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     THE ELF AND BAD SANTA
    38 minutes
      THE ELF AND BAD SANTA - THE ELF AND BAD SANTA



CUSTOM

CAST: Tatiana, Max, Annabelle

The theme of this story is that Tatiana is called to the office to be punished for naughty things she has done against Christmas.  She is insolent and defiant, but wants to keep her job, so she admits to some sins, willing to take a little punishment, never thinking that Max the enforcer knows all the bad things she has done, or what her ultimate punishment is. 

The enforcer begins to list her sins, and with each sin, gives her a punishment. 

I will leave it to your creative genius to use as many offenses and punishments as you can, till we get closer to the climax. 

Some transgressions she has committed: Misaddressing Christmas cards, hiding presents, badly wrapping presents, putting the wrong presents in the wrong packages, keeping toys for herself, not singing Christmas carols, using the wrong words in carols, not being happy with children on Santa’s lap, showing her cleavage to little boys, denying reindeer can fly—whatever you and your crew can think of. 

Each offense is punished by progressive harder, sexier, more sadistic punishments, such as slapping her hand, spanking her bottom (hand and/or ruler), face slapping, stomach punch, breast slap, hair pull, whipping her bottom, face punch, choking (one or both hands).

It is IMPERATIVE that T’s elf take these punishments with amusement, surprise, and pleasure (mixed with pain), willingly submitting even while showing some resentment at the abuse.  The harder they get, the more pleased surprise she shows—wide eyes, open mouth, with some pain but also delight.

As the list of sins goes on and on, however, and the punishments get harder, though, she beings to regret her willingness to accept them.

Two essential punishments for moderately severe offenses against Christmas: 

One:  T is forced to kneel on the ground and bend over at the waist, face shoved forward into the carpet, her bottom in the air.   Her feet are tied together and her hands are tied behind her back.  Her short dress is pulled up to expose her almost bare bottom, and she is paddled with something like a ping-pong paddle.  She gasps and cries with pain and struggles, and cries insults at the enforcer, but doesn’t really try get away or stop him.

Two:  T, still being insolent, runs and sits in the enforcer’s large, luxurious armchair, being impishly disobedient, having fun and mocking the enforcer’s seriousness, and what she regards as minor offenses.

T (sitting the chair like a queen):  This could be mine!  I could do your job!  You think you can keep me in line?  You hit like a girl!  Sissy!  Poor little boy, trying to be mean!  Come her—at my feet!

M (slowly approaches the chair, and pulls up the ottoman so he can sit close to T):  Little elf, I have not even begun to give you what you deserve.  (Suddenly, punches her breast (close up) hard enough to bounce her off the back of the chair.)

T (Gasps and shrieks a little, but lies back, wide eyed, looking at M with astonishment):  Wow!

M:  You were saying?  (Punches her other breast, just as hard (close up)).

T:  Owww! (Eyes even wider, mouth open with utter surprise, both at what M is doing and at her enjoyment of it.  She touches her breasts, then looks wantingly at M, and puts her hands back against the back of the chair, by her head, inviting more hits).

M (punches her breast even harder (close up).

T:  Uhhhhh!  (Head bouncing forward then back, then head leaning back, eyes almost closed, lips parted, in obvious pleasure.  She stays in her previous position, exposed.)

M (laughs a little, then punches her other breast, again bouncing her off the chair back).

T:  Oooph!   (slumps in the chair, overwhelmed with the pleasure of being hit so erotically)

M (stands, grabs the front of T’s dress and pulls her up, into the middle of the room.  She wobbles on her feet.  M grabs her breasts and pulls her toward him, her head and arms flying behind her.  He then spins in a tight circle, swing T by her breasts in front of him.  After two circles (her eyes wide, gasping and crying), he flings her by her breasts across the room.  She hits the floor and rolls under the Christmas tree.  As she lies there still, M goes to his desk to see what else T must be punished for.  She crawls timidly out from under the tree, unsure if she likes this game anymore.)

(T decides to try to seduce the enforcer, so she comes to him and tries to hug and caress him, rubbing her body against him, enticing him with her eyes, showing him her cleavage.  He lets her do what she wants for a while, then shoves her away.)

