what happens now. She thought she was going to win this role play. Nata looks at the phone. The client congratulates her and tells her to smother Annabelle with a pillow. This time it is Annabelle pleading for mercy. But soon, Nata smothers her and although Annabelle again fights with a lot of energy, after a while she accepts the inevitable and slowly dies.
Nata lifts up the pillow and again is happy and kisses Annabelle who opens her eyes a little annoyed she didn’t manage to be the killer in this role play.
Now they are both relaxing after expending a lot of energy in the two scenes.
Nata looks at her phone again and sighs. She turns to Annabelle and tells her this time the clients are going to make sure she is successful as the killer. She explains that in this scenario she will play a spy who has stolen secret account codes from a bank on a memory stick she intends to sell to the highest bidder. Annabelle plays an enforcer who has come to get the memory stick back for the bank and has permission to murder Nata when she gets it. Nata will start off pretending to be asleep on the bed so Annabelle can tie one of her wrists to the headboard before Nata even wakes up to ensure she won’t be able to escape.
Nata gets a memory stick and hides it in the pillowcase. Annabelle puts some light clothes on and goes out of camera shot.
Nata pretends to fall asleep on the bed and Annabelle comes in quietly. She ties one end of the scarf to the bed and then loops the other around Nata’s hand. Nata stirs, but Annabelle is on top of her and only one arm is free – which Annabelle quickly pins down.
She tells Nata she wants the memory stick. Nata denies she has it. Annabelle pretends to hit Nata’s face and belly and she pulls her hair back. Nata still will not tell her. Annabelle begins to hand smother Nata, who tries to fight her off with one free hand. But she cannot get the hand off. When Annabelle stops the hand smother, Nata is gasping for breath – but still she denies everything.
Annabelle picks up the pillow, turns it over and begins pillow smothering Nata, who again fights unsuccessfully to push the pillow off her. But this time Annabelle sees the memory stick in the pillowcase. She stops and takes the USB out and puts it on the bedside table next to the phone. She is very happy and knows now she has what she came for.
She looks at Nata beneath her – wondering what to do about her. Nata says now she has the memory stick she can go and just leave her. But she already knows, Annabelle will not let her live. Annabelle strokes Nata’s face gently, as if they are lovers. But Nata knows what is coming and asks her once more to let her go.
Too soon, Annabelle’s hands close round Nata’s throat and she knows it is the end for her. She tries to fight, but with only one hand free it is hopeless. She tries to die as sexily as Annabelle has and is soon in death spasms before closing her eyes and becoming still.
This time Annabelle hugs Nata, unties her hand, and kisses her.
Nata embraces her and they kiss – this time on the lips, maybe even more!
Nata picks up the phone and shows Annabelle. They both smile. And Nata says to Annabelle “Welcome to Crime House,”
[scene fades…].
IF YOU LIKE THIS FILM PLEASE CHECK OUT
DEADLY SEDUCTION](studio/images/annabelleauditionmicro-ae2.jpg "ANNABELLES AUDITION - «Thanks again for the custom which I enjoyed a lot. The models were both excellent They captured the spirit of the piece - with convincing playfulness between the two of them as interviewer and candidate, whilst giving strong performances in the three death scenes.
The production quality is good».
Customer’s Review
PLOT
Annabelle is a serious actress. But in the middle of the pandemic, work is very hard to find. So, she has applied to become a death fetish model with Crime House, a fetish film producer in Russia. This is the story of her audition with CH.
She is being interviewed in a living room by Nata. Nata asks Annabelle what experience she has of acting out death scenes, and Annabelle says she has done some scenes in drama school – but not this type of work before. Nata is confident Annabelle will be fine but explains that first they have to do three auditions in the bedroom – which is connected by hidden cameras to a group of CH clients. They will decide on the scenarios and determine if Annabelle is suitable to join the CH team. Annabelle is very enthusiastic and says she is sure it will be fine and that they will have fun together. She even hugs Nata making it clear that she finds Nata attractive.
The next scene is in the bedroom. Annabelle is sitting on the bed whil Nata is looking at her phone. She tells Annabelle that for the first audition, the client wants them to play lesbian lovers in the nude. But Nata has discovered Annabelle has betrayed her with a man. She will be on top of Annabelle pinning her down. Annabelle will plead for forgiveness, but Nata will strangle her with her bare hands. The client wants Annabelle to struggle furiously. But she will not be strong enough to escape and slowly weaken and die.