After being rejected and shoved the floor, she continues to try to seduce him, by preening, stretching, raising her stockinged legs, spreading her legs, rolling about, showing off her body in various inviting poses.  He ignores her at first, but finally exasperated, goes to the large armchair and sits.  He pats his lap and says, “Come sit on my lap.â€

Tatiana (thinking she was won the battle): “On your lap?  I’d love to.â€

Max:  Yes.  Come here.  I want to beat you.

Tatiana (surprised, but liking the idea):  You want to beat me?

Max:  Yes, I want to beat you.  You need to be beaten.

T (get up off the floor and sits on M’s lap, wraps her arm around him):  You can beat me, but wouldn’t you rather do something else?

M (laughs and begins nuzzling and caressing T all over, quickly getting an excited response from her.  He lets her hair down, and when she is breathing heavy, he stops caressing her.  “Ready?â€

T:  Yes!  Yes!  Ready for what?

M (takes her by the hair):  This!  (hit her hard twice in one breast with the side of his hand (the thumb side), like the edge of a knife or axe, knocking the wind out of T)  [we must see these hits close up to know what’s happening]

T (responds to hits with even more excitement)

M (caresses her some more, then moves her around and hits her other breast on the nipple four times with the side of his hand;  T jerks and gasps with each hit)

T (moaning with pleasure):  Oh, my God!

M (to himself):  Yes, you’ll meet him soon enough! (hits her breast twice more, as she gasps)  You’ve been so bad, trying to seduce Father Christmas’s enforcer!  How hard should I hit you for that?

T:  As hard as you want!

M (hits her four more times in the breast)

T (gasps and twists with each hit, but doesn’t try to stop M or protect herself)

M (after a pause, hits her breast twice more):  This is good.  How many times should I hit you for this new offense?

T (breathless, knowing she will be hit again):  As many times as I deserve!

M (shifts her around again and hits her other breast six times, fast and hard (close ups); T jerks and gasps with each hit).

T:  Oh! Oh! Oh! Oh! Oh! Oh!

M:  Naughty elf!  You don’t deserve your elf costume!  Take it off!

T (stand, strips off her dress, sits back on M’s lap):  Yes, I’ve been so naughty!

M (holding her by the hair, still using the edge of his hand, hit each of T’s breasts several times)

T:  Beat me!  Hurt me!

M:  You want to be hurt?  Take off your bra!

T (eagerly takes off bra and throws it away)

M (grabs one breast and holds it tightly (close up) while, using his palm now, slams his hand into each breast (close up) half a dozen times (fully shot to show holding her by the breast while hitting her, her arms spread wide, defenseless); T is becoming delirious with joyful/pain). 

M (shoves her off his lap and onto the floor):  On your knees!  Hands behind you!  Head back!  Lean back!

T (crawls to the middle of the rug on the floor and does as instructed)

M (kneels on the floor in front of T and punches her in each breast a number of times with his fist; T responds with little shrieks.  M hits her again, very hard, sprawling her on her floor, face down.  He slips his hand under her, grabs her breast and pulls her by her breast onto her back (close up of this action).   She lies, arms spread wide, breathing hard.  He straddles her, grabs her breasts, and pulls her up till she is bent at the waist.  She hangs by her breasts in his hands, arms limp, head hanging back.)

M:  You think you were going to get away with all your sins?  (Shakes T up and down)  Did you?  (shakes her up and down more, pushing and pulling her by her breasts; view sides and from above as he does)  Did you think you could seduce me and escape your punishment?  (shakes her) Did you?

T (finally trying to remove his hands, without success):  No, no!  I didn’t mean anything!  I know I deserve what’s happening!

M (shoves her to the floor and sits again at his desk, consulting his papers):  That beating was just for trying to avoid being disciplined for your worst sins against Christmas.  Do you understand that?

T (Still on the floor): Yes.  I’m sorry.  I won’t do that again!  I promise!  I’ll take what’s coming to me.

M:  You certainly will.  (Consults papers)  I’m coming to the end of the list, and I see here, you have two of the worst possible sins.  The second worst sin is, you have told children that Father Christmas doesn’t exist!

T:  But—but—I’ve never seen him!  I might be working all day for someone’s imagination!

M:  And you compound the sin to me!  Stand up!  By the fire, face me and take your punishment!

T (stands, feet together, in front of the fire)

M:  Deny Father Christmas, will you?  (slaps her face hard, a dozen times)

T (astonished, after the last slap):  Show him to me!

M:  You’re just making it worse for yourself!  (slaps her breasts a dozen times)

T (crying): I’ve done nothing wrong!  He’s not real!

M:  Hands behind your head!

T (clasps hands behind her head, staring at M, knowing she is going to be hit): Do it!

M (punches T hard in left breast four times (close up!)

T (at fourth hit, staggers backward)

M:  What are you doing?  I’m not done!

T (resumes her position, hands behind her head)

M (punches each breast several times on the nipple, and sideways (close ups), total six hits)

T (doubles over, hands over her chest)

M: Stand up!  You’re not finished!

T (resumes position, hands behind her head)

M:  Father Christmas does exist! (punches each breast three times, hard than ever, finishes with one more vicious breast punch that sends T to the floor; she lies on her side, arms stretched above her head)

M: Some elf you were! (Kicks her in the breasts, rolling her across the floor several times, then returns to desk)

T (slowly recovers, gathering her clothes (bra, dress, gloves, cap)as M returns to his desk; as he checks off items, she starts to stumble toward the door)

M:  Wait!  There’s just one more thing.

T (actually frightened now):  I haven’t done anything else!

M:  Yes, you have.  (Leaves desk and pulls T by her hair back into the room, to the large chair.  He pulls the ottoman into the middle of room while still holding T). 

M (holding T by the hair) You’ve told children THERE’S NO SUCH THING AS CHRISTMAS!!!  That is an offense worthy of death!

T: Nooooo!

M (sits on ottoman, pulling T down backward  so she is lying across his legs, on her back)

M:  There is no greater offense, and no greater punishment!  (Wraps a red stocking around T’s neck and tightens it.  As T struggles against the beginning of the strangulation):  Choose between being beaten to death (punches her breast on the nipple) or being strangled! (tightens stocking)

T (Speechless, terrified)

(For the next several minutes, T alternately tries to stop the strangulation and stop the beating.  When her hands try to pull the stocking away, M punches her breasts until T tries to protect her breasts with her hands.  When she tries to protect herself, he tightens the stocking a little more, edging her closer to asphyxiation.  This process repeats itself 3-4 times (distance shots and close ups).  Finally, T realizes she being strangled and death is near, so she stops trying to protect her breasts.  She claws at the stocking while M repeated punches each breast, harder and harder, trying to distract her; T lets him hit her, because she’s just trying to survive.  But it’s too late.  Slowly, even as M continues to hit her, her arms fall back behind her head.  M cinches the stocking down and punches her breasts until T shows no signs of life, and hangs limply across his lap.  He lifts her head by the stocking and shakes it, then pulls it back down and punches her breasts several more times (clearly seen).  Finally, he rolls her off his lap onto the floor, and kicks her onto her back.)

M (kneels and straddles her, grabs her breasts and pulls her up into a sitting position; she hangs by her breasts, dead, in his hands (mandatory: (1) side view, (2) close up, (3) camera moving from behind T, seeing her face, up and over her to look down on her breasts in M’s hands) and (4) view from high up above):  Naughty, naughty elf!  Father Christmas is the nicest old man in the world, and there’s no place for tarts like you, who question his existence and ruin children’s dreams!  (Drops her, stands and stomps on each breast several times hard enough to bounce her off the floor, saying “Bad elf!†with each stomp).

M (returns to desk, consults papers):  So much to do, so much to do!  (He works for a while, until his eyes stray and he sees a boy’s toy still unwrapped—a toy pistol that shoots rubber suction cup darts [e.g. by the Dreidel Company Detective Set, less than USD $10 on Amazon].  He looks at T’s body, and has an idea.