Annabelle smiles and gets up to hug and begin undressing Nata. Nata responds amorously and undresses Annabelle easing her back onto the bed. They kiss and cuddle for a while. Suddenly Nata pins Annabelle’s hands down and accuses Annabelle of betraying her with Ivan. Annabelle protests her innocence, but Nata pulls her hair back and pretends to slap her and twist her nipples. Annabelle screams in pain and begs Nata to stop. She admits she did sleep with Ivan but it meant nothing – she loves Nata.
Nata stops torturing Annabelle briefly and they hug each other affectionately. Annabelle says she will never betray Nata again. Nata agrees but then turns aggressive. She barks at Annabelle that there is only one way she can ensure there are no more betrayals. And with that she begins to strangle Annabelle. Annabelle’s eyes widen in shock and fear and she struggles desperately to break Nata’s grip and unbalance her. But Nata is too strong. Annabelle fights frantically, but then begins to weaken and spasm almost orgasmically, before slowly slipping away and dying.
Nata kisses Annabelle on the forehead, says ‘cut’, and Annabelle opens her eyes and they both laugh and hug each other affectionately one more time.
Nata goes to her phone and tells Annabelle she has done well in her first scene.
Annabelle comes over and they look at the phone. They are both still nude. Annabelle asks the clients listening whether this time she can play the killer and let Nata be her victim. Nata pushes her away playfully and says she is too strong to be Annabelle’s victim.
The clients obviously like the playfulness between the two of them, because this time they say that Annabelle will play a contract killer who has been hired to murder Nata – with a garotte (maybe a red scarf that is in the room). Nata asks the client if she can fight to get free and the client texts that of course she can try. She puts the phone on a table or shelf by the bed.
Annabelle is confident and picks up the scarf and asks Nata sexily if she wants a bit of fun.
Nata says she doesn’t wish to be tied up and Annabelle strokes her tenderly and says the stocking is not for tieing her up. She eases Nata back on the bed and mounts her, threading the scarf around her throat. Nata asks what she is doing. Suddenly Annabelle gets serious and says someone has paid her to murder Nata. Nata begs for mercy, but Annabelle tightens the scarf and Nata begins to choke.
At first Annabelle is winning and Nata’s struggles are not making any difference. But then she slaps Anna in the belly and slightly winds her, and then unbalances her by jerking her body. Annabelle lets go of the scarf, but it is too late. She is already unbalanced, and Nata now rolls her over and after a bit more wrestling, gets the upper hand. Annabelle tries to fight back, but Nata pins first one hand and then the second above Annabelle’s head.
Annabelle stops struggling and asks what happens now. She thought she was going to win this role play. Nata looks at the phone. The client congratulates her and tells her to smother Annabelle with a pillow. This time it is Annabelle pleading for mercy. But soon, Nata smothers her and although Annabelle again fights with a lot of energy, after a while she accepts the inevitable and slowly dies.
Nata lifts up the pillow and again is happy and kisses Annabelle who opens her eyes a little annoyed she didn’t manage to be the killer in this role play.
Now they are both relaxing after expending a lot of energy in the two scenes.
Nata looks at her phone again and sighs. She turns to Annabelle and tells her this time the clients are going to make sure she is successful as the killer. She explains that in this scenario she will play a spy who has stolen secret account codes from a bank on a memory stick she intends to sell to the highest bidder. Annabelle plays an enforcer who has come to get the memory stick back for the bank and has permission to murder Nata when she gets it. Nata will start off pretending to be asleep on the bed so Annabelle can tie one of her wrists to the headboard before Nata even wakes up to ensure she won’t be able to escape.
Nata gets a memory stick and hides it in the pillowcase. Annabelle puts some light clothes on and goes out of camera shot.
Nata pretends to fall asleep on the bed and Annabelle comes in quietly. She ties one end of the scarf to the bed and then loops the other around Nata’s hand. Nata stirs, but Annabelle is on top of her and only one arm is free – which Annabelle quickly pins down.
She tells Nata she wants the memory stick. Nata denies she has it. Annabelle pretends to hit Nata’s face and belly and she pulls her hair back. Nata still will not tell her. Annabelle begins to hand smother Nata, who tries to fight her off with one free hand. But she cannot get the hand off. When Annabelle stops the hand smother, Nata is gasping for breath – but still she denies everything.
Annabelle picks up the pillow, turns it over and begins pillow smothering Nata, who again fights unsuccessfully to push the pillow off her. But this time Annabelle sees the memory stick in the pillowcase. She stops and takes the USB out and puts it on the bedside table next to the phone. She is very happy and knows now she has what she came for.