He props T’s body up against a wall (using whatever means you like to keep her upright), then takes some women’s lipsticks and draws round targets on her breasts, with her nipples as the bullseyes, then amuses himself for a while shooting the suction cup darts against her breasts (2x the 10-11 darts).  She stands passively, restrained up against the wall, head to one side, eyes open, lips slightly parted, as the darts hit her breasts and nipples (close ups), though they simply indent her breasts but don’t stick.  He enjoys this at first, but quickly tires of it.  He looks at T, looks around the room, and decides it needs more decoration.  He ties her hands behind her back and her arms to each other (she is limp, so he has to continually manhandle her, pushing her up against a wall and holding her there alternately by her neck, her hair, and just one breast), and then ties her feet together and, ties her thighs together, then wraps her body in a string of lighted Christmas lights (including wrapping some tightly around her breasts), puts her red stocking cap on her head, and hangs her by the neck from the ceiling. )

M (pours himself a drink and works at his desk as T dangles in the background):  So much to do!  So much to do! 

(The clock ticks by the hours, till it is near midnight.  M finally lowers T and takes off all the lights and wrappings.  He then makes out a label:  “Return to workshop.  Defective elf merchandise.† He then pulls out a large cardboard box and stuffs T into it, then stuffs packing papers around her, seals it up, put on the label and has it carted off by more helpers.

M (back at his desk): So much to do, so much to do!

(There’s a knock at his door, and another beautiful, sexily clad elf comes in and says): “Is this where I come to be punished for my sins?â€

Max winks at the camera.  4 Women Execution
    11 minutes
      4 Women Execution - This clip has no description.
     CATFIGHTING QUEENS
    22 minutes
      CATFIGHTING QUEENS - CATFIGHTING QUEENS
CUSTOM 
Starring: Mira Green and Alice Miren 
Fetish Elements: 
Catfighing to the death, Bloody, Boxing, Kicking, Very Well Catfight Perfomance, Leather Outfit, Different Death Scenes Inside, Death Stares, Crashing Heads, From Looser To The Winner, From Winner To The Looser 

PLOT
Mira is standing in thongs and without a bra in the room. Then he carefully puts on a leather bra, then leather pants, boots. Going to take a gun, but hears sounds ..
Two killers (you can use the same actresses, since they are wearing masks) in masks with pistols walk slowly through the room. One is wearing leather pants and a jacket, the other is wearing a leather skirt and blouse.
Mira stood outside the door and waited. The killers split up. The first, in a leather skirt, went the other way, and in leather pants, towards Mira. A pistol stuck through the door and the killer entered Mira's room.
Mira knocked out the pistol, grabbed the killer by the head and while holding her began to inflict many punches in the face with her fist. The killer fell on her back. Mira sat down on top and began to strike in the face. (here you can show the ass in leather pants sitting on the killer and how she shakes from the blows and the killer's legs twitch (examples in the attachment), so are the frames and ordinary ones, where punches to the face and blood on the face are shown). Mira rips off her mask, looks at her face and stabs a few more times in the face so that the face was even more bloody. He begins to search the killer, finds a phone, gets up and starts digging in it, it turns out to be blocked. A killer sneaks up behind him and begins to strangle. Knocks down the world on the stomach and sitting on top of it, continues to choke, lifting Mira's head up (here you can also have several angles so that the leather priests were in the frame) in the attachment something like). The killer slams his head on the floor to Mira, flips over and punches him in the face. Mira throws off the killer.
Both get up, there is an exchange of blows. And in the face and stomach with a knee. The killer pushes Mira onto the sofa and sits on top, starting to strangle again, Mira throws her off. The killer unsuccessfully falls on his stomach, gets on all fours holding on for the stomach. Mira kicks in the groin from behind. Bypasses the killer, grabs the hair, and says something to her, like you're about to die or something. He puts her on her knees and, holding her hair, hits her in the face. Blood in all directions.
The killer falls to the floor. Mira sits down on top, puts her hands under her feet and punches him in the face until it turns into mush. Stands up and kicks several times in the face. He takes the gun and leaves the room.
The second killer, hearing the noise, goes into the room, sees a mess on the floor and runs away to look for Mira. Both meet in the room with their pistols pointed at each other. Say phrases like let's solve it here without weapons. The killer rips off the mask, Mira sees the twin of the one she just killed. The killer tells Mira that she will answer for what she did and she will kill her with her bare hands. Both throw off their pistols.
The main fight begins here.
Exchange of blows
One opponent sits on top of the other and punches in the face (on both sides)
Less wrestling and choke tricks
When one opponent sits on her knees, and the second holds by the hair and punches in the face with a hand (also on both sides)
Any ultra brutal finishing moves from both rivals
Well, in the end, so that the killer won, it all began with inflicting a lot of punches on the opponent's face, well, and something else, at your discretion, well, at the end, sitting on top of the opponent, the killer turned the opponent's face into a mess with his hands, and then and feet.

IF YOU LIKE THIS FILM PLEASE CHECK OUT
UNDEGROUND QUEENS
FIGHT CLUB
FIGHT CLUB 2
CATFIGHT  INSIDE THE MIND
    12 minutes
      INSIDE THE MIND - INSIDE THE MIND

Cast: BELLA LENINA, SARA, STEFANIA, WES, ALEX, mass scene actors 

CUSTOM BY xj900

Fetish Elements:

HeadShot, EyeShot, FaceShot, Morgue examination, Full Nude

 

PLOT

Three friend met together in the restaurant. Two friends were rich business ladies but the third one was poor because she had to leave business and sell her share for very cheap to save her father from cancer. Her ex friends tease her and laugh at her situation…  She couldn’t stay it anymore…
     WITHOUT MEAT
    12 minutes
      WITHOUT MEAT - WITHOUT MEAT

Erotic Slasher for stabbing, cut-throat and cannibal genres lovers

The Vegans Cooking Show has very low rating in Texas. Viewers want to see how to cook meat-dishers, but every Monday TV show tells only about Vegan cooking. It was more that just bad marketing strategy of TV-show, TV presenters are fanatics of vegan lifestyle. They hate meat, killing animals and meat-eating. 
When their thief, young woman from program-management says that it’s time to change format and tell about meat and stop vegan show, they are in fury. But their assistant are loyal to any format and she’s ready to tell how to cook stakes. 
Boss says to vegans «you’re fired!» and lets assistant to continue her job. 
Vegans loose control. They rush to the show, attack boss and assistant, fight with them and stript them, terror them with knifes and cut their throats!   They just want to show terror of meat-eating. Sometimes extremes are very horror!
Women agonize with their throats being cut. Assistant  licks the table during agony before her death.
After the females were dead, vegans decompose corpses of women, stab them and start their «Non-Vegan Show». 
It’s just fantasy erotic horror and comedy with R-raiting. Crime House respect all cultures, including vegans culture, so, the film is just a fantasy. 
If you like fetish elements with eating people imitation erotic fantasy please check out
MEAT-EATERS
And 
CANNIBAL INVITATION
In our store

If you like cut-throats imitation erotic fantasy please check out
NEIGHBOUR
and check out
Mushrooms   
Barber
Spiritism  MASSACRE OF BELLA
    12 minutes
      MASSACRE OF BELLA - MASSACRE OF BELLA

 

Starring: Bella Lenina, Max  



Sentry Bella is relaxing on the floor instead of patrolling. Her legs are wide open, (reference pictures provided). A sniper takes aim, and shoots her in the crotch. She reacts in shock. Male soldier walks up, finish her with a silenced pistol shot to each nipple. Top lifted over breasts without removing.

Sentry Bella patrolling along wall. Male soldier sneaks up from behind, pins her arms behind her, presses gun against side of her breast and fires. Bullet passes through both breast, exploding out of the other side. Soldier turns her around, pushes her against wall. Grabs throat to pin her as he slips gun up her skirt. Presses gun against crotch and fires several time. Wall slide to floor, legs open. Top lifted over breasts without removing.

Sentry Bella in an elevated position near railing. She is firing down at soldier. Soldier maneuvers underneath her, quickly aims up, and fires several times up her skirt. She is dead before falling backwards onto floor, legs flying open.

Sniper Bella is in an elevated position, scanning for her target with a rifle. One foot is propped up on the rail so that she can rest her support elbow. This means her legs are open and her crotch is exposed. An enemy sniper takes aim and fires several times up into her crotch. Her leg remains propped up until the last shot when she staggers and falls back onto the floor.

Bella moves quickly into frame, turns and starts firing at an invisible enemy. A long machine gun burst tears through her crotch. She staggers back into a wall, the shots continue to pin her against the wall. The shooting stops, she slides down to the floor, legs splayed open. She is finished with a shot to each breast. Head slumps to side.