She looks at Nata beneath her – wondering what to do about her. Nata says now she has the memory stick she can go and just leave her. But she already knows, Annabelle will not let her live. Annabelle strokes Nata’s face gently, as if they are lovers. But Nata knows what is coming and asks her once more to let her go.
Too soon, Annabelle’s hands close round Nata’s throat and she knows it is the end for her. She tries to fight, but with only one hand free it is hopeless. She tries to die as sexily as Annabelle has and is soon in death spasms before closing her eyes and becoming still.
This time Annabelle hugs Nata, unties her hand, and kisses her.
Nata embraces her and they kiss – this time on the lips, maybe even more!
Nata picks up the phone and shows Annabelle. They both smile. And Nata says to Annabelle “Welcome to Crime House,”
[scene fades…].
IF YOU LIKE THIS FILM PLEASE CHECK OUT
DEADLY SEDUCTION")
![PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
"What's Going on?" she cries. "Who are you? Get out or I will call the police."
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
"What do you want?" she says softly.
"I need your help."
"Why would I want to help you?" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found."
"How do you know I had anything to do with those?" Melissa cries. "You have no evidence."
"Oh we have evidence all right."
She takes a white bluse out of a wardrobe and puts it on. "Why haven't you arrested me then?" she asks as she takes a skirt out of another wardrobe and puts that on.
"Because we thought you might be useful to us some day"
She laughs. "So who is it you want killed?" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
"Maria and Katarina xxx", he says. "Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it."
"That's a bit extreme," she says.
"They're not innocent. They're helping him."
"What's in it for me?"
"Your fiancé, Rodion."
"What have you done with him?" she asks angrily.
"We've only let him out of jail."
Her phone rings. She picks it up excitedly. "Rodya, is that you?...You're out? That's great..."Yes I promise...I love you too baby...See you soon...kis, kiss."
"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time."
"Okay, I'll do it. I guess I don't have much option."
"No, you don't."
"How do I know you won't kill me afterwards."
The man smiles. "You'll just have to trust us."
"I don't trust you," she replies, and you can see the conflict and fear in her face, "but I'll do it for Rodya. When do you want me to do it?"
"They're at home now."
"That's a bit sudden."
He hands her an envelope. "This is everything you need. Address, GPS coordinates, duplicate keys."
She takes the envelope from him, and you can still see the conflicting emotions in her face. "Well, I might as well get it done so."
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
"I won't scream," she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
"Walk on," he says.
"I always knew," she says.
"Of course," he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
"Rodya," she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.](studio/images/permissiontokillcoverdsc-5bc.jpg "PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
\"What's Going on?\" she cries. \"Who are you? Get out or I will call the police.\"
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
\"What do you want?\" she says softly.
\"I need your help.\"
\"Why would I want to help you?\" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
\"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?\"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
\"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found.\"
\"How do you know I had anything to do with those?\" Melissa cries. \"You have no evidence.\"
\"Oh we have evidence all right.\"
She takes a white bluse out of a wardrobe and puts it on. \"Why haven't you arrested me then?\" she asks as she takes a skirt out of another wardrobe and puts that on.
\"Because we thought you might be useful to us some day\"
She laughs. \"So who is it you want killed?\" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
\"Maria and Katarina xxx\", he says. \"Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it.\"
\"That's a bit extreme,\" she says.
\"They're not innocent. They're helping him.\"
\"What's in it for me?\"
\"Your fiancé, Rodion.\"
\"What have you done with him?\" she asks angrily.
\"We've only let him out of jail.\"
Her phone rings. She picks it up excitedly. \"Rodya, is that you?...You're out? That's great...\"Yes I promise...I love you too baby...See you soon...kis, kiss.\"
\"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time.\"
\"Okay, I'll do it. I guess I don't have much option.\"
\"No, you don't.\"
\"How do I know you won't kill me afterwards.\"
The man smiles. \"You'll just have to trust us.\"
\"I don't trust you,\" she replies, and you can see the conflict and fear in her face, \"but I'll do it for Rodya. When do you want me to do it?\"
\"They're at home now.\"
\"That's a bit sudden.\"
He hands her an envelope. \"This is everything you need. Address, GPS coordinates, duplicate keys.\"
She takes the envelope from him, and you can still see the conflicting emotions in her face. \"Well, I might as well get it done so.\"
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
\"I won't scream,\" she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
\"Walk on,\" he says.
\"I always knew,\" she says.
\"Of course,\" he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
\"Rodya,\" she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.")