Bella is running away from enemy. She turns around to shoot in a stable two handed position. She is shot in the right and left breasts, and falls back onto the floor. Her legs fly open, skirt ride up to show panties. She aims down between her open legs and keeps shooting. Finished with several shots to the crotch.

Bella is moving quickly to find soldier. He surprises her from behind. She turns around with her gun, but the soldier grabs it, points it in a safe direction, and thrusts a machete/sword through the front of her skirt, all the way to the hilt. After a few seconds, rips it out, and Bella falls to the floor in pain. She rolls over to her back. He gets down, pushes her legs apart, places hand behind her neck, maneuvers blade to her pussy and pushes slowly up through her body (Like Soldier vs Super Soldier). Top lifted over breasts without removing.

 

Elements:

Outfit is important to fantasy

Each death is with legs splayed open wide, eyes open.

All prolonged body pans compiled at end of video
     BLOODY NAVELS 3 parts in 1
    40 minutes
      BLOODY NAVELS 3 parts in 1 - BLOODY NAVELS
3 Parts in one!
40 minutes long
25% sale!

Custom video
Starring: HASS, ANNA AND NATA
 
Scene 1:
#3 laying on the bed, on her back, one leg angled, left arm straight away from her body, right arm angled.
skin is visible between t-shirt and panties. navel is covered.
Camera slides over her body with focus to her belly and covered navel. Some times she breathes heavy and bloat her belly. This scene may not longer run as 1 miunutes.
To pussyfoot #2 nears to her. #2 draw her colt and shoot one in the belly 1 inch below the navel and second bullet 1inch right side of navel (right side from shooters view). #3 moans and writhes small. #2 laying beside, right side of #3, #2 kiss her cheek,lips and meanwhile her hand slide down from her breast to her belly. grap her belly and poke her navel through fabric. Slowly push tshirt up #3 navel is now visible. Until here #3 moans and writhes small. #1 enter the room watching them (not longer as 1 minutes).
#1 have a pistol with silencer. #1 near to both, pull #2 hand away from #3 bellybutton, press the silencer to #3 bb and bang, bang. #3 moans loud and writhes and bloat her belly. #1 again shot twice #3 navel, same reaction. after a few seconds #1 finish off #3 with three fast bullets to her left breast.
Now #1 and #2 kiss eachother lips, poke/ fondle their bellies/bellybuttons (1 minutes) with hand and fingers. #1 and #2 undress #3 nude,  #1 check heart beat with stethoscope and pronounce. "She is dead". #1 spread navel of #3 and #2 makes fotos of #3 dead bellybutton, #1 cleans #3 navel with a tissue while #2 goes on with making fotos of #3 navel. change cam angles. Then exam her belly and navel press and probe. Now #1 and #2 cleans the  bellybutton of #3 more and then use qtips as medical instruments and try to remove the bullets out of #3 navel. now and then they stop with the qtips and wipe #3 belly and navel with a tissue. Check the pussy, spread labia, qtip probe. Then starts again bullet removement. This scence, bullet remove and belly wipe, pussy check may run 5 – 8 minutes. After this #1 and #2 both slide with their hands over #3 belly and navel and fondle her belly/Navel and breast (2 minutes) Important, focus to navel close ups in different angles.
 
Scene 2:
same plot, same actresses but changed roles.
 
Scene 3:
#1 laying sleeping on the bed as #3 in scene 1. #3 and #2 nears to #1 laying beside #1 and very carefully they open the zipper to set #1 navel free. #3 takes #1 silencer pistol, press it in #1 navel, bang, bang. #1 writhes and moan, again bang, bang. #1 still breathes heavy. they undress #1 , shoot #1 twice in her pussy and then three bullets in #1 left breast. now #1 is dead. They do the same, stethoscope,bullet removment as the scenes before.  Break Her Neck
    19 minutes
      Break Her Neck - BREAK HER NECK! (many scenes)

Custom video
 Nata and Oksana
Many different scenes about assassin kills an agent with neck breaking way.
Many shock reactions, bone crunching, sadistic games, death poses.
Fetish elements: lesbo, jeans, shorts, **** kills ****, spies, neck breaking, shock before death, Necro stripping
     COUNTRY OF BEAUTY
    14 minutes
      COUNTRY OF BEAUTY - Country Of Beauty

CUSTOM

«Thank you very much!

The facial expression is so good! I really like that! And the emotion is so good! Almost a mainstream movie level! Thank you!»

Customer’s Review


Fetish Elements:

Poison. Long Agony. Great Pain, Asking for be killed after great pain, Choking, Realistic Acting of Choking, Death, Carrying. Corpse Make Up

 

Intro
[President Andre is anxious and keeps calling the prime minister Ivan, but nobody responds to him.]

 

Anna: What happened?

Andre: I can’t find your brother … our prime minister.

Anna: This time …, my brother is always working… you should be able to find him.

 

[Andre got a phone call]

Phone: Ivan surrendered, reported by agency.

[phone call ends suddenly]

 

[Andre looks at Anna, then looks around. He is very angry]

Andre: I need ask help from general Sergey [Trembling tone]

[Andre called Sergey]

Andre: General Sergey, this is president Andre. I believe you understand our situation. Our great nation needs you!

Sergey: It is my responsibility! But I need one thing…

Andre: Any thing, if I can

Sergey: I need your wife, Anna, the sister of the traitor, to die. She must be dead! No mercy to the traitor's family! I need her to die, and I'm going to see her dead body!

[Sergey hung up the phone]

 

Prepare to kill
[Andre is shocked, said, and angry]

Anna: What happened, dear?

Andre [pretend to be normal]: Sergey agreed to lead our soldiers to defend the enemy! I … I was just excited.

Andre: Let’s drink some wine. For us, for our country!

 

[Note: Andre is in an ambivalent mood, he wants power, and also love Anna]

[Andre prepares wine, and put poison to Anna’s cup]

 

Death Process
Andre [want to delay the kill]: Let’s eat something before drinking, what do you think?

Anna [smile]: That’s not you! You always drink and drink.

[Anna directly drinked all the wine]

[Andre is frozen and said]

Andre [Whispering]: no, no, no …

 

Anna [confused and smiling]: What’s wrong?

Anna is Dying
Anna feels her stomach is very painful. She cannot stand and dropped on the ground.

She is struggling on the ground.

 

Anna’s stomach feels very pain, she is struggling on the ground. There are three stages of the struggling:

Large movements, but slow. She is crying;
Small movements, but very quick and powerful. She can only whispering. Anna starts sweating;
occasional large and quick movements.
 

 

Andre [crying]: It won’t be long … won’t be long

 

Anna [weak]: Please… please kill me quickly!

 

Andre then strangled Anna

 

When she is dying, some details are important

She did not die suddenly. She is getting weak. Struggling becomes smaller and smaller, then not move;
her eyes are half open, and her mouth is also half open;
makeup: lips are a little bit pale (not very pale, because her body will show again two days later. At that time, her lips are as pale as her face)
 

More details see appendix

 

Andre carries her body to the bed. The carry process should show her dead body is very soft.

Fight for country
Andre is lying on the ground, and Sergey calls him.

 

[Andre looks at Anna’s dead body, reluctant to leave. But, finally, he leave her body there]

 

[Two days later, they signed ceasefire agreement, and Andre can’t wait to see Anna again]

 

See her Again
The door is opened. Andre knows Sergey has checked Anna’s death.

 

Everything is in chaos. Sergey definitely checked.

 

Anna’s body is on the ground, not on bed. Her pose is like:

 

 

Makeup: her lips are as pale as her face. Her hair is in chaos.

 

Andre tries to hug her body. But Anna’s body is too soft to hug. Then, he uses a comb to fix her hair.

 

 

 

 

IF YOU LIKE THIS FILM PLEASE CHECK OUT

DEATH OF SCARLETT in 2070  BIKINI AMAZON BATTLES
    9 minutes
      BIKINI AMAZON BATTLES - BIKINI SWORD BATTLES
CUSTOM
Starring: Ksyusha Zaichik, Tatiana 
Elements:
Amazons, Battle, Sword Fight, Catfighting 
PLOT
Another movie about modern amazons fighting to the death with swords..
 
IF YOU LIKE THIS FILM PLEASE CHECK OUT THE SECOND PART
GLADIATORS ARENA

AMAZON CLUB
BIKINI AMAZON BATTLES 2
     DEATH MATCH
    46 minutes
      DEATH MATCH - Elements: MMA, Kicking, Boxing, Fighting to the death, Choking, Blood, Death Stares, Non Fatal Battles, Fatal Battles  

 

Experienced champions female  fights to the death find themselves powerless against young crazy girl fighters with no pity and no rules...  KNIFE DUELING
    11 minutes
      KNIFE DUELING - KNIFE DUELING
CUSTOM
STARRING: KEILA, KELLY, ALICE MIREN, MARYANN, MAX

Fetish Elements
Knives, Stabbing, Cat fighting to the death, Battle, Diver Outfits
«Wow!
It's one of the hottest yet! Those surf suits are SO sexy and the acting is great.

Many thanks»

Customer’s Feedback 

The man is seated in the chair, holding his gun and facing the rest of the room. There is a little bell on the armrest of his chair.

One team of girls is standing against one wall, the other stands against the opposite wall. The camera pans over the girls and you can see a mixture of fear and excitement on their faces. On a table against the third wall are two pairs of knives.

The man gets up and walks over to the black team with two straws in one hand. He offers them one girl. She draws the long straw, so that the other, with a resigned expression, walks over to the table, picks up two knives and takes up her position. He walks over to the blue team, and this time the first girl to draw gets the short straw, so that she too takes up a pair of knives and takes up her combat position opposite the first girl.

The man sits down and rings his bell. The girls begin to fight. You can have them give one another flesh wounds before the black team member lands a knife in her opponent's belly. The blue girl cries out, dropping one knife. The black girl withdraws the knife, and the blue girl staggers drunkenly, raising her remaining knife to attack. But the black girl easily knocks it out of her hand and lands a knife below the blue girl's left breast. This time she leaves the knife there. the blue girl clutches it, and falls to her knees, coughing blood. The black girl gives here a kick and she falls on her back, still clutching the knife, and lies writhing, spasming and coughing blood until she dies. The black girl pulls out the knife and raises both arms above her head in a victory gesture. She resumes her place beside her team mate.

This time the remaining two team members know that it is their turn. They take up position and, when the man rings the bell, they begin to fight. Again you can have them inflict flesh wounds. But this time it is the blue girl who lands an upper thrust above her opponent's left breast. She follows through with a belly wound. The black girl drops both knives and falls drunkenly to her knees. The blue girl gets behind her, pulls her head back by the hair and cuts her throat. The black girl falls forward, spasming and coughing lots of blood until she dies. Now it is the blue girl who raises her arms in triumph.

Now the surviving girl from the black team gets up to face her new opponent. Both girls are disheveled, with flesh wounds. After some sparring and some more flesh wounds, the black girl, stepping backwards, trips against one of the dead girls. The blue girl seizes this moment to slash her opponent's side below the ribs. But the black girl regains her balance, attacking and landing two thrusts to the blue girl's belly. The blue girl falls on her back, her body shaking, apparently all but spent. Throwing one knife aside the black girl sits astride her. She throws her head back back in savage triumph and raises her remaining knife high with both hands, preparing to plunge it into her opponent's chest. But the blue girl, in a lightning gesture with her remaining strength, plunges a knife in below her opponent's left breast. The black girl's expression changes from triumph to pain to puzzlement, Her upper body rocks slightly forward and she coughs blood. The blue girl tries to laugh but only manages to cough blood. The black girl's expression goes blank and she falls forward. Both girls spasm, shiver and die. The camera pans over the four corpses.

The man lines up the corpses on their backs. The camera pans over them fully clothed. One by one he unzips their uniforms, revealing their breasts. Another camera pan. Then he strips their bodies for one last camera pan.
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    Welcome To The Crime House Studio on Kinky Clips
    Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation. Crime House does very erotic stuff, but not porn. Why we advice to offer our videos? 1. SEXY VICTIM-ACTRESSES ONLY 2. REALISTIC DEATH SITUATIONS 3. GREAT ACTING 4. CSGFX EFFECTS 5. NEW MODELS EVERY WEEK 6. ALL DEATH FETISH GENRES 7. NOT PORN BUT VERY-VERY EROTIC AND HOT 8.RUSSIAN AND EAST EUROPE HOT MODELS 9. WE DO KNOW HOW TO PLAY SEXY DEATH 10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY

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